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10<br />

Charles Johnston.<br />

MOONLIGHT SYMPHONY<br />

ORCHESTRA RETURNS TO LONDON<br />

The Moonlight Symphony Orchestra<br />

recently returned from their European<br />

tour in Vienna with performances made<br />

in two of the world’s most famous<br />

venues – the Wiener Konzerthaus and<br />

the Muth Theather (the home of the<br />

Vienna Boys Choir). Now back in<br />

London, they will perform at St John’s<br />

Smith Square on 22 <strong>June</strong> at 19.30.<br />

W.A Mozart's Clarinet Concerto in A<br />

K622 was one of the final completed<br />

works written by Mozart two months<br />

before he died. The concerto is notable<br />

for its delicate interplay between soloist<br />

and Orchestra. The soloist for this<br />

performance is Jorge Ripoll, a Spanish<br />

Clarinettist who is currently completing<br />

his Master’s degree at the world’s<br />

second-best Music conservatoire, the<br />

Royal College of Music.<br />

G Verdi La Traviata, the fallen woman,<br />

is an opera of three acts. The main artist<br />

in this performance is Violeta and this<br />

character speaks to our universal nature.<br />

Among the soloists is British baritone,<br />

Charles Johnston, who leads the two<br />

young soloists for this concert. With a<br />

repertoire ranging from Wagner to<br />

Britten, his career highlights include<br />

performances for English National<br />

Opera, Gorgio Germont & Marquis<br />

d’Obigny La Traviata, Dr Kolenaty The<br />

Makropulos Case, Nikitich Boris<br />

Godunov, The Cardinal The Duchess of<br />

Malfi, 1st SS Officer The Passenger, and<br />

the Guide Death in Venice (the latter<br />

bringing débuts at La Scala, Milan; La<br />

Monnaie; De Nederlandse Opera; and<br />

the Concertgebouw, Amsterdam).<br />

During this performance, the<br />

audience will have the opportunity to<br />

travel back to the 19th century and<br />

experience an intimate romantic<br />

atmosphere in one of the best-loved and<br />

most frequently performed opera plays.<br />

The Moonlight Symphony Orchestra<br />

was founded in December 2015 by<br />

Artistic Director Isolda Da Costa Soares.<br />

The orchestra was created to support<br />

and mentor young musicians and to<br />

help them develop their skills to a<br />

professional level.<br />

The Orchestra is comprised of many<br />

musicians who have graduated from<br />

some of Europe’s leading conservatories<br />

including the Royal College of Music,<br />

Royal Academy of Music, Guildhall<br />

School of Music & Drama in the UK, the<br />

Conservatorium van Amsterdam and the<br />

Music and Arts University of the City of<br />

Vienna and The University of Music and<br />

Performing Arts Vienna.<br />

Further details are available from<br />

www.moonlightsymphonyorchestra.com<br />

The cast of Allelujah! with Alan Bennett and Arlene Phillips.<br />

WORLD PREMIERE OF ALAN<br />

BENNETT’S ALLELUJAH!<br />

Rehearsals began this week for the<br />

world premiere of Nicholas Hytner’s<br />

production of Alan Bennett’s Allelujah!<br />

at the Bridge Theatre. Designed by Bob<br />

Crowley with choreography Arlene<br />

Phillips, lighting by Natasha Chivers and<br />

music by George Fenton, Allelujah! runs<br />

from 11 July to 28 September, with<br />

opening night on 18 July.<br />

The Beth, an old fashioned cradle-tograve<br />

hospital serving a town on the<br />

edge of the Pennines, is threatened with<br />

closure as part of an NHS efficiency<br />

drive. Meanwhile, a documentary crew<br />

eager to capture its fight for survival<br />

follows the daily struggle to find beds on<br />

the Dusty Springfield Geriatric Ward,<br />

and the triumphs of the old people’s<br />

choir (newest member: the Pudsey<br />

Nightingale).<br />

Allelujah! will be the tenth<br />

collaboration between Bennett and<br />

Hytner. They first worked together on<br />

Bennett’s adaptation of The Wind in the<br />

Willows for the National Theatre in<br />

1990. Then followed The Madness of<br />

King George III, The Lady in the Van and<br />

The History Boys, all of which were also<br />

seen on film, The Habit of Art, People<br />

and the double bill Untold Stories.<br />

Box Office telephone 0843 208 1846.<br />

Photo: Luke Varley.<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e

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