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STYLE INSPIRATION - camilleriparismode Malta

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design FLAIR JULY 09 ISSUE 22 69<br />

Style inSpiration<br />

Some businesses turn themselves into a way of life, and when that life is beautiful,<br />

other people want a part of it. FLAIR talks to the Camilleri Paris Mode family about<br />

their stunning new premises in Rabat and about the long but steady road from a shop<br />

in 19 th -century St John’s Square, Valletta to this. Photography: ALAN CARVILLE


70 FLAIR JULY 09 ISSUE 22 design<br />

We know them as Camilleri Paris Mode, a quaintly old-fashioned<br />

name for an operation that is anything but. The Camilleri family<br />

business, which sold clothes and accessories, handbags, hats<br />

and haberdashery, started out in 1890 when Paolo Camilleri<br />

opened up shop and start trading under the name of A la Ville de<br />

Lyon. The shop entrance was tucked into the façade of st John’s<br />

Cathedral in Valletta, with a door and window round the corner<br />

on Merchants street.<br />

There is a description of the shop in <strong>Malta</strong> and gibraltar<br />

illustrated, compiled and edited by Allister Macmillan and<br />

published during the First World War (it was approved by the<br />

military press censor in London):<br />

“To all with whom economy is a matter of ever-recurrent thought<br />

much depends on knowing where to buy, that is, where money is<br />

made to go the farthest – where expects, guided by knowledge of<br />

the requirements of the moment, and of the best and most suitable<br />

sources of supply, set in array before the public the latest and<br />

choicest articles available. such an establishment is that of Mr Paolo<br />

Camilleri, which is very popular because of the opportunities and<br />

facilities it affords of acquiring dress materials of every description<br />

at prices that please. general drapery and clothing cannot be<br />

dispensed with as can articles of luxury and ornamentation. They<br />

are indispensible in seasons of financial depletion as well as in<br />

times of well-filled exchequers, and it is to people who are under<br />

the necessity of exercising economy in every direction that Mr<br />

Camilleri appeals by his goods. The extent of his importation would<br />

probably astonish most people in the island, and he has always in<br />

stock the latest patterns and novelties associated with the trade.”<br />

CArMeLo’s grAndson AnTHony CA<br />

BoosT AFTerWArds. THere WAs so M<br />

Paolo Camilleri died young, when only in his 40s. His sons Carmelo<br />

and giuseppe continued to run the shop after their father died, but in<br />

the 1920s they parted amicably. Carmelo, whose grandsons Victor,<br />

Anthony and Franco run the business today along with some of their<br />

children, needed a new name. Because France was still the height<br />

of glamour then, he chose Camilleri Paris Mode. A dividing wall<br />

was built inside the shop, and giuseppe kept the cathedral façade<br />

entrance while Carmelo kept that on Merchants street, where it<br />

remains today. Things could have been very different. Carmelo had<br />

been 17, facing an uncertain future of few opportunities and on the<br />

verge of emigrating to Argentina when his father died and he decided<br />

to stay on. Just before the war he added another shop – 23 Merchant<br />

street – where he sold hats, broderie Anglaise and men’s drapery.<br />

The two brothers had 16 children between them, yet those two<br />

shops kept them all fed, clothed and educated, which says much


design FLAIR JULY 09 ISSUE 22 71<br />

MiLLeri sAys: “THe Business Took A Very HArd knoCk during THe WAr, BuT A<br />

uCH desTruCTion. PeoPLe HAd To sTArT AFresH, To reBuiLd, reFiT And reFurnisH.”<br />

for the acumen and hard work of those who ran them. Like almost<br />

all others, the business was hit hard during the second World War,<br />

particularly during the blitz when Valletta was evacuated as bombs<br />

rained down every day.<br />

Carmelo’s grandson Anthony Camilleri says: “The business took a very<br />

hard knock during the war, but a boost afterwards. There was so much<br />

destruction. People had to start afresh, to rebuild, refit and refurnish.”<br />

A la Ville de Lyon ceased trading in the 1960s, but Camilleri Paris<br />

Mode kept going. Another of Carmelo’s grandsons, Victor Camilleri,<br />

joined the business in the early 1970s. “We still had some leftover<br />

stock then of raincoats for priests – all of them extra large,” he says.<br />

given the marked absence of customers in the form of extra-large<br />

priests, the business diversified into wedding dresses and increased<br />

its stocks of dress-materials. The shop had stopped carrying readymade<br />

clothes around 20 years earlier. >p72


72 FLAIR JULY 09 ISSUE 22 design<br />

MeMBers oF THe CAMiLLeri<br />

F A M i L y, V A r i o u s e M P L o y e e s<br />

A n d B u s i n e s s C o n T A C T s<br />

T H r o u g H T H e y e A r s .<br />

>With the family growing down the<br />

generations, Camilleri Paris Mode recognised<br />

the need to expand both in terms of premises<br />

and the range of stock it carried. eighteen<br />

years ago, they opened their eponymous shop<br />

in sliema’s Annunciation square, selling top-of-<br />

the-range furnishing fabrics, gifts, ornaments<br />

and italian toiletries like Acqua di Parma.<br />

The shop was run by yet another of Carmelo’s<br />

grandsons, Franco Camilleri, with Victor’s son<br />

Paul and now, Franco’s daughter Mara.<br />

“We needed to grow,” Paul Camilleri says. “But<br />

in growing, we changed the whole concept of what<br />

we do. Before 1999, we sold only select furnishings.<br />

The obvious next step was to add accessories for<br />

the home, and to grow the range by adding on only


iconic and very sophisticated brands. We sought out special things<br />

that we saw were missed by the market in <strong>Malta</strong>.”<br />

it is a far cry from the days back in 1915 when A la Ville de Lyon’s<br />

boast was that it catered to the needs of those who wished to<br />

make their money go farthest. Camilleri Paris Mode has over the<br />

last decade built up a very good working relationship with interior<br />

designers and architects, working closely with them to provide<br />

a complete service and adding new products as they became<br />

essential or desirable. even before opening the sliema shop, the<br />

company had bought renowned sofa-maker gk interiors, which was<br />

based in rabat, and continued to hand-build sofas to classic and<br />

contemporary designs for private clients. The rabat premises have<br />

since been gutted and completely restructured internally and are<br />

now a new three-storey shop, fabulously decorated and laid out<br />

with all manner of furniture, furnishings, ornaments and the most<br />

spectacular, gorgeous materials for curtains and sofas. >p75<br />

design FLAIR JULY 09 ISSUE 22 73<br />

FroM LeFT To rigHT: ViCTor CAMiLLeri, FrAnCo CAMiLLeri, His dAugHTer MArA CAMiLLeri, AndreW CAMiLLeri, PAuL CAMiLLeri, MArk CAMiLLeri WHo Looks AFTer BACk oFFiCe And AdMinisTrATion, And AnTHony CAMiLLeri.<br />

BeFore 1999, We<br />

soLd onLy seLeCT<br />

FurnisHings. THe<br />

oBVious nexT<br />

sTeP WAs To Add<br />

ACCessories For<br />

THe HoMe, And To<br />

groW THe rAnge<br />

By Adding on onLy<br />

iConiC And Very<br />

soPHisTiCATed<br />

BrAnds. We sougHT<br />

ouT sPeCiAL THings<br />

THAT We sAW Were<br />

Missed By THe<br />

MArkeT in MALTA.”


“We travel regularly to discover new products that might be of<br />

interest to our clients, and i make a point of learning all there is to<br />

know about each thing we sell,” Paul says. “We visit the factories<br />

and speak to the creators. i believe that you can’t sell something<br />

properly unless you understand it thoroughly. That way, even if<br />

clients come in unaccompanied by a designer, we can help them.”<br />

Camilleri Paris Mode doesn’t sell or make fitted furniture, but<br />

only the sort of keynote pieces that make a room. examples of such<br />

pieces are dotted all over the rabat premises, which are decked out<br />

in a user-friendly way. “This is definitely not a showroom, and we<br />

don’t see it as one,” Franco says. “We want people to walk around<br />

and touch things, to sit on the chairs and lean on the tables. We just<br />

didn’t want that stiff look.”<br />

nor did they get it. on the uppermost storey there’s an open-plan<br />

kitchen where coffee is served to clients as they browse, and where<br />

the Camilleris plan to cook quick meals if the process of choosing and<br />

discussing takes even longer. despite only being up and running for a<br />

few months, the place has come together brilliantly and feels lived in.<br />

The sofa-building side of the business is now run by Andrew<br />

Camilleri, and it also produces all manner of blinds, including blinds<br />

made under licence for silent gliss and Mottura. “We’ve invested<br />

in new methods and technology, but we’ve retained the hand-built<br />

craftsmanship for which gk interiors was known,” he says. “When<br />

you buy a sofa, you’re buying a closed box. >p76<br />

design FLAIR JULY 09 ISSUE 22 75<br />

“THis is deFiniTeLy noT A sHoWrooM, And We don’T see iT As one,” FrAnCo sAys. “We WAnT PeoPLe To WALk<br />

Around And TouCH THings, To siT on THe CHAirs And LeAn on THe TABLes. We JusT didn’T WAnT THAT sTiFF Look.


76 FLAIR JULY 09 ISSUE 22 design<br />

>you really don’t know what’s going on inside, what it’s been<br />

made from. We see so many sofas that have been cobbled<br />

together from leftovers. With ours you have a guarantee of<br />

solid workmanship. it takes about 60 hours to make one sofa<br />

and everything is made to order, including the legs. it’s all<br />

done in our workshops, with strict quality control, and we<br />

source the materials ourselves.”


The sliema shop is now run by Mara Camilleri. With the whole range<br />

of furnishing materials having been moved to rabat, where they<br />

are sumptuously displayed over an entire floor, the small sliema<br />

boutique operates as a very sophisticated source of gifts, including<br />

wedding lists, and presents to oneself on good (or bad) days when<br />

we feel in need of a reward or treat. its clientele is fiercely loyal,<br />

driving to an area where there is absolutely no legal parking so as<br />

to go there. What are they looking for? “People love the atmosphere<br />

and the service,” Mara says. “They like the wrapping, and the fact<br />

that a present that comes from our shop shows that you’ve made so<br />

much more of an effort. it’s not only our customers who feel special,<br />

but the end recipients, too. That’s a very valuable part of what we<br />

do. we maintain a personal relationship with all our sliema clients.<br />

We help them choose what they’re looking for. We give really oldfashioned<br />

service that is at the same time highly contemporary.”<br />

What does she think about working with her father, uncles and<br />

cousins? “if i didn’t get along with them, i wouldn’t work with them.<br />

But we all get along well. My parents are very strict and they make<br />

sure that we work hard and maintain standards. But of course, when<br />

you love what you do then it’s so much easier.<br />

<strong>camilleriparismode</strong><br />

St Catherine Street, Rabat<br />

Annunciation Square, Sliema<br />

Merchants Street, Valletta<br />

www.<strong>camilleriparismode</strong>.com<br />

design FLAIR JULY 09 ISSUE 22 77

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