pierre frey – at home in paris – flair magazine
pierre frey – at home in paris – flair magazine
pierre frey – at home in paris – flair magazine
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At <strong>home</strong> <strong>in</strong> PAris<br />
This Paris fl<strong>at</strong> is the <strong>home</strong> of Pierre Frey, grandson of the founder<br />
of the eponymous Parisian textiles house. He has decor<strong>at</strong>ed<br />
it us<strong>in</strong>g this year’s collections from the family firm, giv<strong>in</strong>g it a<br />
contemporary look th<strong>at</strong> is full of charm and not <strong>at</strong> all cl<strong>in</strong>ical.<br />
Photography: Thomas GoldeT<br />
ISSUE 39 09/2012<br />
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64 09/2012 ISSUE 39<br />
At<br />
Home<br />
<strong>in</strong> Paris<br />
The architecture of the fl<strong>at</strong> is spacious and well-proportioned, with<br />
high ceil<strong>in</strong>gs, which made the design of the <strong>in</strong>teriors so much more<br />
reward<strong>in</strong>g and responsive to colourful fabrics and graphic l<strong>in</strong>es of<br />
furniture. This is the <strong>home</strong> of Pierre Frey, Jr., so only the products of<br />
la maison Pierre Frey will do. Fortun<strong>at</strong>ely, there is plenty of choice,<br />
because the product range no longer covers only textiles, but now<br />
<strong>in</strong>cludes furniture, wallpaper, carpets, lamps and accessories.<br />
The fl<strong>at</strong> is <strong>in</strong> the heart of Paris, hidden beh<strong>in</strong>d the beautiful doorway of a 17th century build<strong>in</strong>g.<br />
loc<strong>at</strong>ed <strong>at</strong> the back of the courtyard and up the 19th century staircase, it is b<strong>at</strong>hed <strong>in</strong> light<br />
thanks to the wall of full-height casement w<strong>in</strong>dows th<strong>at</strong> flow through the succession of rooms.<br />
It took seven months of work to restore the space to its orig<strong>in</strong>al circular floor plan, to select the<br />
fixtures and f<strong>in</strong>ish<strong>in</strong>g m<strong>at</strong>erials, and f<strong>in</strong>ally to decor<strong>at</strong>e it with fabrics and furniture.<br />
Pierre Frey led the work himself, <strong>in</strong> consult<strong>at</strong>ion with the architect marika dru, who<br />
suggested many of the strong design elements and who cre<strong>at</strong>ed the light fixtures through her<br />
studio mKd design, which were then made by Charles of Paris. each room has been given its<br />
own clear identity, and the dram<strong>at</strong>ic character of the space is immedi<strong>at</strong>ely evident as soon as<br />
you walk through the front door to f<strong>in</strong>d the hall walls striped <strong>in</strong> anise and black, with a console<br />
framed by curta<strong>in</strong>s <strong>in</strong> a delic<strong>at</strong>e embroidered leaf fabric from Boussac, with lamps by Pierre<br />
Frey. Further illum<strong>in</strong><strong>at</strong>ion comes from the hubert le Gall mirror and the two mesh chandeliers<br />
by mar<strong>in</strong>e Breynaert.<br />
The hall opens onto a large liv<strong>in</strong>g<br />
area, where the sun-drenched<br />
kitchen meets the d<strong>in</strong><strong>in</strong>g-room<br />
and liv<strong>in</strong>g-room <strong>in</strong> an open plan<br />
of neutral tones and shades, with<br />
bursts of <strong>in</strong>tense colour. Large<br />
form<strong>at</strong> photographs and a highimpact<br />
mirror by Hubert Le Gall<br />
f<strong>in</strong>ish off the decor. The very<br />
graphic corridor is papered with<br />
striped wallpaper by Boussac<br />
(Bianca, <strong>in</strong> anthracite, silver and<br />
white). The mesh chandeliers<br />
are by Mar<strong>in</strong>e Breynaert.
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This space is decor<strong>at</strong>ed with<br />
Pierre Frey and Boussac fabrics<br />
and structured by graphic black<br />
furniture. An Aubusson carpet,<br />
a Pierre Frey special, repe<strong>at</strong>s the<br />
embroidered motif of the l<strong>in</strong>en<br />
curta<strong>in</strong>s (Atmosphere by Pierre<br />
Frey). The walls are decor<strong>at</strong>ed<br />
with photographs by Ambroise<br />
Tezenas. The ceramics are by Buffile.<br />
The Versailles parquet, by Feau<br />
Boiseries, is lightly limed, with a<br />
grey t<strong>in</strong>t, and cre<strong>at</strong>es a delic<strong>at</strong>e<br />
harmony with the pepper tones of<br />
the walls. The pa<strong>in</strong>t<strong>in</strong>g is by Sarah<br />
Lavo<strong>in</strong>e. The Zanzibar lamp is <strong>in</strong><br />
tulipwood. The Milena chairs are<br />
covered <strong>in</strong> glazed l<strong>in</strong>en (Portof<strong>in</strong>o)<br />
and the sofa (models <strong>–</strong> Peter;<br />
Rosel<strong>in</strong>e; Remi) is covered with a<br />
white woven chevron (Vasco).<br />
66 09/2012 ISSUE 39<br />
At<br />
Home<br />
<strong>in</strong> Paris
In the d<strong>in</strong><strong>in</strong>g area,<br />
two armchairs<br />
are covered with<br />
thick two-tone<br />
basket-weave<br />
cotton. The<br />
d<strong>in</strong><strong>in</strong>g-table is<br />
by Pierre Frey,<br />
as are the chairs<br />
which have been<br />
upholstered<br />
<strong>in</strong> fabric from<br />
the Studio<br />
Andree Putman<br />
collection. The<br />
space is lit by a<br />
tube chandelier<br />
by Mkd.<br />
above In THe kITcHen,<br />
ALL APPLIAnceS ARe<br />
HIdden FRoM SIGHT In<br />
Two cLoSeTS wITH THe<br />
oRIGInAL oLd PAneLLed<br />
dooRS. A cenTRAL<br />
ISLAnd By VALcucIne IS<br />
coVeRed In FAux LeATHeR<br />
And GLASS, And SeRVeS<br />
To AncHoR THe deSIGn<br />
oF THe RooM, wHIcH<br />
IS ILLuMInATed By A<br />
dRAMATIc Mkd SPecIAL<br />
LuSTeR-TuBe cHAndeLIeR.<br />
THe SAMe FAux LeATHeR IS<br />
uSed on LARGe, eLeGAnT,<br />
FLoATInG FRAMeS To<br />
MARk THe PASSAGe FRoM<br />
kITcHen To LIVInG-RooM<br />
And HALL. THe SconceS<br />
ARe By cHARLeS PARIS.<br />
At<br />
Home<br />
<strong>in</strong> Paris<br />
ISSUE 39 09/2012<br />
69
At<br />
Home<br />
<strong>in</strong> Paris<br />
In the ma<strong>in</strong><br />
bedroom, the<br />
walls are covered<br />
<strong>in</strong> a silk s<strong>at</strong><strong>in</strong><br />
with a geometric<br />
p<strong>at</strong>tern, and<br />
the curta<strong>in</strong>s are<br />
made of grey<br />
striped l<strong>in</strong>en<br />
embroidered<br />
with a damask<br />
motif and<br />
held open<br />
with declerq<br />
tie-backs.<br />
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71
The b<strong>at</strong>hroom is open to the bedroom and benefits<br />
from the n<strong>at</strong>ural light filter<strong>in</strong>g <strong>in</strong> from the tall<br />
w<strong>in</strong>dows. The read<strong>in</strong>g lamps and chandelier tube are<br />
by Mkd design. The pa<strong>in</strong>t<strong>in</strong>gs are by dean Tavoularis<br />
and from Gallery c<strong>at</strong>her<strong>in</strong>e Houard. The lamp is by<br />
charles Paris. The b<strong>at</strong>hroom fixtures are by devon<br />
& devon and the grey raised mosaic by Trend.<br />
At<br />
Home<br />
<strong>in</strong> Paris<br />
The second bedroom is a luxurious<br />
riot of gold and green silk, with<br />
velvet cushions on the bed <strong>–</strong> all<br />
textiles from the Fad<strong>in</strong>i Borghi<br />
collection. A 1970s lamp <strong>in</strong> gold<br />
metal is by charles Paris. The stool<br />
and console are by Pierre Frey. The<br />
circular ceil<strong>in</strong>g is by Mkd design.<br />
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