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pierre frey – at home in paris – flair magazine

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At <strong>home</strong> <strong>in</strong> PAris<br />

This Paris fl<strong>at</strong> is the <strong>home</strong> of Pierre Frey, grandson of the founder<br />

of the eponymous Parisian textiles house. He has decor<strong>at</strong>ed<br />

it us<strong>in</strong>g this year’s collections from the family firm, giv<strong>in</strong>g it a<br />

contemporary look th<strong>at</strong> is full of charm and not <strong>at</strong> all cl<strong>in</strong>ical.<br />

Photography: Thomas GoldeT<br />

ISSUE 39 09/2012<br />

63


64 09/2012 ISSUE 39<br />

At<br />

Home<br />

<strong>in</strong> Paris<br />

The architecture of the fl<strong>at</strong> is spacious and well-proportioned, with<br />

high ceil<strong>in</strong>gs, which made the design of the <strong>in</strong>teriors so much more<br />

reward<strong>in</strong>g and responsive to colourful fabrics and graphic l<strong>in</strong>es of<br />

furniture. This is the <strong>home</strong> of Pierre Frey, Jr., so only the products of<br />

la maison Pierre Frey will do. Fortun<strong>at</strong>ely, there is plenty of choice,<br />

because the product range no longer covers only textiles, but now<br />

<strong>in</strong>cludes furniture, wallpaper, carpets, lamps and accessories.<br />

The fl<strong>at</strong> is <strong>in</strong> the heart of Paris, hidden beh<strong>in</strong>d the beautiful doorway of a 17th century build<strong>in</strong>g.<br />

loc<strong>at</strong>ed <strong>at</strong> the back of the courtyard and up the 19th century staircase, it is b<strong>at</strong>hed <strong>in</strong> light<br />

thanks to the wall of full-height casement w<strong>in</strong>dows th<strong>at</strong> flow through the succession of rooms.<br />

It took seven months of work to restore the space to its orig<strong>in</strong>al circular floor plan, to select the<br />

fixtures and f<strong>in</strong>ish<strong>in</strong>g m<strong>at</strong>erials, and f<strong>in</strong>ally to decor<strong>at</strong>e it with fabrics and furniture.<br />

Pierre Frey led the work himself, <strong>in</strong> consult<strong>at</strong>ion with the architect marika dru, who<br />

suggested many of the strong design elements and who cre<strong>at</strong>ed the light fixtures through her<br />

studio mKd design, which were then made by Charles of Paris. each room has been given its<br />

own clear identity, and the dram<strong>at</strong>ic character of the space is immedi<strong>at</strong>ely evident as soon as<br />

you walk through the front door to f<strong>in</strong>d the hall walls striped <strong>in</strong> anise and black, with a console<br />

framed by curta<strong>in</strong>s <strong>in</strong> a delic<strong>at</strong>e embroidered leaf fabric from Boussac, with lamps by Pierre<br />

Frey. Further illum<strong>in</strong><strong>at</strong>ion comes from the hubert le Gall mirror and the two mesh chandeliers<br />

by mar<strong>in</strong>e Breynaert.<br />

The hall opens onto a large liv<strong>in</strong>g<br />

area, where the sun-drenched<br />

kitchen meets the d<strong>in</strong><strong>in</strong>g-room<br />

and liv<strong>in</strong>g-room <strong>in</strong> an open plan<br />

of neutral tones and shades, with<br />

bursts of <strong>in</strong>tense colour. Large<br />

form<strong>at</strong> photographs and a highimpact<br />

mirror by Hubert Le Gall<br />

f<strong>in</strong>ish off the decor. The very<br />

graphic corridor is papered with<br />

striped wallpaper by Boussac<br />

(Bianca, <strong>in</strong> anthracite, silver and<br />

white). The mesh chandeliers<br />

are by Mar<strong>in</strong>e Breynaert.


ISSUE 39 09/2012<br />

65


This space is decor<strong>at</strong>ed with<br />

Pierre Frey and Boussac fabrics<br />

and structured by graphic black<br />

furniture. An Aubusson carpet,<br />

a Pierre Frey special, repe<strong>at</strong>s the<br />

embroidered motif of the l<strong>in</strong>en<br />

curta<strong>in</strong>s (Atmosphere by Pierre<br />

Frey). The walls are decor<strong>at</strong>ed<br />

with photographs by Ambroise<br />

Tezenas. The ceramics are by Buffile.<br />

The Versailles parquet, by Feau<br />

Boiseries, is lightly limed, with a<br />

grey t<strong>in</strong>t, and cre<strong>at</strong>es a delic<strong>at</strong>e<br />

harmony with the pepper tones of<br />

the walls. The pa<strong>in</strong>t<strong>in</strong>g is by Sarah<br />

Lavo<strong>in</strong>e. The Zanzibar lamp is <strong>in</strong><br />

tulipwood. The Milena chairs are<br />

covered <strong>in</strong> glazed l<strong>in</strong>en (Portof<strong>in</strong>o)<br />

and the sofa (models <strong>–</strong> Peter;<br />

Rosel<strong>in</strong>e; Remi) is covered with a<br />

white woven chevron (Vasco).<br />

66 09/2012 ISSUE 39<br />

At<br />

Home<br />

<strong>in</strong> Paris


In the d<strong>in</strong><strong>in</strong>g area,<br />

two armchairs<br />

are covered with<br />

thick two-tone<br />

basket-weave<br />

cotton. The<br />

d<strong>in</strong><strong>in</strong>g-table is<br />

by Pierre Frey,<br />

as are the chairs<br />

which have been<br />

upholstered<br />

<strong>in</strong> fabric from<br />

the Studio<br />

Andree Putman<br />

collection. The<br />

space is lit by a<br />

tube chandelier<br />

by Mkd.<br />

above In THe kITcHen,<br />

ALL APPLIAnceS ARe<br />

HIdden FRoM SIGHT In<br />

Two cLoSeTS wITH THe<br />

oRIGInAL oLd PAneLLed<br />

dooRS. A cenTRAL<br />

ISLAnd By VALcucIne IS<br />

coVeRed In FAux LeATHeR<br />

And GLASS, And SeRVeS<br />

To AncHoR THe deSIGn<br />

oF THe RooM, wHIcH<br />

IS ILLuMInATed By A<br />

dRAMATIc Mkd SPecIAL<br />

LuSTeR-TuBe cHAndeLIeR.<br />

THe SAMe FAux LeATHeR IS<br />

uSed on LARGe, eLeGAnT,<br />

FLoATInG FRAMeS To<br />

MARk THe PASSAGe FRoM<br />

kITcHen To LIVInG-RooM<br />

And HALL. THe SconceS<br />

ARe By cHARLeS PARIS.<br />

At<br />

Home<br />

<strong>in</strong> Paris<br />

ISSUE 39 09/2012<br />

69


At<br />

Home<br />

<strong>in</strong> Paris<br />

In the ma<strong>in</strong><br />

bedroom, the<br />

walls are covered<br />

<strong>in</strong> a silk s<strong>at</strong><strong>in</strong><br />

with a geometric<br />

p<strong>at</strong>tern, and<br />

the curta<strong>in</strong>s are<br />

made of grey<br />

striped l<strong>in</strong>en<br />

embroidered<br />

with a damask<br />

motif and<br />

held open<br />

with declerq<br />

tie-backs.<br />

ISSUE 39 09/2012<br />

71


The b<strong>at</strong>hroom is open to the bedroom and benefits<br />

from the n<strong>at</strong>ural light filter<strong>in</strong>g <strong>in</strong> from the tall<br />

w<strong>in</strong>dows. The read<strong>in</strong>g lamps and chandelier tube are<br />

by Mkd design. The pa<strong>in</strong>t<strong>in</strong>gs are by dean Tavoularis<br />

and from Gallery c<strong>at</strong>her<strong>in</strong>e Houard. The lamp is by<br />

charles Paris. The b<strong>at</strong>hroom fixtures are by devon<br />

& devon and the grey raised mosaic by Trend.<br />

At<br />

Home<br />

<strong>in</strong> Paris<br />

The second bedroom is a luxurious<br />

riot of gold and green silk, with<br />

velvet cushions on the bed <strong>–</strong> all<br />

textiles from the Fad<strong>in</strong>i Borghi<br />

collection. A 1970s lamp <strong>in</strong> gold<br />

metal is by charles Paris. The stool<br />

and console are by Pierre Frey. The<br />

circular ceil<strong>in</strong>g is by Mkd design.<br />

ISSUE 39 09/2012<br />

73

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