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<strong>2018</strong><br />

MUSIC<br />

Everything<br />

The Triad Scene<br />

June/July<br />

Nathan<br />

Pope<br />

Roy<br />

Roberts<br />

J White<br />

From Managing to<br />

Maserati<br />

Highland North<br />

Music<br />

Fully Committed<br />

Blac Lui Kang<br />

Maker of Music<br />

A Light Divided<br />

Chooses Your Next<br />

Adventure<br />

BILL CLUBB<br />

Photographic Visions


Inside Everything MUSIC<br />

June/July<strong>2018</strong><br />

Contact Us<br />

336.272.5122<br />

dtpress@bellsouth.net<br />

facebook: everythingmusicmagazine<br />

www.everythingmusictriad.com<br />

e<br />

Artist<br />

Cover Story<br />

Music Shops<br />

Club Calendar<br />

Cover<br />

Roy & Nathan<br />

A Legend and Prodigy meet as blues<br />

music passes through two generations<br />

of musicians.<br />

6<br />

Inside<br />

• J White<br />

• Highland North<br />

Music<br />

• Uncle Mike<br />

• Black Lui Kang<br />

• A Light Divided<br />

Inside Story<br />

Local Businesses<br />

E<br />

Working with Everything Music!<br />

Anyone interested in being a part of Everything Music is welcome<br />

to call 336.272.5122. We are always looking for Writers,<br />

Photographers and Sales. If you like music and enjoy seeing<br />

live bands and artist and have the desire to write or even need<br />

an internship for a class this is a great way to get your work<br />

out there and get noticed.<br />

Owners Thoughts<br />

I don't really like going out in cold or wet weather but this night was a little different.<br />

We wanted to get a few shots of our cover story as they performed together at the<br />

221 lounge in Greensboro. It was a Saturday night, supposably spring time, but yet<br />

they were calling for rain and snow showers so I grabbed my coat and layered up as<br />

I was always taught in scouts, and ventured out. First, Roy Roberts full band came<br />

on the stage and performed a few songs which I would have enjoyed all night but<br />

then came Roy whom I had never seen before with his, "take control of the stage" and<br />

comfortable ease he has. After a few more songs he brings up Nathan, a Blues boy, who knows how to<br />

rock! It almost seemed as if they had been playing together for years, but only to know this was the fi rst<br />

time on the same stage with not even a warm up. Personally I could never do that but I guess that's why<br />

I'm in the audience. As for the next few songs they did together I was immensely impressed with all three<br />

parts of the show and I highly recommend fi nding their next shows.<br />

Stephen's Song Pick:<br />

Bill Clubb<br />

Publisher & Designer<br />

Editor<br />

Photographers<br />

Writers<br />

Uncle Mike<br />

Tracy Haney<br />

Alvin Lee - Bluest Blues<br />

Love it!<br />

DTPRESS Inc.<br />

Tracy Lacivita<br />

Bill Clubb Photographic Visions<br />

Michael Cooper<br />

Visine Vision<br />

Kuntree Brad Cardille<br />

Mike Beane


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Top Billing with Underground Rich<br />

J White<br />

Underneath the Bathing Ape is Josh White, a very<br />

amusing, yet, sometimes facetious man that was<br />

the life of the party in adolescent years. Inevitably,<br />

the music industry was a constant hunger in life. Being<br />

a provider and a hustler administered the opportunity for<br />

Josh to incline to J White and eventually taking his East<br />

coast music closer to the entertainment<br />

industry in California. Preceding<br />

this time changing progress,<br />

White was right here in Greensboro<br />

performing for the first time at Club<br />

Rain in 2008 with DJ E Sudd. His<br />

secret to stumbling during a performance?<br />

Easy. Freestyle. Go to<br />

the next song. Mumble rap. Whatever.<br />

The crowd does not know you<br />

skipped a beat. Along the way of<br />

managing his cousin Brandon D,<br />

his musical ear picked up the tunes<br />

of Tigo B, Gav Beats, Lil Malik, and Rico Barrino. Of<br />

course, there is a different melody when it comes to the music<br />

between the two coasts, however, the grind is stronger<br />

here in North Carolina than California. “No one believes in<br />

your craft in NC unless you are already successful,”<br />

White claims. Working out of other studios and constantly<br />

dealing with people’s demeanor ultimately matured<br />

into the development of Underground Rich Studios,<br />

home of head engineer Laphelle. “People were<br />

overcharging me just because they think I’m rich. ‘Cause<br />

I look so good on the internet.”<br />

With his hectic schedule there<br />

seems to be no balance when music<br />

is life. White attended classes<br />

at UCLA with mentions of their<br />

great music department. “In the<br />

beginning it may feel like you<br />

are on a sh*t mountain but, sh*t<br />

stinks and can be lifted up off of<br />

you. When it seems the world is<br />

over, create a vision board and<br />

work on it.” If there is one adjustment<br />

White could make to music<br />

it would be to alter the amount of people that are in it<br />

and not taking it serious. His future endeavors involve<br />

hopes of working with OJ the Juice Man, Keyglock, and<br />

anybody making noise right now.<br />

Kuntree<br />

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A Music School<br />

for All<br />

Highland North Music<br />

A<br />

long Battleground Avenue, sits a renovated<br />

home dedicated to the love of music. If you’re<br />

in need of a landmark, just look for the huge<br />

guitar planted on the face of the building. Inside, a diverse<br />

in style and seasoned staff dedicate themselves to<br />

keeping music alive. Together they form Highland North<br />

Music, an afterschool school of arts. “Sadly, music arts in<br />

schools are diminishing. When students are involved in<br />

drama and music it’s rewarding. I wish there was a school<br />

like this when I was starting out,” says voice teacher Iris<br />

Crowe. While attending Highland North Music, students<br />

not only focus on voice and instrumentation, they<br />

also learn teamwork, interaction, diplomacy and when to<br />

speak up. Founder, Donnie Wright recalls the day it all<br />

came together. “I was approached by Suzanne Vandergrift,<br />

Founder of Greensboro Performing Arts. She asked<br />

me to teach guitar. My plate has always been full but<br />

her persistence paid off,” he says. Within two years he<br />

had thirty kids under his wing. Some years later, Vandergrift<br />

approached again. This time, she had something<br />

different in mind. “I had so many kids that they were<br />

blocking the hallway. Suzanne suggested I take off and<br />

do my own thing. My wife and I prayed about it. Within a<br />

month, I formed Highland North Music. It was a business<br />

I ran out of my home for nearly seven years providing<br />

piano, bass guitar and vocal training. ”Running a business<br />

out of his home had its challenges. He sought out<br />

a new location for his adventure. Dusting off a building<br />

that sat empty for nearly a decade, he mixed his ambition<br />

and finances and created a sort of musical refuge. “Parents<br />

are grateful. It’s a safe place that keeps their kids<br />

out of the streets,” he says. Though he states the program<br />

is not rigid, there are expectations. When it came to the<br />

music, Donnie admits he was adamant about the selections.<br />

“No secular music was allowed when we started.<br />

Now, we listen to opinions and suggestions.” Though<br />

he’s bent the rules to some degree, there’s one area<br />

NOTE STRINGS ATTACHED<br />

where he’s not flexible. “The music must be postive.” In<br />

addition, nothing comes easy for students as they earn the<br />

right to be here. “We give assessment tests. You have to<br />

pass these tests in order to make it to the casting calls<br />

where you find out details about upcoming shows. Then,<br />

there are contracts. They have until the first band meeting<br />

to sign,” says Donnie. Wait! Contracts? Bands? Sounds<br />

like they’re prepping music professionals. Maybe that’s<br />

also why their clients are using premiere equipment during<br />

their rehearsals twice a week. The recording studio is surrounded<br />

by high tech gadgets such as personal IEMs (inear<br />

monitors). Tucked in a corner, a dazzling percussion<br />

set awaits an eager student. “We haven’t skimped on anything,”<br />

he says. It is quite evident that the mastermind(s)<br />

behind this project know exactly what it takes to produce<br />

quality sound. There’s a lot invested yet the return is much<br />

greater. “We’re building confidence and bringing youth<br />

out of their shells. A 14-year-olds’self-esteem is very important.<br />

Music is a universal tool that helps people deal<br />

with many things,” says Iris. As the kids grew older and<br />

went off to college, programs were redesigned catering to<br />

smaller kids. Youth showcases feature students ranging<br />

from ages 6-17 and help conquer stage fright. Recalling<br />

a student that entered at age 8 and now in college leading<br />

worship, Highland North Music is witnessing the fruits<br />

of their labor. Though much has been accomplished, the<br />

dreams continue. When it pertains to the business, Donnie<br />

mentions, “I’d love to have a premiere learn and perform<br />

school throughout the state of North Carolina. ”With the<br />

students in mind he says, “I would love to have our musicians<br />

in on community events. We will play for free. ”As<br />

full-sized bands no longer cover the fields at half-time<br />

nor fill the bleachers during pep rallies, we’re witnessing<br />

somewhat of a musical crisis. Highland North Music<br />

is setting the standard of what many have longed to see<br />

return. It’s reassuring to find genuine interest in keeping<br />

hope and rhythm alive.<br />

Tracy Haney


Generations at the<br />

Cross Roads<br />

UPCOMING EVENTS<br />

NATHAN - June 10 Blind Tiger<br />

ROY - June 8 Luxe Restaurant<br />

Article by Brad Cardille • Photos by Bill Clubb<br />

I'm sitting across from Nathan Pope in his parents' home in<br />

rural southern Alamance County. In his room, we are surrounded<br />

by drums, keyboards and recording equipment.<br />

His mainstay guitars hanging from the walls. Nate is 15<br />

years old, and if you haven't heard, he's kind of a big deal.<br />

At 2 years old Nathan's "Teddy Bear" was a small red<br />

First Act Discovery guitar with a yellow flame decor, a gift from<br />

COVERING<br />

his Grandmother. "I carried it everywhere I went, even Disney<br />

World" he says. Listening to Kenny Wayne Shepherd while riding<br />

on the lawnmower with his mother and practicing in the<br />

backseat of the car on the long rides to and from home, he began<br />

the journey of honing his craft. By the time he was 6<br />

years old, Nathan was picking out melodies and learning songs<br />

on his own. At age 10, he began appearing on local stages.<br />

Now at the ripe age of 15, he's a staple on the Blues Festival Circuit.<br />

He's represented the Triangle Blues Society, played in Memphis<br />

(in front of Morgan Freeman). Nathan has just recently completed<br />

his first CD. titled "I'm Not Alone." The collections' lyrics are set<br />

deeply in his unwavering faith and the musical work on the guitar<br />

is put down squarely on some of his biggest, more modern influences,<br />

Joe Bonamassa, Kenny Wayne Shepherd and Gary Moore.<br />

"They're not just dreams, they're plans,<br />

there is no plan B"<br />

"At this age (15) I already know the direction I want to go" He<br />

tells me. "They're not just dreams, they're plans, there is no<br />

plan B" he says. As we discuss further, a more tangible albeit<br />

lofty goal comes to light and inspired by Joe Bonamassa's<br />

live performances at The Hall "My main goal is to play<br />

The Royal Albert Hall, that's where I want to play" he says.<br />

Impossible? Certainly not. Improbable? Maybe. If you mean improbable<br />

like a 2 year old would literally embrace a guitar constantly, picking<br />

up songs and melodies on his own at 6, playing gigs at 10 and becoming<br />

a fixture and standout on the scene? Writing and releasing his own<br />

music at 15? Well Then, it seems we may want to rethink those odds<br />

When asked about his approach to song writing, Nathan tells<br />

me, "I stay away from the typical 'Baby, why did you leave me?'<br />

kind of stuff." Rather, Nathan's approach to lyrical topics and<br />

phrasings are more related to human emotions as evident from<br />

his time spent in church and a deep seated faith. "I still go back<br />

to the older blues music and how it makes me feel when it comes<br />

to composing and creating structure in my music" he says.<br />

"I'm a guitarist yes, but I'm really a blues guitarist" he tells me.<br />

When pressed for clarification, it was clear that Nate wanted to be<br />

understood, stating "All the enthusiasts about music out there don't<br />

be completely triggered about what I'm going to say. Blues is probably<br />

as real a type of music as you can get. Because it's emotion, true<br />

playing, no fake instruments, and souls being poured into a song.<br />

That's how I've always seen it" he continues. "It's honestly about<br />

the most pure, original and realistic music as you can possibly get."<br />

Nathan is keenly aware of the torch he is holding. With a firm<br />

grasp of blues and gospel music from the previous generations and<br />

a youthful, brazenly confident approach to his own music, Nathan<br />

journeys towards his own legacy of being a beacon of influence<br />

in blues based music for his up and coming generation.<br />

My first introduction and greeting with Nathan occurred at the 221<br />

Lounge in Greensboro. He was there to join in and play a few songs<br />

with Roy Roberts. Now, if you hadn't heard of Nathan Pope before<br />

this article, it's understandable as he has but just started to chart his<br />

course. But Roy Roberts? Admittedly, I knew of Roy Roberts...or<br />

I thought I knew of Roy Roberts. That is until I sat down with him<br />

at his studio in Greensboro. It felt like 10 minutes but it was every<br />

bit of two hours, and even then I had to tear myself away back home.


THE BLUES<br />

As I stepped out of the car by the side of the house and approached<br />

the studio building in the back, I felt almost like a<br />

trespasser. I climbed the stairs, the door is open, and a gentlemen<br />

sitting by the door greets me as he rises to leave me alone<br />

with Roy who is sitting across the room a bit. Instantly, I felt<br />

the presence of a man who has lived much more than I have. I<br />

can't quite explain it, but I admired him before he even started<br />

talking. As a musician myself and a lover of all things music, I<br />

knew that I was about to have the privilege of experiencing.<br />

Roy quickly wiped away any feelings of intrusion I may<br />

have had before and I was grateful to settle in. The studio<br />

was filled with old school equipment and memorabilia<br />

on the walls from six decades of making music. I asked him<br />

if we could start at the beginning and we most certainly did.<br />

Roy grew up in a small town called Livingston, Tennessee, just east<br />

of Nashville. As a boy, he would listen to the radio stations broadcasting<br />

from Nashville, mostly country music, but blues and R&B as<br />

well. Inspired, he saved up his money and bought his first guitar at age<br />

14 from Sears. He knew then that farm life was not to be his future.<br />

At age 18, Roy left Tennessee and came to Greensboro to live with<br />

his Uncle. While out cruising with his friends, they stopped in at<br />

a club where Jerry Butler was performing. Being impressed at his<br />

playing and also, the attention received from the ladies, convinced<br />

Roy to become a professional musician. He quickly became a regular<br />

in the circuit playing with the likes of Guitar Kimbers' Untouchables.<br />

It only took one chance for Roy when Solomon Burke asked<br />

him to sit in as Bass player on a gig. Soon, Roy had taken over guitar<br />

duties while touring with Solomon Burke and a career was born.<br />

That initial opportunity spawned other touring gigs with legendary<br />

performers such as Eddie Floyd, Stevie Wonder and Otis<br />

Redding to name just a few. He formed The Roy Roberts Experience<br />

and toured the regional circuit, as well as up and down the<br />

southeast coast. Roy cut many records through the sixties and<br />

seventies. Then came the Disco era, the majority of shows and<br />

events quickly disappeared for Blues and R&B artists, including<br />

Roy Roberts." I played about 300 different clubs nationally and<br />

in 30 days they all started cancelling our shows." Roy says. He<br />

reaches out to an old friend, Arthur Smith of "The Arthur Smith<br />

Show" and "Guitar Boogie" fame that predates Chuck Berry by<br />

a decade. Arthur and Roy record a couple of songs together and<br />

some bookings in the Madison - Mayodan area. Roy's country music<br />

career took off. Roy Roberts and the Chocolate Cowboys, Roy<br />

tells me "That was the hottest thing I did in terms of gigs and making<br />

money, we would be booked a year in advance." After a near<br />

decade long run, his good friend and fellow country artist O.B.<br />

mine." It sparked Roy back to performing and the blues music<br />

he had started with, so many years before. He moved back to<br />

Greensboro, formed a band and he hasn't looked back since.<br />

April 7th, <strong>2018</strong> at the 221 Lounge in downtown Greensboro.<br />

I know this place well. The old Flat Iron. Worked here, played<br />

here, late nights here. Memories...good and bad. But tonight<br />

"I heard it and thought, he's got a<br />

style kind of like mine"<br />

something exceptional, a 15 year old prodigy joins a Blues<br />

legend on stage. Nathan comes on stage as Roy and his band<br />

The Quest have already warmed up the crowd. They work their<br />

way through several blues standards and stretch them out a bit<br />

for Nathan and the band. It sounds great! The beautiful thing<br />

about blues music is it has a familiarity to its artists that allows<br />

a 15 year old to connect spontaneously with a legend in his 70s<br />

seamlessly. Nathan's control of tone is remarkable on his Gold<br />

top Les Paul, which practically hides his body from the crowd<br />

due to his stature. But his playing is urgent and aggressive, as<br />

it should be, at this stage of his career. Roy Roberts is unwavering,<br />

cool and mesmerizing on stage. Guess you get that skill<br />

set after 6 decades of performing and it shows. But something<br />

even larger is happening here. This vein of music we call "The<br />

Blues," which permeates inside every genre of modern music today,<br />

has two of its finest representatives meeting at a crossroads<br />

tonight. A crossroads of generations. One who has laid<br />

the foundation of music and a legacy that never dies. So<br />

that the other can build "The Blues" into the music of the<br />

next generation and start the next chapter of roots music.<br />

www.royrobertsblues.com<br />

www.nathanpopemusic.com<br />

"It's honestly about the most pure, original<br />

and realistic music as you can possibly get"<br />

McClinton passed away in Nashville in 1987. It devastated<br />

him, Roy walked away from music in 1989 to take a break.<br />

Roy spent his time working in his studio cutting Gospel music<br />

for the next few years, until one day he hears an artist on<br />

the radio. It was Robert Cray and his song "Phone Booth."<br />

Roy says "I heard it and thought, he's got a style kind of like<br />

Live at<br />

221 Lounge<br />

Greensboro


Grand<br />

SawMill II<br />

June<br />

Opening<br />

6-1 Daniel Love<br />

6-2 The Mighty Fairlanes<br />

6-8 Jukebox Revolver<br />

6-15 Bad Mountain Brew<br />

6-22 Atlantic Coast Highway<br />

6-29 Retro Vinyl<br />

LIVE MUSIC<br />

LIVE MUSIC•DJ'S<br />

LARGE SCREEN TV'S<br />

Diverse And<br />

Safe Atmosphere<br />

221 Summit Ave.<br />

Downtown Greensboro<br />

5529 W. Market St. • 336.355.9320<br />

July<br />

7-6 Daniel Love<br />

7-7 The Mighty Fairlanes<br />

7-13 The Clanky Lincolns<br />

7-20 The Time Flyers<br />

7-27 Chasin' Fame<br />

OPEN BLUES JAM EVERY WEDNESDAY NIGHT<br />

Shiners<br />

drinkshine<br />

435 M Dolley Madison • 336.986.0798<br />

June<br />

July<br />

6-8<br />

6-9<br />

Gate City Cypher<br />

Audio Assault<br />

7-6<br />

7-7<br />

Young Dirty Bastard<br />

Music 4 Meals all day<br />

6-15 Korvax<br />

6-16 GTSC Hot Times (Karaoke after)<br />

6-22 Codes Crowns & Consciousness<br />

6-23 ExThrashaganza<br />

6-29 G.R.I.T.<br />

7-14 Haiz Rail<br />

7-15 Ed Ruger<br />

7-21 Fear the United<br />

7-27 G.R.I.T.<br />

7-28 Heavy for Life Tour<br />

6-30 Get Loud for Leyton (Benefit show)<br />

Shag EVERY Sunday & Wednesday Afternoon<br />

Karaoke EVERY Monday & Wednesday Night<br />

Fetish is last Sun of<br />

every month<br />

Common Grounds<br />

602 S. Elam St. Greensboro<br />

336.698.3888<br />

June<br />

6-5 J Sizemore ft. Hunter McBride July<br />

6-9 Mitch Hayes & Matty Sheets 6-27 Taillight Rebellion<br />

6-12 J Sizemore ft. Nick Macdaniels 6-29 Metro Known<br />

6-16 Harp Guitarist Andrew Kasaab 7-3 J Sizemore ft. Andy Eversole<br />

6-18 James Ryan Orr<br />

7-10 J Sizemore ft. Crystal Bright<br />

6-19 J Sizemore ft. Marcus Horth 7-13 Honey Magpie<br />

6-22 Pretty Pretty Ugly<br />

7-20 Waterplanet<br />

6-23 Juru Guru<br />

7-21 Couldn't Be Happier<br />

6-26 J Sizemore ft. Bird Beverly<br />

*Every Tuesday (This Summer) Julian Sizemore ft. Special guest 7-10pm<br />

*Every Thursday Open Mic Night 7-11pm<br />

Greensboro's Newest<br />

Live MUSIC Venue!<br />

• Full Bar<br />

• Food<br />

• Outside Deck & Bar<br />

• Live Music<br />

Thursday: Bike Night & Karaoke<br />

Friday: Lumbee Night<br />

Saturday: Live Music (See Our FB Page!)<br />

• Full Bar & Full Food Menu<br />

• Family Atmosphere<br />

• Live Music<br />

• Bike night<br />

• karaoke<br />

Wed & Thur<br />

6pm-12am<br />

Fri & Sat<br />

6pm-1am<br />

& Events<br />

Center<br />

Sun-Thur 11am-11pm<br />

Friday & Sat 11am-2am<br />

3720 S. Holden Rd Greensboro<br />

( Shopping Center Beside Wet & Wild Water Park )<br />

336.291.8489<br />

3722 S. Holden Rd Greensboro<br />

( Shopping Center Beside Wet & Wild Water Park )


The last time I was at Shiners, it was snowing! So much has<br />

changed in just a few weeks! The venue on this night is warm,<br />

warm and electric. You can feel the energy hit you when you<br />

walk in. It’s finally the evening for The Mack Media presentation<br />

of Sun of Nile/Skulls and Whiskey/Prowess and many of the local<br />

rock community are out in support. The entire Desired Redemption band<br />

is out as they so often are, as fans and in support, Sandra Olivey Flowers,<br />

band Mom of Trailer Park Orchestra has made her way out on a beautiful<br />

night, and Christy Johnson and Scott LaFlame of Drea Killer all join what<br />

is a very good turn out for a night of loud energetic homegrown rock and<br />

roll! I am greeted upon arrival by Holly Mack, the head honcho and CEE<br />

(Chief Executive of Everything) of Mack Media. Producing<br />

a show of this size is a lot of work, but things<br />

are running as smooth as butter on silk! It’s so much<br />

work I have to ask Ms Mack (Say that five times<br />

fast!) what is the payoff? “I’m just a girl that loves to<br />

throw parties!” she answers, “I also enjoy working<br />

as a concierge to the local music scene!” We have<br />

a lot in common! Sun of Nile hits the stage around<br />

nine, (That is real time not rock o’clock which usually<br />

runs an hour later, sort of like day light savings<br />

time) and they hit it hard! The crowd even at this<br />

early hour is up and enthused! I’m drawn to the stage by the performance<br />

as well. This band is fantastic! They are rockers, but even more than that,<br />

there is something familiar about them. Then it hits me, they remind me<br />

of Soapbox Arson, one of my all time favorite local bands that broke up<br />

about a year ago. Then it finally hits me, (Yes, I’m an old beer addled idiot!)<br />

that lead singer/front man is Josh Smith that headed Soapbox Arson.<br />

Josh Smith is a solid performer that displays more emotion with subtle<br />

nuances like head tilts and eye rolls than others do with grand gestures.<br />

On stage he is an animated force and character, almost of the<br />

Prowess Mack Attack<br />

Alice Cooper variety, but less stated. Throw in a multi level vocal<br />

attack with a solid band and you’ve got yourself some damn fine audio entertainment<br />

right there! Sun of Nile is over too soon, but this is a three level Mack<br />

Attack and next up is Skulls and Whiskey. Centrally based out of Randleman,<br />

Skulls and Whiskey is a Viking Skull tribute band. Viking Skull is a hard<br />

rocking outfit from England that is obscure enough to allow S&W to cover<br />

the songs and still make it seem wild and fresh. S&W are perennial favorites<br />

with a nice following and I do profess to being a member of the Skull army!<br />

When they begin the song Double or Quits, I can know longer contain my<br />

youthful (?) enthusiasm and rush the stage to jam with the band. After two<br />

rocking boisterous sets, I should be exhausted and thinking of taking my old<br />

ass home, but Prowess is setting up. As much as I enjoy(ed)<br />

the Sun of Nile and Skulls and Whiskey, Prowess is the<br />

band I came to see, and specifically their lead singer/frontman<br />

Dalton Bowes. The first show I witnessed upon diving<br />

into the local rock scene after years away, was opened by a<br />

group of young, wild as hell, kids in a band called Zestrah.<br />

They were uncontainable and energetic, spinning original<br />

rock tunes with the flavor of old school acts like Guns and<br />

Roses and Aerosmith. Dalton was the lead singer of that<br />

entourage of energy. That was about four years ago and I<br />

Michael Cooper<br />

am very excited to see how he’s matured on stage. He did<br />

not disappoint! Dalton and the boys pounded out a barrage of ramped up rock<br />

originals and choice crowd pleasing covers to everyone’s sonic delight. Prowess<br />

looks like a hard rock band and, more importantly, sounds like a hard rock<br />

band! Once again I find myself rocking at the stage. Three bands and all three<br />

drew me to the stage. The hot dogs out front fueled the crowd and the Shiners<br />

wait staff kept us (ahem) hydrated! Mack Media has scored a solid hit with<br />

their production and I look so forward to the next endeavor. I give the entire<br />

evening four flashpods! Uncle Mike is a long time live music enthusiast and<br />

Monday morning DJ on WQFS, 90.9, Your only alternative!<br />

Uncle Mike<br />

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Blac Lui Kang<br />

#TWOLETTA’<br />

rom walking the elongated hallways of Southern Guilford and faddish Ben L Smith,<br />

when music wasn’t really a “thing” for schoolboy Blac, it was still pumping through<br />

his blood. Growing up with a grandfather that played the guitar and a father that<br />

was a DJ, itit it was destined for the schoolboy to mature into Blac Lui Kang…the maker<br />

of wonderful music. With musical influences from an era of prodigious artists such as Nas,<br />

Biggie, and Jay Z to collaborating with names such as Cap 1, Travis Porter, and Bank Roll,<br />

I would agree that it is well past “Due Season” for Blac Lui Kang. Recording his first song<br />

some 14 years ago titled “Long Story” would place his first note on his life staff of music.<br />

From that point, it began to fill. It filled with more notes to the tune of working with producers<br />

such as Laphelle and P80. Air play from radio stations here in Greensboro as well as Greenville,<br />

Rocky Mount, and Richmond, Va. filled in the spaces. While on his passage of building<br />

bridges and trying not to burn them, there were lessons learned. Being an artist, you are your<br />

own business and with starting out in any business, expenses may rely solely on you. Blac<br />

not only speaks passionately on dollars effecting home but, also the difficulty on moving as a<br />

group. Something he has been quoted on saying he would never do again. Although he has had<br />

to remove some familiar faces there has been no love lost. “People move in different directions<br />

for different reasons.” The movement of the group, nevertheless, had nothing to do with<br />

the transformation of Blacboi to Blac Lui Kang. That modification came through in the form<br />

of trademark infringement. Apparently, there was another gentleman using the name. Lui Kang had it copywritten. Blacboi had it<br />

trademarked. “Learn the difference,” he says. Everything has since then been moved under the name of Blac Lui Kang (which was<br />

the name of his project at the time) including the new song that’s been flowing through speakers, “All Good.” A question I like to<br />

ask artist towards the end of the interview is why do they feel, if they feel, it’s easier to get love away from home. “Half of these<br />

cats came up with you. Went to school with you. Half of these cats didn’t like you from the start. Now, to see you blossom and<br />

they still stuck….yea, I wouldn’t like it either. I’m always going to be me. I’m not really worried about what people think.” With<br />

that being said, his upcoming events includes the dropping of both his EP “Due Season,” which will have around eight tracks and a<br />

TWOLETTA’ mixtape. If you don’t already follow him, now would be the time.<br />

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A Light Divided<br />

Chooses Their Next Adventure<br />

Hometown<br />

Winston Salem NC<br />

Jaycee Clark (lead vocals)<br />

Colt Crevar (guitar & vocals) • Doug Weichbodt (guitar & vocals)<br />

Mike Underwood (bass guitar) • Adam Smith (drummer)<br />

Genre<br />

Rock/METAL<br />

T<br />

he local music scene as of late has exploded<br />

with female fronted rock/metal bands. A Light<br />

Divided has been leading that charge since<br />

2007, and only one year later vocalist Jaycee Clark won<br />

the coveted Carolina Music Awards: Rock Female of<br />

the Year. Now Jaycee and the band are inviting you to<br />

Choose Your Own Adventure! As a matter of fact after<br />

a very successful Gofundme campaign that swelled the<br />

production coffers to over three thousand dollars, ALD’s<br />

next CD audio compilation: Choose Your Next Adventure<br />

will soon be in our grubby little hands (So to speak!)<br />

and tickling (Or maybe kicking!) our ear drums by this<br />

September! Choose Your own Adventure joins past offerings<br />

of the EP: For the Sake of Change and previous<br />

CDs, Ransom and Mirrors in the bands discography,<br />

ALD has a strong online presence that covers all the music<br />

sites, Facebook, and a web site (They are currently<br />

trying to learn smoke signals!), but the best way to pick<br />

them up is at a show to go along with one of the many<br />

designer shirts or other things you may want to pick up<br />

at the merch table and meet the band in person. While<br />

they are fantastic on stage they are approachable and<br />

have had all their shots! ALD is a road and stage tested<br />

band, but while no extensive Summer tours are in the<br />

works for <strong>2018</strong>, when the new music drops The Highway<br />

(My favorite A Light Divided Song, btw!) beckons!<br />

ALD is no stranger to the road and last years Long Live<br />

the Flame tour may have started at Greensboro’s Blind<br />

Tiger, but it criss crossed the country creating many<br />

“Lightheads" along the way before culminating in Fort<br />

Smith Arkansas. While I thought the members of the<br />

band dwelled in The Light Cave and played whenever<br />

the world cried out for some good rock, I was reassured<br />

the band members held full time jobs, though drummer<br />

Adam Smith admits they wouldn’t mind hitting the road<br />

someday and keep the party going full time. While we<br />

anxiously await the new CD, lead singer and crimson<br />

tressed dynamo Jaycee Clark promises local fans will<br />

be offered choice tidbits of the new musical effort in the<br />

form of a new music video (To add to their already extensive<br />

library of video offerings on You Tube like, Save<br />

The Cheerleader, Save the World, and I Am The One<br />

Who Knocks) and a showat Shiners on June 30th with<br />

Eden’s Kiss, Venus Invictus, Raimee, and Charlotte’s<br />

Reason Define. Jaycee and Adam are tight lipped about<br />

what new music will be revealed, but seem to tease some<br />

new stuff may “slip” out! A Light Divided comes across<br />

as tight, loud, and energetic, like a sonic super team. Jaycee<br />

commands the stage like a tornado in the middle of<br />

a symphonic hurricane. The stage finesse of this band is<br />

a wicked wonder to behold! Hard rock and metal fans<br />

are drawn to the stage like mesmerized moths and may<br />

leave drained, but never disappointed. Hailing from<br />

Winston Salem, but embraced by the entire triad, Jaycee<br />

and Adam are joined by Mike Underwood on bass, Doug<br />

Weichbrodt on guitar and vocals, and Colt Crevar also<br />

on guitar and vocals, to round out the line-up. A Light<br />

Divided will be working furiously behind the scenes this<br />

Summer, but they urge you, now and forever to: Choose<br />

Your Own Adventure!<br />

Mike Beane


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June 9th @ Highland North Music<br />

August 25th 5:30-8pm @ Highland North Music<br />

December 1st (12th Annual Christmas Show) @Cathedral of His Glory<br />

4501 Lake Jeanette Rd, Greensboro<br />

336.215.6220 • highlandnorth.net<br />

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Artist, Bands and Musicians<br />

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336.549.1610

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