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“The opera training opportunities at <strong>Simpson</strong><br />
are on the level that one would expect from<br />
a university offering graduate degrees in<br />
music. We were immersed into the art form,<br />
as undergraduates, through a combination<br />
of excellent voice training and high-quality<br />
opera productions and scenes programs.<br />
Subsequently, the school attracted a high<br />
level of student talent. I’m grateful for the<br />
‘hands-on’ experiences I had in the <strong>Simpson</strong> program,<br />
which included everything from playing rehearsals and<br />
coaching singers to painting flats. <strong>Simpson</strong> prepared me<br />
remarkably well for further training and eventually a<br />
professional career in music.”<br />
<strong>ALUMNI</strong><br />
SOME<br />
CELEBRATED <strong>ALUMNI</strong><br />
SUSANNE SHESTON<br />
Chorus Master and Assistant Conductor,<br />
The Santa Fe Opera, Utah Opera<br />
Chorus Master, Utah Symphony<br />
“I can safely say that I would not<br />
have had the same number of career<br />
opportunities had I not been educated<br />
at <strong>Simpson</strong> <strong>College</strong>. I would have been<br />
lost at a state school, or conservatory<br />
with graduate students taking all the<br />
performing opportunities. The music<br />
department went above and beyond<br />
the call of duty to prepare and stage<br />
professional-level productions. That tradition<br />
thrives today, as new faculty and staff reinvigorate<br />
the high level of artistry that has existed already<br />
for decades.”<br />
JOHN MICHAEL MOORE<br />
Baritone, Metropolitan Opera<br />
“At <strong>Simpson</strong> <strong>College</strong>, I learned the value<br />
of discipline and hard work in music.<br />
There were countless moments we<br />
heard and made music that took my<br />
breath away. I was also taught to be<br />
an independent learner. It was this skill<br />
that stood me in best stead in graduate<br />
school and beyond. Choosing to enroll in<br />
the music program at <strong>Simpson</strong> <strong>College</strong><br />
was one of the best decisions I ever made.”<br />
MICHAEL EGEL<br />
Artistic Director, Des Moines Metro Opera<br />
Corey Bix<br />
Robert L. Larsen<br />
Tenor at Vienna Volksoper, Conductor, pianist, stage director,<br />
Metropolitan Opera, Utah Opera, editor, and college professor,<br />
Bard Music Festival, Aspen Music Founding Artistic Director of Des<br />
Festival, Greek National Opera, Moines Metro Opera<br />
Santa Fe Opera.<br />
Brad Cresswell<br />
Sarah Larsen<br />
Mezzo-soprano with Seattle Opera,<br />
Classical Music Director: WGTE Santa Fe Opera, Glimmerglass<br />
Radio; formerly tenor with Lyric Opera, Sarasota Opera, Wolf Trap<br />
Opera of Chicago, and credits on Opera.<br />
Deutsche Grammophon, Philips,<br />
New World, Innova, and Carlton<br />
Classics record labels.<br />
Christopher McBeth<br />
Artistic Director, Utah Opera<br />
Douglas Duncan<br />
Founding Managing Director,<br />
Des Moines Metro Opera<br />
Michael Egel<br />
John Michael Moore<br />
Baritone. Metropolitan Opera,<br />
Glyndebourne Festival Opera,<br />
Minnesota Opera, Welsh National<br />
Opera, Des Moines Metro Opera,<br />
Artistic Director, Des Moines Minnesota Orchestra, Philadelphia<br />
Metro Opera<br />
Chamber Society, Chicago<br />
Robert Goodloe<br />
Chamber Musicians.<br />
Veteran baritone at the<br />
Gayletha Nichols<br />
Metropolitan Opera<br />
Metropolitan Opera National<br />
Theodore Green<br />
Council Director<br />
Tenor. Royal Swedish Opera, Beverly O’Regan Thiele<br />
Toledo Opera, Minnesota Opera, Soprano with Washington National<br />
Vancouver Opera, Seattle Opera, Opera, Metropolitan Opera,<br />
Michigan Opera Theatre, Boston Badisches Staatstheater, Karlsruhe,<br />
Lyric Opera, Central City Opera, New York City Opera, Lyric Opera<br />
Des Moines Metro Opera, of Chicago, Glimmerglass Opera,<br />
Minnesota Orchestra, Opera Fort Worth Opera, DMMO,<br />
Theater of St. Louis.<br />
Chicago Symphony.<br />
Carolyne Hall<br />
John Osborn<br />
Assistant to Artistic Director Principal Tenor, Metropolitan<br />
Francesca Zambello, Glimmerglass Opera, Houston Grand Opera,<br />
Opera<br />
BBC Proms, Salzburg Festival, La<br />
Patrick Hansen<br />
Conductor, pianist, coach and<br />
stage director. Brevard Music<br />
Center, Opera Festival of New<br />
Monnaie (Brussels), L’Opéra de<br />
Paris, New York City Opera, La<br />
Scala Milan.<br />
Joseph C. Perniciaro<br />
Jersey, Pittsburgh Opera, Des Assistant Professor of Voice and<br />
Moines Metro Opera, Lyric Opera Director of Opera, Fort Hays State<br />
of Chicago, Memphis Opera, University<br />
Juilliard Opera Center. Director of<br />
Opera, McGill University.<br />
Rita Harvey<br />
Marc Schreiner<br />
Tenor. Houston Grand Opera,<br />
Lincoln Center Festival, Edinburgh<br />
Broadway actress, singer and Festival, Salzburg Festival,<br />
performer in Phantom of the Opera, Nashville Opera, Minnesota Opera,<br />
Fiddler on the Roof, Frankenstein: Des Moines Metro Opera, Syracuse<br />
The Musical, The Prince and the Opera, Toledo Opera, Lake George<br />
Pauper.<br />
Opera, Opera Memphis.<br />
Craig Irvin<br />
Susanne Sheston<br />
Baritone with Chicago Lyric Chorus Master, Santa Fe Opera,<br />
Opera, Minnesota Opera, Los Utah Opera, Utah Symphony<br />
Angeles Opera, Canadian Opera Chorus.<br />
Company, Philadelphia Opera,<br />
Wolf Trap Opera.<br />
Kimm Julian<br />
Baritone. Assistant Professor of<br />
Music, Minnesota State University.<br />
Richard Walters<br />
CEO, Hal Leonard Publishing,<br />
Inc.<br />
PRODUCTIOPERA<br />
RECENT PAST<br />
PRODUCTIONS<br />
2002 Spring A Midsummer Night’s Dream<br />
2002 Fall The Marriage of Figaro<br />
2003 Spring The Merry Widow<br />
2003 Fall The Magic Flute<br />
2004 Spring The Seagull<br />
2004 Fall Carousel<br />
2005 Spring The Crucible<br />
2005 Fall Die Fledermaus<br />
2006 Spring Così fan tutte<br />
2006 Fall Suor Angelica / Gianni Schicchi<br />
2007 Spring Albert Herring<br />
2007 Fall Dido and Aeneas / Pagliacci<br />
2008 Spring The Consul<br />
2008 Fall Prima Donna / Il Campanello<br />
2009 Spring Falstaff<br />
2009 Fall The Marriage of Figaro<br />
2010 Spring The Mikado<br />
2010 Fall The Magic Flute<br />
2011 Spring Albert Herring<br />
2011 Fall Die Fledermaus<br />
2012 Spring Così fan tutte<br />
2012 Fall The Beggar’s Opera<br />
2013 Spring Cendrillon<br />
As a <strong>Simpson</strong> <strong>College</strong> music student, I have had<br />
the opportunity to participate in eight operas,<br />
three regional tours, a madrigal dinner, and a<br />
European tour! In auditions and masterclasses I<br />
have already benefited from <strong>Simpson</strong>’s network<br />
of outstanding alumni, many of whom are<br />
influential in the field of professional opera.”<br />
THADDEUS ENNEN ’13<br />
Bachelor of Music, voice performance major<br />
DEPARTMENT OF MUSIC<br />
www.simpson.edu/opera<br />
Bernard McDonald, director of opera<br />
bernard.mcdonald@simpson.edu | 515.961.1637<br />
800.362.2454<br />
OPERA
<strong>Simpson</strong> <strong>College</strong> offers a renowned and<br />
unique undergraduate opera program<br />
that is fully musically and technically<br />
resourced, supported by a professional<br />
orchestra, in an intimate, purpose-built<br />
theatre. If you are an aspiring singer,<br />
pianist, conductor, stage manager, lighting<br />
designer, stage director, set designer,<br />
costume designer, or vocal coach, or if you<br />
are interested in musical theatre and seek a<br />
broad liberal arts education, you can do no<br />
better than to begin at <strong>Simpson</strong> <strong>College</strong>.<br />
All of the voice, coaching, and conducting<br />
faculty have professional careers,<br />
national and international credentials<br />
as performers, and are a close-knit team<br />
dedicated to developing the tradition of<br />
excellence established over many decades.<br />
<strong>Simpson</strong> <strong>College</strong> punches massively above<br />
its weight in the number of professional<br />
singers, artistic administrators, choral<br />
directors, conductors, and music educators<br />
it has produced.<br />
WHY SIMPSON?<br />
• Two fully-staged productions of opera or<br />
musical theater per academic year<br />
• Principal, supporting, and chorus roles<br />
performed exclusively by undergraduates<br />
• Student opera with a professional orchestra<br />
• First-rate voice, coaching, conducting, and<br />
piano faculty<br />
• Dedicated one-on-one music preparation,<br />
vocal, and language coaching<br />
• Biannual May Term Opera Workshop in<br />
musical preparation, stagecraft and career<br />
development<br />
• Visiting professional stage directors, designers,<br />
and master teachers<br />
• Internships and employment opportunities<br />
with the Des Moines Metro Opera<br />
SUCCESS<br />
We prepare students for performing careers,<br />
train music teachers, and lay the groundwork<br />
for graduate studies in performance,<br />
conducting, stage direction, musicology, music<br />
education, and arts administration. Our alumni<br />
can be found in all of these areas at the highest<br />
levels of the profession. Aspects of the program<br />
have been cited as outstanding by U.S. News<br />
and World Report and the program in voice<br />
as exceptional by the National Association<br />
of Teachers of Singing. All ten of <strong>Simpson</strong>’s<br />
2012 graduates in vocal performance attending<br />
graduate school are receiving scholarships — in<br />
some cases, full tuition remission plus stipend.<br />
The <strong>Simpson</strong> <strong>College</strong> Music<br />
Department has a special<br />
place in the nation’s vocal and<br />
opera community. I graduated<br />
with a music education<br />
degree, a ton of performance<br />
experience, and was in the<br />
chorus of the Des Moines Metro Opera.<br />
I wish every talented young singer might<br />
have the quality experience I had at<br />
<strong>Simpson</strong>. <strong>Simpson</strong> was a great beginning<br />
for me and continues to be for others.”<br />
GAYLETHA NICHOLS<br />
Director, Metropolitan Opera<br />
National Council Auditions<br />
DES MOINES METRO OPERA<br />
<strong>Simpson</strong> <strong>College</strong> is the performing home of<br />
the Des Moines Metro Opera, with which<br />
it enjoys an historic, close partnership. It<br />
provides <strong>Simpson</strong> students with the invaluable<br />
opportunity to experience professional opera<br />
on their doorstep. Every summer <strong>Simpson</strong><br />
students serve as interns and production staff<br />
in the summer opera festival. Many singers<br />
from <strong>Simpson</strong> have taken part in the DMMO<br />
Apprenticeship Program, an opportunity<br />
afforded usually to only the most talented<br />
graduate students and<br />
young professional<br />
singers from all over<br />
the United States.<br />
FACULTY<br />
BERNARD McDONALD<br />
Director of Opera. Conducting, vocal coaching,<br />
collaborative piano. Conductor, coach, pianist, chorus<br />
master. New York City Opera, Glyndebourne Festival<br />
Opera, Netherlands Opera, New National Theatre<br />
Tokyo, Aspen Music Festival, Florida Grand Opera,<br />
Opera Theater of Pittsburgh, Pittsburgh Opera.<br />
BRUCE BROWN<br />
Voice, stage direction, acting. Baritone with over<br />
20 years’ singing at Vienna State Opera, Vienna<br />
Volksoper, Innsbruck Opera, Paris Opera, Houston<br />
Grand Opera, Sacramento Opera, Eugene Opera,<br />
New Jersey Opera, Glimmerglass Opera, Des<br />
Moines Metro Opera, Chautauqua Opera.<br />
VIRGINIA CROSKERY<br />
Voice, vocal pedagogy, diction. Has performed in<br />
opera and on Broadway, including Lyric Opera of<br />
Chicago, Opera Co. of Philadelphia, Phantom of the<br />
Opera. Has performed with most major orchestras<br />
in the U.S., and in Italy, France, Quebec, Israel.<br />
Recorded Victor Herbert songs for the Naxos label.<br />
MATTHEW LAU<br />
Voice, stage direction, music history, vocal<br />
literature, history of American musical theatre.<br />
Leading bass-baritone New York City Opera, Lyric<br />
Opera of Chicago, Seattle Opera, Boston Lyric<br />
Opera, Atlanta Opera, Minnesota Opera, Opera<br />
Theater of St. Louis, New York Philharmonic.<br />
TIMOTHY A. McMILLIN<br />
Chair of the Music Department, Director of<br />
Choral Activities. Voice, conducting, choral<br />
methods, choral ensembles. Artistic Director,<br />
Des Moines Vocal Arts Ensemble. Experienced<br />
conductor and choral clinician in high demand<br />
across Iowa and the Midwest.<br />
KIMBERLY ROBERTS<br />
Voice, conductor of <strong>Simpson</strong> Madrigal Singers.<br />
Soprano with DMMO, Oklahoma Symphony,<br />
Canterbury Chorale. Her students are represented in<br />
opera companies and graduate programs throughout<br />
the U.S. In 2012, five won the MET district and<br />
regional competitions.<br />
JIN YOUNG PARK<br />
Music staff accompanist, pianist and organist.<br />
Teaches piano, and accompanies opera, choral,<br />
student recitals and auditions. Recent productions<br />
include Dido and Aeneas, Pagliacci, Albert Herring,<br />
The Magic Flute, The Crucible, The Consul, Falstaff,<br />
Die Fledermaus, and The Beggar’s Opera.<br />
JAMES POULSEN<br />
Vocal coaching, collaborative piano. Pianist,<br />
composer. Four pieces commissioned by the Des<br />
Moines Symphony. Has received two ASCAPlus<br />
awards from the American Society of Composers<br />
and Publishers; accompanies student recitals and<br />
auditions for DMMO.