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ALUMNI - Simpson College

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“The opera training opportunities at <strong>Simpson</strong><br />

are on the level that one would expect from<br />

a university offering graduate degrees in<br />

music. We were immersed into the art form,<br />

as undergraduates, through a combination<br />

of excellent voice training and high-quality<br />

opera productions and scenes programs.<br />

Subsequently, the school attracted a high<br />

level of student talent. I’m grateful for the<br />

‘hands-on’ experiences I had in the <strong>Simpson</strong> program,<br />

which included everything from playing rehearsals and<br />

coaching singers to painting flats. <strong>Simpson</strong> prepared me<br />

remarkably well for further training and eventually a<br />

professional career in music.”<br />

<strong>ALUMNI</strong><br />

SOME<br />

CELEBRATED <strong>ALUMNI</strong><br />

SUSANNE SHESTON<br />

Chorus Master and Assistant Conductor,<br />

The Santa Fe Opera, Utah Opera<br />

Chorus Master, Utah Symphony<br />

“I can safely say that I would not<br />

have had the same number of career<br />

opportunities had I not been educated<br />

at <strong>Simpson</strong> <strong>College</strong>. I would have been<br />

lost at a state school, or conservatory<br />

with graduate students taking all the<br />

performing opportunities. The music<br />

department went above and beyond<br />

the call of duty to prepare and stage<br />

professional-level productions. That tradition<br />

thrives today, as new faculty and staff reinvigorate<br />

the high level of artistry that has existed already<br />

for decades.”<br />

JOHN MICHAEL MOORE<br />

Baritone, Metropolitan Opera<br />

“At <strong>Simpson</strong> <strong>College</strong>, I learned the value<br />

of discipline and hard work in music.<br />

There were countless moments we<br />

heard and made music that took my<br />

breath away. I was also taught to be<br />

an independent learner. It was this skill<br />

that stood me in best stead in graduate<br />

school and beyond. Choosing to enroll in<br />

the music program at <strong>Simpson</strong> <strong>College</strong><br />

was one of the best decisions I ever made.”<br />

MICHAEL EGEL<br />

Artistic Director, Des Moines Metro Opera<br />

Corey Bix<br />

Robert L. Larsen<br />

Tenor at Vienna Volksoper, Conductor, pianist, stage director,<br />

Metropolitan Opera, Utah Opera, editor, and college professor,<br />

Bard Music Festival, Aspen Music Founding Artistic Director of Des<br />

Festival, Greek National Opera, Moines Metro Opera<br />

Santa Fe Opera.<br />

Brad Cresswell<br />

Sarah Larsen<br />

Mezzo-soprano with Seattle Opera,<br />

Classical Music Director: WGTE Santa Fe Opera, Glimmerglass<br />

Radio; formerly tenor with Lyric Opera, Sarasota Opera, Wolf Trap<br />

Opera of Chicago, and credits on Opera.<br />

Deutsche Grammophon, Philips,<br />

New World, Innova, and Carlton<br />

Classics record labels.<br />

Christopher McBeth<br />

Artistic Director, Utah Opera<br />

Douglas Duncan<br />

Founding Managing Director,<br />

Des Moines Metro Opera<br />

Michael Egel<br />

John Michael Moore<br />

Baritone. Metropolitan Opera,<br />

Glyndebourne Festival Opera,<br />

Minnesota Opera, Welsh National<br />

Opera, Des Moines Metro Opera,<br />

Artistic Director, Des Moines Minnesota Orchestra, Philadelphia<br />

Metro Opera<br />

Chamber Society, Chicago<br />

Robert Goodloe<br />

Chamber Musicians.<br />

Veteran baritone at the<br />

Gayletha Nichols<br />

Metropolitan Opera<br />

Metropolitan Opera National<br />

Theodore Green<br />

Council Director<br />

Tenor. Royal Swedish Opera, Beverly O’Regan Thiele<br />

Toledo Opera, Minnesota Opera, Soprano with Washington National<br />

Vancouver Opera, Seattle Opera, Opera, Metropolitan Opera,<br />

Michigan Opera Theatre, Boston Badisches Staatstheater, Karlsruhe,<br />

Lyric Opera, Central City Opera, New York City Opera, Lyric Opera<br />

Des Moines Metro Opera, of Chicago, Glimmerglass Opera,<br />

Minnesota Orchestra, Opera Fort Worth Opera, DMMO,<br />

Theater of St. Louis.<br />

Chicago Symphony.<br />

Carolyne Hall<br />

John Osborn<br />

Assistant to Artistic Director Principal Tenor, Metropolitan<br />

Francesca Zambello, Glimmerglass Opera, Houston Grand Opera,<br />

Opera<br />

BBC Proms, Salzburg Festival, La<br />

Patrick Hansen<br />

Conductor, pianist, coach and<br />

stage director. Brevard Music<br />

Center, Opera Festival of New<br />

Monnaie (Brussels), L’Opéra de<br />

Paris, New York City Opera, La<br />

Scala Milan.<br />

Joseph C. Perniciaro<br />

Jersey, Pittsburgh Opera, Des Assistant Professor of Voice and<br />

Moines Metro Opera, Lyric Opera Director of Opera, Fort Hays State<br />

of Chicago, Memphis Opera, University<br />

Juilliard Opera Center. Director of<br />

Opera, McGill University.<br />

Rita Harvey<br />

Marc Schreiner<br />

Tenor. Houston Grand Opera,<br />

Lincoln Center Festival, Edinburgh<br />

Broadway actress, singer and Festival, Salzburg Festival,<br />

performer in Phantom of the Opera, Nashville Opera, Minnesota Opera,<br />

Fiddler on the Roof, Frankenstein: Des Moines Metro Opera, Syracuse<br />

The Musical, The Prince and the Opera, Toledo Opera, Lake George<br />

Pauper.<br />

Opera, Opera Memphis.<br />

Craig Irvin<br />

Susanne Sheston<br />

Baritone with Chicago Lyric Chorus Master, Santa Fe Opera,<br />

Opera, Minnesota Opera, Los Utah Opera, Utah Symphony<br />

Angeles Opera, Canadian Opera Chorus.<br />

Company, Philadelphia Opera,<br />

Wolf Trap Opera.<br />

Kimm Julian<br />

Baritone. Assistant Professor of<br />

Music, Minnesota State University.<br />

Richard Walters<br />

CEO, Hal Leonard Publishing,<br />

Inc.<br />

PRODUCTIOPERA<br />

RECENT PAST<br />

PRODUCTIONS<br />

2002 Spring A Midsummer Night’s Dream<br />

2002 Fall The Marriage of Figaro<br />

2003 Spring The Merry Widow<br />

2003 Fall The Magic Flute<br />

2004 Spring The Seagull<br />

2004 Fall Carousel<br />

2005 Spring The Crucible<br />

2005 Fall Die Fledermaus<br />

2006 Spring Così fan tutte<br />

2006 Fall Suor Angelica / Gianni Schicchi<br />

2007 Spring Albert Herring<br />

2007 Fall Dido and Aeneas / Pagliacci<br />

2008 Spring The Consul<br />

2008 Fall Prima Donna / Il Campanello<br />

2009 Spring Falstaff<br />

2009 Fall The Marriage of Figaro<br />

2010 Spring The Mikado<br />

2010 Fall The Magic Flute<br />

2011 Spring Albert Herring<br />

2011 Fall Die Fledermaus<br />

2012 Spring Così fan tutte<br />

2012 Fall The Beggar’s Opera<br />

2013 Spring Cendrillon<br />

As a <strong>Simpson</strong> <strong>College</strong> music student, I have had<br />

the opportunity to participate in eight operas,<br />

three regional tours, a madrigal dinner, and a<br />

European tour! In auditions and masterclasses I<br />

have already benefited from <strong>Simpson</strong>’s network<br />

of outstanding alumni, many of whom are<br />

influential in the field of professional opera.”<br />

THADDEUS ENNEN ’13<br />

Bachelor of Music, voice performance major<br />

DEPARTMENT OF MUSIC<br />

www.simpson.edu/opera<br />

Bernard McDonald, director of opera<br />

bernard.mcdonald@simpson.edu | 515.961.1637<br />

800.362.2454<br />

OPERA


<strong>Simpson</strong> <strong>College</strong> offers a renowned and<br />

unique undergraduate opera program<br />

that is fully musically and technically<br />

resourced, supported by a professional<br />

orchestra, in an intimate, purpose-built<br />

theatre. If you are an aspiring singer,<br />

pianist, conductor, stage manager, lighting<br />

designer, stage director, set designer,<br />

costume designer, or vocal coach, or if you<br />

are interested in musical theatre and seek a<br />

broad liberal arts education, you can do no<br />

better than to begin at <strong>Simpson</strong> <strong>College</strong>.<br />

All of the voice, coaching, and conducting<br />

faculty have professional careers,<br />

national and international credentials<br />

as performers, and are a close-knit team<br />

dedicated to developing the tradition of<br />

excellence established over many decades.<br />

<strong>Simpson</strong> <strong>College</strong> punches massively above<br />

its weight in the number of professional<br />

singers, artistic administrators, choral<br />

directors, conductors, and music educators<br />

it has produced.<br />

WHY SIMPSON?<br />

• Two fully-staged productions of opera or<br />

musical theater per academic year<br />

• Principal, supporting, and chorus roles<br />

performed exclusively by undergraduates<br />

• Student opera with a professional orchestra<br />

• First-rate voice, coaching, conducting, and<br />

piano faculty<br />

• Dedicated one-on-one music preparation,<br />

vocal, and language coaching<br />

• Biannual May Term Opera Workshop in<br />

musical preparation, stagecraft and career<br />

development<br />

• Visiting professional stage directors, designers,<br />

and master teachers<br />

• Internships and employment opportunities<br />

with the Des Moines Metro Opera<br />

SUCCESS<br />

We prepare students for performing careers,<br />

train music teachers, and lay the groundwork<br />

for graduate studies in performance,<br />

conducting, stage direction, musicology, music<br />

education, and arts administration. Our alumni<br />

can be found in all of these areas at the highest<br />

levels of the profession. Aspects of the program<br />

have been cited as outstanding by U.S. News<br />

and World Report and the program in voice<br />

as exceptional by the National Association<br />

of Teachers of Singing. All ten of <strong>Simpson</strong>’s<br />

2012 graduates in vocal performance attending<br />

graduate school are receiving scholarships — in<br />

some cases, full tuition remission plus stipend.<br />

The <strong>Simpson</strong> <strong>College</strong> Music<br />

Department has a special<br />

place in the nation’s vocal and<br />

opera community. I graduated<br />

with a music education<br />

degree, a ton of performance<br />

experience, and was in the<br />

chorus of the Des Moines Metro Opera.<br />

I wish every talented young singer might<br />

have the quality experience I had at<br />

<strong>Simpson</strong>. <strong>Simpson</strong> was a great beginning<br />

for me and continues to be for others.”<br />

GAYLETHA NICHOLS<br />

Director, Metropolitan Opera<br />

National Council Auditions<br />

DES MOINES METRO OPERA<br />

<strong>Simpson</strong> <strong>College</strong> is the performing home of<br />

the Des Moines Metro Opera, with which<br />

it enjoys an historic, close partnership. It<br />

provides <strong>Simpson</strong> students with the invaluable<br />

opportunity to experience professional opera<br />

on their doorstep. Every summer <strong>Simpson</strong><br />

students serve as interns and production staff<br />

in the summer opera festival. Many singers<br />

from <strong>Simpson</strong> have taken part in the DMMO<br />

Apprenticeship Program, an opportunity<br />

afforded usually to only the most talented<br />

graduate students and<br />

young professional<br />

singers from all over<br />

the United States.<br />

FACULTY<br />

BERNARD McDONALD<br />

Director of Opera. Conducting, vocal coaching,<br />

collaborative piano. Conductor, coach, pianist, chorus<br />

master. New York City Opera, Glyndebourne Festival<br />

Opera, Netherlands Opera, New National Theatre<br />

Tokyo, Aspen Music Festival, Florida Grand Opera,<br />

Opera Theater of Pittsburgh, Pittsburgh Opera.<br />

BRUCE BROWN<br />

Voice, stage direction, acting. Baritone with over<br />

20 years’ singing at Vienna State Opera, Vienna<br />

Volksoper, Innsbruck Opera, Paris Opera, Houston<br />

Grand Opera, Sacramento Opera, Eugene Opera,<br />

New Jersey Opera, Glimmerglass Opera, Des<br />

Moines Metro Opera, Chautauqua Opera.<br />

VIRGINIA CROSKERY<br />

Voice, vocal pedagogy, diction. Has performed in<br />

opera and on Broadway, including Lyric Opera of<br />

Chicago, Opera Co. of Philadelphia, Phantom of the<br />

Opera. Has performed with most major orchestras<br />

in the U.S., and in Italy, France, Quebec, Israel.<br />

Recorded Victor Herbert songs for the Naxos label.<br />

MATTHEW LAU<br />

Voice, stage direction, music history, vocal<br />

literature, history of American musical theatre.<br />

Leading bass-baritone New York City Opera, Lyric<br />

Opera of Chicago, Seattle Opera, Boston Lyric<br />

Opera, Atlanta Opera, Minnesota Opera, Opera<br />

Theater of St. Louis, New York Philharmonic.<br />

TIMOTHY A. McMILLIN<br />

Chair of the Music Department, Director of<br />

Choral Activities. Voice, conducting, choral<br />

methods, choral ensembles. Artistic Director,<br />

Des Moines Vocal Arts Ensemble. Experienced<br />

conductor and choral clinician in high demand<br />

across Iowa and the Midwest.<br />

KIMBERLY ROBERTS<br />

Voice, conductor of <strong>Simpson</strong> Madrigal Singers.<br />

Soprano with DMMO, Oklahoma Symphony,<br />

Canterbury Chorale. Her students are represented in<br />

opera companies and graduate programs throughout<br />

the U.S. In 2012, five won the MET district and<br />

regional competitions.<br />

JIN YOUNG PARK<br />

Music staff accompanist, pianist and organist.<br />

Teaches piano, and accompanies opera, choral,<br />

student recitals and auditions. Recent productions<br />

include Dido and Aeneas, Pagliacci, Albert Herring,<br />

The Magic Flute, The Crucible, The Consul, Falstaff,<br />

Die Fledermaus, and The Beggar’s Opera.<br />

JAMES POULSEN<br />

Vocal coaching, collaborative piano. Pianist,<br />

composer. Four pieces commissioned by the Des<br />

Moines Symphony. Has received two ASCAPlus<br />

awards from the American Society of Composers<br />

and Publishers; accompanies student recitals and<br />

auditions for DMMO.

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