Pittsburgh_Patrika_July_2018
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The <strong>Pittsburgh</strong> <strong>Patrika</strong>, Vol, 23, No. 4, <strong>July</strong> <strong>2018</strong><br />
Jersey. Samar, a metallurgist by profession, joined US Steel’s R&D after<br />
arriving<br />
S<br />
from New Jersey.<br />
amar had his early schooling in Banaras where he got interested in<br />
learning the tabla. But his father would not encourage him to go<br />
into music. Samar used a colorful<br />
expression to describe<br />
how his father reacted when<br />
he told his dad he wanted to<br />
pursue music.<br />
Later, his interest in classical<br />
music blossomed when<br />
he went to college in Kolkata.<br />
During his tumultuous college<br />
days in the 1960s, with<br />
the Naxalbari Movement in Jugalbandi with Jay Gandhi on the bansuri (flute)<br />
full swing in Bengal, Samar and Sitarist Abhik Mukherjee accompanied by Pt.<br />
Samir Chatterjee (tabla).<br />
managed to attend all-night<br />
concerts of artistes of great repute. His interest in cultivating a keen<br />
interest in music and musicians was greatly reinforced.<br />
Samar even dabbled in western music in college. In 1975, he married<br />
Mala -- it was an arranged marriage. Mala had her training in Rabindra<br />
Sangeet and Hindustani classical music. So it was natural both the Sahas<br />
are passionate about music.<br />
The Sahas’ move to the US in the early 1970s directly as green-card<br />
holders was quite accidental. They settled down in New Jersey. While<br />
in New Jersey Samar became part of the Bengali Cultural Organization<br />
Kallol.<br />
At Kallol he introduced Hindustani cassical music concerts despite the<br />
apprehension of some members that it might not go well with their members.<br />
With the concerts well-liked by the members,<br />
Samar got first-hand experience in organizing music<br />
recitals and dealing with artistes.<br />
The Sahas also came in contact with the tabla<br />
maestro Pandit Samir Chatterjee and his organization<br />
Chhandayan of New York. Chhandayan has been active<br />
with Indian musicians of every genus, innovating<br />
Rajyaree Ghosh. and experimenting with fusion, and tabla orchestra<br />
with vocalists. Chhandayan selects and invites artistes to perform around<br />
the USA.<br />
With their long-standing association with Samir Chatterjee, Samar<br />
and Mala snap up opportunities to invite artistes and host them at<br />
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