Catalogue 63 - J & J Lubrano, Music Antiquarians
Catalogue 63 - J & J Lubrano, Music Antiquarians
Catalogue 63 - J & J Lubrano, Music Antiquarians
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91. DUSSEK, Jan Ladislav 1760-1812. Trois Quatuors Pour 2 Violons, Alto et Violonzello [!]... [Op. 60] [Craw<br />
208-10]. <strong>Music</strong>al manuscript set of parts. Early 19th century. Folio. Disbound. I: 13; 9; 10; 10 pp. II: 15; 13; 14; 13<br />
pp.; III: 13; 12; 10; 10 pp. Watermarked (?Italian) paper with three crescent moons and a hat. Small 19th century<br />
blindstamp and ownership label to title of first violin part, "Ruitenbach." (18782)<br />
$285.<br />
First published in 1807-08 by Breitkopf and Härtel. RISM D4093 (no copies in the U.S.).<br />
"Dussek is an unjustly neglected composer... His music seems to have been received with enthusiasm in his own time."<br />
Oxford <strong>Music</strong> online.<br />
David Felder Archive<br />
92. FELDER, David born 1953. An important archive of autograph musical manuscripts and sketches by the<br />
noted contemporary American composer. The archive consists of materials relating to 31 works, representing virtually<br />
all of the composer's output to date: Shamayim, Insomnia, Stuck-stuecke, So Quiet Here, Dyonysiacs, RRRings,<br />
Memento mori, Partial [Dist]res[s]toration, Shredder, Incendio, In Between, a pressure triggering dreams, Three<br />
Pieces for Orchestra, Linebacker <strong>Music</strong>, Inner Sky, Canzone XXXI, November Sky, Six Poems from Neruda's<br />
Alturas, Journal, Between, Third Face, Another Face, Three Lines from Twenty Poems, La Dura Fria Hora, Crossfire,<br />
Boxman, Coleccion Nocturna, Passageways II [and I], Rocket Summer, and Rondage/Cycle. Together with a<br />
collection of demo recordings in CD format and DAT tapes of performances of Felder's works; cassettes, video and<br />
reel-to-reel tapes of recording sessions; and source materials used in compositions. Over 200 items in total, many of<br />
which are not commercial available. (19224)<br />
Price upon request<br />
“Felder combines his deep knowledge of the past and the present with a constant searching on a philosophical,<br />
human and musical level - a Gustav Mahler for the 21st century.. David Felder has long been recognized as a leader<br />
in his generation of American composers. His works have been featured at many of the leading international festivals<br />
for new music including Holland, Huddersfield, Darmstadt, Ars Electronica, Brussels, ISCM, North American New<br />
<strong>Music</strong>, Geneva, Ravinia, Aspen,Tanglewood, <strong>Music</strong> Factory, Bourges, Vienna Modern, IRCAM, Ars <strong>Music</strong>a, and<br />
many others, and earn continuing recognition through performance and commissioning programs by such<br />
organizations as the New York New <strong>Music</strong> Ensemble, Arditti Quartet, American Composers Orchestra, Buffalo<br />
Philharmonic [and] American Brass Quintet... Felder’s work has been broadly characterized by its highly energetic<br />
profile, through its frequent employment of technological extension and elaboration of musical materials (including<br />
his ‘Crossfire’ video series), and its lyrical qualities." music.buffalo.edu/faculty/felder<br />
A complete inventory is available upon request.<br />
Ferretti’s “Most Successful and Influential Works”<br />
93. FERRETTI, Giovanni ca. 1540-after 1609. Il Primo [Secondo, Tertia] Libro delle Canzoni, Alla Napolitana<br />
a Cinque Voci. Novamente ristampate. [Alto and Tenore parts]. Venice: Girolamo Scotto, 1582, 1581, 1575. 6<br />
volumes bound in 2. Small quarto. Contemporary limp vellum. Alto: I: 1f. (r. title, v. blank), 3-23, [i] (index) pp. II:<br />
[1] (title), 2-23 printed music, [i] (index) pp. III: [1] (title), 2-23 printed music, [i] (index) pp. Tenore:_I: 1f. (r. title, v.<br />
blank), 3-23 printed music, [i] (index) pp. II: [1] (title), 2-23 printed music, [i] (index) pp. III: [1] (title), 2-23 printed<br />
music, [i] (index) pp. With decorative woodcut headpiece and attractive large woodcut device to titles. <strong>Music</strong> printed<br />
typographically in diamond-head notation. Decorative woodcut initials throughout. With early ownership signature<br />
and additional early annotation crossed out to titles of both parts of Book I, early manuscript titling to binding.<br />
Bindings slightly worn; several small holes and stains. Some worming to lower portion of alto part, occasionally just<br />
affecting text; occasional foxing, soiling and dampstaining; several leaves lightly browned. In very good condition<br />
overall. (19159)<br />
$13,500.