Catalogue 63 - J & J Lubrano, Music Antiquarians
Catalogue 63 - J & J Lubrano, Music Antiquarians
Catalogue 63 - J & J Lubrano, Music Antiquarians
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First Edition.<br />
The Catalan composer and pianist Granados was a pupil of Joan Pujol, "the leading piano teacher in Barcelona,<br />
whose pupils also included Albéniz and Ricardo Viñes... Granados also studied... with the eminent Spanish<br />
musicologist Felipe Pedrell."<br />
"His founding in 1900 of a classical concert society, for which he sometimes appeared as a conductor, and in 1901 of<br />
his music school, the Academia Granados, which was also to become an important venue for chamber music, were<br />
signs of the respect he enjoyed within the Catalan musical establishment. He wrote several pedagogical works,<br />
including a pedal tutor, but, like many performers, he found teaching a tedious affair, always preferring to<br />
demonstrate by example. In spite of the burdensome administrative responsibility of running his academy, he<br />
maintained a high profile as a pianist throughout his career. He appeared frequently in recitals, concerto<br />
performances and chamber music alongside such prominent figures as Thibaud, Saint-Saëns and Casals, a personal<br />
friend, for whom he composed several pieces. He became well known for his impromptu improvisations, as a result of<br />
which concert performances of his works often varied considerably from the printed score, as his numerous<br />
recordings for Welte-Mignon, made during the early 1900s, testify."<br />
“By 1907 Granados was well enough known outside Spain to be invited by Fauré to sit on the jury for the Dièmer<br />
Prize, and in 1909 he began work on what was to become his best-known composition, the piano suite Goyescas."<br />
"Goyescas represents a rapprochement of different styles which can be found throughout his music, and is notable<br />
also for its infusion of Scarlattian ornamentation, which pervades the entire luxuriant texture." "Granados’s foremost<br />
strength was undoubtedly his melodic gift, which can be best appreciated in his songs and piano works." Mark<br />
Larrad in Grove online.<br />
Granados autograph material is quite scarce.<br />
The First English <strong>Music</strong>al Dictionary<br />
102. GRASSINEAU, James d. 1767. A <strong>Music</strong>al Dictionary Containing A full Explanation of all the Terms... Also<br />
Explanations of the Doctrines of Ancient <strong>Music</strong>, And... Inquiries into the Nature of Sound... Together with A full<br />
Description of all the various kinds of <strong>Music</strong>al Instruments... A New Edition, To Which is Added An Appendix,<br />
selected from the Dictionnaire de Musique of M. Rousseau... London: J. Robson, 1769. Octavo. Full modern mid-tan<br />
morocco with raised bands on spine in decorative compartments gilt, red leather label gilt. 1f. (half-title), [i] (title)-xii,<br />
[344], 1f. (title), 345-[348], 1f. (advertisement), 52 pp. + 4 plates (2 of which are folding). With a leaf of<br />
contemporary paper bound in before half title, slightly cut down, with the signature of Grassineau, possibly autograph.<br />
With a printed endorsement of the work by the composers J.C. Pepusch, M. Greene and J.E. Galliard to verso of halftitle.<br />
Slightly browned; title repaired at inner margin with some paper loss; several minor edge tears. A very good copy<br />
overall. (18894)<br />
$550.<br />
RISM BVI1 p. 375. The first English musical dictionary, first published in 1740.<br />
"Grassineau was born in London, of French parents. He became secretary to Dr. Pepusch, and by his advice he<br />
undertook the translation of Brossard's Dictionary. It was on this translation that Grassineau's work was based, but<br />
with many modifications and additions which gave it a value of its own." Matthew: Literature of <strong>Music</strong>, p. 147. This<br />
second edition has an appendix with excerpts from Rousseau's Dictionary, which had been published in 1767. "The<br />
most important dictionary of music published in Britain until the translation of Rousseau's." TNG Vol. 7 p. 642.<br />
103. GYROWETZ, Adalbert 17<strong>63</strong>-1850. Deux Grandes Sonates pour le Piano Forte avec Flûte ou Violon,<br />
composées et dediées à Madame Josephe Auerhammer... Oeuvre 22md. [Parts]. Offenbach sur le Mein: Jean André<br />
[PN] 862, [1796]. Oblong and upright folio. Unbound, as issued. 27; 7; 7 pp. Engraved. With early signatures to foot<br />
of titles. Some minor wear, soiling and staining. (18735)<br />
$600.