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J & J LUBRANO MUSIC ANTIQUARIANS LLC

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<strong>MUSIC</strong><br />

Items 1 - 533<br />

DANCE<br />

Items 534 - 567<br />

1. ADAMS, John b. 1947. Autograph letter signed to Mr.<br />

Moody. One page. Folio. Dated January 21, 2001. To celebrate<br />

the beginning of yet another Republication administration, here is<br />

something from 'Nixon.' Slightly creased. (20604) $125.<br />

The director Peter Sellars approached Adams in 1983 about<br />

writing an opera on the subject of Richard Nixon's six-day visit to<br />

China to meet Mao Zedong in 1972; the resulting work, Nixon in<br />

China, proved immensely popular.<br />

2. AGRELL, Johan Joachim 1701-1765; Frederico<br />

AURELLI; and Leonardo VINCI ca. 1696-1730. Six Sonatas<br />

or Duets for two German Flutes or Violins Compos'd in a<br />

pleasing fine taste... Opera Seconda. [Score]. London: Walsh,<br />

[1751]. Folio. Disbound. 1f. (title), [1] (blank), 2-25, [i] (blank)<br />

pp. Engraved. Very slightly worn and soiled; small area of blank<br />

outer margin of one leaf lacking. (20889) $500.<br />

Smith & Humphries 2. BUC p. 963. RISM A423.<br />

3. AKIMENKO, Th. [Fedir Stepanovych] 1876-1945.<br />

Trois Morceaux pour le piano revus et doigtés par S. Chapelier.<br />

Paris: Rouart, Lerolle & Cie [PN R.L. 10382 & Cie], [c1925].<br />

Folio. Brown flexible wrappers, original publisher's wrappers<br />

bound in. 3; 3; 3 pp. With an autograph inscription by the<br />

composer to Ricardo Viñes, a Spanish pianist, dated September<br />

25th, 1925 to title. Ex-library with library stamps, etc. Wrappers<br />

worn; head and tail of spine frayed; corners chipped; small tears<br />

to margins of several leaves. (17939) $75.<br />

F.S. Akimenko was Stravinsky's first composition teacher.<br />

4. ALBANI, Emma 1847-1930. Autograph letter signed,<br />

dated Bradford [?Hull, England], 18[??]. 4 pp. Small octavo. To a<br />

Mrs. Robinson, announcing her return to England from Ireland. I<br />

can never forget my first season in Ireland... Albani asks for the<br />

papers which review her Saturday performance - The Freeman's<br />

Journal, The Express, The Times and The Evening Mail. I should<br />

like to send them to my friends all over the world... We can do<br />

nothing as yet but talk of Dublin. She is going to sing Lohengrin<br />

tomorrow night. (16592) $185.<br />

5. ALBERT, Eugen d' 1864-1932. Autograph musical<br />

quotation signed and dated March 1, 1900. Small folio. 3<br />

measures of a clarinet melody from his music drama Vorspiel-<br />

Tiefland, with text by Lothar. 240 x 195 mm. Notated in ink on<br />

hand-ruled staves. Slightly browned. (20241) $385.<br />

Autograph Letter on the Banjo<br />

6. [AMERICAN <strong>MUSIC</strong> - BANJO] Woodward, J.S.<br />

Autograph letter signed and dated September 1, 1899 expressing<br />

Woodward's wish to get a banjo at once. 2 pages. Quarto.<br />

Addressed to Mr. Birdle. Written on elaborate gilt letterhead of<br />

Lewis & Lewis of The Barber School, which advertises their<br />

specialties in magic, training dogs and doves, lecturing, and<br />

playing the piano and organ. with reply requested to him in North<br />

East Cecil County, Maryland, care of Professor Harry Lewis.<br />

Woodward writes to ask if his correspondent has a banjo in stock<br />

that will suit him, and goes on to specify the type of instrument<br />

that he would like and the price that he would like to pay. I am<br />

with the above people playing banjo solos.. He ends with a<br />

postscript: I was formerly at the Auditorium in the Mandolin<br />

Orchestra. Slightly browned; creased at folds. (20965) $175.<br />

The modern banjo was popularized in the 1830s by the American<br />

minstrel performer Joel Sweeney, and came to occupy a very<br />

important place in African-American traditional music as well as<br />

in the minstrel shows of the 19th century. An unusual piece of<br />

American musical ephemera.<br />

7. [AMERICAN <strong>MUSIC</strong>]. Brainard's Opera Melodies;<br />

From the works of Bellini, Auber, Donizetti, Mozart, Rossini,<br />

&c., arranged as solos, duetts, and trios, for the flute or violin.<br />

Cleveland: S. Brainard & Son, [1853]. Large oblong octavo.<br />

Original cloth-backed publisher's printed boards. 1f. (title), [5]-<br />

143 pp. (music) + [i] (contents).Binding slightly worn, rubbed<br />

and bumped; small wormhole to hinge; slightly warped. Front<br />

free endpaper and title reinforced at inner margin; small tears to<br />

lower margin of ca. four leaves; some leaves loose in binding;<br />

slight dampstaining and foxing; occasional annotations in pencil;<br />

corner chipped of p. 141. (12660) $50.<br />

Scarce. OCLC 9401203.<br />

8. [AMERICAN <strong>MUSIC</strong>]. Emerson, Reuben ca. 1772-<br />

1860. An Oration on Music, pronounced before The Handel<br />

Society, Dartmouth University, August 23, 1814. Andover:<br />

Printed by Flagg and Gould, 1814. Large octavo. Unbound<br />

(stitched). 1f. (title),pp. [3]-24 text. Some browning and staining;<br />

most leaves with small tears to edges. (16058) $185.<br />

With commentary on psalmody, performance style, singing,<br />

expression, etc. Emerson taught vocal music; among his students<br />

was the noted American singing school teacher and tunebook<br />

compiler Nathaniel Duren Gould (1781-1864).<br />

9. [AMERICAN <strong>MUSIC</strong>]. Gould, N.D., ed. National<br />

Church Harmony, Designed for Public and Private Devotion, in<br />

Two Parts. Music Arranged for the Organ and Piano Forte, by<br />

Introducing Small Notes... Stereotype Edition, with a<br />

Supplement. Boston: Gould, Kendall & Lincoln, 1835. Oblong<br />

octavo. Original publisher's leather-backed printed boards. 1f.<br />

(title), [iii]-iv (preface), [v]-xvi ("Introductory Rules"), [xvii]xviii<br />

("Practical Observations"), xix-xx ("Introductory Lessons in<br />

Solmization), [21]-289, [290]-[294] (index), [295]-336 pp.<br />

[supplement]. Binding slightly worn, rubbed and bumped.<br />

Slightly foxed; endpapers lacking. A very good copy overall.<br />

(15772) $85.<br />

Melodeon Instructor<br />

10. [AMERICAN <strong>MUSIC</strong>]. Gurney, T. E. Carhart's<br />

Melodeon Instructor... A Complete and Progressive Method of<br />

Instruction for the Melodeon and Reed Instruments Generally.<br />

Boston: Ditson, 1855. Quarto. Original cloth-backed publisher's<br />

printed boards. 1f. (frontispiece), 1f. (title), [3]-12 (instructional<br />

manual), 13-100 pp. (music). With frontispiece illustrating<br />

"Correct Position of the Hands" at the keyboard, and with<br />

extensive musical examples to the instructional manual. Binding<br />

worn and bumped; hinge splitting; frayed at spine; minor<br />

dampstain to upper. Minor to moderate foxing; occasional<br />

annotations in pencil. (12637). $100.<br />

OCLC 42461997 (1 copy only).

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