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Johann Albrecht, 1804. 1f. (title), pp. [3]-415, [i] (blank), 17 (index), [i] (blank) pp. Contains text to over 300 lieder and psalms, some accompanied by music printed in diamond-head notation. Binding considerably worn, hinges tender; lower board cracked and otherwise defective; remnants of original clasps to both boards; joints split. Quite worn, browned and foxed; some leaves partially detached; several small tears, fraying to edges and other minor defects. (21146) $400. First Edition. The second Mennonite hymnbook to be compiled in America, this popular collection went through 15 editions from 1804-87. It is still used in Lancaster County by certain conservative groups, and was reprinted in Lancaster in both 1923 and 1941 for Amish congregations. It is noteworthy as the only Mennonite hymnal to borrow substantially from the Ausbund; it contains 64 Ausbund hymns, which is 45 per cent of the Ausbund total, and 17 per cent of the 390 basic hymns in the Gesangbuch. The Mennonite Encyclopedia, Vol. 4, p. 783. 20. ARCHER, Frederic 1838-1901. Autograph musical quotation signed and dated December 1893. 4 measures from a work for piano. Slightly browned. (20412) $85. Archer, a British composer, conductor and organist, was a conductor of the Boston Oratorio Society, director of Carnegie Music Hall in Pittsburgh, and a founder of the Pittsburgh Symphony Orchestra in 1896. "An Immediate and Lasting Success" 21. ARNE, Thomas Augustine 1710-1778. Comus; A Masque As it is performed at the Theatres Royal in Drury Lane and Covent Garden... for the Voice, Harpsichord, and Violin. [Piano-vocal score]. London: Harrison & Co., [ca. 1785]. Oblong folio. Half mid-tan mottled calf with marbled boards, gilt titling to spine. [1] (title), [2] (blank), [3] (cast list and contents), 4-18 pp. Engraved. Previous owner's pencilled note to verso of title. Slightly worn and soiled; occasional light foxing; slightly trimmed, just affecting printed area of lower margins in some cases; front endpaper browned. (19261) $275. BUC p. 43. RISM A1749. Arne's music for Milton's masque of Comus was produced in March of 1738. "It was an immediate and lasting success, establishing Arne as a composer of the first rank." Grove online 22. BACH, Johann Sebastian 1685-1750. [BWV 205]. Zerreiflet, zersprenget, zertrümmert die Gruft "Der zufridengestellte Aeolus" Drama per Musica… Faksimile-Reihe Bachscher Werke und Schriftstücke Herausgegeben vom Bach- Archiv Leipzig, Band 13. Leipzig: VEB Deutscher Verlag für Musik, [1978]. Folio. Original publisher's boards. 8 pp. textual commentary, 75 pp. autograph manuscript facsimile. Binding slightly worn. (19306) $60. 23. BACH. [BWV 211]. Schweigt stille, plaudert nicht Kaffeekantate. Leipzig: VEB Deutscher Verlag für Musik, [1971]. Folio. Original publisher's boards. 8 pp. textual commentary, 23 pp. autograph manuscript facsimile.(19282) $50. 24. BACH. [BWV 225]. Singet dem Herrn ein neues Lied Motette für zwei Chöre. Faksimile nach dem Autograph. Basel, London, New York: Bärenreiter Kassel, 1958. Folio. Original publisher's boards. 2 pp. textual commentary, 20 pp. autograph manuscript facsimile. Binding slightly worn. (19301) $75. 25. BACH. [BWV 234]. Messe A-dur Faksimile der autographen Partitur und Continuo-Stimme. Einführung von Oswald Bill und Klaus Hafner. Wiesbaden: Breitkopf & Härtel, 1985. Folio. Full dark red cloth. 21 pp. textual commentary, 36 pp. autograph manuscript facsimile. (19277) $75. 26. BACH. [BWV 248]. Weihnachts Oratorium Faksimile Lichtdruck des Autographs mit einem Nachwort herausgegeben von Alfred Dürr. Basel, London, New York: Bärenreiter Kassel, [1960]. Folio. Original publisher's boards. 12 pp. textual commentary, 148 pp. autograph manuscript facsimile. (19287) $150. 27. BACH. [BWV 651]. Fantasia super Komm heiliger Geist. Faksimileausgabe mit erläuternden Worten von Peter Wackernagel. Leipzig: Merseburger, [ca.1949]. Tall folio. Paper boards. 2ff., 4 (facsimile) + 4 (commentary) + 1 (colophon) pp. Frontispiece reproduction color portrait of the Volbach Bach portrait. Binding slightly worn; joints split. Upper corner slightly creased. (19479) $70. Limited to 300 copies, this one inscribed to Mr. and Mrs. Walter Hinrichsen of C. F. Peters. 28. [BACH]. Boyd, Malcolm, ed. J.S. Bach. [Oxford]: Oxford University Press, [1999]. Octavo. 626 pp. (16482) $60. From the collection of the noted American harpsichordist Igor Kipnis (1930-2003). 29. [BACH]. Hoffmann, Winfried and Armin Schneiderheinze, eds. Bericht über die Wissenschaftliche Konferenz zum V. Internationalen Bachfest der DDR in Verbindung mit dem 60. Bachfest der Neuen Bachgesellschaft. Leipzig, 25. bis 27. März 1985. Im Auftrag der Nationalen Forschungs- und Gedenkstätten Johann Sebastian Bach der DDR. Leipzig: VEB Deutscher Verlag für Musik, [1988]. Large octavo. 531 pp. Illustrated. (16562) $60. From the collection of the noted American harpsichordist Igor Kipnis (1930-2003). 30. [BACH]. Neumann, Werner. Bilddokumente zur Lebensgeschichte Johann Sebastian Bachs - Pictorial Documents of the Life of Johann Sebastian Bach. Leipzig: VEB Deutscher Verlag für Musik, 1979. Quarto. 447 pp. Illustrated. Dustjacket slightly worn. (16872) $100. From the collection of the noted American harpsichordist Igor Kipnis (1930-2003). 31. [BACH]. Neumann, Werner, and Hans-Joachim Schulze, eds. Auf den Lebenswegen Johann Sebastian Bachs. Berlin: Verlag der Nation, 1957. Folio. Full cloth. 319 pp. Profusely illustrated. (2256.1) $75. 32. [BACH]. Neumann, Werner and Hans-Joachim Schulze, eds. Schriftstücke von der Hand Johann Sebastian Bachs. Kritische Gesamtausgabe. Leipzig: VEB Deutscher Verlag für Musik, 1963. Octavo. 288 pp. Illustrated. (16788) $50. From the collection of the noted American harpsichordist Igor Kipnis (1930-2003). 33. [BACH]. Spitta, Philipp. Johann Sebastian Bach. His Work and Influence on the Music of Germany, 1685-1750. London: Novello and Company, Ltd., 1899. Translated from the German by Clara Bell and J. A. Fuller Maitland. In three volumes. 8vo. Full cloth. 656, 721, 419 pp. + frontispiece portrait.
With musical examples. Binding slightly worn and shaken. (2290.1) $75. 34. BARTÓK, Béla 1881-1945. Album Piano Solo - Pour le Piano - Zongorára. Budapest: Rózsavölgyi & Co. [PN R. & Co. 7045], [1946]. Folio. Original publisher's decorative wrappers printed in red and blue. 3ff., 9-58 pp. Wrappers slightly worn. Uniformly browned; creased at corners; small ink stamp to lower outer corner of title. (17170) $85. Contains 14 works: Szabolcsi 38 nos. 1-4 and 10; 47 nos. 1 and 2; 43 no. 1; 44 nos. 1, 2, 5 and 6; and 39 nos. 5 and 10. Szabolcsi p. 353. "Béla Bartók, before leaving Budapest for the United States of America, collected[,] corrected and prepared the contents of this album for the press." Preface 35. BARTÓK. Konzert für Klavier und Orchester [No. I]... Für 2 Klaviere zu 4 Händen übertragen von Komponisten. Wien: Universal-Edition A.G. [PN U.E. 8779], [1927]. Folio. Original publisher's wrappers printed in green bound into plain stiff black cloth-backed heavy paper wrappers with printed label of Viennese musicseller Anton Goll to upper titled in manuscript. [1] (title), [2] (blank), 3-88 pp. Title text in German, French and English. Wrappers slightly foxed and creased; musicsellers' ink stamps to upper. Slightly worn; light vertical crease throughout. (17166) $165. First Edition of this arrangement. "Budapest, 1927. VIII., XI." to p. 88; 4-column publisher's catalogue to verso of lower wrapper with "X./26." to lower right-hand corner. Szabolcsi 83. BSB 1, p. 343. Thompson 27. 79. First performed on July 1, 1927 in Frankfurt, with the composer as soloist and Furtwängler conducting. 36. BARTÓK. 10 Leichte Klavierstücke. Budapest: Rózsavölgyi és társa [PN R.K. 293], [ca. 1920]. Tall folio. 1f. (title), 3-16 pp. Striking decorative title signed with the initial "B." Worn and browned; slightly stained; edges chipped and rolled; outer leaves separated at spine; contemporary signature to upper outer corner. (17176) $60. Szabolcsi 39. Thompson p. 21. 37. Not in BSB. 37. BEETHOVEN, Ludwig van 1770-1827. [Op. 15]. Beethoven's Concert für Pianoforte mit fingersatz und der vollständigen, für Pianoforte übertragenen Orchesterbegleitung versehen von Franz Kullak. Neue Auflage. No. 1. Concert Op. 15, C dur. [2-5]. Leipzig: Steingräber [PNs 85-89] , [ca. 1885]. 5 volumes. Folio. 79; 46; 44; 56; 53 pp. Wrappers present to two volumes only; somewhat browned and brittle; some fraying; several small tears and chips. (17105) $125. 38. BEETHOVEN. [Opp. 40, 50]. Zwei Romanzen für Violine & Orchester... Ausgabe für Violine & Klavier [Op. 40, Op. 50]. [Score and violin part]. Leipzig: C.F. Peters [PN 2] , [192?]. Oblong folio. Quarter vellum with marbled boards, green printed label gilt to upper. 21; 9 pp. Engraved, with initials "WT" printed at foot of title. (20849) $135. Limited edition, this no. 71. A bibliographic edition evidencing considerable engraving skill in early 19th century style. 39. BEETHOVEN. [Op. 123]. Drei Skizzenbuch zur Missa Solemnis [SV81]. Bonn: Beethovenhaus, 1952, 1968. 6 volumes. Oblong folio. Original publisher's wrappers. - Ein Skizzenbuch aus den Jahren 1819/20 SV 81 Faksimile. 42 pp. autograph manuscript facsimile. - ... vollständige, mit einer Einleitung und Anmerkungen versehene Ausgabe von Joseph Schmidt-Görg. Pp. 7-28 textual commentary and notes, 29-51 modern edition + 2ff. autograph manuscript facsimile. - Ein Skizzenbuch zum Credo SV 82 Faksimile. 62 pp. autograph manuscript facsimile. - Übertragung. Pp. 7-18 textual commentary and notes, 19-51 modern edition. - Ein Skizzenbuch zum Benedictus und zum Agnus Dei SV 83 Faksimile. 34 pp. autograph manuscript facsimile. - Übertragung. Pp. 7-15 textual commentary and notes, 17-34 modern edition. Wrappers slightly worn. (19514) $175. 40. BENEDICT, Sir Julius 1804-1885. Autograph letter signed to an unidentified male correspondent, possibly a publisher. 1-1/4 pages of a bifolium. Octavo. Dated [London], August 2, 1849. I return according to your wish the corrected proofs of the Duet. The Recit. preceeding the Air of Sig. Covar will not be sung. Creased at folds; some foxing; remnants of former mount to blank verso. (20611) $135. Benedict, a British composer, conductor and accomplished pianist, was prominent in English musical life in the middle and latter part of the 19th century.. 41. BENEDICT. Autograph letter signed to an unidentified male correspondent. One page of a bifolium. Octavo. Dated November 1, 1875. Benedict sends a few autographs to his correspondent, stating that his papers are in the greatest disorder, but I will not forget my promise." Slightly creased and foxed; trimmed at lower margin with loss of two words below the signature. (20610) $100. 42. BEYDTS, Louis 1895-1953. "Il ne faut jurer de rien" Suite d'Orchestre. I. Ouverture. II. Variations et Rêverie. [Full score]. Paris: Jean Jobert [PN J.J. 521], [c1939]. Folio. Red cloth, original publisher's printed wrappers bound in. 78 pp.Ex-library, with library stamping, etc. Binding worn, rubbed and bumped; head and tail of spine frayed. Slight browning to margins; repairs to inner margins of upper wrapper and following 2 leaves. (18102) $60. BIBLIOGRAPHY & REFERENCE Items 43 - 52 43. [BIBLIOGRAPHY & REFERENCE]. Blume, Friedrich, ed. Die Musik in Geschichte und Gegenwart [MGG]. Allgemeine Enzyklopädie der Musik. Kassel und Basel: Bärenreiter-Verlag, 1949-1968. Complete 14 volumes. Large octavo. Brown cloth. Bindings somewhat worn; first four volumes shaken; spine lacking to Vol. I; spines separated to Vols. 2-4. Internally very good. (12870) $125. 44. [BIBLIOGRAPHY & REFERENCE]. Gerstenberg, Walter. Musiker Hand Schriften, von Palestrina bis Beethoven... von Schubert bis Strawinsky. Zürich: Atlantis , 1960, 1961. 2 volumes. Folio. Original publisher's cloth boards. I: 173 pp.; II: 184 pp. With numerous facsimiles of composers' autograph manuscripts. Minor abrasion to edge of upper board to Vol. I. (19374) $75. 45. [BIBLIOGRAPHY & REFERENCE]. Hughes- Hughes, Augustus. Catalogue of Manuscript Music in the British Museum. Vol. I Sacred Vocal Music; Vol. II Secular Vocal
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Page 7 and 8: 58. BLACHER, Boris 1903-1975. Rosam
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Page 11 and 12: 105. COPLAND. Symphonic Ode. [Full
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Page 15 and 16: institutions. He composed film scor
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Page 19 and 20: eing the main motif from his opera
Page 21 and 22: From the Collection of Sigrid Onegi
Page 23 and 24: A Seat for the Premiere of Mascagni
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Page 27 and 28: Music for Men's Chorus 293. NAGELI,
Page 29 and 30: 313. PAPIER-PAUMGARTNER, Rosa 1859-
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Page 33 and 34: 1f. (title), 31; 23; 23; 23 pp. Eng
Page 35 and 36: & Härtel, [after 1886]. 2 volumes.
Page 37 and 38: 411. STEINBACH, Fritz 1855-1916. Au
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Page 41 and 42: Moscow: P. Jurgenson [PN 21737], [1
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Page 45 and 46: 507. WAGNER. [WWV 86c]. Die Walkür
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Page 49 and 50: With a date of December 1, 1944 in
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