RIC-0205 Discovering Poetry
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<strong>Discovering</strong><br />
<strong>Poetry</strong><br />
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<strong>RIC</strong>-<strong>0205</strong> 6.9/82
Foreword<br />
It is my pleasure to introduce this original poetry collection for<br />
students and teachers. The themes are contemporary, written for<br />
young people in the 21st century. Some of them were written during<br />
my travels in Australia, where I am partly resident. Others reflect<br />
insights about children’s feelings and worlds gained in my work as a<br />
psychologist. I have tried to combine modern themes with classical<br />
styles to encourage students to widen their own range of literature<br />
awareness and to explore the rhythms and patterns of the English<br />
language.<br />
It is my hope that these explorations will help to release the creative spirit<br />
that lies within every student. Using these poems as stimulus, teachers<br />
can guide students towards creative expression through the range of<br />
reflective activities on the worksheets. I hope you will have fun together,<br />
as I did in writing the poems.<br />
Jo Bowler<br />
Contents<br />
Teachers Notes _____________________________________________________________________________________________ ii – iii<br />
Outcome Links ________________________________________________________________________________________________ iv<br />
The Kite ____________________________________________________________________________________________________ 1 – 4<br />
Summer Berries _____________________________________________________________________________________________ 5 – 8<br />
Antarctica _________________________________________________________________________________________________ 9 – 12<br />
Air Raid __________________________________________________________________________________________________ 13 – 16<br />
Camel Ride _______________________________________________________________________________________________ 17 – 20<br />
Atomic Me _______________________________________________________________________________________________ 21 – 24<br />
My Friend/Moving ________________________________________________________________________________________ 25 – 28<br />
Eel Creek ________________________________________________________________________________________________ 29 – 32<br />
Rollerblading/Skateboard Skite _____________________________________________________________________________ 33 – 36<br />
The Pelican _______________________________________________________________________________________________ 37 – 40<br />
A Witchetty Grub in my Sandwich ___________________________________________________________________________ 41 – 44<br />
World Wide Webbing ______________________________________________________________________________________ 45 – 48<br />
The Mosquito _____________________________________________________________________________________________ 49 – 52<br />
Sun, Sea and Sand ________________________________________________________________________________________ 53 – 56<br />
Grandma’s Vintage Car ____________________________________________________________________________________ 57 – 60<br />
Butter Butter Everywhere ___________________________________________________________________________________ 61 – 64<br />
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Rhythm and Rhyme<br />
Rhythm is the flow of sound that comes from the stress patterns of spoken<br />
language. The rhyming patterns of poems also determine the rhythm.<br />
The couplet – two lines that rhyme (aa)<br />
I didn’t feed my guinea pig today (a)<br />
I hope when I get home that she’s okay<br />
(a)<br />
Alternative rhyming lines (ab ab)<br />
They said that the camel would know the way (a)<br />
That we’d amble along till we’re there (b)<br />
At this pace it’s going to take more than a day (a)<br />
And we could be lost anywhere (b)<br />
R.I.C. Publications www.ricgroup.com.au i <strong>Discovering</strong> <strong>Poetry</strong>
<strong>Discovering</strong> <strong>Poetry</strong> uses 21st century themes to introduce students to a range of classical poetry<br />
styles. It encourages students to write their own poems and to explore language in creative ways.<br />
<strong>Discovering</strong> <strong>Poetry</strong> contains 18 original poems. Each poem is accompanied by a:<br />
• page of teacher notes and lesson suggestions;<br />
• student worksheet on comprehension and word study activities; and<br />
• structured worksheet for the student’s own poetry writing.<br />
Teachers Notes<br />
Each poetry unit is four pages long:<br />
The first page is for the teacher. Each poetry<br />
unit has detailed teachers notes and lesson<br />
suggestions explaining:<br />
• themes of the poem(s)<br />
• guided class discussion<br />
• style of poetry<br />
• additional activities – smallgroup<br />
work, individual writing<br />
• curriculum links<br />
• answers<br />
The second page contains the poem(s).<br />
The third page of each unit is a student<br />
worksheet that accompanies the poem(s).<br />
The activities included here combine<br />
comprehension of the theme of the poem<br />
and word study activities.<br />
The final page is a structured worksheet for<br />
the student’s own poetry writing. The<br />
students must extend their thinking about the<br />
theme or style of the poem(s). The activities<br />
are suited for the middle/upper classroom.<br />
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The poems and accompanying lessons can be incorporated into class theme work and ongoing projects.<br />
Curriculum links are suggested in the teachers notes. Poems are grouped by theme for easy reference.<br />
Each poem and accompanying worksheets can be used as stand-alone units of work within the context of language lessons.<br />
The teachers notes contain a range of classroom activities, such as group discussion, individual and group writing and research<br />
activities.<br />
Links with literature have been given for some of the poems but teachers could consult with the librarian or reading specialist<br />
to access other reading material within their school resources or on the Internet.<br />
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ISBN 978-1-86311-834-7
Poetic Styles<br />
Literary Terms<br />
The styles below are explained in full in the teachers notes<br />
accompanying each unit. For easy reference, the poem<br />
titles for each of these styles are shown below.<br />
Ballad tells stories of heroes and folktales, often includes<br />
rhyming couplets, contains a repeated line<br />
Ballade narrative, not a serious topic, contains rhyming<br />
with the last two lines in each stanza repeated<br />
Doggerel uses rhyme to express an ordinary feeling or<br />
sentiment, type of verse used in greeting cards<br />
Eulogy admires or praises a person, object or place<br />
Lyric usually a short poem with two to three verses directly<br />
expressing the poet’s own thoughts and feelings about<br />
a particular topic, feeling or situation; in ancient Greece,<br />
short poems were written to be sung to the music of a<br />
lyre – a stringed instrument made of a tortoiseshell; (also<br />
means the words of a song)<br />
Monologue poet speaks to himself/herself<br />
Nonsense about trivial matters, uses words to make the<br />
situation more absurd<br />
Nursery Rhyme repeated vowels and internal rhymes,<br />
experiments playfully with words and variations on<br />
words, can be a nonsense element<br />
Narrative tells or recites a story<br />
Shape Poem rhyming lines compressed into the outline<br />
of the subject, being written so they blend together<br />
Sonnet fourteen lines, three stanzas of four lines with a<br />
rhyming couplet at the end (a Shakespearean sonnet),<br />
often about love<br />
N.B. There is also a Miltonic Sonnet (from Milton) that<br />
has two verses. Verse one has eight lines and verse<br />
two, six lines.<br />
Ode usually has the same rhyming pattern (abcb); is the<br />
Greek word for song and celebrates or expresses<br />
admiration for something<br />
Alliteration<br />
A recurring consonant in the same phrase; e.g. Peter’s<br />
in a pickle, Susie’s in a stew!<br />
Assonance<br />
The same vowel sound repeated within a verse; e.g.<br />
Gooseberry looseberry; Thin, pin, skin.<br />
Homonym<br />
Words that have different meanings but identical form;<br />
e.g. lie, saw, stake, pole (each has multiple meanings).<br />
Homophone<br />
Words with the same sound but different spelling and<br />
meaning; e.g. peace, piece.<br />
Metaphor<br />
Making a direct comparison with something through<br />
reference to its appearance, actions or manner; e.g. He’s<br />
a pig!.<br />
Onomatopoeia (pronounced ‘on-o-mat-a-pee-uh’)<br />
Where the sound also gives the meaning;<br />
e.g. ‘swish’, ‘plop’, ‘crunching’.<br />
Personification<br />
A metaphor which gives human qualities to something<br />
non-human; e.g. The moon was smiling.<br />
Simile<br />
Two things are compared using ‘like’ or ‘as’; e.g. He<br />
was as stubborn as a donkey; She runs like a gazelle.<br />
Verse Forms<br />
Couplet – two rhyming lines<br />
Quatrain – a verse of four lines<br />
Sestet – a verse of six lines<br />
Octet – a verse of eight lines<br />
Summary<br />
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Title Pages Poetic Style Main theme<br />
The Kite 1–4 shape poem action poem<br />
Summer Berries 5–8 nursery rhyme style fruit<br />
Antarctica 9–12 sonnet environment<br />
Air Raid 13–16 lyric environment<br />
Camel Ride 17–20 ballade animals<br />
Atomic Me 21–24 monologue people and relationships<br />
My Friend 25–28 narrative people and relationships<br />
Moving 25–28 narrative – in monologue style people and relationships<br />
Eel Creek 29–32 ballade animals<br />
Rollerblading 33–36 lyric action<br />
Skating Skite 33–36 lyric action<br />
The Pelican 37–40 ode animal<br />
A Witchetty Grub in my Sandwich 41–44 doggerel feelings<br />
World Wide Webbing 45–48 narrative technology<br />
The Mosquito 49–52 ballad animals/insects<br />
Sun, Sea, Sand 53–56 eulogy environment<br />
Grandma’s Vintage Car 57–60 narrative people and relationships<br />
Butter Butter Everywhere 61–64 nonsense verse people and relationships<br />
R.I.C. Publications www.ricgroup.com.au iii <strong>Discovering</strong> <strong>Poetry</strong><br />
ISBN 978-1-86311-834-7
The activities in this book have been written to develop the following outcomes in language.<br />
Outcome Links<br />
State Strand Level Outcomes Statement<br />
National<br />
Reading and Viewing<br />
NSW<br />
Contextual Understanding 4 4.6 Explains possible reasons for people’s varying interpretations of a text.<br />
Linguistic Structures<br />
and Features 4 4.7 With teacher guidance, identifies and discusses how linguistic structures and features work to shape<br />
reader’s and viewer’s understanding of texts.<br />
Writing<br />
Texts 4 4.9 Uses writing to develop familiar ideas, events and information.<br />
Contextual Understanding 4 4.10 Adjusts writing to take account of aspects of context, purpose and audience.<br />
Linguistic Structures<br />
and Features 4 4.11 Controls most distinguishing linguistic structures and features of basic text types such as stories,<br />
procedure, reports and arguments<br />
Reading<br />
Context and Text 3 RS3.7 Refer to curriculum documents.<br />
Language Structures<br />
and Features 3 RS3.8<br />
Writing<br />
Producing Text 3 WS3.9<br />
Skills and Strategies 3 WS3.10<br />
Context and Text 3 WS3.13<br />
Linguistic Structures<br />
and Features 3 WS3.14<br />
SA Texts and Contexts 3 3.3 Reads and views a range of texts containing some ideas and issues of social/cultural interest and<br />
more complex text structures and language features and explains possible reasons for different<br />
interpretations of texts.<br />
3.4 Composes a range of texts that include ideas and information about familiar and some unfamiliar<br />
topics and applies an understanding of audience, purpose and context.<br />
Language 3 3.7 Identifies and analyses features of written language and visual images when reading and viewing<br />
independently, a range of texts about familiar and unfamiliar topics.<br />
3.8 Selects and uses a variety of language aspects when planning and composing a range of well<br />
structured fiction, factual and media texts about familiar, new and possible experience.<br />
Strategies 3 3.11 Selects and uses a variety of strategies for locating and recording information and for reading, viewing<br />
and critically interpreting a range of written and visual texts.<br />
Victoria<br />
WA<br />
Reading<br />
Contextual Understanding 4 4.6 Refer to curriculum documents<br />
Linguistic Structures 4 4.7<br />
Writing<br />
Texts 4 4.9<br />
Contextual Understanding 4 4.10<br />
Linguistic Structures 4 4.11<br />
Reading<br />
Contextual Understanding 4 R4.2 Refer to curriculum documents<br />
Conventions 4 R4.3<br />
Writing<br />
Use of Texts 4 W4.1<br />
Contextual Understanding 4 W4.2<br />
Conventions 4 W4.3<br />
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Queensland<br />
Refer to curriculum documents on http://www.qscc.qld.edu.au<br />
South Australian acknowledgment<br />
The extracts from the South Australian Curriculum, Standards and Accountability Framework published by kind permission of the Department of Education, Training and<br />
Employment, Banksia Avenue, Seacombe Gardens, South Australia, 5047. Phone (08) 8377 0399<br />
NATIONAL OUTCOMES acknowledgment<br />
The extracts from the National Statement and Profiles. Permission has been given by the publisher, Curriculum Corporation, PO Box 177, Carlton South, Victoria 3053.<br />
http://www.curriculum.edu.au Email: sales@curriculum.edu.au Tel.: (03) 9207 9600 Fax: (03) 9639 1616<br />
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ISBN 978-1-86311-834-7
The Kite<br />
This poem is about<br />
Themes<br />
Style<br />
Curriculum Links<br />
flying a kite<br />
wind, movement, control<br />
Shape poem<br />
It has rhyming lines but these have been compressed into the outline of the subject<br />
so they blend together. The size of the words in the last line also reflects their<br />
meaning. Shape poems can be written about any subject with a simple outline.<br />
sport, science (weather)<br />
Page 3<br />
1. (a) possible choices – skimming, billowing, scudding, tacking<br />
(b) possible choices – turning, spinning, circling, whirling, wheeling<br />
(c) possible choices – swivelling, turning, winding, swinging<br />
2. a red dragon face<br />
3. gusty wind (plummets, rears) but fine as well (hazy blue air)<br />
4. When I think it will nose-dive, it soars up; Pulling the strings I keep it in play<br />
5. The wind drops<br />
6. Teacher check<br />
• Kite flying requires a balance between control by<br />
human hands and the control of the wind and air<br />
currents. What other activities require a similar<br />
balance, and in what elements?<br />
• Without describing it, the person flying the kite in<br />
the poem is experiencing certain emotions. What<br />
are they and what words in the poem suggest this<br />
to you?<br />
• Small-group Work<br />
Kite flying is an ancient sport. Students can use<br />
encyclopedias and the Internet to research its history<br />
and prepare a report.<br />
Make a group design for a kite that will fly. This will<br />
require research. Make the kite and fly it!<br />
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• Individual Writing<br />
Students write a short story about a kite-flying<br />
contest.<br />
Write an explanation of how, and why, wind is<br />
necessary on Earth.<br />
The old Aesop fable of the contest between the sun<br />
and the wind to see which had the power to make a<br />
farmer remove his coat.<br />
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ISBN 978-1-86311-834-7
The Kite<br />
The Kite is a shape poem. It has rhyming lines, but these have been compressed into the<br />
outline of the subject being written about so they blend together. The size of the words<br />
in the last line also reflects their meaning. Shape poems can be written about any subject<br />
with a simple outline.<br />
wind<br />
the<br />
tails<br />
The Kite<br />
It’s swooping and bucking over my head. When<br />
I think it will nose-dive, it soars up instead.<br />
It circles and skims in the hazy blue air.<br />
A red dragon face grinning down<br />
on me here. Pulling the<br />
strings I keep it in play,<br />
and it plummets and<br />
rears till<br />
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away<br />
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The Kite<br />
Comprehension and Word Study<br />
The poem describes some of the actions<br />
of a kite in the wind. Below are some<br />
other things that are driven by wind. Find<br />
words to describe their movements. An<br />
example is given from the poem.<br />
Example: The kite plummets, rears, nose-dive, bucking, soars<br />
(a) Yacht sails<br />
(b) Windmills<br />
(c) Weather vanes<br />
A metaphor makes a comparison without using ‘like’. What metaphor is used in the<br />
poem?<br />
Describe the weather conditions when the kite is being flown. What words in the<br />
poem suggest these weather conditions?<br />
The person flying this kite is experiencing excitement. What particular phrases suggest<br />
this?<br />
How does nature end this activity of kite flying?<br />
Kites come in many shapes. Draw a different shaped kite and write about it.<br />
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The Kite<br />
To write a shape poem you need to include information about a topic through the<br />
words you choose. Practise by writing a shape poem about a fruit or vegetable.<br />
Choose words that describe the characteristics of the fruit, and how it presents<br />
itself to the senses. Practise below by finding words to describe the foods listed.<br />
Draw the outline of your chosen fruit or vegetable in the box below, using a pencil.<br />
Write some lines to describe this food and arrange them in order to make sense. Try<br />
to include some rhyme. Now fit your lines to the outline you have drawn. The words<br />
can run over into the next line. Refer back to the poem The Kite and see how the full<br />
stops show the end of each line. Write your completed poem in your outline. Arrange<br />
your words to create the correct shape and rub out your pencil line.<br />
Order<br />
Description (draft)<br />
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Summer Berries<br />
This poem is about<br />
Themes<br />
Style<br />
Curriculum Links<br />
the berry fruits of summer<br />
taste, texture, variety, sensory pleasure<br />
Nursery rhyme style<br />
The poem includes repeated vowel sounds and internal rhymes (assonance). It<br />
experiments playfully with words and variations on words. There is a nonsense<br />
verse element, with a description and monologue section in the last seven lines.<br />
health, nutrition<br />
Page 6<br />
1. Real – blueberry, loganberry, boisenberry, gooseberry etc.<br />
Imaginary – jackberry, looseberry, wilderberry, snappleberry, glowberry etc.<br />
2. sour/ours, near/earn, more/Rome, eat/tea<br />
3. merry, glow<br />
4. Teacher check<br />
5. Happy, jolly, carefree mood, festive feelings<br />
6. Teacher check<br />
• What beneficial plants grow wild where you live? What<br />
makes them beneficial? What is difficult to cultivate<br />
in your area? What fruits and vegetables have to be<br />
imported and why?<br />
• What is genetic engineering? What are the benefits<br />
and disadvantages of genetically engineering<br />
produce?<br />
Small-group Work<br />
Students choose from the following topics:<br />
– Noxious weeds<br />
– Edible wild food<br />
– Composting<br />
– Local crop farming<br />
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Have relevant resources available (library, Internet, topic<br />
books) for the students to use to research and write about<br />
their topic. Reports or posters can be created and<br />
presented to the class.<br />
Individual Writing<br />
Students write an original nursery rhyme on a subject of<br />
their choice.<br />
Students write a short story that begins: ‘I peered through<br />
the window and froze! I could hardly believe what I saw<br />
growing in there!‘<br />
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ISBN 978-1-86311-834-7
Summer Berries<br />
Summer Berries is a nonsense poem written in a nursery rhyme style. It experiments<br />
playfully with words and variations on words. The effect comes from repetition of the<br />
word ‘berry’ and the rhymes inside the lines.<br />
Summer Berries<br />
Summer season hot and merry<br />
Eat a fat and purple berry<br />
Thin berry thick berry<br />
Come along and pick berry<br />
Blackberry jackberry<br />
In a paper sack berry<br />
Raspberry blueberry<br />
How do you do berry!<br />
Loganberry boisenberry<br />
Gooseberry loose berry<br />
Elderberry youngerberry<br />
Wildberry wilderberry<br />
crab apple snapple berry<br />
Merry little cherry berry<br />
Flower berry sour berry<br />
Ooh yuk! Sour berry!<br />
Dried berry sweet and airy<br />
Growing wild near the dairy<br />
Bumble berry rowanberry<br />
Bilberry still berry<br />
Sloe berry glow berry<br />
Luscious luscious strawberries<br />
Are there any more berries?<br />
I adore strawberries<br />
Strawberries strawberries<br />
Squashy with no core berries<br />
Mouth staining, it’s raining<br />
Juice! Juice! Juice!<br />
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Summer Berries<br />
Comprehension and Word Study<br />
Some of the berries in the poem are real fruit and some<br />
are imaginary. List them.<br />
An anagram is a word composed of letters that can<br />
be rearranged to make another word (e.g. pool/loop).<br />
Here are two words from the poem that you can use<br />
to make anagrams. Write your new word beside each.<br />
Find another word in the poem that can also make an<br />
anagram.<br />
(a) sour<br />
(b) near<br />
Find two different words in the poem that suggest cheerfulness.<br />
Select your own favourite berry and write two sentences to describe it. Try to use<br />
either alliteration (starting a group of words with the same letter; for example,light<br />
luscious loganberry), or assonance (rhyming vowel sounds; for example, Nan’s a<br />
fan for cranberry) in your writing.<br />
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Reread the poem and then write a sentence describing the mood of the person<br />
saying this rhyme.<br />
(c)<br />
Invent a new berry and give it a name and colour. Illustrate it and write a description.<br />
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Summer Berries<br />
Plants have many parts, such as<br />
stems, leaves, petals, fruits and<br />
branches. Think of a plant you know<br />
well and write words to describe its<br />
parts in the space below.<br />
Write your own nursery rhyme style<br />
poem about a plant. Include your<br />
nonsense words in your poem.<br />
Take one or two of the words from<br />
your list above and play with them<br />
by creating nonsense words that<br />
sound similar. If your first one doesn’t<br />
work, try another until you have<br />
generated a list of six, eight or more!<br />
For example; ‘hairy leaves, fairy<br />
leaves’ or ‘drippy nectar, sippy<br />
nectar’.<br />
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Antarctica<br />
This poem is about<br />
Themes<br />
Style<br />
Curriculum links<br />
the Antarctic environment<br />
isolation, ghost towns, coldness, eeriness, hostile climates<br />
sonnet<br />
society and environment – harsh environments, early explorers<br />
science – animal adaptation, weather<br />
Page 11<br />
1. surfaces of glass; frozen; green and white; cold and bare<br />
2. snow, stretching; sea to sea; swish of sliding seals; penguins pass; Great surfaces of glass<br />
3. swish, sleek, gliding, stretching, whispering<br />
4. penguin, seal, albatross<br />
5. loneliness, isolation, reinforced by the sensations of coldness<br />
6. Teacher check<br />
Explorers go into new and strange environments. This takes<br />
courage and preparation. Brainstorm some famous explorers<br />
(e.g. Scott, Amundsen, Hillary) and list words to describe the<br />
kinds of environments they faced. What kinds of courage do<br />
people need to deal with everyday life? (Examples: facing bullies,<br />
trying something new, giving a speech, visiting the dentist.) How<br />
can you prepare for these situations?<br />
Small-group Work<br />
• Group students into penguins, seals, albatross, whales, sealions<br />
and dolphins etc. Each group brainstorms to generate<br />
a list of adjectives, adverbs and verbs relating to their<br />
particular creature. These lists then form the basis of group<br />
poems. The group task is to create a poem on its topic,<br />
illustrate it and display it in poster form.<br />
• In groups, students research the life of a well-known<br />
explorer and write a short illustrated biography.<br />
Individual Writing<br />
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• Students imagine they are an iceberg whose time has come<br />
to break loose from Antarctica. Ask them to tell the story of<br />
their adventures.<br />
• Students write their own sonnets on a theme and topic of<br />
their own choice. They will need to decide first whether<br />
they will use Shakespeare’s form (three quatrains and a<br />
couplet) or Milton’s form (an octet and a sestet).<br />
Antarctica is a Shakespearean sonnet because it has three<br />
quatrains and a rhyming couplet. The poet, Milton, also wrote<br />
sonnets using a different pattern – an octet (8 lines) followed<br />
by a sestet (6 lines). Use the Internet or library to find examples<br />
of both kinds.<br />
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Antarctica<br />
Antarctica is a modern sonnet. Traditional sonnets date from the 16th century. They<br />
have 14 lines. Sonnets can be on any topic but were often about love.<br />
Antarctica<br />
Antarctic streets are canyons<br />
Great surfaces of glass<br />
Where ghosts of lost explorers roam<br />
And sleek wet penguins pass<br />
Antarctic towns are frozen<br />
The air is green and white<br />
The only movement’s high above<br />
An albatross in flight<br />
Antarctic parks are cold and bare<br />
There’s nothing here to see<br />
But South Pole winter dark and long<br />
Snow, stretching sea to sea<br />
And the whispering swish of sliding seals<br />
Echoes over empty fields<br />
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Antarctica<br />
Comprehension and Word Study<br />
Write any words and phrases in the poem which<br />
describe the extreme coldness of Antarctica.<br />
Alliteration is the repetition of the same consonant in the same line. For example,<br />
tropical torrents. Find three examples of alliteration in different lines in this poem.<br />
(a)<br />
(b)<br />
(c)<br />
Onomatopoeia is the name for words that sound like their meanings; e.g. crash,<br />
bang. Write three examples from the poem.<br />
There are three creatures mentioned in the poem. Write each one below and next to<br />
each,write a word that best describes how it moves.<br />
(a)<br />
(b)<br />
(c)<br />
Poems use words to create an atmosphere that expresses the theme. Explain the<br />
main theme in Antarctica.<br />
The poem talks about Antarctic streets and towns. Draw a picture of how these<br />
might look and describe your picture below.<br />
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Antarctica<br />
Think of different ways to describe<br />
the wind when it blows cold.<br />
Fill the wind gust with your words.<br />
Imagine the Antarctic with icebergs, freezing seas and the biting winds. How would<br />
it feel to be there? Imagine you are in the Antarctic and complete the sentences.<br />
(a) I feel<br />
(b) My breath<br />
(c) I can see<br />
(d) In the distance<br />
(e) I am wearing<br />
(f) Moving around here is<br />
Use these phrases to help you write a poem. Write it in the shape of an iceberg with<br />
one word on the first line, two on the second and so on.<br />
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Air Raid<br />
This poem is about<br />
Theme<br />
Style<br />
Curriculum links<br />
the damage caused by plastic bags<br />
pollution<br />
lyric and narrative<br />
A lyric is a short poem, usually with 2–3 verses, directly expressing the poet’s<br />
own thoughts. Air Raid is an extended metaphor using personification to compare<br />
plastic bags with humans and armies.<br />
society and environment – environmental pollution<br />
Page 15<br />
1. Teacher check<br />
2. (a) fluttering (b) formation<br />
(c) descending (d) lurking<br />
3. slush, rush, squashed, clog, stifle<br />
4. (a) jellyfish, roadkill; (b) Teacher check<br />
5. pollution of the sea, earth and air<br />
6. Teacher check<br />
Brainstorm different types of waste materials. Group them into categories;<br />
for example - recyclable, hazardous, compostable. Should there be laws<br />
against littering and dumping? (Why? Why not?) The ideas from this<br />
discussion can be collated and used as the basis of a class project such as<br />
writing and performing a play or designing posters about recycling plastic<br />
bags to be displayed around the school.<br />
Small-group Work<br />
• Discuss ways in which recycling is done at home and at school. Create<br />
an environmental poster using ‘pollution’ words and collage textures.<br />
• Students write a short poem about aluminium drink cans, using<br />
personification, considering what they could compare them with. Ask<br />
them to discuss their properties (e.g. sound, flexibility, colour, capacity)<br />
and to use these qualities in their poems.<br />
Individual Writing<br />
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• Students write a dialogue between a rubbish bag and a cat, beginning<br />
with a few lines to set the scene.<br />
• Students choose a non-living object and think of ways it could be<br />
compared with humans. They should write their ideas in about three<br />
short lines, then construct these lines into a poem, using personification<br />
in each stanza. They don’t have to rhyme.<br />
Class Project<br />
Write a one-act play to be performed. Divide the class into small groups.<br />
Each group chooses a type of pollutant (e.g. plastic cargo strapping, bottles,<br />
cans, batteries etc.). The group researches how its object contributes to<br />
pollution and writes a conversation boasting about how it is the most<br />
powerful pollutant in the world. Collate the mini-plays into one bigger play.<br />
The whole class then decides on how each individual can help solve these<br />
problems and writes a final section.<br />
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Air Raid<br />
Air Raid is a short narrative poem in lyric style written to express an idea. It uses a<br />
technique called ‘personification’. Personification is a kind of comparison in which nonliving<br />
objects are described as having human traits. In this case, the plastic bags have<br />
taken on a life of their own.<br />
Air Raid<br />
The world is full of plastic bags<br />
They’re living everywhere<br />
At supermarket checkouts<br />
Or fluttering in the air<br />
Pale jellyfish against the light<br />
They float across the sky<br />
Or split or torn, like roadkill squashed<br />
On muddy pavements lie<br />
If all these earth-worn groundlings<br />
Should join their friends in flight<br />
They’ll form a mighty legion<br />
And conquer earth by night<br />
In parachute formation<br />
Descending in a rush<br />
They’ll clog the sun, and stifle spring<br />
And turn the sea to slush<br />
The world is full of plastic bags<br />
They’re lurking everywhere<br />
Until the time comes to arise<br />
And suffocate the air<br />
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Air Raid<br />
Comprehension and Word Study<br />
How does the poet give the impression that plastic bags have declared war on<br />
the world?<br />
Find words in the poem that match these meanings.<br />
(a) moving in the wind<br />
(b) arranged in lines<br />
(c) coming down<br />
(d) loitering<br />
Onomatopoeia is when the meaning and the spoken sound of the word are similar;<br />
e.g. flutter, rumble. Write three examples from the poem.<br />
Plastic bags are likened to people, but there are two<br />
other metaphors that compare them with creatures.<br />
(a) What are they?<br />
(b) Which of these comparisons do you prefer and why?<br />
Describe the message of this poem.<br />
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Write a letter to your local council asking for information about their policy on<br />
recycling. Remember to use formal language! Continue your letter on the back of<br />
this sheet.<br />
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Air Raid<br />
Write words to describe different kinds of rubbish.<br />
(a) Things that can be recycled.<br />
Example: glass shiny, sharp<br />
(b) Things that are biodegradable (they return to the soil)<br />
Example: leftover food smelly scraps<br />
(c) Things that are toxic (hazardous) and need to be disposed of carefully<br />
Example: batteries lead, heavy<br />
Use some of these words, and more, to craft an acrostic poem<br />
about pollution on our planet.<br />
(a) Write your ideas in the box.<br />
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(b) Write an acrostic poem about pollution.<br />
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Camel Ride<br />
This poem is about<br />
Themes<br />
Style<br />
Curriculum Links<br />
riding a camel alone in a desert<br />
heat, isolation, endurance, animal companionship<br />
19th century French ballade<br />
The characteristics are: narrative; topic not serious; rhyming and last one or two<br />
lines repeated in each stanza.<br />
Compare a ballade with the ballad, which started as a four-line folk poem, usually<br />
about love, war or death and is often sad.<br />
society and environment – harsh environments<br />
science – adaptation and survival<br />
Page 19<br />
1. Teacher check (could become the basis for a class poem)<br />
2. hot and baking sun; skin baked to enamel; smells of sweat<br />
3. (a) dismount<br />
(b) challenge<br />
(c) lurch<br />
(d) commands<br />
(e) amble<br />
4. Endless and bare; sand as the dominant theme; sandy world<br />
5. Teacher check<br />
6. Answers will vary, but may include boredom, plodding movement, sleepiness or camel’s persistence.<br />
• There are different kinds of challenges. Give examples of:<br />
– other physical challenges<br />
– mental challenges (e.g. studying for a test, problemsolving)<br />
– social challenges (e.g. making new friends)<br />
• What kind of challenge do you find hardest? Why?<br />
Individual Writing<br />
• Students write a poem or short story about their<br />
relationship with a pet or other animal.<br />
• Students think of an animal or bird they admire and<br />
write a list of words that describe its qualities,<br />
appearance, movement, habits and environment.<br />
These can be used as the basis of his/her own poem.<br />
• Students write a short story that begins ‘I had to<br />
survive, and I knew there was only one option<br />
available to me …’<br />
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Camel Ride<br />
Camel Ride is written in the style of an old French ballade - not to be confused with the<br />
English ballad. The ballade was popular at the end of the 19th century and the topic was<br />
usually light-hearted, with the last line of each stanza repeated. In this modern ballade,<br />
the camel rider is alone and isolated but doesn’t seem too worried about it.<br />
Camel Ride<br />
I don’t know where I’m going<br />
I’ll only know when I’ve been<br />
The landscape stretches endless and bare<br />
With sand as the dominant theme<br />
I’d like to say I own the world<br />
But it’s shared with another mammal<br />
A lumpy bumpy mug-a-wumpy<br />
Frumpy galumpy camel<br />
It was a challenge—I must have been mad!<br />
They said I’d be there by dusk<br />
So I’m here with a compass, a flask and a beast<br />
That smells of sweat and musk<br />
We’re under a hot and blazing sun<br />
And my skin is baked to enamel<br />
On a lumpy bumpy mug-a-wumpy<br />
Grumpy humpy camel<br />
They said that the camel would know the way<br />
That he’d amble along till we’re there<br />
At this pace it’s going to take more than a day<br />
And we could be lost anywhere<br />
How I’ll dismount I haven’t a clue<br />
He needs his instructions in Tamil<br />
This dumpy frumpy mind-your-bumpy!<br />
Humpy galumpy camel<br />
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‘Keep travelling nor-nor-east,’ they said<br />
They’d be following right behind me<br />
But I can’t see anything else for dust<br />
They’re probably having tea<br />
And I’m all alone in a sandy world<br />
As I lurch along in the saddle<br />
On a lumpy bumpy mug-a-wumpy<br />
Grumpy galumpy camel<br />
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Camel Ride<br />
Comprehension and word study<br />
List four different words to describe a camel.<br />
Next to each, write a rhyming word.<br />
Word<br />
Rhymes with …<br />
Write three phrases in the poem that emphasise the idea of heat.<br />
•<br />
•<br />
•<br />
Write words and phrases<br />
which describe the desert.<br />
Find words in the poem that match these<br />
meanings.<br />
(a) to get off<br />
(b) a dare<br />
(c) to move unevenly<br />
(d) instructions<br />
(e) to walk slowly<br />
Draw yourself riding on a camel in the desert.<br />
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What do you think is the effect of repeating the last two lines of each stanza?<br />
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In the poem Camel Ride, the poet describes how it feels to ride a camel.<br />
Write words to describe how it might feel to ride the animals below.<br />
(a) emu<br />
(b) donkey<br />
(c) dolphin<br />
(d) elephant<br />
Imagine you are in a race that you must win to save<br />
your town from being destroyed by flood or fire.<br />
(a) Choose your animal transport and create two lines<br />
for the end of each stanza of your poem.<br />
For example, in Camel Ride, the lines are . . .<br />
My animal transport is<br />
My lines<br />
Camel Ride<br />
(b) Write a poem about how you and your animal companion saved the town.<br />
Use your lines above to end each stanza.<br />
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Atomic Me<br />
This poem is about<br />
Themes<br />
Style<br />
Curriculum Links<br />
individuality, self, uniqueness<br />
energy, recklessness, freedom<br />
monologue<br />
The writer is speaking to himself or herself. It is optimistic in tone, celebrating<br />
life, and takes the form of an extended metaphor, comparing the self with atoms<br />
and universal energy. Atomic Me is an extended metaphor. (A metaphor is a<br />
direct comparison of one thing with another.) There are four stanzas in the poem.<br />
A six-line stanza is called a ‘sestet’. Each sestet below ends with two rhyming<br />
lines. These are called couplets. For variation and emphasis, the poet has ended<br />
with four lines.<br />
science – outer space, health – values (selfishness, compassion)<br />
Page 23<br />
1. energy, recklessness, impulse, risk<br />
2. I leap, I’m free; a cosmic blast across your path<br />
3. shooting sparks; force field<br />
4. supplied with electrical energy;<br />
Answers will vary but may include given responsibility; asked for payment; prosecuted; filled<br />
5. (a) impulsive (b) unique<br />
(c) cosmic (d) blueprint<br />
(e) genetic (f) surge<br />
6. Emphasises the impulsive, random nature of the feelings and actions in the poem<br />
7. Teacher check<br />
• What is the attitude of the person in Atomic Me to herself<br />
or himself? What is the attitude to others? Find lines in the<br />
poem to justify your opinion.<br />
• The themes of this poem are energy, freedom and<br />
recklessness. What do you think is the dominant theme and<br />
why?<br />
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Small-group Work<br />
• Students write a short group sestet (six-line poem) starting<br />
each line with the letters in ‘atomic’. The group decides on<br />
the rhyming pattern. They could then make the poem into a<br />
collage and present it to the class.<br />
• As a group, students create actions to Atomic Me and<br />
perform it for the class or other classes.<br />
Individual Writing<br />
• Students choose a topic and think of some associated idea<br />
they can compare it with. For example, the sun – gives life.<br />
They could also try a season, an animal or an inanimate<br />
object. Students start by making a list of words that apply<br />
to both the topic and the idea they have associated with it.<br />
They then write a paragraph, making an extended metaphor.<br />
• Students write a short poem about the human race.<br />
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Atomic Me<br />
A metaphor is a direct comparison of one thing with another; for example, he is an angry<br />
bull. The poem below is an extended metaphor where the comparison continues in each<br />
stanza.<br />
Atomic Me<br />
I’m an atom charged with life<br />
Electrons flowing through<br />
An energetic force field<br />
Shooting sparks at you<br />
I jump, I leap, I’m free!<br />
Wild atomic me!<br />
My genetic blueprint<br />
Has come from outer space<br />
Molecules combining<br />
I am the human race<br />
I was meant to be<br />
Unique atomic me!<br />
Neutrons, protons, I’m the source<br />
Of each impulsive splurge<br />
A cosmic blast across your path<br />
A wild and untamed surge<br />
I’ll do anything you dare<br />
I’m here, there and everywhere<br />
Molecular, spectacular<br />
Wild atomic<br />
Supersonic<br />
Wild atomic me!<br />
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Atomic Me<br />
Comprehension and word study<br />
(a) What are the main feelings expressed in this poem?<br />
(b) Find three words in the poem to support your opinion.<br />
Assonance is the name for vowels with the same sound in the same line;<br />
for example, Abbey adored apples. Write an example of assonance in this poem.<br />
Alliteration is the same consonant repeated in a line; for example, We could smell<br />
the salty sea. Write two examples of alliteration in this poem.<br />
(a) Homonyms are words with the same spelling but different meanings. For example,<br />
rock, rock. What meaning is given to the word ‘charged’ in the first line?<br />
(b) Write another meaning for ‘charged’. You may need a dictionary to help you.<br />
Find words in the poem that match these meanings.<br />
You may need a dictionary to help you.<br />
(a) without thinking<br />
(b) the only one<br />
(c) of the universe<br />
(d) a plan for action<br />
(e) hereditary traits<br />
(f) a sudden flow<br />
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What is the effect of the short lines in the last verse?<br />
This poem contains a<br />
number of scientific<br />
terms. For each one,<br />
write a phrase that could<br />
have been used instead,<br />
to create the same<br />
meaning in the poem.<br />
electrons<br />
cosmic<br />
molecules<br />
genetic<br />
neutrons<br />
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Atomic Me<br />
There are nine planets in our solar system. What do you know about them? Choose<br />
one planet and brainstorm words and phrases about it. You may need to research<br />
the planet first.<br />
Imagine that you are the ruler of a planet. Choose one and write a poem beginning<br />
with this phrase:<br />
If I ruled . . . . . .<br />
(a) Write your ideas in the planets.<br />
(b) Write your poem. Choose from a shape poem, rhyming poem or acrostic poem.<br />
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These poems are about<br />
Themes<br />
Style<br />
Curriculum Links<br />
moving home, changing school and making new friends<br />
belonging, change, loss, adapting to new circumstances<br />
narratives—one in monologue form<br />
Narrative poems tell or recite a story (My Friend). A monologue is speech<br />
addressed to oneself. It states or clarifies feelings and opinions (Moving).<br />
Both poems are about change, adjustment, endings and beginnings.<br />
society and environment – experiencing a new culture health – friendship<br />
Page 27<br />
1. friendly, bright, helpful, dependable, sociable, clever, confident<br />
2. This person is angry at her/his parents. Doesn’t want to leave home, friends and school. He/She is<br />
feeling unsettled and anxious.<br />
3. Positive attitudes to school<br />
4. Teacher check<br />
5. Parents should have asked him/her how he/she felt, before selling the house, which is an important<br />
part of his/her security.<br />
6. a b c d – lines one and three rhyme, as do lines two and four.<br />
7. Teacher check<br />
8. Teacher check<br />
9. (a) drey (b) igloo (c) den/earth (d) lodge/teepee/wigwam<br />
(e) eyrie (f) shell (g) lodge (h) form<br />
• What does it feel like to move away from everything familiar? Brainstorm words<br />
to describe feelings. What adjustments would you need to make if you were<br />
moving to a new country? (language, diet, customs, shopping). What challenges<br />
face immigrant children settling into a new school? What behaviour is helpful<br />
to them?<br />
Small-group Work<br />
• Students design an ideal bedroom, deciding what it would contain. They should<br />
justify all the contents in terms of their activities and present their joint decisions<br />
to the class.<br />
Individual Writing<br />
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• Students write a page recalling or imagining their own experiences of moving.<br />
Ask them if they had to move home and leave friends behind, would their feelings<br />
be similar to those expressed in Moving? Or would they be glad to leave?<br />
• Ask students what it is about Emma that makes other people like her. Who do<br />
they admire? Students can then write a paragraph explaining why. They should<br />
give the person a fictitious name, to protect his or her privacy.<br />
• Use anthologies of poetry in the school library to find two other poems with<br />
similar themes. Students can write a paragraph comparing the way each poet<br />
has tackled the theme. Create a class poster using the paired titles of all the<br />
poems with similar themes that the class can find. Ask the school librarian to<br />
help by making these poetry books available for use by the class during a set<br />
period.<br />
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My Friend is a short narrative that tells a story. Moving is a monologue—a speech made<br />
by one person that expresses an idea or feelings. Both poems are about change,<br />
adapting, partings, endings, new beginnings and the feelings that accompany all the<br />
changes that go with moving.<br />
My Friend<br />
She started after term began<br />
But she soon fitted in<br />
When others tried to mimic her<br />
She kept a friendly grin<br />
She didn’t wear the latest gear<br />
To her it didn’t matter<br />
She didn’t join in the gossip<br />
But was always pleased to natter<br />
She started coming first in class<br />
And no-one seemed to mind<br />
The boys were even pleasant<br />
Though she left them far behind<br />
Now she’s the one who others choose<br />
When they are picking teams<br />
And everyone asks Emma<br />
For new fund-raising schemes<br />
Her smile is always ready<br />
I’ve never seen her cry<br />
She tells me that she does, sometimes,<br />
But doesn’t tell me why<br />
It didn’t take me long to learn<br />
On her I could depend<br />
And I can say I’m really proud<br />
That Emma is my friend<br />
Moving<br />
I don’t want to move<br />
I like our house. It’s cool<br />
All my friends live near<br />
I even like my school<br />
You went ahead and did it!<br />
You sold my history<br />
You didn’t ask me how I felt<br />
Just said how it would be<br />
I’ve grown up in this bedroom<br />
It’s where I want to stay<br />
I don’t want to make new friends<br />
In some place miles away<br />
Don’t say how great it’s going to be<br />
In a new house somewhere<br />
I won’t go. No! I will not go!<br />
You’ll have to leave me here<br />
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Comprehension and Word Study<br />
Comparing Poems<br />
Write three words of your own that describe Emma’s personal<br />
qualities.<br />
Write a sentence explaining the feelings of the person in Moving.<br />
What is the attitude of these two students towards school?<br />
Which poem do you like better, and why?<br />
The person in the second poem<br />
is angry with his/her parents. In<br />
this speech bubble, write what<br />
specific things is he/she is<br />
trying to say to them.<br />
Both poems have the same rhyming<br />
pattern in each stanza. What is it?<br />
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In the poem My Friend, what do you think the speaker<br />
did to help the new girl settle in to school?<br />
Draw a sketch of your own bedroom and<br />
write a sentence describing how you feel<br />
when you are in your bedroom.<br />
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All animals and creatures have some kind of home or habitat where they feel safe.<br />
Write the names for the homes of these animals or people.<br />
(a) possum<br />
(b) Inuit<br />
(c) fox<br />
(d) American Plains Indian<br />
(e) eagle<br />
(f) oyster<br />
(g) beaver<br />
(h) hare<br />
A shape poem is written in the outline of the object you are writing about.<br />
Choose an animal and find out more about it and where it lives.<br />
(a) Write your findings below.<br />
My animal is<br />
. Its home is<br />
(b) Use your information to write phrases for a poem. Plan your poem in the box.<br />
(c) Write a poem about your animal. You may decide to use the animal’s<br />
shape or its habitat as the outline for your writing to create a shape poem.<br />
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This poem is about<br />
Themes<br />
Style<br />
Curriculum Links<br />
a treacherous creek full of eels<br />
danger, the unknown, mystery<br />
a ballad in narrative style<br />
Ballads have been used for centuries to tell stories of heroes and folktales. They<br />
often use rhyming pairs of words (couplets). There are usually four lines in verse<br />
and sometimes have a repeated line, as in Eel Creek.<br />
science/society and environment – water environments<br />
English – myths, tribal legends<br />
health – water safety<br />
Page 31<br />
1. Dark, deep; sandfly sleep; glass-green; slipped suddenly; swimming slowly<br />
2. flowing, cascading, rushing, dark/deep<br />
3. tumble, slithered, swimming<br />
4. (a) calling<br />
(b) tried/undertook<br />
(c) lingering/loitering<br />
5. (a) shallow<br />
(b) smooth<br />
(c) dull<br />
(d) appeared/reappeared<br />
6. cascading, rushing, glistens<br />
7. Answers will vary but may include ceaselessly, incessantly, continually etc.<br />
8. Teacher check<br />
• What is the effect of repeating the last line of each stanza?<br />
(Possible answers: to emphasise the danger in the water; to create<br />
a dreamlike effect in keeping with the mystery of the ring wedged<br />
in the rock.)<br />
• Work out the variations in the rhyme pattern of the lines in each<br />
stanza. Why has the poet done this?<br />
(Possible answers: to prevent the poem from becoming too<br />
predictable; to increase a sense of unexpected danger.)<br />
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Small-group Work<br />
• Students work as a group to turn a familiar fairytale into a rhyming<br />
ballad; e.g. Goldilocks and the Three Bears, Little Red Riding<br />
Hood, The Three Little Pigs. Present it to the class.<br />
• Research an Aboriginal Australian legend for students to act out.<br />
Individual Writing<br />
• Students create their own story involving treasure,<br />
creatures and a hero or heroine.<br />
The ballads of Banjo Paterson<br />
The Lady of Shallott by Alfred Lord Tennyson<br />
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This is a short ballad, written in narrative style. Narratives tell a story. Ballads are meant<br />
to be spoken aloud. They often have some repeated rhyme or rhythm.<br />
Eel Creek<br />
Don’t go down to Eel Creek<br />
Where the water’s dark and deep<br />
Where the lurking sandflies sleep<br />
And the river winds around<br />
Winds around<br />
Winds around<br />
Flowing to a waterfall<br />
Cascading over stony ground<br />
Till the rushing torrent drops<br />
And the eels tumble down<br />
Tumble down<br />
Tumble down<br />
In glass-green water you can see<br />
A silver ring with gemstones three<br />
Wedged into a sunken rock<br />
And the eels guard it there<br />
Swimming slowly<br />
Round and round<br />
Walk on past that treasure bright<br />
Do not reach out for what you’ve found<br />
Though it glistens, beckoning,<br />
Calling you without a sound<br />
Where the river winds around<br />
Winds around<br />
The last one who attempted it<br />
Disappeared and wasn’t found<br />
Slipped suddenly and slowly drowned<br />
As the eels slithered round<br />
Slowly drowned<br />
Slowly drowned<br />
So don’t go down to Eel Creek<br />
Where the water’s dark and deep<br />
Where the eels their secrets keep<br />
And the river endlessly<br />
Winds around<br />
Winds around<br />
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Comprehension<br />
Alliteration is the same consonant repeated in a line; for example, We could smell<br />
the salty sea. Find examples in the poem and write them below.<br />
Adjectives describe nouns; e.g. irritable eel. What four adjectives are used to<br />
describe water in the poem?<br />
Verbs are action words; e.g. contemplating. What three verbs<br />
describe the movement of the eels in the poem?<br />
Synonyms are words with the same or<br />
a similar meaning. Write synonyms for<br />
these words in the poem.<br />
(a) beckoning<br />
(b) attempted<br />
(c) lurking<br />
Antonyms are words with opposite<br />
meanings. Write antonyms for these.<br />
(a) deep<br />
(b) stony<br />
(c) bright<br />
(d) disappeared<br />
Onomatopoeia is where the sound<br />
of a word also expresses its<br />
meaning; e.g. rippling, screech.<br />
Write an example from the poem.<br />
Find two other ways to write the<br />
word ‘endlessly’ (stanza 6).<br />
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Write a short story telling how the ‘silver ring with gemstones three’<br />
came to be in the water and how the eels came to be its guardians.<br />
Plan your story below and write it on a separate sheet of paper.<br />
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Find words to describe things in the environment, either harmless<br />
or dangerous, that are winding.<br />
(a) road<br />
(b) snake<br />
(c) rope<br />
(d) hosepipe<br />
(e) power lines<br />
Write a poem in the shape below. Choose your own topic, or write about<br />
a journey. Try to use some rhyme.<br />
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Write a short ballad that tells a story. Remember; ballads are meant to be spoken<br />
aloud and they can have some repeated rhyme, such as ‘winds around, winds<br />
around’.<br />
(a) Write ideas for your poem in the box.<br />
(b) Write your poem on a separate sheet of paper.<br />
Read your poem to a friend, your group or the class.<br />
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These poems are about sports – rollerblading and skateboarding<br />
Themes<br />
freedom, skill, superiority<br />
Style<br />
action poems written in the lyric style.<br />
Lyric poetry is usually short. It expresses the poet’s feelings about<br />
a particular topic, feeling or situation. In ancient Greece, such short poems<br />
were written to be sung to the music of a lyre – a stringed instrument made of<br />
tortoiseshell. ‘Lyrics’ also means the words of popular songs.<br />
Curriculum Links health – sport<br />
Page 35<br />
1. rollerblades rolling; swaying side to side; free falling; skilful skateboard skite<br />
2. Speed in my feet; Bending, flexing<br />
3. swooping, zooming, shooting, Zapping, Spinning<br />
4. Answers will vary, but may include sense of speed, feeling part of the equipment etc.<br />
5. Answers will vary, but may include freedom, pride, skill, enthusiasm etc.<br />
6. Teacher check<br />
7. Teacher check<br />
• One of the poems contains a metaphor. Which one?<br />
How appropriate do you think it is? (An albatross in<br />
soaring flight – Skateboard Skite)<br />
• Rollerblading refers to other people. What kind of<br />
judgement does it make? (earthlings – last verse)<br />
Small-group Work<br />
• From these poems, students make a list of words that<br />
describe the sensation of moving at speed. Ask them<br />
to brainstorm a list of words or phrases that describe<br />
strength, flexibility and cleverness. They should then<br />
decide on one sport, using the lists to help them write<br />
a page that describes the sport to someone who has<br />
never played or seen it.<br />
Individual Writing<br />
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• Students design their own sports equipment. They<br />
can illustrate and label it, then write a paragraph<br />
explaining how it is used.<br />
• Students write a short poem that begins ‘When<br />
Grandma tried my skateboard (or rollerblades) . . .’<br />
• Students write a short story in which they use<br />
rollerblades to help solve a mystery or a crime.<br />
Use anthologies of verse in the school library to locate<br />
poems about sports.<br />
There are a number of poems written by pilots in the first<br />
and second world wars which give the sensations of flying<br />
(e.g; An Irish Airman Foresees His Death).<br />
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Rollerblading and Skateboard Skite are two action poems that are written in a lyric style.<br />
Lyric poetry is usually short. It expresses the poet’s feelings about a particular topic,<br />
feeling or situation. In ancient Greece, such short poems were written to be sung to the<br />
music of a lyre—a stringed instrument made of tortoiseshell.<br />
Rollerblading<br />
Rollerblades rolling<br />
Speed in my feet<br />
Dodging pedestrians<br />
All down the street<br />
Swooping around corners<br />
Swaying side to side<br />
Feet in slow motion<br />
Past each other glide<br />
Shooting over pavements<br />
Zooming through the light<br />
Skirting around lampposts<br />
Rollerblades in flight<br />
Rollerblades rolling<br />
Wings on my feet<br />
Dodging the earthlings<br />
All down the street!<br />
Skateboard Skite<br />
A silhouette against the sky<br />
Watch him on his skateboard fly<br />
An albatross in soaring flight<br />
Mind free-falling, skateboard skite!<br />
Spinning off the stairway edge<br />
Down the steps, across a ledge<br />
Full turns, a somersault or two<br />
Just to show what he can do<br />
Down the ramp and off the top<br />
Poised above while others flop<br />
Seamlessly his movement flows<br />
Bending, flexing, on he goes<br />
Leaning into every turn<br />
Hasn’t got a lot to learn<br />
Zapping through the summer light<br />
Proud and skilful skateboard skite!<br />
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Comprehension<br />
Alliteration is the same consonant repeated in a line; for example, They never need<br />
to know your name. Write an example of alliteration in each poem.<br />
Assonance is the name for vowels with the same sound in the same line;<br />
e.g. cheap seat. Write an example of assonance in each poem.<br />
Onomatopoeia is the name for words that sound like their meanings; e.g. zing, flitting.<br />
Find three examples in ‘Rollerblading’.<br />
What do these poems have in common?<br />
What is the main feeling being expressed in<br />
each of these poems?<br />
(a) Rollerblading<br />
(b) Skateboard Skite<br />
Which poem do you prefer and why?<br />
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To ‘skite’ is to boast or brag<br />
about something.<br />
(a) If you were going to tell<br />
a friend about something<br />
you are good at and<br />
which makes you proud,<br />
what would it be?<br />
(b) Draw a picture of yourself<br />
doing your answer to (a).<br />
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Write phrases to describe the similarities in the following activities.<br />
(a) Windsurfing and surfing<br />
(b) Gymnastics and trampoline<br />
(c) Walking and running<br />
(d) Swimming and archery<br />
(b)<br />
Write a poem that tells a story about your first attempt to ride a bicycle.<br />
(a) First, use the ladder to brainstorm rhyming words about riding a bike.<br />
(b) In each box, write two lines that rhyme.<br />
(c) Write your rhyming poem.<br />
(a)<br />
(c)<br />
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This poem is about<br />
Themes<br />
Style<br />
Curriculum Links<br />
the pelican and its behaviour<br />
Humans admiration for the versatility and beauty of the bird<br />
Ode with six stanzas, using the same rhyming pattern in each (abcb).<br />
Ode is the Greek word for song. An ode is a celebration, expressing<br />
admiration for something.<br />
society and environment – conservation<br />
science – marine birds<br />
Page 39<br />
1. sails serenely; fish flapping; stately soaring; white wings, wind<br />
2. a jumbo jet and a cat (simile)<br />
3. the pelican’s beak, a surf rod<br />
4. (a) majestic<br />
(b) mock<br />
(c) impeccable<br />
(d) prepared<br />
(e) stately<br />
5. Amused, pitying because they can’t fly.<br />
6. Teacher check<br />
1. Which of the metaphors used in the poem is most<br />
effective? Why?<br />
2. Find other phrases which describe the pelican’s beak<br />
and its storage capacity.<br />
3. What is the pelican’s relationship with humans in this<br />
poem?<br />
Small-group Work<br />
• Students research four seabirds and present their<br />
findings to the class in a speech.<br />
• Students research mythical birds such as the dodo,<br />
griffin (gryphon) and phoenix. They can present their<br />
findings orally and visually.<br />
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Individual Writing<br />
• Students write a description of an imaginary fantastic<br />
creature with a picture.<br />
• Students use dialogue to continue the conversation<br />
with the pelican begun in the fifth stanza.<br />
• Students describe the pelican and its habits<br />
to someone from another planet.<br />
Ode to the West Wind by Percy Shelley<br />
Ode to Autumn by John Keats<br />
The Eagle by Alfred Tennyson<br />
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This poem is an ode. The word ‘ode’ is Greek for song. An ode is a celebration of<br />
something and expresses admiration. Here, the poet admires the pelican’s qualities.<br />
The Pelican<br />
A galleon of pelicans<br />
Sails serenely by<br />
Nothing in the waves escapes<br />
Each bright, unblinking eye<br />
Some joke about the pelican<br />
And mock it when they speak<br />
But it has a great advantage—<br />
A capacious flexi-beak<br />
It grooms itself just like a cat<br />
While waiting on the sand<br />
To watch the flexing surf rods bring<br />
Fish flapping to the land<br />
The pelican knows well he can<br />
Just snatch a little bait<br />
But his manners are impeccable<br />
He’s quite prepared to wait<br />
I spoke once to a pelican<br />
Who told me, waddling by<br />
His fun is watching humans<br />
‘Such a pity they can’t fly’<br />
Great white wings opened to the wind<br />
A jumbo jet in flight<br />
The stately, soaring pelican<br />
Is a majestic sight<br />
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Comprehension<br />
Alliteration is the same consonant repeated in a line;<br />
for example, Penny is a people pleaser. Write four<br />
examples of alliteration in this poem.<br />
Both metaphors and similes make comparisons,<br />
but the simile uses ‘like’ or ‘as’ (e.g. She was as<br />
graceful as a swan); whereas the metaphor<br />
does not (e.g. He inspected the writing with an<br />
eagle eye).<br />
(a) What two things are compared with<br />
the pelican?<br />
(b) Write the line in the poem that<br />
contains a simile.<br />
Two things in this poem are described<br />
as ‘flexible’. What are they?<br />
What does the pelican in the poem<br />
think about human beings?<br />
Use the library and Internet to find<br />
images of pelicans. Choose one<br />
image to sketch.<br />
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Find words in the poem that match<br />
these meanings. You may need a<br />
dictionary to help you.<br />
(a) grand<br />
(b) laugh at<br />
(c) perfect<br />
(d) ready<br />
(e) dignified<br />
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Find words to describe different styles<br />
of the following things that birds have<br />
in common.<br />
Beaks<br />
For example,<br />
Sound: squawk,<br />
cheep, tweet, shrill, cry.<br />
Flight<br />
Use some of these words<br />
and add more to create a<br />
poem about birds or a<br />
particular type of bird.<br />
(a) Write words and phrases<br />
about birds. Include<br />
adjectives that you will be<br />
able to use in your poem.<br />
Movement<br />
on the<br />
ground<br />
Colours<br />
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Wings<br />
(b) Write a poem about<br />
birds. Will your poem be<br />
a shape poem, acrostic<br />
poem, rhyming poem or<br />
another style of poem?<br />
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This poem is about<br />
Themes<br />
Style<br />
Curriculum Links<br />
having a bad day<br />
rejection, feeling things are out of control, out of step with other people<br />
rhyming couplets, with a chorus; doggerel<br />
Doggerel uses rhyme to express an ordinary feeling or sentiment.<br />
These are the types of verse used in greeting cards.<br />
health – values, moods, emotions<br />
Page 43<br />
1. (a) makes you sick<br />
(b) can’t remember<br />
(c) lost your hat<br />
(d) lunch box is depressing<br />
(e) stinking hot<br />
2. Answers will vary. Teacher check<br />
3. lunchbox, bike/flat tyre, pie, hat, cricket bat<br />
4. witchetty grub (disgusting lunch); cockatoo (muddled brain)<br />
5. Answers will vary but may include ‘to give the effect of going over and over<br />
something in your mind without solving anything’.<br />
• There are three references in the poem to friends. What<br />
conclusions can you make about this person’s relationship with<br />
his or her classmates?<br />
• What could the person in the poem do to improve his or her day?<br />
Small-group Work<br />
• Students brainstorm ideas on what makes days good or bad.<br />
They should discuss, and reach a consensus. They can then write<br />
a paragraph summarising the group’s opinions.<br />
• Students brainstorm a list of animals that are used to describe<br />
human qualities and feelings. Make three lists:<br />
(a) animals used to describe people in positive ways; e.g. lion,<br />
dove, tiger.<br />
(b) animals used as put-downs; e.g. snake, rat, chicken, weasel.<br />
(c) animal phrases used as metaphors or similes; e.g. to hog<br />
the limelight, to wolf down your food, slippery as a snake,<br />
blind as a bat, strong as an ox.<br />
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Individual Writing<br />
• Students choose a creature to represent their best friend.<br />
They then write their own poem or short story that begins<br />
‘My best friend is a/an …’. Focus on the friend’s positive<br />
qualities.<br />
‘Jabberwocky’ from Through the Looking Glass by Lewis Carroll<br />
The poems of Edward Lear<br />
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This poem is written in doggerel – a type of comic rhyming verse. The poem reflects<br />
feelings and has a ‘nonsense’ stanza. This is a verse that is repeated, like the chorus of<br />
a song, to emphasise the feelings being experienced.<br />
A Witchetty Grub in my Sandwich<br />
Some days at school are not so good<br />
You can’t remember things you should<br />
Your friends don’t help—they laugh at you<br />
Your lunch box is depressing too<br />
There’s a witchetty grub in my sandwich<br />
And a cockatoo in my head<br />
And my brain won’t do<br />
What I want it to do<br />
And I wish I’d stayed in bed<br />
Your bike has a flat tyre when<br />
You need to ride it home again<br />
And you’re not in the team they pick<br />
You eat a pie that makes you sick<br />
There’s a witchetty grub in my sandwich<br />
And a cockatoo in my head<br />
And my brain won’t do<br />
What I want it to do<br />
And I wish I’d stayed in bed<br />
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It’s stinking hot, you’ve lost your hat<br />
And someone’s nicked your cricket bat<br />
Your friends are mean—you let off steam<br />
The day seems like a long, bad dream<br />
There’s a witchetty grub in my sandwich<br />
And a cockatoo in my head<br />
And my brain won’t do<br />
What I want it to do<br />
And I wish I’d stayed in bed<br />
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Comprehension<br />
Find phrases in the poem that match these meanings.<br />
You may need a dictionary to help you.<br />
(a) nausea<br />
(b) forgetful<br />
(c) misplaced<br />
(d) not appetising<br />
(e) excessive heat<br />
What feelings is the person in this poem experiencing:<br />
(a) about school?<br />
(b) about friends?<br />
(c) about himself/herself?<br />
There are a number of objects<br />
that contribute to this person’s<br />
bad day. List them, in the order<br />
they appear in the poem.<br />
Metaphors are used to make comparisons,<br />
without using ‘like’ or ‘as’. What two<br />
metaphors are used in this poem and what<br />
are they describing?<br />
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Give a reason why you think the poet has repeated the second verse three times.<br />
Draw the best lunch you could find in your lunch box and the worst. Label the items.<br />
best<br />
worst<br />
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The person in this poem is not having a good day. What kinds<br />
of problems have you had? Alongside each problem write<br />
two words to describe how you were feeling at that time.<br />
•<br />
•<br />
•<br />
Problem<br />
Feelings<br />
Write a poem about ‘Feeling Good’ in the form of a recipe. Try to use some rhyme.<br />
Feeling Good<br />
Ingredients<br />
Method<br />
Write a poem that contains rhyming couplets and follows<br />
the rhyming style of A Witchetty Grub in my Sandwich.<br />
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a<br />
a<br />
b<br />
b<br />
a<br />
b<br />
c<br />
c<br />
b
This poem is about<br />
Themes<br />
Style<br />
Curriculum Links<br />
using a computer<br />
curiosity, exploration, enjoyment of technology<br />
narrative, including rhyming couplets and quatrains<br />
Technology – computer studies<br />
Society and Environment – society<br />
Page 47<br />
1. vibes – vibrations<br />
ads – advertisements<br />
info – information<br />
2. (a) sight (b) their<br />
(c) threw (d) weight<br />
3. Teacher check<br />
4. It is the style used for email.<br />
5. (a) tree felling<br />
(b) riding waves on a board<br />
6. ‘magic pages’<br />
7. Teacher check – language is constantly evolving and standards changing.<br />
New technologies influence this.<br />
Why does language change over time? Brainstorm<br />
computer words (e.g. modem, dotcom, email, Internet,<br />
SMS.) Use dictionaries to see how many have now been<br />
formally accepted into the English language. What are the<br />
international rules of ‘netiquette’ (e.g. capitals = shouting).<br />
In what ways did people communicate before email and<br />
mobile phones? (morse code, semaphore, short-hand,<br />
telegrams, telephone, pigeon post). What new methods<br />
do we have? (fax, text messaging, mobiles).<br />
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Individual Writing<br />
• Using SMS style abbreviations, students write a short<br />
letter to a pet, explaining why they forgot to buy pet<br />
food.<br />
• Students write a letter to an alien, explaining how the<br />
Internet works.<br />
• Students use computers to find poems on the Internet.<br />
Use your poem anthologies in the school library to locate<br />
poems about ‘new technology’ from earlier times; e.g,<br />
windmills, power pylons, bridges, tunnels, radio, television.<br />
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This is a short narrative poem that describes a process. Each stanza is written in rhyming<br />
couplets. The stanzas are quatrains of four lines each.<br />
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Abbreviations are words shortened<br />
from their original form. Find two in this<br />
poem and write them in full.<br />
Why do you think this poem is written<br />
without punctuation or initial capital<br />
letters?<br />
Homophones are words with the same<br />
sound but a different spelling and<br />
meaning. Find homophones for the<br />
following words from the poem.<br />
(a) site<br />
(b) there<br />
(c) through<br />
(d) wait<br />
Use a dictionary to help you write<br />
three different meanings for the word<br />
‘server’.<br />
(a)<br />
(b)<br />
(c)<br />
Write another meaning for:<br />
(a) logging<br />
(b) surfing<br />
In the third verse the poet has used<br />
two words to describe a web site.<br />
What are they?<br />
Communicating through email and SMS (mobile phones) is becoming increasingly<br />
more popular. Have a class discussion about emailing and using SMS and think<br />
about the effects these new forms of communications will have on letter writing and<br />
the importance of using correct English. Write about your discussion below.<br />
• letter writing (the old-fashioned way)<br />
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• the standard of written English<br />
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Imagine that you are a computer. You are programmed<br />
to produce a list of words associated in some way<br />
with each word entered.<br />
(a) Choose one of the words below<br />
and write a poem that the<br />
computer ‘spills out’. Decide if<br />
your poem will rhyme or not.<br />
Christmas summer rain<br />
Many people communicate with their work colleague and friends<br />
by typing SMS (short message service) on their mobile phones.<br />
(a) Use this list of common SMS abbreviations to write a message.<br />
r - are l8 - late<br />
ur - you are 4 - for, four<br />
yr - your 2 - to, too, two<br />
thx - thanks b4 - before<br />
w8 - wait w/ - with<br />
pls - please gr8 - great<br />
Mobile<br />
:-) - smile ;-) - wink<br />
(b) On a separate sheet of paper, write<br />
a poem using SMS language. Try<br />
to make your poem rhyme.<br />
(b) Now choose your own word and write<br />
a poem in a similar style.<br />
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This poem is about<br />
Themes<br />
Style<br />
Curriculum Links<br />
a mosquito invading a bedroom<br />
natural enemies, danger<br />
ballad.<br />
Ballad is the word used to describe ancient, simple, folk poems. Most countries<br />
have their own contemporary folk poets who write ballads about life, activities<br />
and events. Ballads use rhyming pairs of lines (couplets) like the one here. Each<br />
stanza is usually four lines (a quatrain). Ancient ballads were often sad, telling<br />
about love, war or death. This modern one is also about war and death!<br />
science – animals<br />
society and environment – weather (as it influences wildlife)<br />
Page 51<br />
1. squash; buzz/buzzing; clatter; spatter; splat<br />
2. The rhyme pattern changes from couplets to abcb, with the final three lines<br />
making one last line run together.<br />
3. (a) poised<br />
(b) tumbling<br />
(c) toss<br />
(d) alert<br />
4. window’s wide; sound the sirens; beat the bed; flit and fall; tingling toe<br />
5. Teacher check<br />
Humans have natural enemies. Brainstorm these under the following headings:<br />
Insects Animals Viruses Toxins<br />
Which of these can you protect yourself against? What illnesses are carried by<br />
mosquitoes? When camping, what precautions can you take against disease?<br />
(Proper sanitation, boil water, insect repellent, first aid kit.)<br />
Small-group Work<br />
• The ballad is an important part of Australia’s literary history. Read some of<br />
Banjo Paterson’s poems. Have students form groups to research<br />
contemporary ballads, bush poets and the lyrics of Australian ballads in<br />
song.<br />
• Students select one of Paterson’s ballads, write it as a short script and<br />
perform it for the class.<br />
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Individual Writing<br />
• Individually or in pairs, students write rhyming ballads. They can use<br />
quatrains to tell the story of a local or national event.<br />
• Use your local library to locate local poets or songwriters. Students write a<br />
letter asking one of them to read some of his/her work to the class.<br />
• Students write a short story that begins: ‘As the shadows flitted across<br />
my room in the moonlight, I felt a sense of …’.<br />
The greatest ballad of the English language is said to be The Rime of the Ancient<br />
Mariner by Samuel Coleridge.<br />
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This is a ballad. Ballad is the word used to describe simple, ancient, folk poems. Most<br />
countries have their own contemporary folk poets who write ballads about life, activities<br />
and events. Ballads use rhyming pairs of lines (couplets) like the one here. Each stanza<br />
is usually made up of four lines (a quatrain). Ancient ballads were often sad, telling<br />
about love, war or death. This modern one is also about war and death!<br />
The Mosquito<br />
It’s hot at night, the window’s wide<br />
I’ve tossed my cover and sheet aside.<br />
And then a buzz inside my ear<br />
Announces that a mozzie’s here<br />
Full alert! There’s one close by<br />
Sting poised on my nose or eye<br />
Sound the sirens, beat the bed<br />
I’m sure it’s aiming at my head<br />
The moving shadows flit and fall<br />
I’ll squash it up against the wall<br />
If it were bigger, I’d go splat!<br />
And then I’d feed it to the cat<br />
It stings, but you don’t even know<br />
Till next day there’s a tingling toe<br />
A lumpy face, a swelling hand<br />
All itchy red and dry as sand<br />
Got it! Splatter! Clatter clatter<br />
Book and drink go tumbling down<br />
At last in gentle sleep<br />
I’m drifting<br />
THEN<br />
I hear that<br />
BUZZING SOUND!<br />
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Comprehension and Word Study<br />
Onomatopoeia is when the meaning and the spoken sound of the word<br />
are similar; e.g. flutter, growl. Write two examples from the poem.<br />
The poet has changed from the ballad style in the last stanza, but there are still<br />
only four lines. What is different about this rhyming pattern compared with the<br />
first four quatrains?<br />
Synonyms are words with the same or a similar<br />
meaning. Find synonyms for these words.<br />
(a) ready<br />
(b) falling<br />
(c) throw<br />
(d) danger<br />
Alliteration is when a consonant is repeated in the same<br />
line; e.g. twisted tree trunks. Write four examples from<br />
the poem.<br />
Imagine you are the poet. Write a speech to the mosquito where you explain<br />
your point of view. Try to persuade the mosquito to agree on a compromise.<br />
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Name a creature or animal.<br />
(a) List words to describe its appearance.<br />
(b) List words to describe its movements.<br />
(c) List words to describe the sounds it makes.<br />
Use these words, and more, to create a poem about your animal, written in rhyming<br />
couplets (aabb). Give your poem a title. You could write about your own pet.<br />
(a) Write your ideas for the poem here.<br />
(b) Write and illustrate your animal/pet poem below.<br />
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This poem is about<br />
Themes<br />
Style<br />
Curriculum Links<br />
the beach and marine environment<br />
beach enjoyment, summer, sea sports<br />
Eulogy.<br />
Sun, Sea and Sand is in the manner of a eulogy which admires or praises a<br />
person, object or place. Four-line verses written alternately in rhyming couplets<br />
interspersed with a different rhyme patterns, emphasise the rhythm of the words.<br />
environment. science, healthy/safety<br />
Page 55<br />
1. basked, sundial, huge, upright<br />
2. (a) The sand is warm beneath you like a cushion or a nest (b) Teacher check<br />
(c) Teacher check<br />
3. Splash, sunburst, spray, paddle<br />
4. Sunscreen, sunhat, dinghy, surfboard, sandwiches, sandshoes, sandal – teacher check adjectives<br />
5. Teacher check (an atmosphere of fun, pleasure, sensory, tactile experience.)<br />
6. (a) Verse 2 – aaba, verse 4 – abcb, verse 6 – abcb.<br />
(b) Poet wanted variety for different textures and sense of business and activity<br />
• The poem suggests a variety of activities that can be done in this<br />
particular environment. What other kinds of environments offer<br />
diverse experiences?<br />
• Is there another aspect of the shoreline that the poem has not<br />
covered (e.g. rock-pools)? Brainstorm compound words<br />
beginning with ‘rock’ (rock-bottom, rock-breaking, rock-hard).<br />
Small-group Work<br />
• Students select one of the environments below and brainstorm<br />
words to describe it. Write an advertisement praising this<br />
environment and inviting tourists to experience it,<br />
riverland Outback desert Barrier Reef<br />
sheep station student choice<br />
• Students select one of the three verses in the poem beginning<br />
with either sun, sea or sand. They use this as a model to compose<br />
a four-line verse of their own, using their own compound words<br />
(e.g. up, down, rain). Each group will need a dictionary.<br />
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Individual Writing<br />
• Students write letters to their parents, inviting them to a<br />
picnic at a particular place. The letter explains why they<br />
have selected this place.<br />
• Students write instructions for building a sandcastle for<br />
someone who has never been to the beach.<br />
The Walrus and the Carpenter by Lewis Carroll<br />
The Beach by William Hart-Smith<br />
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This poem is in the manner of a eulogy, which admires or praises a person, object or<br />
place. Verses 1, 3 and 5 have rhyming pairs of lines (couplets). Verses 2, 4 and 6 have an<br />
abcb rhyme pattern. Sun, sea and sand have been used as prefixes in compound words.<br />
Sun, Sea and Sand<br />
When you go to the beach you can have a good time<br />
Whether it’s wet or whether it’s fine<br />
There’s lots you can do, but it’s much better fun<br />
If you go to the beach on a day when there’s sun<br />
Sunscreen, sunhat, sunglow, sun shower<br />
Everything glowing like a yellow sunflower<br />
Suntan, sunburn, sunburst, sunset<br />
Sundial time and a warm sun shower<br />
Take a dinghy or a surfboard into the tide<br />
If you stay upright you might get a ride<br />
You can swim, paddle, splash in the waves by the shore<br />
Sea water is what beaches are for<br />
Seashells, seashore, seabird, seaspray<br />
Swimming in the waves with the biting sea bugs<br />
Seaweed, seahorse, sea mist, seasick<br />
Seagulls flying and fat sea-slugs<br />
You’ve swum and paddled and basked in the sun<br />
And eaten the sandwiches, every one<br />
The sand is warm beneath you like a cushion or a nest<br />
‘Cause it’s really SAND that beaches do best<br />
Sandwich, sandal, sandhill, sand-fight<br />
Sand in your sandshoes and a big sand parcel<br />
Sandpaper, sand hopper, sandstorm, sandfly<br />
Sand in your hair and a huge sandcastle!<br />
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Comprehension and Word Study<br />
Find similar meanings (synonyms) and opposite meanings<br />
(antonyms) for these words.<br />
Synonyms<br />
Antonyms<br />
(a) laze<br />
(c) tiny<br />
(b) clock<br />
(d) horizontal<br />
The fifth verse in the poem has a line that describes what it feels like to lie on the<br />
sand. It uses a simile. A simile is a comparison of two things, using ‘like’ or ‘as’.<br />
(a) Write the line from the poem that contains a simile.<br />
(b) Now rewrite this line using your own simile that compares sand with something<br />
else.<br />
(c) Complete the sentences to create similes.<br />
The sun is like a<br />
The sand tickles my toes like a<br />
The water is as blue as<br />
Onomatopoeia is the term used for words that sound<br />
like their meanings. For example, plop and swish.<br />
Find two examples of onomatopoeia in the poem.<br />
Name the equipment and clothing mentioned<br />
in the poem and add a suitable adjective.<br />
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What do you think the poet is trying to achieve in this poem?<br />
(a) Look closely at verses 2, 4 and 6. The rhyming pattern<br />
is different in these from verses 1, 3 and 5, which<br />
are written in rhyming couplets with the pattern aabb.<br />
Write the rhyming patterns of the other three stanzas.<br />
(b) Why do you think the poet has varied the rhyming<br />
patterns?<br />
Verse 2<br />
Verse 4<br />
Verse 6<br />
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A compound word is formed when two separate smaller words are joined (e.g. sunhat,<br />
sunshade). Prefix is the term given to the part that comes first and suffix is the term<br />
for the second part of the compound word. In the examples given, ‘sun’ is a prefix,<br />
and ‘hat’ and ‘shade’ are used as suffixes. There are many compound words in<br />
English. Some begin with – rain, hand, hair. You can use a dictionary to find others.<br />
(a) Select one prefix, and write it in the centre shape below. Try to find suffixes that<br />
go with it to make compound words and write one in each of the outer circles.<br />
(b) Use the compound words you have created to write a verse with an abcb<br />
rhyme (as in verses 4 and 6 in Sun, Sea and Sand.)<br />
Choose one of your compound words<br />
and write an acrostic poem. Write your<br />
word vertically so that each letter<br />
provides the starting letter for the line<br />
of the poem.<br />
For example,<br />
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a<br />
b<br />
c<br />
b<br />
S ummer play on the endless sand<br />
U naware of the sizzling rays<br />
N o sunblock or hat for me<br />
B eautiful weather, sparkling sea<br />
U nder a sunshade, my mum calls<br />
R un away to the dunes with sisters<br />
N ever a thought for pain and blisters<br />
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This poem is about<br />
Themes<br />
Style<br />
Curriculum Links<br />
driving in a vintage car with grandma<br />
olden-days, automobiles, curiosity, companionship<br />
short narrative poem.<br />
Grandma’s Vintage Car talks about someone’s particular experience. What makes<br />
this poem interesting is the focus on the old-fashioned motorcar horn which is<br />
described using alliteration and assonance to make a catchy phrase.<br />
Society and Environment, technology<br />
Page 59<br />
1. high seats, big gearshift, running boards, the klaxon-style horn, different type of chassis springing,<br />
mainly open air<br />
2. fold-back sunroof<br />
3. Uses too much fuel, doesn’t go fast enough for current motorway speeds, liable to break down,<br />
Grandma nervous in speeding traffic<br />
4. Teacher check<br />
5. Teacher check<br />
• In the mid-twentieth century, 50 km per hour was the<br />
usual speed limit. This was raised to 80 km/h and then<br />
raised again. Why? What speed limits apply on<br />
motorways/freeways now? In suburban areas? What<br />
do you think they should be and why?<br />
• Arrange for someone to bring a vintage car to school<br />
and talk about it to the class. Have students prepare<br />
questions.<br />
Small-group Work<br />
• Students in groups undertake research in the library<br />
and prepare a report on transport throughout history.<br />
• Students write a short play about a bus journey. They<br />
use a line of chairs as bus seats for their performance.<br />
Individual Writing<br />
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• Students select two construction or maintenance<br />
vehicles (e.g. grader, roadsweeper etc.) and write a<br />
conversation between them about their working<br />
conditions.<br />
• Students design, describe, illustrate and label their<br />
own ‘ideal’ vehicle.<br />
Use the Internet to find poems about vehicles. Use your<br />
local council library to find poems about the following:<br />
– racing cars<br />
– earthworks machines<br />
– tanks<br />
– planes<br />
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Grandma’s Vintage Car is a short narrative poem that talks about someone’s particular<br />
experience. What makes this poem interesting is the focus on the old-fashioned motorcar<br />
horn which is described using alliteration and assonance to make a catchy phrase.<br />
Grandma’s Vintage Car<br />
My Grandma has a vintage car<br />
She takes me for a ride<br />
We have to sit on two high seats<br />
There isn’t an inside<br />
There’s a fold-up roof that leaks<br />
And lots of springs and creaks<br />
And a squeaky, squawky, squashy honky horn<br />
I know that Grandma loves her car<br />
I like it quite a bit<br />
She polishes it up until<br />
You see your face in it<br />
It has ‘running boards’ outside<br />
You can stand on for a ride<br />
And a squeaky, squawky, squashy honky horn<br />
Grandma wears a floppy hat<br />
The wind blows through my hair<br />
She lets me shift the big gearstick<br />
And people stop and stare<br />
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But we never travel far<br />
In Grandma’s vintage car<br />
With its squeaky, squawky, squashy honky horn<br />
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Comprehension and Word Study<br />
This poem describes some things about the<br />
vintage car that are different from modern cars.<br />
List five.<br />
(a)<br />
(b)<br />
(c)<br />
(d)<br />
(e)<br />
What is similar about this vintage car and a modern sports car?<br />
Give two reasons why you think the vintage car doesn’t travel very far.<br />
Alliteration is the term used for a group of words beginning with the same letter.<br />
Alliteration has been used twice to describe the vintage car horn, (squeaky, squawky,<br />
squashy and honky horn). Use alliteration and write your own phrase to describe the<br />
following sounds.<br />
(a) police siren<br />
(b) excited children<br />
(c) crying baby<br />
(d) school bell or PA system<br />
Use the library and Internet to find images of vintage cars. Choose one image and<br />
sketch it. Write information about the car in your own words.<br />
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Listed below are different vehicles. Beneath each one write appropriate describing<br />
words to help you create a sentence containing the following parts of speech:<br />
(i) verbs expressing its actions and movements<br />
(ii) adjectives describing its appearance<br />
(iii) nouns describing some of its parts<br />
For example: A train (i) labours, glide, rocking, swaying<br />
(ii) sleek, smooth, streamlined, silver, solid, imposing<br />
(iii) engine, carriages, wheels, links, tracks<br />
Sleek, silver engine, solid, imposing, glides along smoothly with a gentle sway.<br />
A big transport rig (i)<br />
(ii)<br />
(iii)<br />
A bulldozer<br />
A hot air balloon<br />
A bicycle<br />
(i)<br />
(ii)<br />
(iii)<br />
(i)<br />
(ii)<br />
(iii)<br />
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(i)<br />
(ii)<br />
(iii)<br />
Choose one of the vehicles and<br />
create an acrostic poem that gives<br />
the reader a mind picture about<br />
the strength, power and speed of<br />
your vehicle. Write the name of the<br />
vehicle vertically and begin each<br />
line of your poem with the letters<br />
in sequence. For example:<br />
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This poem is about<br />
Themes<br />
Style<br />
Curriculum Links<br />
using too much butter and getting into trouble<br />
family life, carelessness, greed<br />
jingle with narrative and nonsense elements.<br />
Nonsense poems are about trivial matters and use words to make the<br />
situation more absurd. A jingle is a rhythmical verse style frequently used in<br />
advertising.<br />
Health – values (rules)<br />
Page 63<br />
1. (a) floor, shore, more, saw, thaw etc.<br />
(b) star, far, car etc.<br />
(c) owls, fowls, bowels, howls<br />
2. bread, peas, pickles<br />
3. It is a two-parent family. The house has a garden or lawn (hose), a bathroom, kitchen and television.<br />
It can become very messy.<br />
4. Teacher check<br />
5. Bubbly, mischievous, carelessness, angry interactions<br />
6. Teacher check<br />
• What kinds of situations in family kitchens lead to arguments?<br />
Families often have their own made-up words for things. Give<br />
examples.<br />
• How is butter made? What substitute spreads for butter are there?<br />
Discuss the health merits of each.<br />
Small-group Work<br />
• Students write a short play based on the following scenario:<br />
You have invited two friends over and you decide to make a snack<br />
from the fridge. You all inspect the contents of the fridge and<br />
then make your meal. Mum arrives home and tells you . . . (you<br />
finish it dramatically).<br />
• Students brainstorm uses for butter and then make a list of these.<br />
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Individual Writing<br />
• Write a conversation between the person in the poem and<br />
either the mother or father, in which a punishment is applied<br />
for making a mess.<br />
• Write an explanation of how butter is made, beginning<br />
with the cow.<br />
The Jabberwocky by Lewis Carrol<br />
The nonsense poems of Edward lear<br />
R.I.C. Publications www.ricgroup.com.au 61 <strong>Discovering</strong> <strong>Poetry</strong><br />
ISBN 978-1-86311-834-7
Butter Butter Everywhere is a jingle. Jingles are rhymes that are often used in television<br />
and radio advertisements. They have a repeated phrase or chorus to catch the listener’s<br />
attention. This poem is also part nonsense poem. Nonsense poems are usually about<br />
trivial matters or absurd situations.<br />
Butter Butter<br />
Everywhere<br />
When she sees me in the kitchen<br />
My mum begins to mutter<br />
She won’t let me make a sandwich<br />
‘Cause she says I smear the butter<br />
Butter butter everywhere<br />
Butter on my knees<br />
Butter in the kitchen drawer<br />
And on the frozen peas<br />
Butter in the plughole<br />
Butter up my nose<br />
Butter in the pickle jar<br />
And on the garden hose<br />
Butter butter everywhere<br />
In between my toes<br />
Butter on the bathroom towels<br />
Butter on my clothes<br />
Butter on the television<br />
Butter over Dad<br />
Butter butter everywhere<br />
and Mum is GETTING MAD<br />
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Comprehension and Word Study<br />
This poem makes use of repetition and rhyme. The words below can be found at<br />
the ends of the lines that do not rhyme. Find your own rhyming words for them.<br />
(a) drawer<br />
(b) jar<br />
(c) towels<br />
As well as butter, what else does the poem suggest<br />
might have gone into the sandwich?<br />
From reading the poem, what can you tell about this<br />
family and their house?<br />
Is there anything that you do in the kitchen that annoys<br />
someone in your family? Fill in the missing words in the poem<br />
to describe your situation. (Remember it is an abcb rhyme!)<br />
When<br />
My<br />
S/He won’t let me<br />
‘Cause s/he says I<br />
sees me in the<br />
begins to<br />
Poems often create an atmosphere to help communicate their theme, or main idea<br />
or feeling. Describe the atmosphere of this poem in your own words.<br />
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Draw an amusing picture of chaos in a room.<br />
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ISBN 978-1-86311-834-7
Name your two favourite foods. List words to describe the taste, smell and texture.<br />
(a) Food<br />
(b) Food<br />
Write the three-course menu for your favourite meal.<br />
Starter<br />
Main<br />
Dessert<br />
Write your own poem in free verse, describing a food you either love<br />
or hate. Give the reader an idea of what it looks like, how it smells<br />
and how it tastes. Give your poem a title and add an illustration.<br />
Food<br />
(a) Brainstorm words about your<br />
chosen food in the shapes.<br />
(b) Write your poem using these words.<br />
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R.I.C. Publications www.ricgroup.com.au 64 <strong>Discovering</strong> <strong>Poetry</strong><br />
ISBN 978-1-86311-834-7