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RIC-0205 Discovering Poetry

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<strong>Discovering</strong><br />

<strong>Poetry</strong><br />

©R.I.C. Publications<br />

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<strong>RIC</strong>-<strong>0205</strong> 6.9/82


Foreword<br />

It is my pleasure to introduce this original poetry collection for<br />

students and teachers. The themes are contemporary, written for<br />

young people in the 21st century. Some of them were written during<br />

my travels in Australia, where I am partly resident. Others reflect<br />

insights about children’s feelings and worlds gained in my work as a<br />

psychologist. I have tried to combine modern themes with classical<br />

styles to encourage students to widen their own range of literature<br />

awareness and to explore the rhythms and patterns of the English<br />

language.<br />

It is my hope that these explorations will help to release the creative spirit<br />

that lies within every student. Using these poems as stimulus, teachers<br />

can guide students towards creative expression through the range of<br />

reflective activities on the worksheets. I hope you will have fun together,<br />

as I did in writing the poems.<br />

Jo Bowler<br />

Contents<br />

Teachers Notes _____________________________________________________________________________________________ ii – iii<br />

Outcome Links ________________________________________________________________________________________________ iv<br />

The Kite ____________________________________________________________________________________________________ 1 – 4<br />

Summer Berries _____________________________________________________________________________________________ 5 – 8<br />

Antarctica _________________________________________________________________________________________________ 9 – 12<br />

Air Raid __________________________________________________________________________________________________ 13 – 16<br />

Camel Ride _______________________________________________________________________________________________ 17 – 20<br />

Atomic Me _______________________________________________________________________________________________ 21 – 24<br />

My Friend/Moving ________________________________________________________________________________________ 25 – 28<br />

Eel Creek ________________________________________________________________________________________________ 29 – 32<br />

Rollerblading/Skateboard Skite _____________________________________________________________________________ 33 – 36<br />

The Pelican _______________________________________________________________________________________________ 37 – 40<br />

A Witchetty Grub in my Sandwich ___________________________________________________________________________ 41 – 44<br />

World Wide Webbing ______________________________________________________________________________________ 45 – 48<br />

The Mosquito _____________________________________________________________________________________________ 49 – 52<br />

Sun, Sea and Sand ________________________________________________________________________________________ 53 – 56<br />

Grandma’s Vintage Car ____________________________________________________________________________________ 57 – 60<br />

Butter Butter Everywhere ___________________________________________________________________________________ 61 – 64<br />

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Rhythm and Rhyme<br />

Rhythm is the flow of sound that comes from the stress patterns of spoken<br />

language. The rhyming patterns of poems also determine the rhythm.<br />

The couplet – two lines that rhyme (aa)<br />

I didn’t feed my guinea pig today (a)<br />

I hope when I get home that she’s okay<br />

(a)<br />

Alternative rhyming lines (ab ab)<br />

They said that the camel would know the way (a)<br />

That we’d amble along till we’re there (b)<br />

At this pace it’s going to take more than a day (a)<br />

And we could be lost anywhere (b)<br />

R.I.C. Publications www.ricgroup.com.au i <strong>Discovering</strong> <strong>Poetry</strong>


<strong>Discovering</strong> <strong>Poetry</strong> uses 21st century themes to introduce students to a range of classical poetry<br />

styles. It encourages students to write their own poems and to explore language in creative ways.<br />

<strong>Discovering</strong> <strong>Poetry</strong> contains 18 original poems. Each poem is accompanied by a:<br />

• page of teacher notes and lesson suggestions;<br />

• student worksheet on comprehension and word study activities; and<br />

• structured worksheet for the student’s own poetry writing.<br />

Teachers Notes<br />

Each poetry unit is four pages long:<br />

The first page is for the teacher. Each poetry<br />

unit has detailed teachers notes and lesson<br />

suggestions explaining:<br />

• themes of the poem(s)<br />

• guided class discussion<br />

• style of poetry<br />

• additional activities – smallgroup<br />

work, individual writing<br />

• curriculum links<br />

• answers<br />

The second page contains the poem(s).<br />

The third page of each unit is a student<br />

worksheet that accompanies the poem(s).<br />

The activities included here combine<br />

comprehension of the theme of the poem<br />

and word study activities.<br />

The final page is a structured worksheet for<br />

the student’s own poetry writing. The<br />

students must extend their thinking about the<br />

theme or style of the poem(s). The activities<br />

are suited for the middle/upper classroom.<br />

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The poems and accompanying lessons can be incorporated into class theme work and ongoing projects.<br />

Curriculum links are suggested in the teachers notes. Poems are grouped by theme for easy reference.<br />

Each poem and accompanying worksheets can be used as stand-alone units of work within the context of language lessons.<br />

The teachers notes contain a range of classroom activities, such as group discussion, individual and group writing and research<br />

activities.<br />

Links with literature have been given for some of the poems but teachers could consult with the librarian or reading specialist<br />

to access other reading material within their school resources or on the Internet.<br />

R.I.C. Publications www.ricgroup.com.au ii <strong>Discovering</strong> <strong>Poetry</strong><br />

ISBN 978-1-86311-834-7


Poetic Styles<br />

Literary Terms<br />

The styles below are explained in full in the teachers notes<br />

accompanying each unit. For easy reference, the poem<br />

titles for each of these styles are shown below.<br />

Ballad tells stories of heroes and folktales, often includes<br />

rhyming couplets, contains a repeated line<br />

Ballade narrative, not a serious topic, contains rhyming<br />

with the last two lines in each stanza repeated<br />

Doggerel uses rhyme to express an ordinary feeling or<br />

sentiment, type of verse used in greeting cards<br />

Eulogy admires or praises a person, object or place<br />

Lyric usually a short poem with two to three verses directly<br />

expressing the poet’s own thoughts and feelings about<br />

a particular topic, feeling or situation; in ancient Greece,<br />

short poems were written to be sung to the music of a<br />

lyre – a stringed instrument made of a tortoiseshell; (also<br />

means the words of a song)<br />

Monologue poet speaks to himself/herself<br />

Nonsense about trivial matters, uses words to make the<br />

situation more absurd<br />

Nursery Rhyme repeated vowels and internal rhymes,<br />

experiments playfully with words and variations on<br />

words, can be a nonsense element<br />

Narrative tells or recites a story<br />

Shape Poem rhyming lines compressed into the outline<br />

of the subject, being written so they blend together<br />

Sonnet fourteen lines, three stanzas of four lines with a<br />

rhyming couplet at the end (a Shakespearean sonnet),<br />

often about love<br />

N.B. There is also a Miltonic Sonnet (from Milton) that<br />

has two verses. Verse one has eight lines and verse<br />

two, six lines.<br />

Ode usually has the same rhyming pattern (abcb); is the<br />

Greek word for song and celebrates or expresses<br />

admiration for something<br />

Alliteration<br />

A recurring consonant in the same phrase; e.g. Peter’s<br />

in a pickle, Susie’s in a stew!<br />

Assonance<br />

The same vowel sound repeated within a verse; e.g.<br />

Gooseberry looseberry; Thin, pin, skin.<br />

Homonym<br />

Words that have different meanings but identical form;<br />

e.g. lie, saw, stake, pole (each has multiple meanings).<br />

Homophone<br />

Words with the same sound but different spelling and<br />

meaning; e.g. peace, piece.<br />

Metaphor<br />

Making a direct comparison with something through<br />

reference to its appearance, actions or manner; e.g. He’s<br />

a pig!.<br />

Onomatopoeia (pronounced ‘on-o-mat-a-pee-uh’)<br />

Where the sound also gives the meaning;<br />

e.g. ‘swish’, ‘plop’, ‘crunching’.<br />

Personification<br />

A metaphor which gives human qualities to something<br />

non-human; e.g. The moon was smiling.<br />

Simile<br />

Two things are compared using ‘like’ or ‘as’; e.g. He<br />

was as stubborn as a donkey; She runs like a gazelle.<br />

Verse Forms<br />

Couplet – two rhyming lines<br />

Quatrain – a verse of four lines<br />

Sestet – a verse of six lines<br />

Octet – a verse of eight lines<br />

Summary<br />

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Title Pages Poetic Style Main theme<br />

The Kite 1–4 shape poem action poem<br />

Summer Berries 5–8 nursery rhyme style fruit<br />

Antarctica 9–12 sonnet environment<br />

Air Raid 13–16 lyric environment<br />

Camel Ride 17–20 ballade animals<br />

Atomic Me 21–24 monologue people and relationships<br />

My Friend 25–28 narrative people and relationships<br />

Moving 25–28 narrative – in monologue style people and relationships<br />

Eel Creek 29–32 ballade animals<br />

Rollerblading 33–36 lyric action<br />

Skating Skite 33–36 lyric action<br />

The Pelican 37–40 ode animal<br />

A Witchetty Grub in my Sandwich 41–44 doggerel feelings<br />

World Wide Webbing 45–48 narrative technology<br />

The Mosquito 49–52 ballad animals/insects<br />

Sun, Sea, Sand 53–56 eulogy environment<br />

Grandma’s Vintage Car 57–60 narrative people and relationships<br />

Butter Butter Everywhere 61–64 nonsense verse people and relationships<br />

R.I.C. Publications www.ricgroup.com.au iii <strong>Discovering</strong> <strong>Poetry</strong><br />

ISBN 978-1-86311-834-7


The activities in this book have been written to develop the following outcomes in language.<br />

Outcome Links<br />

State Strand Level Outcomes Statement<br />

National<br />

Reading and Viewing<br />

NSW<br />

Contextual Understanding 4 4.6 Explains possible reasons for people’s varying interpretations of a text.<br />

Linguistic Structures<br />

and Features 4 4.7 With teacher guidance, identifies and discusses how linguistic structures and features work to shape<br />

reader’s and viewer’s understanding of texts.<br />

Writing<br />

Texts 4 4.9 Uses writing to develop familiar ideas, events and information.<br />

Contextual Understanding 4 4.10 Adjusts writing to take account of aspects of context, purpose and audience.<br />

Linguistic Structures<br />

and Features 4 4.11 Controls most distinguishing linguistic structures and features of basic text types such as stories,<br />

procedure, reports and arguments<br />

Reading<br />

Context and Text 3 RS3.7 Refer to curriculum documents.<br />

Language Structures<br />

and Features 3 RS3.8<br />

Writing<br />

Producing Text 3 WS3.9<br />

Skills and Strategies 3 WS3.10<br />

Context and Text 3 WS3.13<br />

Linguistic Structures<br />

and Features 3 WS3.14<br />

SA Texts and Contexts 3 3.3 Reads and views a range of texts containing some ideas and issues of social/cultural interest and<br />

more complex text structures and language features and explains possible reasons for different<br />

interpretations of texts.<br />

3.4 Composes a range of texts that include ideas and information about familiar and some unfamiliar<br />

topics and applies an understanding of audience, purpose and context.<br />

Language 3 3.7 Identifies and analyses features of written language and visual images when reading and viewing<br />

independently, a range of texts about familiar and unfamiliar topics.<br />

3.8 Selects and uses a variety of language aspects when planning and composing a range of well<br />

structured fiction, factual and media texts about familiar, new and possible experience.<br />

Strategies 3 3.11 Selects and uses a variety of strategies for locating and recording information and for reading, viewing<br />

and critically interpreting a range of written and visual texts.<br />

Victoria<br />

WA<br />

Reading<br />

Contextual Understanding 4 4.6 Refer to curriculum documents<br />

Linguistic Structures 4 4.7<br />

Writing<br />

Texts 4 4.9<br />

Contextual Understanding 4 4.10<br />

Linguistic Structures 4 4.11<br />

Reading<br />

Contextual Understanding 4 R4.2 Refer to curriculum documents<br />

Conventions 4 R4.3<br />

Writing<br />

Use of Texts 4 W4.1<br />

Contextual Understanding 4 W4.2<br />

Conventions 4 W4.3<br />

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Queensland<br />

Refer to curriculum documents on http://www.qscc.qld.edu.au<br />

South Australian acknowledgment<br />

The extracts from the South Australian Curriculum, Standards and Accountability Framework published by kind permission of the Department of Education, Training and<br />

Employment, Banksia Avenue, Seacombe Gardens, South Australia, 5047. Phone (08) 8377 0399<br />

NATIONAL OUTCOMES acknowledgment<br />

The extracts from the National Statement and Profiles. Permission has been given by the publisher, Curriculum Corporation, PO Box 177, Carlton South, Victoria 3053.<br />

http://www.curriculum.edu.au Email: sales@curriculum.edu.au Tel.: (03) 9207 9600 Fax: (03) 9639 1616<br />

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The Kite<br />

This poem is about<br />

Themes<br />

Style<br />

Curriculum Links<br />

flying a kite<br />

wind, movement, control<br />

Shape poem<br />

It has rhyming lines but these have been compressed into the outline of the subject<br />

so they blend together. The size of the words in the last line also reflects their<br />

meaning. Shape poems can be written about any subject with a simple outline.<br />

sport, science (weather)<br />

Page 3<br />

1. (a) possible choices – skimming, billowing, scudding, tacking<br />

(b) possible choices – turning, spinning, circling, whirling, wheeling<br />

(c) possible choices – swivelling, turning, winding, swinging<br />

2. a red dragon face<br />

3. gusty wind (plummets, rears) but fine as well (hazy blue air)<br />

4. When I think it will nose-dive, it soars up; Pulling the strings I keep it in play<br />

5. The wind drops<br />

6. Teacher check<br />

• Kite flying requires a balance between control by<br />

human hands and the control of the wind and air<br />

currents. What other activities require a similar<br />

balance, and in what elements?<br />

• Without describing it, the person flying the kite in<br />

the poem is experiencing certain emotions. What<br />

are they and what words in the poem suggest this<br />

to you?<br />

• Small-group Work<br />

Kite flying is an ancient sport. Students can use<br />

encyclopedias and the Internet to research its history<br />

and prepare a report.<br />

Make a group design for a kite that will fly. This will<br />

require research. Make the kite and fly it!<br />

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• Individual Writing<br />

Students write a short story about a kite-flying<br />

contest.<br />

Write an explanation of how, and why, wind is<br />

necessary on Earth.<br />

The old Aesop fable of the contest between the sun<br />

and the wind to see which had the power to make a<br />

farmer remove his coat.<br />

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The Kite<br />

The Kite is a shape poem. It has rhyming lines, but these have been compressed into the<br />

outline of the subject being written about so they blend together. The size of the words<br />

in the last line also reflects their meaning. Shape poems can be written about any subject<br />

with a simple outline.<br />

wind<br />

the<br />

tails<br />

The Kite<br />

It’s swooping and bucking over my head. When<br />

I think it will nose-dive, it soars up instead.<br />

It circles and skims in the hazy blue air.<br />

A red dragon face grinning down<br />

on me here. Pulling the<br />

strings I keep it in play,<br />

and it plummets and<br />

rears till<br />

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away<br />

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The Kite<br />

Comprehension and Word Study<br />

The poem describes some of the actions<br />

of a kite in the wind. Below are some<br />

other things that are driven by wind. Find<br />

words to describe their movements. An<br />

example is given from the poem.<br />

Example: The kite plummets, rears, nose-dive, bucking, soars<br />

(a) Yacht sails<br />

(b) Windmills<br />

(c) Weather vanes<br />

A metaphor makes a comparison without using ‘like’. What metaphor is used in the<br />

poem?<br />

Describe the weather conditions when the kite is being flown. What words in the<br />

poem suggest these weather conditions?<br />

The person flying this kite is experiencing excitement. What particular phrases suggest<br />

this?<br />

How does nature end this activity of kite flying?<br />

Kites come in many shapes. Draw a different shaped kite and write about it.<br />

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The Kite<br />

To write a shape poem you need to include information about a topic through the<br />

words you choose. Practise by writing a shape poem about a fruit or vegetable.<br />

Choose words that describe the characteristics of the fruit, and how it presents<br />

itself to the senses. Practise below by finding words to describe the foods listed.<br />

Draw the outline of your chosen fruit or vegetable in the box below, using a pencil.<br />

Write some lines to describe this food and arrange them in order to make sense. Try<br />

to include some rhyme. Now fit your lines to the outline you have drawn. The words<br />

can run over into the next line. Refer back to the poem The Kite and see how the full<br />

stops show the end of each line. Write your completed poem in your outline. Arrange<br />

your words to create the correct shape and rub out your pencil line.<br />

Order<br />

Description (draft)<br />

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Summer Berries<br />

This poem is about<br />

Themes<br />

Style<br />

Curriculum Links<br />

the berry fruits of summer<br />

taste, texture, variety, sensory pleasure<br />

Nursery rhyme style<br />

The poem includes repeated vowel sounds and internal rhymes (assonance). It<br />

experiments playfully with words and variations on words. There is a nonsense<br />

verse element, with a description and monologue section in the last seven lines.<br />

health, nutrition<br />

Page 6<br />

1. Real – blueberry, loganberry, boisenberry, gooseberry etc.<br />

Imaginary – jackberry, looseberry, wilderberry, snappleberry, glowberry etc.<br />

2. sour/ours, near/earn, more/Rome, eat/tea<br />

3. merry, glow<br />

4. Teacher check<br />

5. Happy, jolly, carefree mood, festive feelings<br />

6. Teacher check<br />

• What beneficial plants grow wild where you live? What<br />

makes them beneficial? What is difficult to cultivate<br />

in your area? What fruits and vegetables have to be<br />

imported and why?<br />

• What is genetic engineering? What are the benefits<br />

and disadvantages of genetically engineering<br />

produce?<br />

Small-group Work<br />

Students choose from the following topics:<br />

– Noxious weeds<br />

– Edible wild food<br />

– Composting<br />

– Local crop farming<br />

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Have relevant resources available (library, Internet, topic<br />

books) for the students to use to research and write about<br />

their topic. Reports or posters can be created and<br />

presented to the class.<br />

Individual Writing<br />

Students write an original nursery rhyme on a subject of<br />

their choice.<br />

Students write a short story that begins: ‘I peered through<br />

the window and froze! I could hardly believe what I saw<br />

growing in there!‘<br />

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Summer Berries<br />

Summer Berries is a nonsense poem written in a nursery rhyme style. It experiments<br />

playfully with words and variations on words. The effect comes from repetition of the<br />

word ‘berry’ and the rhymes inside the lines.<br />

Summer Berries<br />

Summer season hot and merry<br />

Eat a fat and purple berry<br />

Thin berry thick berry<br />

Come along and pick berry<br />

Blackberry jackberry<br />

In a paper sack berry<br />

Raspberry blueberry<br />

How do you do berry!<br />

Loganberry boisenberry<br />

Gooseberry loose berry<br />

Elderberry youngerberry<br />

Wildberry wilderberry<br />

crab apple snapple berry<br />

Merry little cherry berry<br />

Flower berry sour berry<br />

Ooh yuk! Sour berry!<br />

Dried berry sweet and airy<br />

Growing wild near the dairy<br />

Bumble berry rowanberry<br />

Bilberry still berry<br />

Sloe berry glow berry<br />

Luscious luscious strawberries<br />

Are there any more berries?<br />

I adore strawberries<br />

Strawberries strawberries<br />

Squashy with no core berries<br />

Mouth staining, it’s raining<br />

Juice! Juice! Juice!<br />

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Summer Berries<br />

Comprehension and Word Study<br />

Some of the berries in the poem are real fruit and some<br />

are imaginary. List them.<br />

An anagram is a word composed of letters that can<br />

be rearranged to make another word (e.g. pool/loop).<br />

Here are two words from the poem that you can use<br />

to make anagrams. Write your new word beside each.<br />

Find another word in the poem that can also make an<br />

anagram.<br />

(a) sour<br />

(b) near<br />

Find two different words in the poem that suggest cheerfulness.<br />

Select your own favourite berry and write two sentences to describe it. Try to use<br />

either alliteration (starting a group of words with the same letter; for example,light<br />

luscious loganberry), or assonance (rhyming vowel sounds; for example, Nan’s a<br />

fan for cranberry) in your writing.<br />

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Reread the poem and then write a sentence describing the mood of the person<br />

saying this rhyme.<br />

(c)<br />

Invent a new berry and give it a name and colour. Illustrate it and write a description.<br />

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Summer Berries<br />

Plants have many parts, such as<br />

stems, leaves, petals, fruits and<br />

branches. Think of a plant you know<br />

well and write words to describe its<br />

parts in the space below.<br />

Write your own nursery rhyme style<br />

poem about a plant. Include your<br />

nonsense words in your poem.<br />

Take one or two of the words from<br />

your list above and play with them<br />

by creating nonsense words that<br />

sound similar. If your first one doesn’t<br />

work, try another until you have<br />

generated a list of six, eight or more!<br />

For example; ‘hairy leaves, fairy<br />

leaves’ or ‘drippy nectar, sippy<br />

nectar’.<br />

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Antarctica<br />

This poem is about<br />

Themes<br />

Style<br />

Curriculum links<br />

the Antarctic environment<br />

isolation, ghost towns, coldness, eeriness, hostile climates<br />

sonnet<br />

society and environment – harsh environments, early explorers<br />

science – animal adaptation, weather<br />

Page 11<br />

1. surfaces of glass; frozen; green and white; cold and bare<br />

2. snow, stretching; sea to sea; swish of sliding seals; penguins pass; Great surfaces of glass<br />

3. swish, sleek, gliding, stretching, whispering<br />

4. penguin, seal, albatross<br />

5. loneliness, isolation, reinforced by the sensations of coldness<br />

6. Teacher check<br />

Explorers go into new and strange environments. This takes<br />

courage and preparation. Brainstorm some famous explorers<br />

(e.g. Scott, Amundsen, Hillary) and list words to describe the<br />

kinds of environments they faced. What kinds of courage do<br />

people need to deal with everyday life? (Examples: facing bullies,<br />

trying something new, giving a speech, visiting the dentist.) How<br />

can you prepare for these situations?<br />

Small-group Work<br />

• Group students into penguins, seals, albatross, whales, sealions<br />

and dolphins etc. Each group brainstorms to generate<br />

a list of adjectives, adverbs and verbs relating to their<br />

particular creature. These lists then form the basis of group<br />

poems. The group task is to create a poem on its topic,<br />

illustrate it and display it in poster form.<br />

• In groups, students research the life of a well-known<br />

explorer and write a short illustrated biography.<br />

Individual Writing<br />

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• Students imagine they are an iceberg whose time has come<br />

to break loose from Antarctica. Ask them to tell the story of<br />

their adventures.<br />

• Students write their own sonnets on a theme and topic of<br />

their own choice. They will need to decide first whether<br />

they will use Shakespeare’s form (three quatrains and a<br />

couplet) or Milton’s form (an octet and a sestet).<br />

Antarctica is a Shakespearean sonnet because it has three<br />

quatrains and a rhyming couplet. The poet, Milton, also wrote<br />

sonnets using a different pattern – an octet (8 lines) followed<br />

by a sestet (6 lines). Use the Internet or library to find examples<br />

of both kinds.<br />

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Antarctica<br />

Antarctica is a modern sonnet. Traditional sonnets date from the 16th century. They<br />

have 14 lines. Sonnets can be on any topic but were often about love.<br />

Antarctica<br />

Antarctic streets are canyons<br />

Great surfaces of glass<br />

Where ghosts of lost explorers roam<br />

And sleek wet penguins pass<br />

Antarctic towns are frozen<br />

The air is green and white<br />

The only movement’s high above<br />

An albatross in flight<br />

Antarctic parks are cold and bare<br />

There’s nothing here to see<br />

But South Pole winter dark and long<br />

Snow, stretching sea to sea<br />

And the whispering swish of sliding seals<br />

Echoes over empty fields<br />

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Antarctica<br />

Comprehension and Word Study<br />

Write any words and phrases in the poem which<br />

describe the extreme coldness of Antarctica.<br />

Alliteration is the repetition of the same consonant in the same line. For example,<br />

tropical torrents. Find three examples of alliteration in different lines in this poem.<br />

(a)<br />

(b)<br />

(c)<br />

Onomatopoeia is the name for words that sound like their meanings; e.g. crash,<br />

bang. Write three examples from the poem.<br />

There are three creatures mentioned in the poem. Write each one below and next to<br />

each,write a word that best describes how it moves.<br />

(a)<br />

(b)<br />

(c)<br />

Poems use words to create an atmosphere that expresses the theme. Explain the<br />

main theme in Antarctica.<br />

The poem talks about Antarctic streets and towns. Draw a picture of how these<br />

might look and describe your picture below.<br />

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Antarctica<br />

Think of different ways to describe<br />

the wind when it blows cold.<br />

Fill the wind gust with your words.<br />

Imagine the Antarctic with icebergs, freezing seas and the biting winds. How would<br />

it feel to be there? Imagine you are in the Antarctic and complete the sentences.<br />

(a) I feel<br />

(b) My breath<br />

(c) I can see<br />

(d) In the distance<br />

(e) I am wearing<br />

(f) Moving around here is<br />

Use these phrases to help you write a poem. Write it in the shape of an iceberg with<br />

one word on the first line, two on the second and so on.<br />

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Air Raid<br />

This poem is about<br />

Theme<br />

Style<br />

Curriculum links<br />

the damage caused by plastic bags<br />

pollution<br />

lyric and narrative<br />

A lyric is a short poem, usually with 2–3 verses, directly expressing the poet’s<br />

own thoughts. Air Raid is an extended metaphor using personification to compare<br />

plastic bags with humans and armies.<br />

society and environment – environmental pollution<br />

Page 15<br />

1. Teacher check<br />

2. (a) fluttering (b) formation<br />

(c) descending (d) lurking<br />

3. slush, rush, squashed, clog, stifle<br />

4. (a) jellyfish, roadkill; (b) Teacher check<br />

5. pollution of the sea, earth and air<br />

6. Teacher check<br />

Brainstorm different types of waste materials. Group them into categories;<br />

for example - recyclable, hazardous, compostable. Should there be laws<br />

against littering and dumping? (Why? Why not?) The ideas from this<br />

discussion can be collated and used as the basis of a class project such as<br />

writing and performing a play or designing posters about recycling plastic<br />

bags to be displayed around the school.<br />

Small-group Work<br />

• Discuss ways in which recycling is done at home and at school. Create<br />

an environmental poster using ‘pollution’ words and collage textures.<br />

• Students write a short poem about aluminium drink cans, using<br />

personification, considering what they could compare them with. Ask<br />

them to discuss their properties (e.g. sound, flexibility, colour, capacity)<br />

and to use these qualities in their poems.<br />

Individual Writing<br />

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• Students write a dialogue between a rubbish bag and a cat, beginning<br />

with a few lines to set the scene.<br />

• Students choose a non-living object and think of ways it could be<br />

compared with humans. They should write their ideas in about three<br />

short lines, then construct these lines into a poem, using personification<br />

in each stanza. They don’t have to rhyme.<br />

Class Project<br />

Write a one-act play to be performed. Divide the class into small groups.<br />

Each group chooses a type of pollutant (e.g. plastic cargo strapping, bottles,<br />

cans, batteries etc.). The group researches how its object contributes to<br />

pollution and writes a conversation boasting about how it is the most<br />

powerful pollutant in the world. Collate the mini-plays into one bigger play.<br />

The whole class then decides on how each individual can help solve these<br />

problems and writes a final section.<br />

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Air Raid<br />

Air Raid is a short narrative poem in lyric style written to express an idea. It uses a<br />

technique called ‘personification’. Personification is a kind of comparison in which nonliving<br />

objects are described as having human traits. In this case, the plastic bags have<br />

taken on a life of their own.<br />

Air Raid<br />

The world is full of plastic bags<br />

They’re living everywhere<br />

At supermarket checkouts<br />

Or fluttering in the air<br />

Pale jellyfish against the light<br />

They float across the sky<br />

Or split or torn, like roadkill squashed<br />

On muddy pavements lie<br />

If all these earth-worn groundlings<br />

Should join their friends in flight<br />

They’ll form a mighty legion<br />

And conquer earth by night<br />

In parachute formation<br />

Descending in a rush<br />

They’ll clog the sun, and stifle spring<br />

And turn the sea to slush<br />

The world is full of plastic bags<br />

They’re lurking everywhere<br />

Until the time comes to arise<br />

And suffocate the air<br />

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Air Raid<br />

Comprehension and Word Study<br />

How does the poet give the impression that plastic bags have declared war on<br />

the world?<br />

Find words in the poem that match these meanings.<br />

(a) moving in the wind<br />

(b) arranged in lines<br />

(c) coming down<br />

(d) loitering<br />

Onomatopoeia is when the meaning and the spoken sound of the word are similar;<br />

e.g. flutter, rumble. Write three examples from the poem.<br />

Plastic bags are likened to people, but there are two<br />

other metaphors that compare them with creatures.<br />

(a) What are they?<br />

(b) Which of these comparisons do you prefer and why?<br />

Describe the message of this poem.<br />

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Write a letter to your local council asking for information about their policy on<br />

recycling. Remember to use formal language! Continue your letter on the back of<br />

this sheet.<br />

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Air Raid<br />

Write words to describe different kinds of rubbish.<br />

(a) Things that can be recycled.<br />

Example: glass shiny, sharp<br />

(b) Things that are biodegradable (they return to the soil)<br />

Example: leftover food smelly scraps<br />

(c) Things that are toxic (hazardous) and need to be disposed of carefully<br />

Example: batteries lead, heavy<br />

Use some of these words, and more, to craft an acrostic poem<br />

about pollution on our planet.<br />

(a) Write your ideas in the box.<br />

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(b) Write an acrostic poem about pollution.<br />

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Camel Ride<br />

This poem is about<br />

Themes<br />

Style<br />

Curriculum Links<br />

riding a camel alone in a desert<br />

heat, isolation, endurance, animal companionship<br />

19th century French ballade<br />

The characteristics are: narrative; topic not serious; rhyming and last one or two<br />

lines repeated in each stanza.<br />

Compare a ballade with the ballad, which started as a four-line folk poem, usually<br />

about love, war or death and is often sad.<br />

society and environment – harsh environments<br />

science – adaptation and survival<br />

Page 19<br />

1. Teacher check (could become the basis for a class poem)<br />

2. hot and baking sun; skin baked to enamel; smells of sweat<br />

3. (a) dismount<br />

(b) challenge<br />

(c) lurch<br />

(d) commands<br />

(e) amble<br />

4. Endless and bare; sand as the dominant theme; sandy world<br />

5. Teacher check<br />

6. Answers will vary, but may include boredom, plodding movement, sleepiness or camel’s persistence.<br />

• There are different kinds of challenges. Give examples of:<br />

– other physical challenges<br />

– mental challenges (e.g. studying for a test, problemsolving)<br />

– social challenges (e.g. making new friends)<br />

• What kind of challenge do you find hardest? Why?<br />

Individual Writing<br />

• Students write a poem or short story about their<br />

relationship with a pet or other animal.<br />

• Students think of an animal or bird they admire and<br />

write a list of words that describe its qualities,<br />

appearance, movement, habits and environment.<br />

These can be used as the basis of his/her own poem.<br />

• Students write a short story that begins ‘I had to<br />

survive, and I knew there was only one option<br />

available to me …’<br />

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Camel Ride<br />

Camel Ride is written in the style of an old French ballade - not to be confused with the<br />

English ballad. The ballade was popular at the end of the 19th century and the topic was<br />

usually light-hearted, with the last line of each stanza repeated. In this modern ballade,<br />

the camel rider is alone and isolated but doesn’t seem too worried about it.<br />

Camel Ride<br />

I don’t know where I’m going<br />

I’ll only know when I’ve been<br />

The landscape stretches endless and bare<br />

With sand as the dominant theme<br />

I’d like to say I own the world<br />

But it’s shared with another mammal<br />

A lumpy bumpy mug-a-wumpy<br />

Frumpy galumpy camel<br />

It was a challenge—I must have been mad!<br />

They said I’d be there by dusk<br />

So I’m here with a compass, a flask and a beast<br />

That smells of sweat and musk<br />

We’re under a hot and blazing sun<br />

And my skin is baked to enamel<br />

On a lumpy bumpy mug-a-wumpy<br />

Grumpy humpy camel<br />

They said that the camel would know the way<br />

That he’d amble along till we’re there<br />

At this pace it’s going to take more than a day<br />

And we could be lost anywhere<br />

How I’ll dismount I haven’t a clue<br />

He needs his instructions in Tamil<br />

This dumpy frumpy mind-your-bumpy!<br />

Humpy galumpy camel<br />

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‘Keep travelling nor-nor-east,’ they said<br />

They’d be following right behind me<br />

But I can’t see anything else for dust<br />

They’re probably having tea<br />

And I’m all alone in a sandy world<br />

As I lurch along in the saddle<br />

On a lumpy bumpy mug-a-wumpy<br />

Grumpy galumpy camel<br />

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Camel Ride<br />

Comprehension and word study<br />

List four different words to describe a camel.<br />

Next to each, write a rhyming word.<br />

Word<br />

Rhymes with …<br />

Write three phrases in the poem that emphasise the idea of heat.<br />

•<br />

•<br />

•<br />

Write words and phrases<br />

which describe the desert.<br />

Find words in the poem that match these<br />

meanings.<br />

(a) to get off<br />

(b) a dare<br />

(c) to move unevenly<br />

(d) instructions<br />

(e) to walk slowly<br />

Draw yourself riding on a camel in the desert.<br />

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What do you think is the effect of repeating the last two lines of each stanza?<br />

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In the poem Camel Ride, the poet describes how it feels to ride a camel.<br />

Write words to describe how it might feel to ride the animals below.<br />

(a) emu<br />

(b) donkey<br />

(c) dolphin<br />

(d) elephant<br />

Imagine you are in a race that you must win to save<br />

your town from being destroyed by flood or fire.<br />

(a) Choose your animal transport and create two lines<br />

for the end of each stanza of your poem.<br />

For example, in Camel Ride, the lines are . . .<br />

My animal transport is<br />

My lines<br />

Camel Ride<br />

(b) Write a poem about how you and your animal companion saved the town.<br />

Use your lines above to end each stanza.<br />

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Atomic Me<br />

This poem is about<br />

Themes<br />

Style<br />

Curriculum Links<br />

individuality, self, uniqueness<br />

energy, recklessness, freedom<br />

monologue<br />

The writer is speaking to himself or herself. It is optimistic in tone, celebrating<br />

life, and takes the form of an extended metaphor, comparing the self with atoms<br />

and universal energy. Atomic Me is an extended metaphor. (A metaphor is a<br />

direct comparison of one thing with another.) There are four stanzas in the poem.<br />

A six-line stanza is called a ‘sestet’. Each sestet below ends with two rhyming<br />

lines. These are called couplets. For variation and emphasis, the poet has ended<br />

with four lines.<br />

science – outer space, health – values (selfishness, compassion)<br />

Page 23<br />

1. energy, recklessness, impulse, risk<br />

2. I leap, I’m free; a cosmic blast across your path<br />

3. shooting sparks; force field<br />

4. supplied with electrical energy;<br />

Answers will vary but may include given responsibility; asked for payment; prosecuted; filled<br />

5. (a) impulsive (b) unique<br />

(c) cosmic (d) blueprint<br />

(e) genetic (f) surge<br />

6. Emphasises the impulsive, random nature of the feelings and actions in the poem<br />

7. Teacher check<br />

• What is the attitude of the person in Atomic Me to herself<br />

or himself? What is the attitude to others? Find lines in the<br />

poem to justify your opinion.<br />

• The themes of this poem are energy, freedom and<br />

recklessness. What do you think is the dominant theme and<br />

why?<br />

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Small-group Work<br />

• Students write a short group sestet (six-line poem) starting<br />

each line with the letters in ‘atomic’. The group decides on<br />

the rhyming pattern. They could then make the poem into a<br />

collage and present it to the class.<br />

• As a group, students create actions to Atomic Me and<br />

perform it for the class or other classes.<br />

Individual Writing<br />

• Students choose a topic and think of some associated idea<br />

they can compare it with. For example, the sun – gives life.<br />

They could also try a season, an animal or an inanimate<br />

object. Students start by making a list of words that apply<br />

to both the topic and the idea they have associated with it.<br />

They then write a paragraph, making an extended metaphor.<br />

• Students write a short poem about the human race.<br />

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Atomic Me<br />

A metaphor is a direct comparison of one thing with another; for example, he is an angry<br />

bull. The poem below is an extended metaphor where the comparison continues in each<br />

stanza.<br />

Atomic Me<br />

I’m an atom charged with life<br />

Electrons flowing through<br />

An energetic force field<br />

Shooting sparks at you<br />

I jump, I leap, I’m free!<br />

Wild atomic me!<br />

My genetic blueprint<br />

Has come from outer space<br />

Molecules combining<br />

I am the human race<br />

I was meant to be<br />

Unique atomic me!<br />

Neutrons, protons, I’m the source<br />

Of each impulsive splurge<br />

A cosmic blast across your path<br />

A wild and untamed surge<br />

I’ll do anything you dare<br />

I’m here, there and everywhere<br />

Molecular, spectacular<br />

Wild atomic<br />

Supersonic<br />

Wild atomic me!<br />

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Atomic Me<br />

Comprehension and word study<br />

(a) What are the main feelings expressed in this poem?<br />

(b) Find three words in the poem to support your opinion.<br />

Assonance is the name for vowels with the same sound in the same line;<br />

for example, Abbey adored apples. Write an example of assonance in this poem.<br />

Alliteration is the same consonant repeated in a line; for example, We could smell<br />

the salty sea. Write two examples of alliteration in this poem.<br />

(a) Homonyms are words with the same spelling but different meanings. For example,<br />

rock, rock. What meaning is given to the word ‘charged’ in the first line?<br />

(b) Write another meaning for ‘charged’. You may need a dictionary to help you.<br />

Find words in the poem that match these meanings.<br />

You may need a dictionary to help you.<br />

(a) without thinking<br />

(b) the only one<br />

(c) of the universe<br />

(d) a plan for action<br />

(e) hereditary traits<br />

(f) a sudden flow<br />

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What is the effect of the short lines in the last verse?<br />

This poem contains a<br />

number of scientific<br />

terms. For each one,<br />

write a phrase that could<br />

have been used instead,<br />

to create the same<br />

meaning in the poem.<br />

electrons<br />

cosmic<br />

molecules<br />

genetic<br />

neutrons<br />

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Atomic Me<br />

There are nine planets in our solar system. What do you know about them? Choose<br />

one planet and brainstorm words and phrases about it. You may need to research<br />

the planet first.<br />

Imagine that you are the ruler of a planet. Choose one and write a poem beginning<br />

with this phrase:<br />

If I ruled . . . . . .<br />

(a) Write your ideas in the planets.<br />

(b) Write your poem. Choose from a shape poem, rhyming poem or acrostic poem.<br />

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These poems are about<br />

Themes<br />

Style<br />

Curriculum Links<br />

moving home, changing school and making new friends<br />

belonging, change, loss, adapting to new circumstances<br />

narratives—one in monologue form<br />

Narrative poems tell or recite a story (My Friend). A monologue is speech<br />

addressed to oneself. It states or clarifies feelings and opinions (Moving).<br />

Both poems are about change, adjustment, endings and beginnings.<br />

society and environment – experiencing a new culture health – friendship<br />

Page 27<br />

1. friendly, bright, helpful, dependable, sociable, clever, confident<br />

2. This person is angry at her/his parents. Doesn’t want to leave home, friends and school. He/She is<br />

feeling unsettled and anxious.<br />

3. Positive attitudes to school<br />

4. Teacher check<br />

5. Parents should have asked him/her how he/she felt, before selling the house, which is an important<br />

part of his/her security.<br />

6. a b c d – lines one and three rhyme, as do lines two and four.<br />

7. Teacher check<br />

8. Teacher check<br />

9. (a) drey (b) igloo (c) den/earth (d) lodge/teepee/wigwam<br />

(e) eyrie (f) shell (g) lodge (h) form<br />

• What does it feel like to move away from everything familiar? Brainstorm words<br />

to describe feelings. What adjustments would you need to make if you were<br />

moving to a new country? (language, diet, customs, shopping). What challenges<br />

face immigrant children settling into a new school? What behaviour is helpful<br />

to them?<br />

Small-group Work<br />

• Students design an ideal bedroom, deciding what it would contain. They should<br />

justify all the contents in terms of their activities and present their joint decisions<br />

to the class.<br />

Individual Writing<br />

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• Students write a page recalling or imagining their own experiences of moving.<br />

Ask them if they had to move home and leave friends behind, would their feelings<br />

be similar to those expressed in Moving? Or would they be glad to leave?<br />

• Ask students what it is about Emma that makes other people like her. Who do<br />

they admire? Students can then write a paragraph explaining why. They should<br />

give the person a fictitious name, to protect his or her privacy.<br />

• Use anthologies of poetry in the school library to find two other poems with<br />

similar themes. Students can write a paragraph comparing the way each poet<br />

has tackled the theme. Create a class poster using the paired titles of all the<br />

poems with similar themes that the class can find. Ask the school librarian to<br />

help by making these poetry books available for use by the class during a set<br />

period.<br />

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My Friend is a short narrative that tells a story. Moving is a monologue—a speech made<br />

by one person that expresses an idea or feelings. Both poems are about change,<br />

adapting, partings, endings, new beginnings and the feelings that accompany all the<br />

changes that go with moving.<br />

My Friend<br />

She started after term began<br />

But she soon fitted in<br />

When others tried to mimic her<br />

She kept a friendly grin<br />

She didn’t wear the latest gear<br />

To her it didn’t matter<br />

She didn’t join in the gossip<br />

But was always pleased to natter<br />

She started coming first in class<br />

And no-one seemed to mind<br />

The boys were even pleasant<br />

Though she left them far behind<br />

Now she’s the one who others choose<br />

When they are picking teams<br />

And everyone asks Emma<br />

For new fund-raising schemes<br />

Her smile is always ready<br />

I’ve never seen her cry<br />

She tells me that she does, sometimes,<br />

But doesn’t tell me why<br />

It didn’t take me long to learn<br />

On her I could depend<br />

And I can say I’m really proud<br />

That Emma is my friend<br />

Moving<br />

I don’t want to move<br />

I like our house. It’s cool<br />

All my friends live near<br />

I even like my school<br />

You went ahead and did it!<br />

You sold my history<br />

You didn’t ask me how I felt<br />

Just said how it would be<br />

I’ve grown up in this bedroom<br />

It’s where I want to stay<br />

I don’t want to make new friends<br />

In some place miles away<br />

Don’t say how great it’s going to be<br />

In a new house somewhere<br />

I won’t go. No! I will not go!<br />

You’ll have to leave me here<br />

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Comprehension and Word Study<br />

Comparing Poems<br />

Write three words of your own that describe Emma’s personal<br />

qualities.<br />

Write a sentence explaining the feelings of the person in Moving.<br />

What is the attitude of these two students towards school?<br />

Which poem do you like better, and why?<br />

The person in the second poem<br />

is angry with his/her parents. In<br />

this speech bubble, write what<br />

specific things is he/she is<br />

trying to say to them.<br />

Both poems have the same rhyming<br />

pattern in each stanza. What is it?<br />

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In the poem My Friend, what do you think the speaker<br />

did to help the new girl settle in to school?<br />

Draw a sketch of your own bedroom and<br />

write a sentence describing how you feel<br />

when you are in your bedroom.<br />

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All animals and creatures have some kind of home or habitat where they feel safe.<br />

Write the names for the homes of these animals or people.<br />

(a) possum<br />

(b) Inuit<br />

(c) fox<br />

(d) American Plains Indian<br />

(e) eagle<br />

(f) oyster<br />

(g) beaver<br />

(h) hare<br />

A shape poem is written in the outline of the object you are writing about.<br />

Choose an animal and find out more about it and where it lives.<br />

(a) Write your findings below.<br />

My animal is<br />

. Its home is<br />

(b) Use your information to write phrases for a poem. Plan your poem in the box.<br />

(c) Write a poem about your animal. You may decide to use the animal’s<br />

shape or its habitat as the outline for your writing to create a shape poem.<br />

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This poem is about<br />

Themes<br />

Style<br />

Curriculum Links<br />

a treacherous creek full of eels<br />

danger, the unknown, mystery<br />

a ballad in narrative style<br />

Ballads have been used for centuries to tell stories of heroes and folktales. They<br />

often use rhyming pairs of words (couplets). There are usually four lines in verse<br />

and sometimes have a repeated line, as in Eel Creek.<br />

science/society and environment – water environments<br />

English – myths, tribal legends<br />

health – water safety<br />

Page 31<br />

1. Dark, deep; sandfly sleep; glass-green; slipped suddenly; swimming slowly<br />

2. flowing, cascading, rushing, dark/deep<br />

3. tumble, slithered, swimming<br />

4. (a) calling<br />

(b) tried/undertook<br />

(c) lingering/loitering<br />

5. (a) shallow<br />

(b) smooth<br />

(c) dull<br />

(d) appeared/reappeared<br />

6. cascading, rushing, glistens<br />

7. Answers will vary but may include ceaselessly, incessantly, continually etc.<br />

8. Teacher check<br />

• What is the effect of repeating the last line of each stanza?<br />

(Possible answers: to emphasise the danger in the water; to create<br />

a dreamlike effect in keeping with the mystery of the ring wedged<br />

in the rock.)<br />

• Work out the variations in the rhyme pattern of the lines in each<br />

stanza. Why has the poet done this?<br />

(Possible answers: to prevent the poem from becoming too<br />

predictable; to increase a sense of unexpected danger.)<br />

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Small-group Work<br />

• Students work as a group to turn a familiar fairytale into a rhyming<br />

ballad; e.g. Goldilocks and the Three Bears, Little Red Riding<br />

Hood, The Three Little Pigs. Present it to the class.<br />

• Research an Aboriginal Australian legend for students to act out.<br />

Individual Writing<br />

• Students create their own story involving treasure,<br />

creatures and a hero or heroine.<br />

The ballads of Banjo Paterson<br />

The Lady of Shallott by Alfred Lord Tennyson<br />

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This is a short ballad, written in narrative style. Narratives tell a story. Ballads are meant<br />

to be spoken aloud. They often have some repeated rhyme or rhythm.<br />

Eel Creek<br />

Don’t go down to Eel Creek<br />

Where the water’s dark and deep<br />

Where the lurking sandflies sleep<br />

And the river winds around<br />

Winds around<br />

Winds around<br />

Flowing to a waterfall<br />

Cascading over stony ground<br />

Till the rushing torrent drops<br />

And the eels tumble down<br />

Tumble down<br />

Tumble down<br />

In glass-green water you can see<br />

A silver ring with gemstones three<br />

Wedged into a sunken rock<br />

And the eels guard it there<br />

Swimming slowly<br />

Round and round<br />

Walk on past that treasure bright<br />

Do not reach out for what you’ve found<br />

Though it glistens, beckoning,<br />

Calling you without a sound<br />

Where the river winds around<br />

Winds around<br />

The last one who attempted it<br />

Disappeared and wasn’t found<br />

Slipped suddenly and slowly drowned<br />

As the eels slithered round<br />

Slowly drowned<br />

Slowly drowned<br />

So don’t go down to Eel Creek<br />

Where the water’s dark and deep<br />

Where the eels their secrets keep<br />

And the river endlessly<br />

Winds around<br />

Winds around<br />

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Comprehension<br />

Alliteration is the same consonant repeated in a line; for example, We could smell<br />

the salty sea. Find examples in the poem and write them below.<br />

Adjectives describe nouns; e.g. irritable eel. What four adjectives are used to<br />

describe water in the poem?<br />

Verbs are action words; e.g. contemplating. What three verbs<br />

describe the movement of the eels in the poem?<br />

Synonyms are words with the same or<br />

a similar meaning. Write synonyms for<br />

these words in the poem.<br />

(a) beckoning<br />

(b) attempted<br />

(c) lurking<br />

Antonyms are words with opposite<br />

meanings. Write antonyms for these.<br />

(a) deep<br />

(b) stony<br />

(c) bright<br />

(d) disappeared<br />

Onomatopoeia is where the sound<br />

of a word also expresses its<br />

meaning; e.g. rippling, screech.<br />

Write an example from the poem.<br />

Find two other ways to write the<br />

word ‘endlessly’ (stanza 6).<br />

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Write a short story telling how the ‘silver ring with gemstones three’<br />

came to be in the water and how the eels came to be its guardians.<br />

Plan your story below and write it on a separate sheet of paper.<br />

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Find words to describe things in the environment, either harmless<br />

or dangerous, that are winding.<br />

(a) road<br />

(b) snake<br />

(c) rope<br />

(d) hosepipe<br />

(e) power lines<br />

Write a poem in the shape below. Choose your own topic, or write about<br />

a journey. Try to use some rhyme.<br />

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Write a short ballad that tells a story. Remember; ballads are meant to be spoken<br />

aloud and they can have some repeated rhyme, such as ‘winds around, winds<br />

around’.<br />

(a) Write ideas for your poem in the box.<br />

(b) Write your poem on a separate sheet of paper.<br />

Read your poem to a friend, your group or the class.<br />

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These poems are about sports – rollerblading and skateboarding<br />

Themes<br />

freedom, skill, superiority<br />

Style<br />

action poems written in the lyric style.<br />

Lyric poetry is usually short. It expresses the poet’s feelings about<br />

a particular topic, feeling or situation. In ancient Greece, such short poems<br />

were written to be sung to the music of a lyre – a stringed instrument made of<br />

tortoiseshell. ‘Lyrics’ also means the words of popular songs.<br />

Curriculum Links health – sport<br />

Page 35<br />

1. rollerblades rolling; swaying side to side; free falling; skilful skateboard skite<br />

2. Speed in my feet; Bending, flexing<br />

3. swooping, zooming, shooting, Zapping, Spinning<br />

4. Answers will vary, but may include sense of speed, feeling part of the equipment etc.<br />

5. Answers will vary, but may include freedom, pride, skill, enthusiasm etc.<br />

6. Teacher check<br />

7. Teacher check<br />

• One of the poems contains a metaphor. Which one?<br />

How appropriate do you think it is? (An albatross in<br />

soaring flight – Skateboard Skite)<br />

• Rollerblading refers to other people. What kind of<br />

judgement does it make? (earthlings – last verse)<br />

Small-group Work<br />

• From these poems, students make a list of words that<br />

describe the sensation of moving at speed. Ask them<br />

to brainstorm a list of words or phrases that describe<br />

strength, flexibility and cleverness. They should then<br />

decide on one sport, using the lists to help them write<br />

a page that describes the sport to someone who has<br />

never played or seen it.<br />

Individual Writing<br />

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• Students design their own sports equipment. They<br />

can illustrate and label it, then write a paragraph<br />

explaining how it is used.<br />

• Students write a short poem that begins ‘When<br />

Grandma tried my skateboard (or rollerblades) . . .’<br />

• Students write a short story in which they use<br />

rollerblades to help solve a mystery or a crime.<br />

Use anthologies of verse in the school library to locate<br />

poems about sports.<br />

There are a number of poems written by pilots in the first<br />

and second world wars which give the sensations of flying<br />

(e.g; An Irish Airman Foresees His Death).<br />

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Rollerblading and Skateboard Skite are two action poems that are written in a lyric style.<br />

Lyric poetry is usually short. It expresses the poet’s feelings about a particular topic,<br />

feeling or situation. In ancient Greece, such short poems were written to be sung to the<br />

music of a lyre—a stringed instrument made of tortoiseshell.<br />

Rollerblading<br />

Rollerblades rolling<br />

Speed in my feet<br />

Dodging pedestrians<br />

All down the street<br />

Swooping around corners<br />

Swaying side to side<br />

Feet in slow motion<br />

Past each other glide<br />

Shooting over pavements<br />

Zooming through the light<br />

Skirting around lampposts<br />

Rollerblades in flight<br />

Rollerblades rolling<br />

Wings on my feet<br />

Dodging the earthlings<br />

All down the street!<br />

Skateboard Skite<br />

A silhouette against the sky<br />

Watch him on his skateboard fly<br />

An albatross in soaring flight<br />

Mind free-falling, skateboard skite!<br />

Spinning off the stairway edge<br />

Down the steps, across a ledge<br />

Full turns, a somersault or two<br />

Just to show what he can do<br />

Down the ramp and off the top<br />

Poised above while others flop<br />

Seamlessly his movement flows<br />

Bending, flexing, on he goes<br />

Leaning into every turn<br />

Hasn’t got a lot to learn<br />

Zapping through the summer light<br />

Proud and skilful skateboard skite!<br />

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Comprehension<br />

Alliteration is the same consonant repeated in a line; for example, They never need<br />

to know your name. Write an example of alliteration in each poem.<br />

Assonance is the name for vowels with the same sound in the same line;<br />

e.g. cheap seat. Write an example of assonance in each poem.<br />

Onomatopoeia is the name for words that sound like their meanings; e.g. zing, flitting.<br />

Find three examples in ‘Rollerblading’.<br />

What do these poems have in common?<br />

What is the main feeling being expressed in<br />

each of these poems?<br />

(a) Rollerblading<br />

(b) Skateboard Skite<br />

Which poem do you prefer and why?<br />

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To ‘skite’ is to boast or brag<br />

about something.<br />

(a) If you were going to tell<br />

a friend about something<br />

you are good at and<br />

which makes you proud,<br />

what would it be?<br />

(b) Draw a picture of yourself<br />

doing your answer to (a).<br />

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Write phrases to describe the similarities in the following activities.<br />

(a) Windsurfing and surfing<br />

(b) Gymnastics and trampoline<br />

(c) Walking and running<br />

(d) Swimming and archery<br />

(b)<br />

Write a poem that tells a story about your first attempt to ride a bicycle.<br />

(a) First, use the ladder to brainstorm rhyming words about riding a bike.<br />

(b) In each box, write two lines that rhyme.<br />

(c) Write your rhyming poem.<br />

(a)<br />

(c)<br />

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This poem is about<br />

Themes<br />

Style<br />

Curriculum Links<br />

the pelican and its behaviour<br />

Humans admiration for the versatility and beauty of the bird<br />

Ode with six stanzas, using the same rhyming pattern in each (abcb).<br />

Ode is the Greek word for song. An ode is a celebration, expressing<br />

admiration for something.<br />

society and environment – conservation<br />

science – marine birds<br />

Page 39<br />

1. sails serenely; fish flapping; stately soaring; white wings, wind<br />

2. a jumbo jet and a cat (simile)<br />

3. the pelican’s beak, a surf rod<br />

4. (a) majestic<br />

(b) mock<br />

(c) impeccable<br />

(d) prepared<br />

(e) stately<br />

5. Amused, pitying because they can’t fly.<br />

6. Teacher check<br />

1. Which of the metaphors used in the poem is most<br />

effective? Why?<br />

2. Find other phrases which describe the pelican’s beak<br />

and its storage capacity.<br />

3. What is the pelican’s relationship with humans in this<br />

poem?<br />

Small-group Work<br />

• Students research four seabirds and present their<br />

findings to the class in a speech.<br />

• Students research mythical birds such as the dodo,<br />

griffin (gryphon) and phoenix. They can present their<br />

findings orally and visually.<br />

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Individual Writing<br />

• Students write a description of an imaginary fantastic<br />

creature with a picture.<br />

• Students use dialogue to continue the conversation<br />

with the pelican begun in the fifth stanza.<br />

• Students describe the pelican and its habits<br />

to someone from another planet.<br />

Ode to the West Wind by Percy Shelley<br />

Ode to Autumn by John Keats<br />

The Eagle by Alfred Tennyson<br />

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This poem is an ode. The word ‘ode’ is Greek for song. An ode is a celebration of<br />

something and expresses admiration. Here, the poet admires the pelican’s qualities.<br />

The Pelican<br />

A galleon of pelicans<br />

Sails serenely by<br />

Nothing in the waves escapes<br />

Each bright, unblinking eye<br />

Some joke about the pelican<br />

And mock it when they speak<br />

But it has a great advantage—<br />

A capacious flexi-beak<br />

It grooms itself just like a cat<br />

While waiting on the sand<br />

To watch the flexing surf rods bring<br />

Fish flapping to the land<br />

The pelican knows well he can<br />

Just snatch a little bait<br />

But his manners are impeccable<br />

He’s quite prepared to wait<br />

I spoke once to a pelican<br />

Who told me, waddling by<br />

His fun is watching humans<br />

‘Such a pity they can’t fly’<br />

Great white wings opened to the wind<br />

A jumbo jet in flight<br />

The stately, soaring pelican<br />

Is a majestic sight<br />

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Comprehension<br />

Alliteration is the same consonant repeated in a line;<br />

for example, Penny is a people pleaser. Write four<br />

examples of alliteration in this poem.<br />

Both metaphors and similes make comparisons,<br />

but the simile uses ‘like’ or ‘as’ (e.g. She was as<br />

graceful as a swan); whereas the metaphor<br />

does not (e.g. He inspected the writing with an<br />

eagle eye).<br />

(a) What two things are compared with<br />

the pelican?<br />

(b) Write the line in the poem that<br />

contains a simile.<br />

Two things in this poem are described<br />

as ‘flexible’. What are they?<br />

What does the pelican in the poem<br />

think about human beings?<br />

Use the library and Internet to find<br />

images of pelicans. Choose one<br />

image to sketch.<br />

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Find words in the poem that match<br />

these meanings. You may need a<br />

dictionary to help you.<br />

(a) grand<br />

(b) laugh at<br />

(c) perfect<br />

(d) ready<br />

(e) dignified<br />

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Find words to describe different styles<br />

of the following things that birds have<br />

in common.<br />

Beaks<br />

For example,<br />

Sound: squawk,<br />

cheep, tweet, shrill, cry.<br />

Flight<br />

Use some of these words<br />

and add more to create a<br />

poem about birds or a<br />

particular type of bird.<br />

(a) Write words and phrases<br />

about birds. Include<br />

adjectives that you will be<br />

able to use in your poem.<br />

Movement<br />

on the<br />

ground<br />

Colours<br />

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Wings<br />

(b) Write a poem about<br />

birds. Will your poem be<br />

a shape poem, acrostic<br />

poem, rhyming poem or<br />

another style of poem?<br />

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This poem is about<br />

Themes<br />

Style<br />

Curriculum Links<br />

having a bad day<br />

rejection, feeling things are out of control, out of step with other people<br />

rhyming couplets, with a chorus; doggerel<br />

Doggerel uses rhyme to express an ordinary feeling or sentiment.<br />

These are the types of verse used in greeting cards.<br />

health – values, moods, emotions<br />

Page 43<br />

1. (a) makes you sick<br />

(b) can’t remember<br />

(c) lost your hat<br />

(d) lunch box is depressing<br />

(e) stinking hot<br />

2. Answers will vary. Teacher check<br />

3. lunchbox, bike/flat tyre, pie, hat, cricket bat<br />

4. witchetty grub (disgusting lunch); cockatoo (muddled brain)<br />

5. Answers will vary but may include ‘to give the effect of going over and over<br />

something in your mind without solving anything’.<br />

• There are three references in the poem to friends. What<br />

conclusions can you make about this person’s relationship with<br />

his or her classmates?<br />

• What could the person in the poem do to improve his or her day?<br />

Small-group Work<br />

• Students brainstorm ideas on what makes days good or bad.<br />

They should discuss, and reach a consensus. They can then write<br />

a paragraph summarising the group’s opinions.<br />

• Students brainstorm a list of animals that are used to describe<br />

human qualities and feelings. Make three lists:<br />

(a) animals used to describe people in positive ways; e.g. lion,<br />

dove, tiger.<br />

(b) animals used as put-downs; e.g. snake, rat, chicken, weasel.<br />

(c) animal phrases used as metaphors or similes; e.g. to hog<br />

the limelight, to wolf down your food, slippery as a snake,<br />

blind as a bat, strong as an ox.<br />

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Individual Writing<br />

• Students choose a creature to represent their best friend.<br />

They then write their own poem or short story that begins<br />

‘My best friend is a/an …’. Focus on the friend’s positive<br />

qualities.<br />

‘Jabberwocky’ from Through the Looking Glass by Lewis Carroll<br />

The poems of Edward Lear<br />

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This poem is written in doggerel – a type of comic rhyming verse. The poem reflects<br />

feelings and has a ‘nonsense’ stanza. This is a verse that is repeated, like the chorus of<br />

a song, to emphasise the feelings being experienced.<br />

A Witchetty Grub in my Sandwich<br />

Some days at school are not so good<br />

You can’t remember things you should<br />

Your friends don’t help—they laugh at you<br />

Your lunch box is depressing too<br />

There’s a witchetty grub in my sandwich<br />

And a cockatoo in my head<br />

And my brain won’t do<br />

What I want it to do<br />

And I wish I’d stayed in bed<br />

Your bike has a flat tyre when<br />

You need to ride it home again<br />

And you’re not in the team they pick<br />

You eat a pie that makes you sick<br />

There’s a witchetty grub in my sandwich<br />

And a cockatoo in my head<br />

And my brain won’t do<br />

What I want it to do<br />

And I wish I’d stayed in bed<br />

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It’s stinking hot, you’ve lost your hat<br />

And someone’s nicked your cricket bat<br />

Your friends are mean—you let off steam<br />

The day seems like a long, bad dream<br />

There’s a witchetty grub in my sandwich<br />

And a cockatoo in my head<br />

And my brain won’t do<br />

What I want it to do<br />

And I wish I’d stayed in bed<br />

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Comprehension<br />

Find phrases in the poem that match these meanings.<br />

You may need a dictionary to help you.<br />

(a) nausea<br />

(b) forgetful<br />

(c) misplaced<br />

(d) not appetising<br />

(e) excessive heat<br />

What feelings is the person in this poem experiencing:<br />

(a) about school?<br />

(b) about friends?<br />

(c) about himself/herself?<br />

There are a number of objects<br />

that contribute to this person’s<br />

bad day. List them, in the order<br />

they appear in the poem.<br />

Metaphors are used to make comparisons,<br />

without using ‘like’ or ‘as’. What two<br />

metaphors are used in this poem and what<br />

are they describing?<br />

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Give a reason why you think the poet has repeated the second verse three times.<br />

Draw the best lunch you could find in your lunch box and the worst. Label the items.<br />

best<br />

worst<br />

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The person in this poem is not having a good day. What kinds<br />

of problems have you had? Alongside each problem write<br />

two words to describe how you were feeling at that time.<br />

•<br />

•<br />

•<br />

Problem<br />

Feelings<br />

Write a poem about ‘Feeling Good’ in the form of a recipe. Try to use some rhyme.<br />

Feeling Good<br />

Ingredients<br />

Method<br />

Write a poem that contains rhyming couplets and follows<br />

the rhyming style of A Witchetty Grub in my Sandwich.<br />

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a<br />

a<br />

b<br />

b<br />

a<br />

b<br />

c<br />

c<br />

b


This poem is about<br />

Themes<br />

Style<br />

Curriculum Links<br />

using a computer<br />

curiosity, exploration, enjoyment of technology<br />

narrative, including rhyming couplets and quatrains<br />

Technology – computer studies<br />

Society and Environment – society<br />

Page 47<br />

1. vibes – vibrations<br />

ads – advertisements<br />

info – information<br />

2. (a) sight (b) their<br />

(c) threw (d) weight<br />

3. Teacher check<br />

4. It is the style used for email.<br />

5. (a) tree felling<br />

(b) riding waves on a board<br />

6. ‘magic pages’<br />

7. Teacher check – language is constantly evolving and standards changing.<br />

New technologies influence this.<br />

Why does language change over time? Brainstorm<br />

computer words (e.g. modem, dotcom, email, Internet,<br />

SMS.) Use dictionaries to see how many have now been<br />

formally accepted into the English language. What are the<br />

international rules of ‘netiquette’ (e.g. capitals = shouting).<br />

In what ways did people communicate before email and<br />

mobile phones? (morse code, semaphore, short-hand,<br />

telegrams, telephone, pigeon post). What new methods<br />

do we have? (fax, text messaging, mobiles).<br />

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Individual Writing<br />

• Using SMS style abbreviations, students write a short<br />

letter to a pet, explaining why they forgot to buy pet<br />

food.<br />

• Students write a letter to an alien, explaining how the<br />

Internet works.<br />

• Students use computers to find poems on the Internet.<br />

Use your poem anthologies in the school library to locate<br />

poems about ‘new technology’ from earlier times; e.g,<br />

windmills, power pylons, bridges, tunnels, radio, television.<br />

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This is a short narrative poem that describes a process. Each stanza is written in rhyming<br />

couplets. The stanzas are quatrains of four lines each.<br />

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Abbreviations are words shortened<br />

from their original form. Find two in this<br />

poem and write them in full.<br />

Why do you think this poem is written<br />

without punctuation or initial capital<br />

letters?<br />

Homophones are words with the same<br />

sound but a different spelling and<br />

meaning. Find homophones for the<br />

following words from the poem.<br />

(a) site<br />

(b) there<br />

(c) through<br />

(d) wait<br />

Use a dictionary to help you write<br />

three different meanings for the word<br />

‘server’.<br />

(a)<br />

(b)<br />

(c)<br />

Write another meaning for:<br />

(a) logging<br />

(b) surfing<br />

In the third verse the poet has used<br />

two words to describe a web site.<br />

What are they?<br />

Communicating through email and SMS (mobile phones) is becoming increasingly<br />

more popular. Have a class discussion about emailing and using SMS and think<br />

about the effects these new forms of communications will have on letter writing and<br />

the importance of using correct English. Write about your discussion below.<br />

• letter writing (the old-fashioned way)<br />

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• the standard of written English<br />

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Imagine that you are a computer. You are programmed<br />

to produce a list of words associated in some way<br />

with each word entered.<br />

(a) Choose one of the words below<br />

and write a poem that the<br />

computer ‘spills out’. Decide if<br />

your poem will rhyme or not.<br />

Christmas summer rain<br />

Many people communicate with their work colleague and friends<br />

by typing SMS (short message service) on their mobile phones.<br />

(a) Use this list of common SMS abbreviations to write a message.<br />

r - are l8 - late<br />

ur - you are 4 - for, four<br />

yr - your 2 - to, too, two<br />

thx - thanks b4 - before<br />

w8 - wait w/ - with<br />

pls - please gr8 - great<br />

Mobile<br />

:-) - smile ;-) - wink<br />

(b) On a separate sheet of paper, write<br />

a poem using SMS language. Try<br />

to make your poem rhyme.<br />

(b) Now choose your own word and write<br />

a poem in a similar style.<br />

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This poem is about<br />

Themes<br />

Style<br />

Curriculum Links<br />

a mosquito invading a bedroom<br />

natural enemies, danger<br />

ballad.<br />

Ballad is the word used to describe ancient, simple, folk poems. Most countries<br />

have their own contemporary folk poets who write ballads about life, activities<br />

and events. Ballads use rhyming pairs of lines (couplets) like the one here. Each<br />

stanza is usually four lines (a quatrain). Ancient ballads were often sad, telling<br />

about love, war or death. This modern one is also about war and death!<br />

science – animals<br />

society and environment – weather (as it influences wildlife)<br />

Page 51<br />

1. squash; buzz/buzzing; clatter; spatter; splat<br />

2. The rhyme pattern changes from couplets to abcb, with the final three lines<br />

making one last line run together.<br />

3. (a) poised<br />

(b) tumbling<br />

(c) toss<br />

(d) alert<br />

4. window’s wide; sound the sirens; beat the bed; flit and fall; tingling toe<br />

5. Teacher check<br />

Humans have natural enemies. Brainstorm these under the following headings:<br />

Insects Animals Viruses Toxins<br />

Which of these can you protect yourself against? What illnesses are carried by<br />

mosquitoes? When camping, what precautions can you take against disease?<br />

(Proper sanitation, boil water, insect repellent, first aid kit.)<br />

Small-group Work<br />

• The ballad is an important part of Australia’s literary history. Read some of<br />

Banjo Paterson’s poems. Have students form groups to research<br />

contemporary ballads, bush poets and the lyrics of Australian ballads in<br />

song.<br />

• Students select one of Paterson’s ballads, write it as a short script and<br />

perform it for the class.<br />

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Individual Writing<br />

• Individually or in pairs, students write rhyming ballads. They can use<br />

quatrains to tell the story of a local or national event.<br />

• Use your local library to locate local poets or songwriters. Students write a<br />

letter asking one of them to read some of his/her work to the class.<br />

• Students write a short story that begins: ‘As the shadows flitted across<br />

my room in the moonlight, I felt a sense of …’.<br />

The greatest ballad of the English language is said to be The Rime of the Ancient<br />

Mariner by Samuel Coleridge.<br />

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This is a ballad. Ballad is the word used to describe simple, ancient, folk poems. Most<br />

countries have their own contemporary folk poets who write ballads about life, activities<br />

and events. Ballads use rhyming pairs of lines (couplets) like the one here. Each stanza<br />

is usually made up of four lines (a quatrain). Ancient ballads were often sad, telling<br />

about love, war or death. This modern one is also about war and death!<br />

The Mosquito<br />

It’s hot at night, the window’s wide<br />

I’ve tossed my cover and sheet aside.<br />

And then a buzz inside my ear<br />

Announces that a mozzie’s here<br />

Full alert! There’s one close by<br />

Sting poised on my nose or eye<br />

Sound the sirens, beat the bed<br />

I’m sure it’s aiming at my head<br />

The moving shadows flit and fall<br />

I’ll squash it up against the wall<br />

If it were bigger, I’d go splat!<br />

And then I’d feed it to the cat<br />

It stings, but you don’t even know<br />

Till next day there’s a tingling toe<br />

A lumpy face, a swelling hand<br />

All itchy red and dry as sand<br />

Got it! Splatter! Clatter clatter<br />

Book and drink go tumbling down<br />

At last in gentle sleep<br />

I’m drifting<br />

THEN<br />

I hear that<br />

BUZZING SOUND!<br />

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Comprehension and Word Study<br />

Onomatopoeia is when the meaning and the spoken sound of the word<br />

are similar; e.g. flutter, growl. Write two examples from the poem.<br />

The poet has changed from the ballad style in the last stanza, but there are still<br />

only four lines. What is different about this rhyming pattern compared with the<br />

first four quatrains?<br />

Synonyms are words with the same or a similar<br />

meaning. Find synonyms for these words.<br />

(a) ready<br />

(b) falling<br />

(c) throw<br />

(d) danger<br />

Alliteration is when a consonant is repeated in the same<br />

line; e.g. twisted tree trunks. Write four examples from<br />

the poem.<br />

Imagine you are the poet. Write a speech to the mosquito where you explain<br />

your point of view. Try to persuade the mosquito to agree on a compromise.<br />

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Name a creature or animal.<br />

(a) List words to describe its appearance.<br />

(b) List words to describe its movements.<br />

(c) List words to describe the sounds it makes.<br />

Use these words, and more, to create a poem about your animal, written in rhyming<br />

couplets (aabb). Give your poem a title. You could write about your own pet.<br />

(a) Write your ideas for the poem here.<br />

(b) Write and illustrate your animal/pet poem below.<br />

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This poem is about<br />

Themes<br />

Style<br />

Curriculum Links<br />

the beach and marine environment<br />

beach enjoyment, summer, sea sports<br />

Eulogy.<br />

Sun, Sea and Sand is in the manner of a eulogy which admires or praises a<br />

person, object or place. Four-line verses written alternately in rhyming couplets<br />

interspersed with a different rhyme patterns, emphasise the rhythm of the words.<br />

environment. science, healthy/safety<br />

Page 55<br />

1. basked, sundial, huge, upright<br />

2. (a) The sand is warm beneath you like a cushion or a nest (b) Teacher check<br />

(c) Teacher check<br />

3. Splash, sunburst, spray, paddle<br />

4. Sunscreen, sunhat, dinghy, surfboard, sandwiches, sandshoes, sandal – teacher check adjectives<br />

5. Teacher check (an atmosphere of fun, pleasure, sensory, tactile experience.)<br />

6. (a) Verse 2 – aaba, verse 4 – abcb, verse 6 – abcb.<br />

(b) Poet wanted variety for different textures and sense of business and activity<br />

• The poem suggests a variety of activities that can be done in this<br />

particular environment. What other kinds of environments offer<br />

diverse experiences?<br />

• Is there another aspect of the shoreline that the poem has not<br />

covered (e.g. rock-pools)? Brainstorm compound words<br />

beginning with ‘rock’ (rock-bottom, rock-breaking, rock-hard).<br />

Small-group Work<br />

• Students select one of the environments below and brainstorm<br />

words to describe it. Write an advertisement praising this<br />

environment and inviting tourists to experience it,<br />

riverland Outback desert Barrier Reef<br />

sheep station student choice<br />

• Students select one of the three verses in the poem beginning<br />

with either sun, sea or sand. They use this as a model to compose<br />

a four-line verse of their own, using their own compound words<br />

(e.g. up, down, rain). Each group will need a dictionary.<br />

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Individual Writing<br />

• Students write letters to their parents, inviting them to a<br />

picnic at a particular place. The letter explains why they<br />

have selected this place.<br />

• Students write instructions for building a sandcastle for<br />

someone who has never been to the beach.<br />

The Walrus and the Carpenter by Lewis Carroll<br />

The Beach by William Hart-Smith<br />

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This poem is in the manner of a eulogy, which admires or praises a person, object or<br />

place. Verses 1, 3 and 5 have rhyming pairs of lines (couplets). Verses 2, 4 and 6 have an<br />

abcb rhyme pattern. Sun, sea and sand have been used as prefixes in compound words.<br />

Sun, Sea and Sand<br />

When you go to the beach you can have a good time<br />

Whether it’s wet or whether it’s fine<br />

There’s lots you can do, but it’s much better fun<br />

If you go to the beach on a day when there’s sun<br />

Sunscreen, sunhat, sunglow, sun shower<br />

Everything glowing like a yellow sunflower<br />

Suntan, sunburn, sunburst, sunset<br />

Sundial time and a warm sun shower<br />

Take a dinghy or a surfboard into the tide<br />

If you stay upright you might get a ride<br />

You can swim, paddle, splash in the waves by the shore<br />

Sea water is what beaches are for<br />

Seashells, seashore, seabird, seaspray<br />

Swimming in the waves with the biting sea bugs<br />

Seaweed, seahorse, sea mist, seasick<br />

Seagulls flying and fat sea-slugs<br />

You’ve swum and paddled and basked in the sun<br />

And eaten the sandwiches, every one<br />

The sand is warm beneath you like a cushion or a nest<br />

‘Cause it’s really SAND that beaches do best<br />

Sandwich, sandal, sandhill, sand-fight<br />

Sand in your sandshoes and a big sand parcel<br />

Sandpaper, sand hopper, sandstorm, sandfly<br />

Sand in your hair and a huge sandcastle!<br />

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Comprehension and Word Study<br />

Find similar meanings (synonyms) and opposite meanings<br />

(antonyms) for these words.<br />

Synonyms<br />

Antonyms<br />

(a) laze<br />

(c) tiny<br />

(b) clock<br />

(d) horizontal<br />

The fifth verse in the poem has a line that describes what it feels like to lie on the<br />

sand. It uses a simile. A simile is a comparison of two things, using ‘like’ or ‘as’.<br />

(a) Write the line from the poem that contains a simile.<br />

(b) Now rewrite this line using your own simile that compares sand with something<br />

else.<br />

(c) Complete the sentences to create similes.<br />

The sun is like a<br />

The sand tickles my toes like a<br />

The water is as blue as<br />

Onomatopoeia is the term used for words that sound<br />

like their meanings. For example, plop and swish.<br />

Find two examples of onomatopoeia in the poem.<br />

Name the equipment and clothing mentioned<br />

in the poem and add a suitable adjective.<br />

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What do you think the poet is trying to achieve in this poem?<br />

(a) Look closely at verses 2, 4 and 6. The rhyming pattern<br />

is different in these from verses 1, 3 and 5, which<br />

are written in rhyming couplets with the pattern aabb.<br />

Write the rhyming patterns of the other three stanzas.<br />

(b) Why do you think the poet has varied the rhyming<br />

patterns?<br />

Verse 2<br />

Verse 4<br />

Verse 6<br />

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A compound word is formed when two separate smaller words are joined (e.g. sunhat,<br />

sunshade). Prefix is the term given to the part that comes first and suffix is the term<br />

for the second part of the compound word. In the examples given, ‘sun’ is a prefix,<br />

and ‘hat’ and ‘shade’ are used as suffixes. There are many compound words in<br />

English. Some begin with – rain, hand, hair. You can use a dictionary to find others.<br />

(a) Select one prefix, and write it in the centre shape below. Try to find suffixes that<br />

go with it to make compound words and write one in each of the outer circles.<br />

(b) Use the compound words you have created to write a verse with an abcb<br />

rhyme (as in verses 4 and 6 in Sun, Sea and Sand.)<br />

Choose one of your compound words<br />

and write an acrostic poem. Write your<br />

word vertically so that each letter<br />

provides the starting letter for the line<br />

of the poem.<br />

For example,<br />

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a<br />

b<br />

c<br />

b<br />

S ummer play on the endless sand<br />

U naware of the sizzling rays<br />

N o sunblock or hat for me<br />

B eautiful weather, sparkling sea<br />

U nder a sunshade, my mum calls<br />

R un away to the dunes with sisters<br />

N ever a thought for pain and blisters<br />

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This poem is about<br />

Themes<br />

Style<br />

Curriculum Links<br />

driving in a vintage car with grandma<br />

olden-days, automobiles, curiosity, companionship<br />

short narrative poem.<br />

Grandma’s Vintage Car talks about someone’s particular experience. What makes<br />

this poem interesting is the focus on the old-fashioned motorcar horn which is<br />

described using alliteration and assonance to make a catchy phrase.<br />

Society and Environment, technology<br />

Page 59<br />

1. high seats, big gearshift, running boards, the klaxon-style horn, different type of chassis springing,<br />

mainly open air<br />

2. fold-back sunroof<br />

3. Uses too much fuel, doesn’t go fast enough for current motorway speeds, liable to break down,<br />

Grandma nervous in speeding traffic<br />

4. Teacher check<br />

5. Teacher check<br />

• In the mid-twentieth century, 50 km per hour was the<br />

usual speed limit. This was raised to 80 km/h and then<br />

raised again. Why? What speed limits apply on<br />

motorways/freeways now? In suburban areas? What<br />

do you think they should be and why?<br />

• Arrange for someone to bring a vintage car to school<br />

and talk about it to the class. Have students prepare<br />

questions.<br />

Small-group Work<br />

• Students in groups undertake research in the library<br />

and prepare a report on transport throughout history.<br />

• Students write a short play about a bus journey. They<br />

use a line of chairs as bus seats for their performance.<br />

Individual Writing<br />

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• Students select two construction or maintenance<br />

vehicles (e.g. grader, roadsweeper etc.) and write a<br />

conversation between them about their working<br />

conditions.<br />

• Students design, describe, illustrate and label their<br />

own ‘ideal’ vehicle.<br />

Use the Internet to find poems about vehicles. Use your<br />

local council library to find poems about the following:<br />

– racing cars<br />

– earthworks machines<br />

– tanks<br />

– planes<br />

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Grandma’s Vintage Car is a short narrative poem that talks about someone’s particular<br />

experience. What makes this poem interesting is the focus on the old-fashioned motorcar<br />

horn which is described using alliteration and assonance to make a catchy phrase.<br />

Grandma’s Vintage Car<br />

My Grandma has a vintage car<br />

She takes me for a ride<br />

We have to sit on two high seats<br />

There isn’t an inside<br />

There’s a fold-up roof that leaks<br />

And lots of springs and creaks<br />

And a squeaky, squawky, squashy honky horn<br />

I know that Grandma loves her car<br />

I like it quite a bit<br />

She polishes it up until<br />

You see your face in it<br />

It has ‘running boards’ outside<br />

You can stand on for a ride<br />

And a squeaky, squawky, squashy honky horn<br />

Grandma wears a floppy hat<br />

The wind blows through my hair<br />

She lets me shift the big gearstick<br />

And people stop and stare<br />

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But we never travel far<br />

In Grandma’s vintage car<br />

With its squeaky, squawky, squashy honky horn<br />

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Comprehension and Word Study<br />

This poem describes some things about the<br />

vintage car that are different from modern cars.<br />

List five.<br />

(a)<br />

(b)<br />

(c)<br />

(d)<br />

(e)<br />

What is similar about this vintage car and a modern sports car?<br />

Give two reasons why you think the vintage car doesn’t travel very far.<br />

Alliteration is the term used for a group of words beginning with the same letter.<br />

Alliteration has been used twice to describe the vintage car horn, (squeaky, squawky,<br />

squashy and honky horn). Use alliteration and write your own phrase to describe the<br />

following sounds.<br />

(a) police siren<br />

(b) excited children<br />

(c) crying baby<br />

(d) school bell or PA system<br />

Use the library and Internet to find images of vintage cars. Choose one image and<br />

sketch it. Write information about the car in your own words.<br />

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Listed below are different vehicles. Beneath each one write appropriate describing<br />

words to help you create a sentence containing the following parts of speech:<br />

(i) verbs expressing its actions and movements<br />

(ii) adjectives describing its appearance<br />

(iii) nouns describing some of its parts<br />

For example: A train (i) labours, glide, rocking, swaying<br />

(ii) sleek, smooth, streamlined, silver, solid, imposing<br />

(iii) engine, carriages, wheels, links, tracks<br />

Sleek, silver engine, solid, imposing, glides along smoothly with a gentle sway.<br />

A big transport rig (i)<br />

(ii)<br />

(iii)<br />

A bulldozer<br />

A hot air balloon<br />

A bicycle<br />

(i)<br />

(ii)<br />

(iii)<br />

(i)<br />

(ii)<br />

(iii)<br />

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(i)<br />

(ii)<br />

(iii)<br />

Choose one of the vehicles and<br />

create an acrostic poem that gives<br />

the reader a mind picture about<br />

the strength, power and speed of<br />

your vehicle. Write the name of the<br />

vehicle vertically and begin each<br />

line of your poem with the letters<br />

in sequence. For example:<br />

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This poem is about<br />

Themes<br />

Style<br />

Curriculum Links<br />

using too much butter and getting into trouble<br />

family life, carelessness, greed<br />

jingle with narrative and nonsense elements.<br />

Nonsense poems are about trivial matters and use words to make the<br />

situation more absurd. A jingle is a rhythmical verse style frequently used in<br />

advertising.<br />

Health – values (rules)<br />

Page 63<br />

1. (a) floor, shore, more, saw, thaw etc.<br />

(b) star, far, car etc.<br />

(c) owls, fowls, bowels, howls<br />

2. bread, peas, pickles<br />

3. It is a two-parent family. The house has a garden or lawn (hose), a bathroom, kitchen and television.<br />

It can become very messy.<br />

4. Teacher check<br />

5. Bubbly, mischievous, carelessness, angry interactions<br />

6. Teacher check<br />

• What kinds of situations in family kitchens lead to arguments?<br />

Families often have their own made-up words for things. Give<br />

examples.<br />

• How is butter made? What substitute spreads for butter are there?<br />

Discuss the health merits of each.<br />

Small-group Work<br />

• Students write a short play based on the following scenario:<br />

You have invited two friends over and you decide to make a snack<br />

from the fridge. You all inspect the contents of the fridge and<br />

then make your meal. Mum arrives home and tells you . . . (you<br />

finish it dramatically).<br />

• Students brainstorm uses for butter and then make a list of these.<br />

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Individual Writing<br />

• Write a conversation between the person in the poem and<br />

either the mother or father, in which a punishment is applied<br />

for making a mess.<br />

• Write an explanation of how butter is made, beginning<br />

with the cow.<br />

The Jabberwocky by Lewis Carrol<br />

The nonsense poems of Edward lear<br />

R.I.C. Publications www.ricgroup.com.au 61 <strong>Discovering</strong> <strong>Poetry</strong><br />

ISBN 978-1-86311-834-7


Butter Butter Everywhere is a jingle. Jingles are rhymes that are often used in television<br />

and radio advertisements. They have a repeated phrase or chorus to catch the listener’s<br />

attention. This poem is also part nonsense poem. Nonsense poems are usually about<br />

trivial matters or absurd situations.<br />

Butter Butter<br />

Everywhere<br />

When she sees me in the kitchen<br />

My mum begins to mutter<br />

She won’t let me make a sandwich<br />

‘Cause she says I smear the butter<br />

Butter butter everywhere<br />

Butter on my knees<br />

Butter in the kitchen drawer<br />

And on the frozen peas<br />

Butter in the plughole<br />

Butter up my nose<br />

Butter in the pickle jar<br />

And on the garden hose<br />

Butter butter everywhere<br />

In between my toes<br />

Butter on the bathroom towels<br />

Butter on my clothes<br />

Butter on the television<br />

Butter over Dad<br />

Butter butter everywhere<br />

and Mum is GETTING MAD<br />

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ISBN 978-1-86311-834-7


Comprehension and Word Study<br />

This poem makes use of repetition and rhyme. The words below can be found at<br />

the ends of the lines that do not rhyme. Find your own rhyming words for them.<br />

(a) drawer<br />

(b) jar<br />

(c) towels<br />

As well as butter, what else does the poem suggest<br />

might have gone into the sandwich?<br />

From reading the poem, what can you tell about this<br />

family and their house?<br />

Is there anything that you do in the kitchen that annoys<br />

someone in your family? Fill in the missing words in the poem<br />

to describe your situation. (Remember it is an abcb rhyme!)<br />

When<br />

My<br />

S/He won’t let me<br />

‘Cause s/he says I<br />

sees me in the<br />

begins to<br />

Poems often create an atmosphere to help communicate their theme, or main idea<br />

or feeling. Describe the atmosphere of this poem in your own words.<br />

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Draw an amusing picture of chaos in a room.<br />

R.I.C. Publications www.ricgroup.com.au 63 <strong>Discovering</strong> <strong>Poetry</strong><br />

ISBN 978-1-86311-834-7


Name your two favourite foods. List words to describe the taste, smell and texture.<br />

(a) Food<br />

(b) Food<br />

Write the three-course menu for your favourite meal.<br />

Starter<br />

Main<br />

Dessert<br />

Write your own poem in free verse, describing a food you either love<br />

or hate. Give the reader an idea of what it looks like, how it smells<br />

and how it tastes. Give your poem a title and add an illustration.<br />

Food<br />

(a) Brainstorm words about your<br />

chosen food in the shapes.<br />

(b) Write your poem using these words.<br />

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R.I.C. Publications www.ricgroup.com.au 64 <strong>Discovering</strong> <strong>Poetry</strong><br />

ISBN 978-1-86311-834-7

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