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Volume 24 Issue 2 - October 2018

Presenters, start your engines! With TIFF and "back-to-work" out of the way, the regular concert season rumbles to life, and, if our Editor's Opener can be trusted, "Seeking Synergies" seems to be the name of the game. Denise Williams' constantly evolving "Walk Together Children" touching down at the Toronto Centre for the Arts; the second annual Festival of Arabic Music and Arts expanding its range; a lesson in Jazz Survival with Steve Wallace; the 150 presenter and performer profiles in our 19th annual Blue Pages directory... this is an issue that is definitely more than the sum of its parts.

Presenters, start your engines! With TIFF and "back-to-work" out of the way, the regular concert season rumbles to life, and, if our Editor's Opener can be trusted, "Seeking Synergies" seems to be the name of the game. Denise Williams' constantly evolving "Walk Together Children" touching down at the Toronto Centre for the Arts; the second annual Festival of Arabic Music and Arts expanding its range; a lesson in Jazz Survival with Steve Wallace; the 150 presenter and performer profiles in our 19th annual Blue Pages directory... this is an issue that is definitely more than the sum of its parts.

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75th Holodomor anniversaries, respectively. As Kondracki and<br />

Komorowsky share: “It is important to keep the memory of this event<br />

alive so that future generations learn about it and understand what<br />

can happen under the rule of tyranny and media censorship.”<br />

(Compare the frightening reality of our current world in the genocide<br />

of Yazidis, the ethnic cleansing of the Rohingyas, and the<br />

targeting of women and children by Boko Haram in Nigeria. Many of<br />

the horrors we wish would stay in the past continue forward into our<br />

present and future.)<br />

Of the Holodomor, Kuryliw notes that for Ukrainians who survived,<br />

“No one was allowed to mourn for these people. It was forbidden to<br />

mention the famine in Soviet Ukraine for generations. The memory of<br />

it was erased from history under the Communists.” As Kuryliw notes,<br />

Ukrainians are particularly sensitive to the annexation of Crimea,<br />

properly Ukrainian territory, by Russia. For those still in the Ukraine<br />

and for the diaspora, remembering events like the Holodomor is “a<br />

testimony of the resilience to survive despite starvation, deportations<br />

and executions – all attempts to destroy [us].”<br />

Music has been a way to keep many of those traditions alive. “Music<br />

is an integral part of Ukrainian culture and, in particular, a strong<br />

choral tradition,” say Kondracki and Komorosky. “From the very<br />

beginning when Ukrainian pioneers came to Canada, they organized<br />

in order to keep their cultural traditions alive in the diaspora. In<br />

almost every Ukrainian-Canadian community throughout Canada you<br />

will find choirs, bands, orchestras and dance groups. The Ukrainian<br />

community in and around the GTA has long been a strong bastion of<br />

Ukrainian culture with its many community and church choirs.”<br />

It is no accident that Vesnivka is celebrating its 53rd year of<br />

music making.<br />

For this commemoration, Kondracki has programmed an entirely<br />

Ukrainian concert. Many Ukrainian composers have written works<br />

to commemorate the Holodomor. Evhen Stankovych’s Requiem will<br />

be performed as well as Hanna Havryletz’s My God, why have You<br />

abandoned me? The late Ukrainian-Canadian composer Zenoby<br />

Lawryshyn’s Tryptych: In Memoriam to the Victims of Holodomor<br />

will also be performed. Lawryshyn was a dear friend of the choir and<br />

created many works for Vesnivka over the years. And treasured local<br />

Ukrainian-Canadian composer Larysa Kuzmenko’s Voice of Hope<br />

will be performed with soprano solo by Antonina Ermolenko accompanied<br />

by the Gryphon Trio.<br />

Recognizing the Slavic Orthodoxy is inseparable from the 7477<br />

Ukrainian-Canadian experience. Sacred music composer Roman<br />

Hurko is of Ukrainian Canadian descent. Educated at the University<br />

of Toronto and Yale University, his speciality has been composing for<br />

the Byzantine Rite, still the major form used by Slavic Orthodoxy.<br />

The historical rootedness of his composing was brought forth in his<br />

major work Requiem/Panachyda, written to commemorate another<br />

Ukrainian historical moment – the nuclear disaster at Chernobyl. The<br />

choirs will sing Eternal Memory, an excerpt from the Requiem.<br />

This commemorative concert fits into the musical tradition of the<br />

community who have long marked important moments with music.<br />

“In addition to previous concerts commemorating Holodomor,”<br />

Kondracki and Komorosky write, “Vesnivka Choir has spearheaded or<br />

taken part in four concerts commemorating the Chernobyl disaster.<br />

Following the Chernobyl disaster in Ukraine in 1986, many Ukrainian<br />

musicians in Canada and abroad wrote music, including requiems,<br />

commemorating this event. Other commemorative concerts have<br />

included remembering the Ukrainian Army of WWI, the arrival of<br />

Ukrainian pioneers in Canada, the 100th anniversary of Ukraine’s<br />

independence in 1918, and several concerts in tribute to various<br />

Ukrainian composers and literary figures.”<br />

The church continues to be an important part of the Ukrainian-<br />

Canadian tradition and Vesnivka continues that work. And never<br />

far form their work is the Orthodox Rite. At their religious home of<br />

St Nicholas Ukrainian Catholic Church, Vesnivka bring forth all the<br />

history and memory of what it means to be Ukrainian and Canadian.<br />

On <strong>October</strong> 21, <strong>2018</strong>, Vesnivka will join other dignitaries and<br />

guests at the unveiling of the Toronto memorial to the victims<br />

of the Holodomor. Led by the Toronto Ukrainian Association,<br />

the new memorial will stand just north of the Princess Gates to<br />

Exhibition Place.<br />

<strong>October</strong> 28, 5pm. Vesnivka and the Toronto Ukrainian Male<br />

Chamber Choir present “Commemorating Holodomor.” With special<br />

guests the Elmer Iseler Singers, the Gryphon Trio and soprano<br />

Antonina Ermolenko. Runnymede United Church, Toronto.<br />

CHORAL SCENE QUICK PICKS<br />

!!<br />

OCT 10, 7:30PM: Chorus Niagara presents Brahms’ great work: Ein Deutsches<br />

Requiem (A German Requiem). With the Avanti Orchestra and soloists. Chorus<br />

Niagara, under Bob Cooper, is a fantastic ensemble bringing fine choral music to the<br />

Niagara region. FirstOntario Performing Arts Centre, St Catharines.<br />

!!<br />

OCT 27, 7:30PM: The Orpheus Choir of Toronto performs the music to the 19<strong>24</strong><br />

silent film Peter Pan. This is a new film undertaking for the choir and will prove to be<br />

an exciting addition to the oft-performed Phantom of the Opera. Eglinton St. Georges<br />

United Church.<br />

!!<br />

NOV 4, 4PM: The Amadeus Choir presents “The Great War: A Commemoration.”<br />

Featuring Gabriel Faure’s Requiem and joined by guests, the Eglinton St. George’s<br />

Choir and soloists. This is an earlier option for those looking to catch commemorations<br />

for Remembrance Day. Eglinton St .George’s United Church.<br />

Follow Brian on Twitter @bfchang Send info/media/<br />

tips to choralscene@thewholenote.com.<br />

7477<br />

173<br />

“Clap your hands if you believe!”<br />

Join us as we take flight to Neverland! Voices soar alongside flying<br />

children, fairies and mystical ships as Orpheus provides its own live choral soundtrack<br />

to the 19<strong>24</strong> classic film fantasy Peter Pan. Organ improvisations heighten the<br />

swash-buckling suspense, while creating a roaring twenties movie-house atmosphere.<br />

Get set for adventure as we kick off our 55th season with faith, trust, and pixie dust.<br />

<strong>October</strong> 27, <strong>2018</strong> | 7:30pm<br />

Eglinton St. George’s United Church | 35 Lytton Blvd<br />

Adult: $45 / Senior: $35 / Under30: $20 / Family: $100 www.orpheuschoirtoronto.com 416-530-4428<br />

The Jackman Foundation<br />

30 | <strong>October</strong> <strong>2018</strong> thewholenote.com

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