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p. / 1 portfolio _Csog Csenge Emese<br />

“I am still learning “<br />

2018_ selected works by Csog Csenge-Emese<br />

PORTFOLIO_ NO1<br />

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quote_by_Michelangelo


p. / 2 portfolio _Csog Csenge Emese<br />

_girl from the transylvanian mountains<br />

_I am still learning<br />

Hello! I am Csenge, a Hungarian girl, growing up in Romania in a big family.<br />

I am a graphic designer and “I am still learning” is my favourite quote by Michelangelo<br />

and I relate what he said cause I think in design (as well as in other<br />

disciplines) there is always something new for us to learn, whether if you’re<br />

a student, a professional or a well-known designer. This attitude will keep us<br />

fresh and help us to broaden our horizons. There’s always something new out<br />

there waiting for us to discover!<br />

Date: 24.09.2018<br />

Cluj Napoca<br />

Universitatea de Arta si Design


_with 3 brothers and 1 sister<br />

_colophon<br />

This is my portfolio brief selection of the<br />

works that I have done during my years in<br />

the university from 2014 to 2018.<br />

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portfolio _Csog Csenge Emese<br />

_CV<br />

CSOG CSENGE EMESE<br />

Phone +40740417268<br />

Email csogcsenge@yahoo.com<br />

Instagram csengemse<br />

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_education<br />

2010-2014<br />

architecture degree in art high<br />

school, Romania<br />

(“Dr.Palló Imre” Muvészeti Liceum)<br />

2014-2017<br />

bachelor degree in design, Romania<br />

(Universitatea de Arte si Design din<br />

Cluj Napoca)<br />

2017-2019<br />

master degree in design, Romania<br />

(Universitatea de Arte si Design din<br />

Cluj Napoca)<br />

2017<br />

design intership in a screenprinting<br />

studio, Hungary<br />

(Printa Design Studio, Budapest)<br />

_my cup off tea<br />

Creating layouts<br />

Beeing fresh and creative<br />

Get lost<br />

Drawing_Decorating<br />

Cooking<br />

Visiting exhibitions<br />

Collecting herbs and making tea<br />

Family<br />

Book reading<br />

Nature


_scholarship<br />

2015-2016<br />

scholarship in graphic design,<br />

Spain<br />

(ESDIR - Escuela Superior<br />

de Diseño de La Rioja)<br />

2018<br />

scholarship in interactive graphic<br />

design, Spain<br />

(UPV/EHU Facultad de Bellas<br />

Artes - Bilbao)<br />

_internship<br />

2017<br />

design intership in a screenprinting<br />

studio, Hungary<br />

(Printa Design Studio, Budapest)<br />

_work experience<br />

2016<br />

graphic designing in ArtDeco<br />

interior design studio, Romania<br />

2017 summer<br />

festival designing<br />

creative asistentt<br />

teamwork with 7 young designers<br />

(Várkert Fesztivál, VIBE festival)<br />

_skills<br />

Adobe Photoshop + + + + + + + + + +<br />

Adobe Illustrator + + + + + + + + + +<br />

Adobe Muse + + + + + + + + + +<br />

Affter Effects + + + + + + + + + +<br />

Cinema 4D + + + + + + + + + +<br />

Invision + + + + + + + + + +<br />

Indesign + + + + + + + + + +<br />

SkechUp + + + + + + + + + +<br />

_languages<br />

Hungarian<br />

Romanian<br />

English<br />

Spanish<br />

German


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portfolio _Csog Csenge Emese<br />

_Eighth page<br />

from this page you can check my<br />

_Selected works


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portfolio _Csog Csenge Emese<br />

_perfume for Flash typface<br />

_selected works<br />

_Flash<br />

_parfum design for a typeface<br />

_pattern design<br />

_Flash parfum<br />

DesignThinking_ Flash ND is part of Neufville Digital’s GRAFÍA<br />

LATINA Collection. Designers: Enric Crous-Vidal 1953<br />

A display typeface containing capitals, lining figures and punctuation.<br />

It is a typical headline and poster font. The typeface design is<br />

based upon the elements ‘light’ and ‘shadow’ producing a powerful<br />

contrast with a special harmony, giving an impression of a third<br />

dimension.<br />

The project target was to create a parfum design for this typface,<br />

using the typface atmosphere.<br />

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portfolio _Csog Csenge Emese


_perfum label _perfum for Flash typface _flash_shine in a bright<br />

but brief, sudden, or intermittent way. _perfum bottle _perfum label


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_ wrapping paper for the perfum


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_CD packaging<br />

_selected works<br />

_Depeche Mode<br />

_packaging_editorial design<br />

_CD packaging for the Dream On cover by Depeche Mode.<br />

DesignThinking_The Dream On song transmits the ambiguity of feelings,<br />

billowing of the life. I try to symbolize these main caracteristics<br />

of the song, the melancoly and the ambiguity of love, the waves of<br />

emotions. I chose the red (love) and blue (waves, eternal like water,<br />

unpredictable can rise up but there is the deep down) colors. With<br />

the fluid feminine “waves” I chose a “masculine” strong typography.<br />

In the booklet I specially focus on forming a constructivist layout,<br />

playing with text blocks and rectangular pictures.<br />

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_CD cover<br />

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_booklet design<br />

_booklet editorial<br />

_DepecheMode CD packaging<br />

_red&blue _waves _flyingworlds


p. / 20 portfolio _Csog Csenge Emese _CD booklet<br />

_DepecheMode CD packaging


_handmade CD cover<br />

_paus paper for covering<br />

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_handmade CD cover _paus paper for covering


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_DepecheMode CD packaging


_printed on mat cardboard<br />

_pages from the booklet


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portfolio _Csog Csenge Emese<br />

_visual identity<br />

_selected works<br />

_TheNobodyElses<br />

_visual identity<br />

_branding_packaging_editorial<br />

design_advertising<br />

_visual identity for The Nobody Elses Hungarian band, for<br />

the album The Soul Piper And The Mischievous Spirit<br />

DesignThinking_The The Nobody Elses band is a young band from<br />

Transylvania. Their style is an intresting mix with rock, psychedelic<br />

music and surfpunk. For the matter, in the workflow I concentrate<br />

in emphasizing on the psychedelic aspect of their music, to use the<br />

effect of them song, to transmit the psychedelic sensation.<br />

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p. / 26 portfolio _Csog Csenge Emese _The Soul Piper And The Mischievous Spirit<br />

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_The Nobody Elses<br />

_visual identity<br />

_branding<br />

_optical illusion effect<br />

_logo _The Nobody Elses


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_triangle CD holder


_optical illusion effect<br />

_Cd cover design


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_The Nobody Elses _Cd cover design


_CDpackaging<br />

_triangle CD holder<br />

_optical illusion effect


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_The Nobody Elses _vinyl cover


p. / 34 portfolio _Csog Csenge Emese _stickers


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_invitation card _VIP card


p. / 38 portfolio _Csog Csenge Emese _entry ticket


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_ceramics<br />

_selected works<br />

_Plato Fungi<br />

_ceramics_product_porcelain<br />

_ceramics plate inspired by organic shape<br />

DesignThinking_This project is far away from graphic area (two dimensional<br />

works), but I do like to work with real life materials, to feel the<br />

forms and shapes, it was a good experience to feel the difference between<br />

two dimensional and three diemnsional concepts. During the workflow, I<br />

kept in sight and mind the waving lines of the fungi.


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_screenprinting<br />

_selected works<br />

_Serigraphy01<br />

_printing techniques_ handmade<br />

techniques_screenprinting<br />

_experimental serigraphy printing<br />

_Printing_I’m quite familiar with serigraphy. This technique requires<br />

a lot of precision. On the contrary, it also gives the artist<br />

much freedom for creativity. This contrast fascinates me. I did<br />

this work during my internship time in Printa Studio-Budapest.<br />

My favourite part was the experimental free printing...


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p. / 54 portfolio _Csog Csenge Emese _experimental selfportrait<br />

_experimental selfportrait<br />

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p. / 56 portfolio _Csog Csenge Emese _experimental selfportrait _experimental selfportrait


p. / 58 portfolio _Csog Csenge Emese _screenprinting _experimental


_nonfigurative


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portfolio _Csog Csenge Emese<br />

_screenprinting<br />

_selected works<br />

_Serigraphy02<br />

_printing techniques_ handmade<br />

techniques_screenprinting on<br />

wood_screenprinting on textile<br />

_Printing_ These designs were made during my internship time in<br />

Printa design studio, where I learned the technique of serigraphy. I<br />

learned how to apply this technique onto different materials: wood,<br />

fabric. Besides learning about serigraphy, in this studio I learned<br />

about the ideology of zero waste design, which changed the way how<br />

I see design and the market.<br />

*Printa is one of the first environmentally conscious brands in Hungary<br />

that is engaged in designing and making a wide range of products.Be it<br />

a souvenir, a piece of clothing, accessories or graphics, their ideology is<br />

predominantly based on three main words: Budapest, eco-fashion and silkscreen<br />

printing.


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p. / 62 portfolio _Csog Csenge Emese _screenprinting applied on different materials


_screenprinting on wood<br />

_screenprinting on fabric


p. / 64 portfolio _Csog Csenge Emese _screenprinting on fabric _zero waste design


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_screenprinting


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_interactive graphic design<br />

_selected works<br />

_Los Zapf<br />

_interactive design_icon design<br />

_UI desig_mobile application<br />

_web interface<br />

_Zapf.app mobile application<br />

This is my first work in UI design area, I really enjoyed to explore the<br />

wireframe size and the interactive part of all this. With this project I<br />

started to learn how to work the program, InVision (still in process...)<br />

The Zapf.app interface design I created under my schoolarship in<br />

UPV/EHU Facultad de Bellas Artes, the target of this project was to<br />

meet with the interactive graphic design, and in the same time learn<br />

about the Zapf designer couple.<br />

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DesignThinking_ The Zapf.app is a mobile application with educational<br />

role. The target of the application is to give a comprehensive<br />

image about the Zapf couple: about theirs design, innovates and<br />

about theirs life.<br />

The app design uses their typographical work to celebrate<br />

Gudrun Zapf von Hesse 100th birthday.<br />

The visual aspect of the app design is inspired by the use of<br />

Herman’s typface Palatino Linotype typefamily and the use of Herman’s<br />

Zapfino Dingbats. In the workflow, I aimed to bring out their<br />

characteristic typography: their finely delicate lines with a dynamic<br />

approach.


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Zapf<br />

¿Te gusta el di<br />

Alguna vez ha<br />

de Los


. app<br />

seño gráfico?<br />

s oido hablar<br />

Zapf?


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_logo<br />

The logo for the application is a typographical<br />

symbol which I aimed to<br />

create with handwriting letter effect. I<br />

used the Palatino Linotype font family<br />

with different letter forms (Bold Italic,Bold,<br />

Italic, Regular)<br />

_color and combination<br />

At the heart of colors for more flexible<br />

handling of the application, as well as<br />

creating a paperlike effect, which is<br />

connected to the handwriting process<br />

in typography. The blue colour also<br />

symbolizes handwriting as a representation<br />

of an ink colour.


_typography<br />

The Palatino typeface was first designed<br />

over 50 years ago by Hermann<br />

Zapf, and is probably the most universally<br />

admired and used of his type<br />

designs. In 1950, it was punchcut in<br />

metal by August Rosenberger, and<br />

then adapted for Linotype machine<br />

composition. Palatino is a typeface<br />

based on classical Italian Renaissance<br />

forms. It has become a modern classic<br />

in itself. Works well for both text and<br />

display typography.<br />

1_Palatino Linotype Regular<br />

2_Palatino Linotype Italic<br />

3_Palatino Linotype Bold Italic<br />

4_Palatino Linotype Bold


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p. / 80 portfolio _Csog Csenge Emese _webpage for the Zapf.app


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Gudrun Za<br />

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Zapf.app_<br />

The last thing to l


web interface<br />

earn is simplicity.<br />

pf von Hesse


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_lamp design<br />

_selected works<br />

_Blossfeld lamp<br />

_ligting design_origami<br />

_Karl Blossfeld<br />

_Art Forms in Nature<br />

_lamp designing<br />

DesignThinking_ Karl Blossfeld is my favourite photographer, I am<br />

amazed by his photos about organic forms, flowers and small details.<br />

His photos inspired to find a shape for a lighting objects. I use<br />

natural material like paper, wood, iron, and corkwood, with origami<br />

technique influence.


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loss<br />

lam<br />

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feld<br />

p


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_Nature educate us into<br />

beauty and inwardness<br />

and i source of the most<br />

noble pleasure.<br />

Karl Blossdfeldt


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p. / 102 portfolio _Csog Csenge Emese _organic forms _organic materials


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_editoral design<br />

_selected works<br />

_Por el camino de Swan<br />

_editorial design_book design<br />

_handmade binding<br />

_cover design_invitation card<br />

_bookmark<br />

Marcell Prousts - Swan’s Way book design<br />

DesignThinking_ The Swann’s Way is the first volume<br />

of the In Search of Lost Times. To create the visual aspect<br />

I chose different keywords/images from the novel:<br />

remembrance, memory, madeleine cake.<br />

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The illustration of the<br />

bookmark and (alsoo<br />

for the extra cover) is<br />

created with the eyes<br />

symbol, which symbolise<br />

the memory:<br />

what can make us to<br />

remember to our past.


_book cover<br />

_bookmark<br />

_handmade binding<br />

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p. / 108 portfolio _Csog Csenge Emese<br />

_book design _bookmark


_invitation card<br />

The concept for the<br />

invitation card was to<br />

create a foldout paper<br />

where the two holes<br />

symbolise the gaps in<br />

the memories. I aimed<br />

to emphasize the remembrance<br />

and its<br />

difficulties, as references<br />

to the symbolic<br />

message of the novel.


p. / 110 portfolio _Csog Csenge Emese _envelope for the invitation card _invitation card


p. / 112 portfolio _Csog Csenge Emese<br />

_editorial _book content


_different pages from the book


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_wine label design<br />

_selected works<br />

_Epoque<br />

_wine label<br />

_Crama Basilescu - Epoque<br />

DesignThinking_ Crama Basilescu is a Romanian winery. This label<br />

was created to commercialize their Epoque wine. The label is really<br />

simple, I played with the simplicity of the Epoque naming, highlighting<br />

the real SECRET of a good wine are its grapes.


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_wine label design


_typographyc icon<br />

_Crama Basilescu


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_wine bottle design<br />

_selected works<br />

_bottle<br />

_wine bottle<br />

_Pretty bottle<br />

DesignThinking_ Pretty is a bottle for wine...<br />

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_wine bottle design _3D study


_pale colours<br />

_feminin


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_identity<br />

_selected works<br />

_Csog<br />

_logo_identity for apiculture<br />

brand<br />

_I made it for my father small apiculture company, the<br />

brand name is using our familly name “Csog”. This short<br />

last name was perfect to creat a “bee” icon.Through my<br />

designs for this intimate project, I aim to suggest familiarity<br />

while emphasizing on the product’s quality in flavour<br />

and richness in texture and colour.<br />

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_Csog apiculture _identity


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_Csog apiculture<br />

_logo concept<br />

CSOG<br />

+


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_poster<br />

_selected works<br />

_posters<br />

_illustration_composition<br />

_layout_typography<br />

_colors<br />

_here are some of my poster<br />

design,mostly digital...<br />

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_last page<br />

_selected works<br />

_Last page<br />

_you have seen_all my<br />

_selected works<br />

_Thank you!<br />

DesignThinking_ The the objective of this presentation is to find an<br />

intership for my <strong>Erasmus+</strong> studentship from October until February<br />

(approximately) I’ve tried to show you my skills and knowledge about<br />

designing. I hope you’ve enjoyed my portfolio.<br />

With a lot of love and illusion, Csenge.<br />

*csogcsenge@yahoo.com<br />

+40740417268


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_Thank you!<br />

*csogcsenge@yahoo.com<br />

+40740417268

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