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Lights. Camera. Profit.

Lights. Camera. Profit. Life in the N800 Billion Industry

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The Spark | Ignite/Connect/Achieve<br />

www.thesparkng.com<br />

Into the World of Theatre<br />

Filmmaking has its role to play but there is a certain extraordinary experience that<br />

being in the same space as the performers on a stage and in theatre brings.<br />

By Odenike Odetola<br />

The theatre is a truly magical experience that isn’t quite easy to<br />

articulate.<br />

My introduction into an acting career was through theatre, and<br />

looking back I can’t imagine what it would have meant not having<br />

that foundation. I started out watching plays and it had a powerful<br />

impact on me not only as a performer but as a human being.<br />

The Theatre is one of the most ancient art forms and much like<br />

several things that have survived centuries. It connects people<br />

of every age, tribe, race, religion, and gender. Having a sense of<br />

community is something that is inherently human in nature, and<br />

theatre is an art form that creates that feeling for everyone involved<br />

- from the creators and the performers to the audience.<br />

Being in the same space as the performers and being a part of an<br />

imaginary world that is right in front of you is an extraordinary<br />

experience, and I am convinced that this is one of the reasons that<br />

stage and theatre performances have stood the test of time.<br />

Plays and theatre inspired a lot of what we do now in terms of<br />

content. With technology and the media, you would think a film is<br />

a replacement for the theatre. Content distribution is easier -from<br />

the comfort of your home or pretty much anywhere, you can watch<br />

almost anything. This is an amazing feat and a beautiful thing for<br />

creators and their audience, but the experience of connecting with<br />

family, friends, and making new connections by deliberately going<br />

out to watch a play and socialize cannot be replaced by the advent of<br />

Theatre can be quite expository<br />

and often is a way through<br />

which some societal and<br />

political issues can be touched<br />

on and explored because it isn’t<br />

usually driven by a commercial<br />

enterprise.<br />

film and digital distribution. Theatre has an entire culture around it.<br />

Theatre can be quite expository and often is a way through which<br />

some societal and political issues can be touched on and explored<br />

because it isn’t usually driven by a commercial enterprise. Early<br />

playwrights like Hubert Ogunde, Yoruba Ronu, and many others,<br />

employed this as a major tool for social communication.<br />

In Nigeria, the theatre world has grown exponentially over the past<br />

few years. With the help of a few practitioners who were consistent<br />

and some big plays with better marketing, more and more people<br />

have come to see the power that a live stage production holds. I have<br />

had a few people ask me to keep them informed about upcoming<br />

plays, after having the opportunity to experience one and realizing<br />

what they were missing.<br />

More performers have begun to collaborate, one-man/woman<br />

shows are becoming more popular. Things are generally on the up<br />

and up in the theatre in Nigeria.<br />

With the new social space that we are in, we can easily create art for<br />

the theatre through collaborations and innovative ideas. For instance,<br />

The Lagos Theatre Festival, founded by the British council in 2013,<br />

created a medium for a lot of story-tellers to tell their stories through<br />

theatre in unconventional spaces. More recently, the Lagos Fringe,<br />

which is another innovative theatre festival, is another platform<br />

bringing creatives together. It has created a space for people to enjoy<br />

theatre in a fun and new way, and still be in a relaxed environment<br />

by making use of several unusually cool spaces in Lagos. The first<br />

Lagos Fringe holds in November 2018 with Festival Director Kenneth<br />

Uphopho and Producer Brenda Fashugba.<br />

Beyond the shores, practitioners have toured different parts of the<br />

world with Nigerian theatre. From plays by Wole Soyinka, Chinua<br />

Achebe, Femi Osofisan, to more recent plays like Hear Word! Naija<br />

Woman Talk true by Ifeoma Fafunwa; Lola Shoyeyin’s The Secret Lives<br />

of Baba Segi’s wives; Saro the musical; Kakadu and many others, we<br />

have given other societies a taste of our culture, heritage, and stories<br />

through epic stage performances.<br />

I believe that the glory days of stage and theatre is only just rising<br />

upon us, and we are ushering it in with glee.<br />

32<br />

@thesparkng

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