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Frost and Fire IV

Metal Chaos Magazine's review of Frost & Fire by Kit Ekman

Metal Chaos Magazine's review of Frost & Fire by Kit Ekman

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Stop me if you’ve heard this one<br />

before: NIGHT DEMON plays a<br />

festival in their hometown, a festival<br />

they themselves organize, in front of<br />

a ravenous audience consisting of<br />

their family <strong>and</strong> friends from both<br />

Southern California <strong>and</strong> all around<br />

the world. What exactly do you think<br />

is going to happen? The same thing<br />

that happens every single year when<br />

Night Demon plays <strong>Frost</strong> <strong>and</strong> <strong>Fire</strong>.<br />

They blow the roof off the place.<br />

They find another gear you never<br />

knew they had. They take no<br />

prisoners. They remind you why<br />

you love this b<strong>and</strong> <strong>and</strong> these people,<br />

<strong>and</strong> why you traveled so far to be<br />

here in the first place. It was a simply<br />

world-class performance in front of<br />

perhaps the largest, most rabid<br />

audience of the entire weekend.<br />

The opening four-cut salvo of<br />

“Welcome to the Night” into “Full<br />

Speed Ahead” into “Maiden Hell”<br />

into “Dawn Rider” (complete with<br />

Motorhead tribute in the form of the<br />

beginning of “Overkill” before<br />

switching over to “Dawn Rider”) is<br />

simply untouchable, all sweat <strong>and</strong><br />

fire <strong>and</strong> speed <strong>and</strong> blood <strong>and</strong> guts.<br />

The middle part of the set is where<br />

the dynamics come out, with more<br />

brooding tracks like “Howling Man”<br />

<strong>and</strong> “Stranger in the Room” (which<br />

Jarvis Leatherby dedicated to “the<br />

one person who isn’t having fun” at<br />

<strong>Frost</strong> <strong>and</strong> <strong>Fire</strong>, a twist on his usual<br />

dedication of the song to the one guy<br />

in the back who doesn’t own<br />

Darkness Remains) alongside<br />

burners like “Hallowed Ground” <strong>and</strong><br />

“Screams in the Night.”<br />

Before “Life on the Run,” the b<strong>and</strong><br />

paused for Jarvis to pay tribute to<br />

the late Mark “The Shark” Shelton,<br />

which he did in such a heartfelt<br />

manner that I don’t think there was a<br />

dry eye in the house, <strong>and</strong> not from<br />

sweat either. I had the distinct honor<br />

of reprising the role of Rocky the<br />

mascot during “The Chalice” this<br />

evening, which is noteworthy only<br />

because I damn near missed my cue<br />

as certain notorious b<strong>and</strong> members,<br />

who shall remain nameless, were<br />

insisting on multiple photo ops with<br />

Rocky before he went on stage,<br />

haha.<br />

The Scorpions cover “In Trance” is<br />

now so masterfully done by Night<br />

Demon that it is absolutely a work of<br />

beauty, a guaranteed shiver-downthe-spine<br />

moment <strong>and</strong> a true<br />

highlight of the set. All too soon it<br />

was time for “Night Demon,” with<br />

Jarvis, Arm<strong>and</strong> <strong>and</strong> Dusty sprinting<br />

to the finish line of what was simply a<br />

steamroller performance, a lesson in<br />

precision <strong>and</strong> power, muscle <strong>and</strong><br />

might, <strong>and</strong> wild-eyed, barely<br />

controlled chaos. This is what<br />

heavy metal’s all about. I couldn’t<br />

have been more proud.<br />

Setlist: Welcome to the Night, Full<br />

Speed Ahead, Maiden Hell, Dawn<br />

Rider, Howling Man, Hallowed<br />

Ground, Life on the Run, Stranger in<br />

the Room, Screams in the Night, The<br />

Chalice, In Trance, Night Demon.

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