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Frost and Fire IV

Metal Chaos Magazine's review of Frost & Fire by Kit Ekman

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one point, I just had to lean over <strong>and</strong><br />

exclaim, “Look at him. Your Dad is<br />

such a badass.” He really, really is.)<br />

And bassist Jarvis Leatherby<br />

worked the stage, served as<br />

ringleader to keep his b<strong>and</strong>mates on<br />

the same page, <strong>and</strong> sweated even<br />

more than usual in the sweltering<br />

Ventura Theater. The visuals were<br />

accentuated (beyond the massive<br />

black praying skeletons backdrop<br />

overlaying the white <strong>Frost</strong> <strong>and</strong> <strong>Fire</strong><br />

backdrop, to create an image of four<br />

praying skeletons behind the b<strong>and</strong>,<br />

as well as the two illuminated<br />

physical praying skeletons guarding<br />

the sides of the stage all weekend)<br />

by a pair of makeshift fog machines<br />

in large trash cans, creating ankledeep<br />

fog for much of the set. Cool.<br />

P e r h a p s t h e m o s t e a g e r l y<br />

anticipated moment tonight was the<br />

live debut of Ungol’s new single,<br />

“Witch’s Game.” It’s a challenging,<br />

epic track, one fully deserving of the<br />

Cirith Ungol legacy, <strong>and</strong> it appeared<br />

in the setlist as first encore. Perhaps<br />

it was a bit rough in spots, but how<br />

cool to hear a br<strong>and</strong>-new Ungol tune<br />

played live for the first time: “Ride<br />

into the battle / play the witch’s<br />

game!” Another definite highlight<br />

was the trilogy of “Chaos Rising,”<br />

“Fallen Idols” <strong>and</strong> “Paradise Lost”<br />

played back-to-back-to-back, which<br />

I’d not heard them do since their<br />

inaugural reunion performance at<br />

<strong>Frost</strong> <strong>and</strong> <strong>Fire</strong> II. It’s enough to send<br />

shivers down your spine. All in all, a<br />

glorious ending to a glorious first<br />

day of <strong>Frost</strong> <strong>and</strong> <strong>Fire</strong>. All hail the<br />

kings of the dead, <strong>and</strong> play the<br />

witch’s game!<br />

Setlist: Atom Smasher, I’m Alive,<br />

Join the Legion, Black Machine,<br />

<strong>Frost</strong> <strong>and</strong> <strong>Fire</strong>, Finger of Scorn,<br />

Blood <strong>and</strong> Iron, Chaos Descends,<br />

War Eternal, Chaos Rising, Fallen<br />

Idols, Paradise Lost. Encores:<br />

Witch’s Game, Master of the Pit, King<br />

of the Dead.<br />

The music was over for today, but<br />

the party was just beginning. You<br />

see, <strong>Frost</strong> <strong>and</strong> <strong>Fire</strong> has become<br />

legendary for its after-show beach<br />

parties. For some reason, they let<br />

you drink on the beach in a certain<br />

section of the Ventura coastline,<br />

alongside the rickety old wooden<br />

pier. (Not so on other areas of the<br />

beach, as a friend from Germany<br />

unfortunately discovered the next<br />

night <strong>and</strong> nearly got arrested.<br />

Fortunately, today was not the day.)<br />

Thus, the post-show ritual each<br />

night for several dozen attendees<br />

was to exit the Theater, head over to<br />

Clark’s Liquor Store before it closed<br />

at 1:00 a.m., load up on booze, <strong>and</strong><br />

walk 10 minutes or so to the<br />

designated location at the beach.<br />

Some of the best conversations I had<br />

all weekend long were on that beach,<br />

in a sleep-deprived <strong>and</strong> alcoholenhanced<br />

state. Tonight I’m proud<br />

to say I was one of the last ones<br />

st<strong>and</strong>ing, <strong>and</strong> it was past 5:00 a.m.<br />

when I stumbled back to the<br />

Clocktower Inn to catch a bit of<br />

shuteye. After all, Day 2 beckoned.

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