Frost and Fire IV
Metal Chaos Magazine's review of Frost & Fire by Kit Ekman
Metal Chaos Magazine's review of Frost & Fire by Kit Ekman
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one point, I just had to lean over <strong>and</strong><br />
exclaim, “Look at him. Your Dad is<br />
such a badass.” He really, really is.)<br />
And bassist Jarvis Leatherby<br />
worked the stage, served as<br />
ringleader to keep his b<strong>and</strong>mates on<br />
the same page, <strong>and</strong> sweated even<br />
more than usual in the sweltering<br />
Ventura Theater. The visuals were<br />
accentuated (beyond the massive<br />
black praying skeletons backdrop<br />
overlaying the white <strong>Frost</strong> <strong>and</strong> <strong>Fire</strong><br />
backdrop, to create an image of four<br />
praying skeletons behind the b<strong>and</strong>,<br />
as well as the two illuminated<br />
physical praying skeletons guarding<br />
the sides of the stage all weekend)<br />
by a pair of makeshift fog machines<br />
in large trash cans, creating ankledeep<br />
fog for much of the set. Cool.<br />
P e r h a p s t h e m o s t e a g e r l y<br />
anticipated moment tonight was the<br />
live debut of Ungol’s new single,<br />
“Witch’s Game.” It’s a challenging,<br />
epic track, one fully deserving of the<br />
Cirith Ungol legacy, <strong>and</strong> it appeared<br />
in the setlist as first encore. Perhaps<br />
it was a bit rough in spots, but how<br />
cool to hear a br<strong>and</strong>-new Ungol tune<br />
played live for the first time: “Ride<br />
into the battle / play the witch’s<br />
game!” Another definite highlight<br />
was the trilogy of “Chaos Rising,”<br />
“Fallen Idols” <strong>and</strong> “Paradise Lost”<br />
played back-to-back-to-back, which<br />
I’d not heard them do since their<br />
inaugural reunion performance at<br />
<strong>Frost</strong> <strong>and</strong> <strong>Fire</strong> II. It’s enough to send<br />
shivers down your spine. All in all, a<br />
glorious ending to a glorious first<br />
day of <strong>Frost</strong> <strong>and</strong> <strong>Fire</strong>. All hail the<br />
kings of the dead, <strong>and</strong> play the<br />
witch’s game!<br />
Setlist: Atom Smasher, I’m Alive,<br />
Join the Legion, Black Machine,<br />
<strong>Frost</strong> <strong>and</strong> <strong>Fire</strong>, Finger of Scorn,<br />
Blood <strong>and</strong> Iron, Chaos Descends,<br />
War Eternal, Chaos Rising, Fallen<br />
Idols, Paradise Lost. Encores:<br />
Witch’s Game, Master of the Pit, King<br />
of the Dead.<br />
The music was over for today, but<br />
the party was just beginning. You<br />
see, <strong>Frost</strong> <strong>and</strong> <strong>Fire</strong> has become<br />
legendary for its after-show beach<br />
parties. For some reason, they let<br />
you drink on the beach in a certain<br />
section of the Ventura coastline,<br />
alongside the rickety old wooden<br />
pier. (Not so on other areas of the<br />
beach, as a friend from Germany<br />
unfortunately discovered the next<br />
night <strong>and</strong> nearly got arrested.<br />
Fortunately, today was not the day.)<br />
Thus, the post-show ritual each<br />
night for several dozen attendees<br />
was to exit the Theater, head over to<br />
Clark’s Liquor Store before it closed<br />
at 1:00 a.m., load up on booze, <strong>and</strong><br />
walk 10 minutes or so to the<br />
designated location at the beach.<br />
Some of the best conversations I had<br />
all weekend long were on that beach,<br />
in a sleep-deprived <strong>and</strong> alcoholenhanced<br />
state. Tonight I’m proud<br />
to say I was one of the last ones<br />
st<strong>and</strong>ing, <strong>and</strong> it was past 5:00 a.m.<br />
when I stumbled back to the<br />
Clocktower Inn to catch a bit of<br />
shuteye. After all, Day 2 beckoned.