Natick November 2018
Natick November 2018
Natick November 2018
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<strong>November</strong> <strong>2018</strong> <strong>Natick</strong> Local Town Pages www.localtownpages.com Page 5<br />
Women Playwrights Raise “Our Voices”<br />
by Amy Mevorach<br />
For the past twelve years, the<br />
‘Our Voices’ playwriting festival<br />
has supported women playwrights<br />
in gestating and producing plays,<br />
poems, and monologues by offering<br />
a day of workshops and performances<br />
at no cost.<br />
Occuring annually in September,<br />
the festival has been hosted,<br />
for most of the twelve years, by<br />
the Ruth Nagel Jones Theatre of<br />
Wellesley College. “Nora Hussey,<br />
and now Marta Rainer, have<br />
been a huge support by making<br />
the theatre available to us for the<br />
whole day,” said Kelly DuMar,<br />
playwright, poet, educator, and<br />
founder of “Our Voices.”<br />
DuMar started the festival in<br />
2007 to spotlight dramatic works<br />
written by women. “It was an<br />
act of self-care,” she said. Finding<br />
a lack of supportive collaboration<br />
in her work life, she created<br />
that environment for herself and<br />
other women. “Creating and<br />
producing ‘Our Voices’ has been<br />
my way of honing my vision of<br />
what I have to offer as an artist,<br />
producer, and leader – to share<br />
the truth and beauty of women’s<br />
stories, help women develop as<br />
artists and human beings, and<br />
to take action against a producing<br />
culture where women’s voices<br />
have been historically under-represented<br />
on stage. Our perspectives,<br />
vision and experiences are<br />
missing from so much of our cultural<br />
history.”<br />
This year the festival was held<br />
on Sunday, September 30. The<br />
afternoon was dedicated to sharing<br />
monologues and ten-minute<br />
plays in a workshop setting. In the<br />
evening, a reception with refreshments<br />
preceded performances of<br />
eight short plays or monologues<br />
by women. This year’s performances<br />
featured an adult incest<br />
survivor trying to heal her own<br />
blocked sexual urges, a conversation<br />
between a pregnant woman<br />
and a mother about breast feeding,<br />
and a monologue of an ancient<br />
stone sculpture come to life<br />
to celebrate the divinely feminine<br />
vulva as the source of women’s<br />
creativity and power. DuMar<br />
contributed a monologue, performed<br />
by her daughter, Francie,<br />
about an actor who shifts the<br />
power dynamics between actor<br />
and director at an audition.<br />
The ‘Our Voices’ festival<br />
clears a space for these subjects to<br />
emerge artistically on the stage.<br />
“Clearly, women’s writing vision,<br />
voice and story were being<br />
under-selected in festivals open<br />
to both male and female playwrights.<br />
A festival of exclusively<br />
women’s voices seemed logical<br />
to counterbalance the trend of<br />
over-selecting male voices,” said<br />
DuMar.<br />
In the midst of a difficult week<br />
for survivors of sexual trauma,<br />
DuMar incited empowerment.<br />
“It felt like an assertive act, seizing<br />
a stage, using our voices and<br />
imaginations to take a stand<br />
against a clique of entitled white<br />
male ‘gatekeepers’ who wield<br />
their political power with a manipulative,<br />
exploitive self-interest:<br />
Reuse. Recycle. Rock.<br />
You cannot silence women. A<br />
poet friend of mine, a male, told<br />
me when he arrived, ‘I can think<br />
of no better place to be after a<br />
week like this.’”<br />
“Our Voices” models collaboration<br />
versus competition,<br />
and is an all volunteer production.<br />
“To be a truly inclusive<br />
event, it’s important to break<br />
down barriers to participation,<br />
both for the writers and for the<br />
audience. By making it a free,<br />
educational, community event,<br />
everyone profits,” said DuMar.<br />
Many of the short plays and<br />
monologues first presented at<br />
Our Voices go on to have full productions<br />
in Boston theatres and<br />
beyond, as well as publications<br />
with dramatic publishers.<br />
“The most satisfying aspect<br />
of ‘Our Voices’ playwrights and<br />
poets, every year, is the spirit of<br />
creativity and collaboration, respect<br />
and fascination they bring,”<br />
said DuMar, “and the power and<br />
satisfaction of expressing it in a<br />
place where they feel heard. I’m<br />
pleased to say we’ve achieved this<br />
EVERY year.”<br />
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