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Natick November 2018

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<strong>November</strong> <strong>2018</strong> <strong>Natick</strong> Local Town Pages www.localtownpages.com Page 5<br />

Women Playwrights Raise “Our Voices”<br />

by Amy Mevorach<br />

For the past twelve years, the<br />

‘Our Voices’ playwriting festival<br />

has supported women playwrights<br />

in gestating and producing plays,<br />

poems, and monologues by offering<br />

a day of workshops and performances<br />

at no cost.<br />

Occuring annually in September,<br />

the festival has been hosted,<br />

for most of the twelve years, by<br />

the Ruth Nagel Jones Theatre of<br />

Wellesley College. “Nora Hussey,<br />

and now Marta Rainer, have<br />

been a huge support by making<br />

the theatre available to us for the<br />

whole day,” said Kelly DuMar,<br />

playwright, poet, educator, and<br />

founder of “Our Voices.”<br />

DuMar started the festival in<br />

2007 to spotlight dramatic works<br />

written by women. “It was an<br />

act of self-care,” she said. Finding<br />

a lack of supportive collaboration<br />

in her work life, she created<br />

that environment for herself and<br />

other women. “Creating and<br />

producing ‘Our Voices’ has been<br />

my way of honing my vision of<br />

what I have to offer as an artist,<br />

producer, and leader – to share<br />

the truth and beauty of women’s<br />

stories, help women develop as<br />

artists and human beings, and<br />

to take action against a producing<br />

culture where women’s voices<br />

have been historically under-represented<br />

on stage. Our perspectives,<br />

vision and experiences are<br />

missing from so much of our cultural<br />

history.”<br />

This year the festival was held<br />

on Sunday, September 30. The<br />

afternoon was dedicated to sharing<br />

monologues and ten-minute<br />

plays in a workshop setting. In the<br />

evening, a reception with refreshments<br />

preceded performances of<br />

eight short plays or monologues<br />

by women. This year’s performances<br />

featured an adult incest<br />

survivor trying to heal her own<br />

blocked sexual urges, a conversation<br />

between a pregnant woman<br />

and a mother about breast feeding,<br />

and a monologue of an ancient<br />

stone sculpture come to life<br />

to celebrate the divinely feminine<br />

vulva as the source of women’s<br />

creativity and power. DuMar<br />

contributed a monologue, performed<br />

by her daughter, Francie,<br />

about an actor who shifts the<br />

power dynamics between actor<br />

and director at an audition.<br />

The ‘Our Voices’ festival<br />

clears a space for these subjects to<br />

emerge artistically on the stage.<br />

“Clearly, women’s writing vision,<br />

voice and story were being<br />

under-selected in festivals open<br />

to both male and female playwrights.<br />

A festival of exclusively<br />

women’s voices seemed logical<br />

to counterbalance the trend of<br />

over-selecting male voices,” said<br />

DuMar.<br />

In the midst of a difficult week<br />

for survivors of sexual trauma,<br />

DuMar incited empowerment.<br />

“It felt like an assertive act, seizing<br />

a stage, using our voices and<br />

imaginations to take a stand<br />

against a clique of entitled white<br />

male ‘gatekeepers’ who wield<br />

their political power with a manipulative,<br />

exploitive self-interest:<br />

Reuse. Recycle. Rock.<br />

You cannot silence women. A<br />

poet friend of mine, a male, told<br />

me when he arrived, ‘I can think<br />

of no better place to be after a<br />

week like this.’”<br />

“Our Voices” models collaboration<br />

versus competition,<br />

and is an all volunteer production.<br />

“To be a truly inclusive<br />

event, it’s important to break<br />

down barriers to participation,<br />

both for the writers and for the<br />

audience. By making it a free,<br />

educational, community event,<br />

everyone profits,” said DuMar.<br />

Many of the short plays and<br />

monologues first presented at<br />

Our Voices go on to have full productions<br />

in Boston theatres and<br />

beyond, as well as publications<br />

with dramatic publishers.<br />

“The most satisfying aspect<br />

of ‘Our Voices’ playwrights and<br />

poets, every year, is the spirit of<br />

creativity and collaboration, respect<br />

and fascination they bring,”<br />

said DuMar, “and the power and<br />

satisfaction of expressing it in a<br />

place where they feel heard. I’m<br />

pleased to say we’ve achieved this<br />

EVERY year.”<br />

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