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62 Years Informing International<br />

& UK Visitors to <strong>London</strong><br />

Est.1956 <strong>Is</strong>sue 31<br />

Friday 7 <strong>December</strong>, <strong>2018</strong><br />

DAWN<br />

french<br />

JULIAN<br />

clary<br />

PAUL<br />

zerdin<br />

NIGEL<br />

havers<br />

GARY<br />

wilmot<br />

vincent&Flavia<br />

DANIELLE<br />

hope<br />

AND<br />

CHARLIE<br />

stemp<br />

8 DECEMBER <strong>2018</strong> – 13 JANUARY 2019<br />

020 7087 7747 | SnowWhitePalladium.com


Welcome to <strong>London</strong><br />

3<br />

CONTENTS<br />

Events 4<br />

Alice in Winterland<br />

Art For Love at Devonshire Square<br />

Hidden <strong>London</strong><br />

Christmas Lights Tours<br />

Music 8<br />

Come From Away<br />

Ex Cathedra Christmas Music<br />

Family Opera from Bampton Classical<br />

Exhibitions 12<br />

Giant Leopard Slugs at Tate Britain<br />

A Jewel of a Christmas at the Tower<br />

Theatre 16<br />

Switzerland<br />

A Box of Delights at Wilton’s<br />

© <strong>This</strong> is <strong>London</strong> Magazine Limited<br />

<strong>This</strong> is <strong>London</strong> at the Olympic Park<br />

Stour Space, 7 Roach Road,<br />

Fish <strong>Is</strong>land, <strong>London</strong> E3 2PA<br />

Telephone: 020 7434 1281<br />

www.til.com www.thisislondonmagazine.com<br />

Whilst every care is taken in the preparation of this<br />

magazine and in the handling of all the material<br />

supplied, neither the Publishers nor their agents<br />

accept responsibility for any damage, errors or<br />

omissions, however these may be caused.<br />

VISITOR INFORMATION<br />

Emergencies 999 Police Ambulance Fire<br />

24 Hour Casualty 020 8746 8000<br />

Dentistry 0808 155 3256<br />

Victim Support 0845 30 30 900<br />

free and confidential service<br />

Visit <strong>London</strong> 020 7234 5833<br />

Heathrow Airport 0844 335 1801<br />

Gatwick Airport 0844 892 0322<br />

Taxis 020 7272 5471<br />

Dry Cleaner 7491 3426 Florist 7831 6776<br />

Optician 7581 6336 Watches 7493 5916<br />

Weather 0870 9000100<br />

What better place to be at Christmas than <strong>London</strong> – the most exciting city<br />

in which to spend the festive season and undoubtedly the Theatre Capital of<br />

the World!<br />

Two years ago, we re-established the tradition of large-scale, spectacular,<br />

star-led pantomime at the <strong>London</strong> Palladium with Cinderella, which played to<br />

packed houses and critical acclaim. Last year we followed that success with<br />

Dick Whittington in which Elaine Paige, Julian Clary and a host of other<br />

household names sent themselves up superbly (and hilariously) following in<br />

the footsteps of the pantomime greats. We were truly thrilled to win an Olivier<br />

Award for Dick Whittington, which was the first Oliver Award ever for a<br />

pantomime production.<br />

With mega-panto now firmly a part of <strong>London</strong>’s Christmas tradition, as it<br />

always was in days gone by, we’re delighted to be back on Argyll Street this<br />

year with Snow White at The <strong>London</strong> Palladium. <strong>This</strong> gloriously funny show<br />

will star national treasure Dawn French – incredibly making her pantomime<br />

debut – alongside returning pantomime royalty Julian Clary, Paul Zerdin,<br />

Nigel Havers and Gary Wilmot. As if that wasn’t enough, they’ll be joined by<br />

Strictly Come Dancing’s Vincent & Flavia, West End and Broadway star<br />

Charlie Stemp and the superb Danielle Hope.<br />

Snow White will feature all the scale, sparkle and spectacle that <strong>London</strong>ers,<br />

and those visiting from elsewhere, have come to expect from our West End<br />

pantomime. It may be a bit of a marketing cliché, but tickets really are selling<br />

incredibly quickly (yes, really!) so be sure to catch the UK’s most lavish and<br />

entertaining festive production if you can.<br />

All the noises coming from the rehearsal room indicate that this year’s<br />

show will once again be packed full of laughter, music, extraordinary special<br />

effects and theatrical magic. So as you’re in <strong>London</strong> over the festive season,<br />

we hope you’ll be able to join us for Snow White at the <strong>London</strong> Palladium –<br />

we’re on that famous stage from Saturday 8th <strong>December</strong> for a strictly limited<br />

5 week run.<br />

NICK THOMAS & MICHAEL HARRISON<br />

Qdos Entertainment Group<br />

Producers of Snow White at The <strong>London</strong> Palladium<br />

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4<br />

ALICE IN WINTERLAND AT<br />

SOUTHWARK PARK<br />

Over 160 giant lanterns and 29<br />

interactive experiences bring to life the<br />

timeless classic of Alice in Wonderland<br />

in epic proportions at <strong>London</strong>’s<br />

Southwark Park. Slide down the Rabbit<br />

Hole as you gaze up at 5 metre tall,<br />

hand-made lanterns that will take your<br />

imagination beyond the Looking Glass.<br />

Visitors will be grinning from ear to<br />

ear as they interact with an animated<br />

Cheshire Cat before taking part in a<br />

larger-than-life chess game, as well as<br />

joining the Mad Hatter for an<br />

extraordinary Tea Party. Interactive<br />

scenes are narrated with childhood<br />

innocence, bringing this imaginative<br />

classic to the next generation.<br />

The Alice in Winterland Lantern<br />

Spectacular is open until 5 January,<br />

from 15.30 to 22.00 every day except<br />

Christmas Day, 25 <strong>December</strong>, and is a<br />

perfect festive treat for children and<br />

adults alike. Music, food stalls and<br />

even Santa will be part of this limitedtime<br />

only, world’s first, event. Adult<br />

tickets start from £15 and are available<br />

at www.AliceinWinterland.co.uk<br />

ART FOR LOVE CHRISTMAS<br />

FESTIVAL AT DEVONSHIRE SQUARE<br />

The 5th edition of Devonshire<br />

Square’s ‘Art for Love’ Christmas Festival<br />

will be dedicated, as the previous ones,<br />

to support The Connection, <strong>London</strong>’s<br />

busiest homeless charity. <strong>This</strong> year’s<br />

programme will include weekly free<br />

attendance lunch time performances by<br />

international musicians and dancing<br />

shows, including ballet, contemporary<br />

dance and traditional river dance, all<br />

executed by some of the finest<br />

professional dancers in UK.<br />

Performances will take place in<br />

Devonshire Square’s Western Courtyard<br />

where attendees will also be able to pay<br />

a visit to the Devonshire Square’s Giving<br />

Tree, a unique Christmas tree entirely<br />

adorned with red paper hearts on which<br />

wishes of those in need have been<br />

carefully transcribed in order to give<br />

them a chance to be read and honoured<br />

by visitors. All collected gifts will be<br />

delivered to The Connection charity on<br />

Christmas Eve.<br />

On Thursday 6 <strong>December</strong>, there will<br />

be a lunch time Christmas concert by<br />

Abraxas Ensemble (string orchestra),<br />

and guests will also be able to enjoy a<br />

complimentary mulled wine tasting and<br />

delicious mince pies by The Devonshire<br />

Club’s Executive Chef Adam Gray.<br />

On Saturday 8 <strong>December</strong>, Devonshire<br />

Square will also be launching the first<br />

edition of its Soul Royalty Winter<br />

Festival, a soul music live concert that<br />

will see the participation of international<br />

touring artist Zalon and his guests Jodie<br />

Abacus, Leonn, Stephanie Sounds,<br />

Gavin Holligan and Teshay Makeda,<br />

some of the finest soul, funk and R&B<br />

artists. Full Festival event are available<br />

at www.connection-at-stmartins.org.uk<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e


6<br />

THE POSTAL MUSEUM BRINGS<br />

FESTIVE SPIRIT<br />

The Postal Museum is set to spread<br />

the Christmas cheer far and wide this<br />

<strong>December</strong> with Mail Rail featuring a<br />

festive twist on its Mail Rail Ride and a<br />

whole host of activities for both kids and<br />

adults to make this yuletide extra jolly.<br />

For a short time only, Mail Rail’s<br />

subterranean ride, taking visitors back in<br />

time to the heyday of the postal railway,<br />

will get a Christmas makeover. From<br />

wartime wives wishing husbands Merry<br />

Christmas from afar, to the broadcast of<br />

the first King’s Speech on the BBC, the<br />

new projection is set to get visitors into<br />

the Christmas spirit in a very unique<br />

way.<br />

As well as the Ride, underground<br />

adventure-seekers will be able to see<br />

Mail Rail’s 100-year-old-tunnels like<br />

never before as part of the network<br />

hidden under our feet is opened to the<br />

general public for guided walks for the<br />

very first time. And there’s plenty going<br />

on above ground too. Whether it’s<br />

wreath-making (pictured), floral centre<br />

pieces, seasonal stationery or<br />

personalised present sacks, visitors will<br />

have the chance to get crafty in artist-led<br />

workshops and join engaging<br />

storytelling sessions across the<br />

Christmas period.<br />

To top it all off, The Postal Museum<br />

will be extending its opening hours on<br />

Saturday 15 <strong>December</strong>, so that visitors<br />

can enjoy everything the museum has to<br />

offer for longer (from 10.00 until 21.00,<br />

last Mail Rail ride leaves 19.20). All<br />

activities are limited capacity, so book<br />

online to guarantee your place and get a<br />

dose of that fuzzy Christmas feeling.<br />

Activities take place every weekend from<br />

1 <strong>December</strong> to 23 <strong>December</strong> with most<br />

included with ticket entry on a first<br />

come, first served basis with the<br />

exception of the wreath and floral<br />

centrepiece workshops and the Mail Rail<br />

tunnel walk, which all require advanced<br />

booking and have an additional fee.<br />

The Postal Museum reveals five<br />

centuries of British social and<br />

communications history as seen through<br />

the eyes of its iconic postal service.<br />

Alongside permanent exhibition galleries<br />

and a temporary exhibition space, Mail<br />

Rail, <strong>London</strong>’s secret Post Office<br />

Underground Railway, has been opened<br />

to the public for the first time in its 100<br />

year history, including a subterranean<br />

ride through some of the original<br />

tunnels. For further information, visit the<br />

website at www.postalmuseum.org<br />

CHRISTMAS AT PHOENIX GARDEN<br />

A festival of entertainment spanning<br />

the worlds of musical theatre, comedy,<br />

drag, cabaret and more, called 'Christmas<br />

at the Phoenix Garden’ will take place<br />

during <strong>December</strong> in the beautiful Phoenix<br />

Garden Building. <strong>This</strong> multi-purpose,<br />

newly built, wheelchair accessible space<br />

features just sixty seats, underfloor<br />

heating, mood lighting and glass wall<br />

overlooking the garden. <strong>This</strong> is the first<br />

time the venue has been used for an arts<br />

festival.<br />

The Phoenix Garden acts as a much<br />

needed escape from the busy streets of<br />

<strong>London</strong>’s West End. The festival’s<br />

founders and co-creators of Phoenix<br />

Theatricals, Peter Dunbar and Colin<br />

Savage, are best known as the creative<br />

team behind the multi-award winning<br />

theatrical venue The Phoenix Arts<br />

Club which is celebrating its 30th year<br />

of business.<br />

In a joint statement they said ‘The<br />

Phoenix Garden has been an asset to the<br />

local community for over three decades,<br />

and an escape from the hustle and<br />

bustle of the West End’s busy streets.<br />

There’s nowhere else like it.’<br />

Christmas at The Phoenix Garden will<br />

feature a fully operational bar which will<br />

open 30 minutes prior to showtime, and<br />

close straight after each performance.<br />

Attendees will receive 24 hour access to<br />

the Phoenix Arts Club, located moments<br />

from the Phoenix Garden.<br />

www.thephoenixgarden.org<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e


CHRISTMAS LIGHTS TOUR<br />

To fully enjoy one of the oldest<br />

Christmas Lights displays in the world,<br />

The Original Tour have designed two<br />

excellent Christmas Lights Tours to see<br />

<strong>London</strong>’s world famous landmarks. As a<br />

visitor to the Capital, what better way to<br />

get in the festive spirit than to join one<br />

of the experienced guides who will take<br />

you on the magical journey through the<br />

streets of <strong>London</strong>?<br />

Whether you prefer a relaxing ride on<br />

an open top bus with a blanket to keep<br />

warm or want to explore on foot through<br />

pedestrianised streets tucked away<br />

behind the main thoroughfares, the two<br />

options suit every taste. These tours<br />

combine not just a view of the superb<br />

Christmas windows in many stores, but<br />

will also take visitors through the<br />

beautiful architecture of central <strong>London</strong><br />

with the knowledgeable Original Tour<br />

guides recounting Christmassy history<br />

and fascinating facts of the areas as you<br />

pass through.<br />

If you opt for the <strong>London</strong>’s Magical<br />

Christmas Lights Tour, sit back and relax<br />

as the bus passes under the lights of<br />

Regent Street and admire the majestic<br />

Trafalgar Square Christmas Tree gifted to<br />

<strong>London</strong> from Norway each year. The<br />

stunning windows of Harrods and<br />

Harvey Nichols are not to be missed as<br />

these upmarket department stores reveal<br />

windows that have likely been months in<br />

the planning.<br />

On the Christmas Lights Winter<br />

Walk, the group weaves through the<br />

pedestrianised back streets around<br />

Oxford Circus such as the Sixties mecca<br />

of Carnaby Street and on to Covent<br />

Garden, not missing the striking Oxford<br />

Street and Regent Street Lights as the<br />

guide takes in some of the less well<br />

known but equally beautiful and<br />

entertaining spaces in <strong>London</strong>. The<br />

Walking Tour operates daily and does<br />

not need to be booked in advance.<br />

As a seasonal treat, anyone travelling<br />

between 1 November and 28 February<br />

will receive a free Christmas Lights Tour<br />

with 48 hour and 72 hour tickets.<br />

The Original Tour is the perfect way<br />

to see <strong>London</strong> at this time of year. For<br />

tickets, visit www.theoriginaltour.com<br />

Sara Macann<br />

THE LONDON ARTISAN<br />

The <strong>London</strong> Artisan is a curated<br />

marketplace in the heart of East <strong>London</strong>.<br />

Taking place on a quarterly basis<br />

throughout the year, it showcases over<br />

50 contemporary designer makers in<br />

Old Truman Brewery for a two-day<br />

design event. The next market, on 15 &<br />

16 <strong>December</strong>, offers a diverse, quality,<br />

shopping experience that celebrates<br />

independent producers and makers.<br />

The <strong>London</strong> Artisan presents a unique<br />

selection of jewellery, ceramics,<br />

glassware, textiles, homewares, graphic<br />

design and children’s products from<br />

designers based in the UK. The two day<br />

selling event is consumer oriented and<br />

offers visitors the opportunity to meet<br />

the designers and view, buy or<br />

commission products.<br />

The <strong>London</strong> Artisan is a must for<br />

those passionate about handmade,<br />

organic and sustainable goods. Founded<br />

in 2010, Designers / Makers has grown<br />

from a local design market in <strong>London</strong><br />

into an agency supporting freelance<br />

designers – an essential resource to<br />

help create a strong and supportive<br />

design community across the UK.<br />

The Old Truman Brewery, East<br />

<strong>London</strong>'s revolutionary arts and media<br />

quarter, is home to a hive of creative<br />

businesses as well as exclusive,<br />

independent shops, galleries, markets,<br />

bars and restaurants.<br />

www.designersmakers.com<br />

7<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e


8<br />

Photo: Matthew Murphy.<br />

COME FROM AWAY LONDON<br />

PREMIERE<br />

The Tony Award winning musical,<br />

Come From Away, will land in <strong>London</strong> for<br />

its long-awaited UK premiere at the<br />

Phoenix Theatre in the New Year with<br />

performances from 30 January.<br />

<strong>This</strong> joyous new musical recounts the<br />

incredible true story of how the residents<br />

of Gander, Newfoundland, welcomed the<br />

7,000 passengers of planes from around<br />

the world. Cultures clashed, and nerves<br />

ran high, but as uneasiness turned into<br />

trust, music soared into the night and<br />

gratitude grew into enduring friendships.<br />

On 11 September 2001 the world<br />

stopped. On 12 September, their stories<br />

moved us all. Earning widespread critical<br />

and audience acclaim, the multi awardwinning<br />

musical continues sold-out,<br />

record-breaking engagements on<br />

Broadway, and in Canada, with a 60-city<br />

North American Tour recently launched in<br />

Seattle. Come From Away is produced in<br />

the UK and Ireland by Junkyard Dog<br />

Productions and Smith & Brant<br />

Theatricals. Don’t miss it!<br />

For tickets, telephone the box office<br />

on 0844 871 7615.<br />

The Original Broadway Cast of Come From Away.<br />

AMAHL AND THE NIGHT VISITORS:<br />

A FAMILY OPERA FOR CHRISTMAS<br />

Gian Carlo Menotti’s Christmas opera<br />

Amahl and the Night Visitors was<br />

composed in America in 1951, initially<br />

as the first opera for television (and<br />

broadcast by NBC in New York), and it<br />

rapidly brought its Italian-born<br />

composer international renown. Its<br />

popularity is hardly surprising since<br />

both the story (with English text by<br />

Menotti himself) and the music are a<br />

delight – Menotti was far from being at<br />

the cutting edge of progressive trends in<br />

post-war music, and Italian operatic<br />

lyricism was in his blood. It’s possibly<br />

one of the most influential operas ever,<br />

because for thousands of people it has<br />

been their first introduction to the whole<br />

genre of opera.<br />

Bampton Classical Opera, celebrating<br />

its 25th annual season, is a regular<br />

visitor to St John’s Smith Square,<br />

<strong>London</strong>’s most beautiful concert venue,<br />

which provides a grand setting for a<br />

semi-staged production of Amahl.<br />

Although originally composed for small<br />

orchestra, Menotti also created an<br />

exciting two-piano version which will be<br />

performed in the expert hands of<br />

Anthony Kraus, music director for the<br />

project, and Keval Shah, winner of the<br />

Accompanist’s prize in the national<br />

Bampton Classical Opera Young<br />

Singers’ Competition 2017.<br />

Amongst a cast of leading young<br />

professional singers will be mezzo<br />

Emma Stannard as Amahl’s mother, who<br />

won first prize in the same competition.<br />

But at the heart of this composition is a<br />

remarkable role for a boy, performed by<br />

11-year old Felix Gillingwater, a<br />

chorister at Southwark Cathedral.<br />

Menotti said Amahl ‘is an opera for<br />

children because it tries to recapture my<br />

own childhood’, and it is hoped that this<br />

performance will attract families and<br />

children. The opera lasts a little under an<br />

hour and is ideal for all ages. It’s a piece<br />

that seems to get to the heart of<br />

Christmas through its sincerity and<br />

unaffected sentimental power. The<br />

matinée performance at St John’s is at<br />

15.00 on Sunday 16 <strong>December</strong> – expect<br />

melody, magic – and a miracle!<br />

Tickets are available by telephone on<br />

020 7222 1061 or www.sjss.org.uk.<br />

Sam Pantcheff plays King Melchior<br />

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A MAGICAL, SPECTACULAR<br />

CHRISTMAS BALLET<br />

Following a critically-acclaimed<br />

season in 2017, Birmingham Royal<br />

Ballet is bringing its especially-created<br />

version of The Nutcracker back to the<br />

Royal Albert Hall. <strong>This</strong> enchanting<br />

production wowed audiences with its<br />

spectacular setting, grand ensemble<br />

pieces and ravishing Tchaikovsky score<br />

– it is without a doubt the quintessential<br />

Christmas treat for all the family.<br />

The audience joins Clara in the<br />

Victorian setting of her family home. As<br />

midnight strikes, the Christmas tree<br />

grows and grows through projections<br />

that make your ‘eyes grow wide with<br />

delight’ (The Stage), and Clara’s<br />

nutcracker doll and his army of toy<br />

The Nutcracker – Birmingham Royal Ballet by Annabel Moeller.<br />

9<br />

Brandon Lawrence as the Prince with Celine<br />

Gittens as the Sugar Plum Fairy.<br />

soldiers come to life for a spectacular<br />

battle. Clara is swept away through a<br />

winter wonderland of dancing<br />

snowflakes including ‘the magical<br />

moment it snows in front of the awestruck<br />

audience’ (Daily Express) to the<br />

kingdom of the Sugar Plum Fairy.<br />

Created especially for the Royal Albert<br />

Hall, with gorgeous period costumes,<br />

stunning lighting, and dazzling<br />

projections by Tony Award-winning 59<br />

Productions, the spectacular staging of<br />

this Christmas classic is brought to life<br />

by Birmingham Royal Ballet’s worldclass<br />

dancers and the <strong>London</strong><br />

Philharmonic Orchestra. There are seven<br />

performances from 28-31 <strong>December</strong>.<br />

Tickets telephone 020 7589 8212.<br />

Christmas Music<br />

by Candlelight<br />

S<br />

Thu 13 <strong>December</strong>, 7.30pm<br />

St John’s Smiths Square.<br />

W<br />

A deeply atmospheric<br />

concert from ‘one of<br />

Britain’s very best choirs’<br />

(New York Times)<br />

020 7222 1061<br />

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10<br />

SEE AN OTHER SIDE OF ST PAUL’S<br />

St Paul’s may offer the best 360<br />

degree views anywhere in <strong>London</strong> but<br />

the interior of this magnificent Cathedral<br />

is beautiful beyond description. As well<br />

as being an age old place of worship, it<br />

is full of exceptional art and history,<br />

inspiring architecture and sublime<br />

music. Daytime visitors can explore the<br />

underground Crypt for encounters with a<br />

wealth of historical figures from Florence<br />

Nightingale and JMW Turner to Admiral<br />

Lord Nelson and the Duke of Wellington.<br />

To properly appreciate the interior, you<br />

can ascend the 257 steps to the worldfamous<br />

Whispering Gallery with its<br />

unique acoustics.<br />

The <strong>London</strong> landmark has been the<br />

setting, not only for Royal Weddings and<br />

State Funerals, but also for Paralympic<br />

sports and films from Mary Poppins to<br />

Harry Potter. You cannot appreciate the<br />

sheer size of this iconic building until<br />

you are inside and take the time to see<br />

the other side of St Paul’s.<br />

Visitors can join Advent services<br />

including Light in the Darkness on<br />

Sunday 16 <strong>December</strong> (15.15), for the<br />

Blessing of the Crib and Lighting of the<br />

Christmas Trees and celebrity readers<br />

will join the Cathedral Choir and City of<br />

<strong>London</strong> Sinfonia on 13 <strong>December</strong><br />

(18.30) for the Celebration of Christmas,<br />

conducted by Andrew Carwood.<br />

HANDEL HOUSE CHRISTMAS<br />

SHOWCASE<br />

Handel House Christmas Showcase<br />

will take place at St. George’s Hanover<br />

Square on Tuesday 18 <strong>December</strong>.<br />

Musicians from the Handel House Talent<br />

scheme will perform Baroque music<br />

both as soloists and ensembles. The<br />

programme will include pieces from<br />

Handel's Messiah, his operas Alcina & Il<br />

Pastor Fido, and music by Henry Purcell<br />

and other Baroque composers. There<br />

will also be a world-premiere of a new<br />

piece composed by Composer-in-<br />

Residence Alex Groves inspired by a<br />

year working inside Handel’s House at<br />

25 Brook Street.<br />

Handel's masterpiece, Alcina, will<br />

also be performed as part of the <strong>London</strong><br />

Handel Festival Prelude on Tuesday<br />

22 January at St. John's Smith Square.<br />

For the first time, it will be presented as<br />

Photo: Rankin.<br />

a bilingual performance with a specially<br />

commissioned English script, freely<br />

translated from the Italian Libretto by<br />

June Chichester, sitting alongside the<br />

magnificent Italian arias. The English<br />

script will be narrated by Joanna Lumley<br />

(pictured) and the arias performed by<br />

La Nuova Musica.<br />

A plot thick with twists and turns,<br />

fairies and wild beasts, the drama of<br />

Handel’s score will be brought to life by<br />

a cast including Lucy Crowe, Patrick<br />

Terry, Madeleine Shaw, Rebecca Bottone,<br />

Christopher Turner and William Berger<br />

LONDON MOZART PLAYERS PIANO<br />

EXPLORED CONCERT SERIES<br />

<strong>London</strong> Mozart Players’ 70th birthday<br />

season continues with the <strong>December</strong><br />

concert (12 <strong>December</strong>, 13.05) in the<br />

acclaimed Piano Explored lunchtime<br />

series at St John’s Smith Square in the<br />

heart of Westminster. In a whistle-stop<br />

hour, Conductor Laureate and soloist<br />

Howard Shelley will lead the orchestra in<br />

his engaging repertoire deconstructions,<br />

followed by a performance of the work in<br />

question, this time joined by LMP<br />

musicians performing double and triple<br />

concerti alongside him at the piano.<br />

<strong>This</strong> concert sees two pieces<br />

examined by Howard Shelley: Finzi<br />

Eclogue and Mozart Sinfonia<br />

Concertante for Violin and Viola. Finzi’s<br />

Eclogue brilliantly balances a flowing<br />

piano part with a simple yet rich string<br />

accompaniment. Howard Shelley leads<br />

from the piano accompanied by the<br />

string sections of the <strong>London</strong> Mozart<br />

Players in this beautiful and popular<br />

piece. The delightful Sinfonia<br />

Concertante is a Mozart favourite for<br />

many, and displays Mozart’s love of the<br />

viola, particularly in the Andante, when<br />

the dialogue between soloists is simply<br />

ravishing.<br />

These lively and popular lunchtime<br />

concerts are perfect for <strong>London</strong> daytrippers<br />

or workers – truly ‘the best<br />

lunch-break you’ve ever had’<br />

(International Piano). As it’s the final<br />

Piano Explored concert before the festive<br />

season kicks off, there will be a massive<br />

Christmas cake to share with the<br />

audience. Unmissable!<br />

For tickets, telephone 020 7222 1061.<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e


CHRISTMAS MUSIC BY<br />

CANDLELIGHT WITH EX CATHEDRA<br />

Ex Cathedra, a leading UK choir, will be<br />

performing its annual Christmas Music by<br />

Candlelight concert at the St John’s Smith<br />

Square Christmas Festival on Thursday<br />

13 <strong>December</strong> (19.30).<br />

<strong>This</strong> deeply atmospheric concert is<br />

aimed at the heart of Christmas. Muchloved<br />

favourites, little-known gems and<br />

stunning new works are accompanied by<br />

a selection of readings, which together<br />

capture the meaning, and humour, of the<br />

season. The programme this year includes<br />

such favourites as Away in a manger and<br />

Morten Lauridsen’s O magnum mysterium<br />

– one of 13 living composers represented.<br />

There will be music from the French<br />

Baroque, Latin America, and much more.<br />

Each piece connects to those around<br />

it, creating an uninterrupted sequence and<br />

narrative. The choir uses the space<br />

imaginatively, sometimes surrounding the<br />

audience, and the concert concludes with<br />

an audience hymn. As a concertgoer wrote<br />

last year: ‘Christmas Music by Candlelight<br />

is to be transported to another place,<br />

timeless, almost unbearably beautiful,<br />

intense and joyously uplifting! Christmas<br />

begins here.’<br />

Founded in 1969 by Jeffrey Skidmore,<br />

Ex Cathedra is known for its passion for<br />

seeking out the best, the unfamiliar and<br />

the unexpected in the choral repertoire<br />

and for its dynamic performances.<br />

Tickets are available at 020 7222 1061.<br />

FISHER STEVENS MAKES WEST<br />

END DEBUT IN A BEAUTIFUL NOISE<br />

Award-winning Fisher Stevens will<br />

make his West End debut in ‘A Beautiful<br />

Noise’ celebrating the life and music of<br />

Neil Diamond from the producers of<br />

Thriller Live at the Lyric Theatre on<br />

Monday 11 February.<br />

‘What a beautiful noise / Comin’ up from<br />

the street / Got a beautiful sound / It’s got a<br />

beautiful beat’... these lyrics from his 1976<br />

hit song, A Beautiful Noise, underscore<br />

more than any others the evergreen appeal<br />

of Neil Diamond, a performer, songwriter<br />

and entertainer whose name will echo<br />

down through the ages.<br />

Though he has declared his touring<br />

days over, Neil Diamond’s star will burn<br />

forever. Featuring a live band, including<br />

a brass section and backing singers,<br />

A Beautiful Noise is now the best way for<br />

UK audiences to enjoy his wonderful<br />

songs in a live theatre setting. Over half<br />

a century since the first hit single from<br />

an artist that has sold over 100 million<br />

albums, A Beautiful Noise is a joyful<br />

celebration of Neil Diamond‘s music,<br />

delivered with an assured virtuosity by<br />

Fisher Stevens to the standard and scale<br />

that these timeless songs deserve.<br />

Fisher and his sensational band<br />

journey through five decades of<br />

Diamond’s biggest hits including<br />

Brooklyn Roads, Heartlight, September<br />

Morn, Hello Again, Longfellow<br />

Serenade, Love on the Rocks and He<br />

Ain’t Heavy.<br />

Box office telephone 0330 333 4812.<br />

www.flyingmusic.com<br />

11<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e


12<br />

A JEWEL OF A CHRISTMAS AT THE<br />

TOWER OF LONDON<br />

An exclusive and private viewing of<br />

the Crown Jewels, with dinner at<br />

The Four Seasons Hotel, will take place<br />

on Saturday 15 <strong>December</strong>.<br />

Guests will be met at the West Gate<br />

of the Tower of <strong>London</strong> by one of the<br />

Yeoman Warders who guard the Tower<br />

and the Crown Jewels, before being<br />

taken on a short tour of the Tower. You<br />

will then enter the Jewel House and hear<br />

the full history of these rare and unique<br />

pieces.<br />

Drinks and canapés will be served in<br />

the Hall of Monarchs before the private<br />

view where visitors will have ample<br />

opportunity to study the jewels. <strong>This</strong> will<br />

be followed by a three course dinner at<br />

The Four Seasons Hotel in Trinity<br />

Square. Within sight of the Tower of<br />

<strong>London</strong>, it is the perfect place to end<br />

this exclusive evening.<br />

To celebrate the opening of Coal Drops<br />

Yard, Christmas at King's Cross is all<br />

about championing design – from<br />

international guest artists to local<br />

designer makers. There are also plenty<br />

of opportunities to eat, drink, shop and<br />

be merry.<br />

TATE BRITAIN LIGHTS UP WITH<br />

GIANT LEOPARD SLUGS<br />

Renowned British artist Monster<br />

Chetwynd has unveiled a pair of<br />

spectacular giant leopard slugs outside<br />

Tate Britain, each measuring over 10<br />

metres long. These huge sculptures made<br />

of compostable materials are illuminated<br />

by LED rope lighting and accompanied by<br />

swathes of blue and white LED slug trails<br />

across the façade of the building. In place<br />

until 25 February, the work is the latest in<br />

Tate Britain’s series of annual commissions<br />

to mark the winter season, following last<br />

year’s installation by Alan Kane.<br />

Lighting up the gallery at the darkest<br />

time of year, Chetwynd’s work reflects<br />

her interest in alternative energy sources<br />

and the idea that we may one day use<br />

bioluminescence to light city streets The<br />

artist also took inspiration from a David<br />

Attenborough nature documentary, Life<br />

in the Undergrowth, which revealed the<br />

mating rituals of leopard slugs. In order<br />

to reproduce, these slugs slither up a<br />

tree and dangle on a glittering thread of<br />

slime, typically in darkness, entwining<br />

tube-like growths from their heads which<br />

glow blue as they mate. The trails of LED<br />

lights are also reminiscent of other<br />

bioluminescent animal life, such as<br />

plankton in the ocean, as well as stars<br />

and galaxies in the winter sky.<br />

Through these otherworldly slugs and<br />

their hypnotic mating rituals, Chetwynd<br />

reminds us that the darkness of winter<br />

can be a time of renewal and rebirth. As<br />

light fades, many animals slow down<br />

and take shelter, often fattening up and<br />

hibernating, knowing that life and light<br />

will be restored after the darkness.<br />

Ancient civilisations built structures to<br />

align with the sun on solstice days and<br />

celebrated deities concerned with birth<br />

and renewal at this time of year, while<br />

Christians hail the birth of Jesus just a<br />

few days after the <strong>December</strong> solstice.<br />

Chetwynd’s slugs may appear irreverent<br />

and somewhat perplexing, but the artist<br />

uses them to raise serious ecological<br />

concerns as well as to show that even<br />

supposedly repulsive creatures can be<br />

transformed into something wonderous.<br />

<strong>This</strong> year’s commission will be<br />

celebrated with host of festive activities<br />

at Tate Britain. On 15 <strong>December</strong>, the<br />

gallery will host a Winter Fair featuring a<br />

pop-up market, performances from<br />

English National Opera and drop in<br />

tours, talks and workshops.<br />

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14<br />

CELEBRATE CHRISTMAS WITH<br />

WINDSOR HOUSE ANTIQUES<br />

The Christmas present dilemma is<br />

upon us again. What to get the wine<br />

lover who has everything? An 18th or<br />

19th century antique wine cooler! Once<br />

you have chosen one, Windsor House<br />

Antiques will deliver it with their<br />

compliments. Bottoms Up!<br />

Perhaps a present for you? Celebrate<br />

the tercentenary of Thomas Chippendale<br />

and choose a serpentine mahogany<br />

silver table or a tea caddy by him?<br />

Still not sure? Look no further than<br />

www.windsorhouseantiques.co.uk, the<br />

broadest collection of antiques from the<br />

16th century to the Art Deco period,<br />

available online from a globally<br />

recognised company known to interior<br />

designers, architects and collectors.<br />

Chippendale period silver table.<br />

18th century hexagonal wine cooler.<br />

Need to brighten up Christmas,<br />

choose from a large collection of pairs<br />

of table lamps, or individual Imari or<br />

Cantonese pieces. Glass candlesticks or<br />

George III sweetmeat jars to dress the<br />

table and add a glow to the drawing<br />

room. A stag horn chandelier to add<br />

Tyrolean flavour.<br />

Christmas is a time for games.<br />

Choose a pair of cue holders for the<br />

billiard room or a gaming table for an<br />

after lunch game of chess or scrabble –<br />

do you have the energy? You could opt<br />

for a glass of port from a spiral twist<br />

goblet. Although a porter’s chair may be<br />

better for a snoozing relative.<br />

Presents for the kitchen and dining<br />

room are covered with 19th Staffordshire<br />

hen baskets for free-range eggs. A KPM<br />

porcelain tea and coffee service or an<br />

entire dinner service in 19th<br />

Staffordshire, and a George III period<br />

copper salmon kettle. A large 19th<br />

century ceramic swan drinks dispenser<br />

would be a talking point. Perfume the air<br />

with Staffordshire pastille burners.<br />

For the child in us all choose from a<br />

model of a Mail Coach, a 19th century<br />

model of the frigate Pomone, a cold cast<br />

model Rhinoceros, or a bronze<br />

Triceratops.<br />

Animalier sculptures include<br />

alabaster bulls, a Staffordshire stag,<br />

bronze Brahma bulls, majolica elephants<br />

and porcelain poultry. A bronze fawn for<br />

the park? Perhaps a Meissen figural<br />

group?<br />

Other potential presents for under the<br />

tree include vases in glass, tôle or<br />

porcelain, 18th century tapestry<br />

cushions, a Dresden porcelain inkwell<br />

for the study. Or a pair of papier-maché<br />

crib figures to add to a nativity scene.<br />

Visit Windsor House Antiques at<br />

www.windsorhouseantiques.co.uk or<br />

+44(0)1832 274 595. All pieces can be<br />

delivered before Christmas within the UK<br />

and Northern Ireland if ordered before<br />

20th <strong>December</strong>.<br />

Barnwell Manor – home of Windsor<br />

House Antiques.<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e


Art for Love Christmas Festival<br />

Devonshire Square 6-18 <strong>December</strong><br />

World-Class Artistic Performances, organised and curated by<br />

the Devonshire Square Artistic Events Team to support<br />

The Connection – <strong>London</strong>'s busiest homeless charity<br />

All performances will take place in Devonshire Square’s Western<br />

Courtyard where attendees will also be able to pay a visit to the<br />

Devonshire Square’s Giving Tree, a unique Christmas tree entirely<br />

adorned with red paper hearts on which wishes of those in need<br />

have been carefully transcribed.<br />

www.connection-at-stmartins.org.uk


16<br />

SWITZERLAND<br />

Ambassadors<br />

In a lifetime of theatre-going, I cannot<br />

recall reviewing a play about someone<br />

with whom I socialised several times<br />

over a period of about two years. She<br />

was the celebrated crime writer Patricia<br />

Highsmith who happened to have had an<br />

intimate relationship with one of my<br />

closest friends. I had just acquired a first<br />

edition of Highsmith’s first and bestknown<br />

novel Strangers on a Train<br />

(which, in 1951 was brilliantly filmed by<br />

Alfred Hithcock) and asked this friend<br />

whether she, in turn, would ask Ms H to<br />

inscribe the book for me.<br />

Warning how difficult, unpredictable<br />

and serially disagreeable a woman she<br />

could be, I was delighted to be told that<br />

not only would she inscribe the book,<br />

she’d like to meet for lunch. And<br />

although ‘lunch’ for her was several<br />

Scotches and nothing else, there was<br />

little in our meeting that reinforced her<br />

reputation for being rude and<br />

unpleasant. When I told my friend how<br />

civil she was, she said ‘Well, I guess you<br />

got her on a good day. She’s usually<br />

chronically impossible.’<br />

Thirty years later, sitting in the<br />

Ambassadors’s Theatre watching Joanna<br />

Murray-Smith’s Switzerland, a twohander<br />

in which Pat Highsmith (Phyllis<br />

Logan) is the central character, a side of<br />

her I’d only heard about, suddenly came<br />

into sharp, unpleasant focus.<br />

The time is 1995 and the setting is<br />

Locarno, Switzerland. As Highmith died<br />

on February 4th that year, aged 74, from<br />

lung cancer (she was a chronic smoker<br />

as well as an alcoholic) there is, it would<br />

appear, a slight disconnect with the<br />

chronology. During the play Highsmith,<br />

we learn, has only three or six months to<br />

live, but there are no signs at all of<br />

physical or mental frailty when we first<br />

Phyllis Logan as Pat Highsmith in<br />

Switzerland at the Ambassadors.<br />

Photo: Nobby Clark.<br />

meet her. Far from being on her deathbed,<br />

she’s razor sharp and as toxically<br />

vituperative and acerbic as her<br />

reputation dictates.<br />

The current victim of her vile<br />

disposition is a young man called<br />

Edward Ridgeway (Calum Finlay), a<br />

publisher’s assistant who has travelled<br />

all the way from New York hoping to<br />

persuade Highsmith to write one last<br />

novel featuring her most famous<br />

creation, the charismatic Tom Ripley, a<br />

serial killer who always eludes justice.<br />

At first she adamantly refuses, insults<br />

Edward with a series of lethal invectives,<br />

and demands that he gets the hell out of<br />

her house.<br />

But Edward is made of sterner stuff<br />

than would initially appear and as the<br />

play (performed without an intermission)<br />

progresses, a cat and mouse game<br />

ensues with Highsmith relenting slightly<br />

and even eager to play the game. The<br />

fact that Edward has gifted her a<br />

magnificent dagger to add to her large<br />

collection of lethal weapons (her other<br />

passion is snails) buys him some time<br />

during which her barbs return to their<br />

scabbards long enough for her to reveal<br />

some of the parental childhood traumas<br />

that psychologically transformed<br />

themselves into an unhealthy fascination<br />

with evil and the boundaries to which it<br />

could be stretched.<br />

Though the Pat Highsmith I briefly<br />

knew a decade earlier was nowhere in<br />

evidence, what I did recognise was her<br />

wit, her erudition, her uncompromising<br />

dismissal of authors she loathed such as<br />

Tom Wolfe and Kurt Vonnegut, her<br />

slovenly appearance and, of course, her<br />

addiction to booze and liquor. I had no<br />

idea, however, how racist and anti-<br />

Semitic she was, or her capacity for<br />

cruelty.<br />

Playwright Murray-Smith’s portrait of<br />

a woman haunted by demons and who<br />

considered herself to be Tom Ripley’s<br />

alter ego and secretly wanted to be him,<br />

is undeniably entertaining without in any<br />

way involving you emotionally. There is,<br />

in the last twenty minutes or so, a sting<br />

in the tale which I won’t reveal, but which<br />

convincingly mirrors the psychological<br />

in-roads Highsmith made to the thriller<br />

genre. One question though: emails are<br />

mentioned. How likely would this have<br />

been in Switzerland in 1995?<br />

Though the play received the kind of<br />

critical abuse Highsmith herself might<br />

have meted out to something or<br />

someone she disliked, I found this<br />

imaginary encounter really rather<br />

engaging. It’s efficiently directed by<br />

Lucy Bailey and convincingly performed<br />

by Logan (unrecognisable from her<br />

Mrs. Hughes, the housekeeper in<br />

Downton Abbey) and super-foil Finlay.<br />

The problem is, just how interested are<br />

audiences in Patricia Highsmith?<br />

CLIVE HIRSCHHORN<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e


discover the remarkable true story of<br />

a small town that welcomed the world<br />

because we come from everywhere we all<br />

COME FROM AWAY. Book, Music and Lyrics by Irene Sankoff and David Hein.<br />

Musical Staging by Kelly Devine. Directed by Christopher Ashley.<br />

winner! best musical all across north america<br />

OPENS 30 JANUARY AT THE PHOENIX THEATRE<br />

COMEFROMAWAY.CO.UK


18<br />

Theo Ancient<br />

THE BOX OF DELIGHTS RETURNS<br />

TO WILTON’S MUSIC HALL<br />

The Christmas classic The Box of<br />

Delights by Piers Torday, based on the<br />

novel by John Masefield, returns to<br />

<strong>London</strong>’s most festive venue Wilton’s<br />

Music Hall in a wintery adventure full of<br />

magic, talking animals, and even a flying<br />

car... The action-packed festive tale is<br />

based on the 1935 novel by Poet<br />

Laureate John Masefield and returns to<br />

the East <strong>London</strong> music hall after its<br />

critically-acclaimed and sold out world<br />

premiere last year.<br />

The production welcomes back some<br />

old faces and introduces some brandnew<br />

cast members, including Theo<br />

Ancient, no stranger to magic, fresh<br />

from playing Albus Potter in West End<br />

smash hit Harry Potter and the Cursed<br />

Child.<br />

On the train home for the school<br />

holidays, schoolboy Kay Harker has a<br />

strange encounter with mysterious<br />

magician Cole Hawlings, who entrusts<br />

him with his Box of Delights, an<br />

enchanted object with powers Kay could<br />

only dream of. When Cole suddenly<br />

vanishes, and his arch enemy Abner<br />

Brown will stop at nothing to get his<br />

hands on the Box, Kay and his friends<br />

find themselves in a magical world of<br />

time-travel, bewitchment and baddies as<br />

they fight to save the Box and even<br />

Christmas itself.<br />

THE WIDER EARTH AT THE<br />

NATURAL HISTORY MUSEUM<br />

The Wider Earth – the critically<br />

acclaimed drama about the young<br />

Charles Darwin’s expedition on HMS<br />

Beagle, currently playing at the custombuilt<br />

theatre in the Jerwood Gallery at<br />

<strong>London</strong>’s Natural History Museum, has<br />

extended its run and will now play until<br />

24 February.<br />

Featuring a cast of seven, and 30<br />

extraordinary hand-crafted puppets<br />

representing the exotic wildlife Darwin<br />

encountered, The Wider Earth is an<br />

ingenious coming-of-age story which<br />

celebrates the incredible complexity of<br />

our planet and Darwin’s adventurous<br />

spirit as he faced perilous environments<br />

and unknown dangers on his bold<br />

voyage.<br />

THE KING AND I: FROM THE<br />

LONDON PALLADIUM<br />

The film version of the multiple Tony<br />

award-winning Lincoln Center Theater<br />

production of Rodgers and<br />

Hammerstein’s The King and I: From The<br />

<strong>London</strong> Palladium has become the<br />

biggest theatre event in cinemas of <strong>2018</strong><br />

following last week’s screenings around<br />

the world. The production is expected to<br />

take $2.5m at the box office. In the UK<br />

the film reached the number one spot,<br />

with more than double the box office of<br />

the next film, Fantastic Beasts: The<br />

Crimes of Grindelwald.<br />

More than 135,000 movie goers<br />

packed into cinemas across<br />

the globe to watch the<br />

production filmed on stage at<br />

the iconic <strong>London</strong> Palladium.<br />

Such has been the demand for<br />

tickets, Trafalgar Releasing has<br />

scheduled encore screenings<br />

both in the UK and globally<br />

throughout <strong>December</strong>.<br />

<strong>This</strong> majestic production,<br />

directed by Tony Awardwinner<br />

Bartlett Sher, first<br />

opened on Broadway in 2015<br />

for a critically acclaimed 16<br />

month run at The Lincoln<br />

Center Theater, followed by an<br />

unprecedented record-breaking sold out<br />

USA tour. The show then transferred to the<br />

<strong>London</strong> Palladium in June this year, with<br />

the three original Broadway lead actors<br />

reprising their starring roles – Tony<br />

Award-winner (Best Performance by an<br />

Actress in a Leading Role in a Musical for<br />

The King and I) Kelli O’Hara, Tony and<br />

Oscar nominee Ken Watanabe and Tony<br />

Award-winner (Best Performance by an<br />

Actress in a Featured Role in a Musical for<br />

The King and I) Ruthie Ann Miles.<br />

The <strong>London</strong> production drew huge<br />

critical acclaim, played to packed houses,<br />

received nightly standing ovations and<br />

smashed box office records – including<br />

the biggest grossing week in the <strong>London</strong><br />

Palladium’s history, taking £1,058,317.50<br />

for an eight performance week.<br />

Set in 1860s Bangkok, the musical<br />

tells the story of the unconventional and<br />

tempestuous relationship that develops<br />

between the King of Siam and Anna, a<br />

British schoolteacher whom the modernist<br />

King, in an imperialistic world, brings to<br />

Siam to teach his many wives and<br />

children. With one of the finest scores<br />

ever written including Whistle a Happy<br />

Tune, Getting to Know You and Shall We<br />

Dance, and a company of over 50 worldclass<br />

performers, The King And I: From<br />

The Palladium is a testament to the lavish<br />

heritage of gloriously romantic musical<br />

theatre – it is the greatest musical from<br />

the golden age of musicals.<br />

www.kingandimusicalcinema.com<br />

Ken Watanabe & Kelli O'Hara. Photo: Matthew Murphy.<br />

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20<br />

PLAYS<br />

SWITZERLAND<br />

Filled with razor-sharp dialogue, a chilling<br />

and sometimes hilarious two-hander unfolds<br />

into a gripping psychological thriller.<br />

AMBASSADORS THEATRE<br />

West Street, WC2 (020 7395 5405)<br />

A VERY VERY VERY DARK MATTER<br />

World premiere of Martin McDonagh’s new<br />

play. As dangerous, twisted and funny as<br />

The Pillowman, it travels deep into the<br />

abysses of the imagination.<br />

BRIDGE THEATRE<br />

One Tower Bridge, SE1 (0843 208 1846)<br />

WITNESS FOR THE PROSECUTION<br />

The acclaimed production of Agatha Christie’s<br />

classic courtroom play has captured the<br />

imagination of audiences inside the unique<br />

setting of County Hall’s ornate Chamber on<br />

the South Bank.<br />

COUNTY HALL<br />

South Bank, SE1 (0844 815 7141)<br />

THE COMEDY ABOUT A BANK ROBBERY<br />

One enormous diamond, eight incompetent<br />

crooks and a snoozing security guard. What<br />

could possibly go right?<br />

CRITERION THEATRE<br />

Piccadilly Circus, (020 7492 0810)<br />

THE PLAY THAT GOES WRONG<br />

A Polytechnic amateur drama group are<br />

putting on a 1920s murder mystery and<br />

everything that can go wrong... does!<br />

DUCHESS THEATRE<br />

Catherine Street, WC2 (0330 333 4810)<br />

SUMMER AND SMOKE<br />

Following a critically acclaimed, sold out run<br />

at the Almeida Theatre, Rebecca Frecknall’s<br />

production of Tennessee Williams’ play<br />

transfers to the West End for a limited season.<br />

DUKE OF YORK’S THEATRE<br />

St Martin’s Lane, WC2 (020 7492 1552)<br />

THE WOMAN IN BLACK<br />

An innocent outsider, a suspicious rural<br />

community, a gothic house and a misty marsh<br />

are the ingredients of this Victorian ghost story.<br />

FORTUNE THEATRE<br />

Russell Street, WC2 (0844 871 7626)<br />

DON QUIXOTE<br />

Stage version of Miguel de Cervantes’ iconic<br />

novel which tells the famous story of a selffashioned<br />

travelling knight accompanied by his<br />

faithful squire.<br />

GARRICK THEATRE<br />

Charing Cross Road, WC2 (0330 333 4811)<br />

PINTER AT THE PINTER<br />

All twenty short plays written by the greatest<br />

British playwright of the 20th Century. They<br />

have never before been performed together.<br />

HAROLD PINTER THEATRE<br />

Panton Street, SW1 (0844 871 7627)<br />

Royal National Theatre Plays in repertory<br />

OLIVIER THEATRE<br />

ANTONY & CLEOPATRA<br />

Ralph Fiennes and Sophie Okonedo play the<br />

famous fated couple. At the fringes of a wartorn<br />

empire the Egyptian Queen Cleopatra and<br />

Mark Antony have fallen fiercely in love.<br />

HADESTOWN<br />

Following record-breaking runs at New York<br />

Theatre Workshop and Canada’s Citadel<br />

Theatre, Hadestown comes to the National<br />

Theatre prior to Broadway.<br />

LYTTELTON THEATRE<br />

I'M NOT RUNNING<br />

David Hare's 18th play to open at the National<br />

Theatre, bringing his characteristic themes of<br />

British politics and public versus private<br />

relationships to the Lyttelton stage.<br />

WAR HORSE<br />

Eleven years after its NT debut, and having<br />

played in eleven countries, War Horse returns<br />

to the National Theatre to mark the centenary<br />

of Armistice Day.<br />

DORFMAN THEATRE<br />

THE TELL-TALE HEART<br />

New play by Anthony Neilson based on the<br />

short story by Edgar Allan Poe<br />

NATIONAL THEATRE<br />

South Bank, SE1 (020 7452 3000)<br />

THE INHERITANCE<br />

Matthew Lopez's major two-part world<br />

premiere questions how much we owe to<br />

those who lived and loved before us.<br />

NOEL COWARD THEATRE<br />

St. Martin’s Lane, WC2 (0844 482 5140)<br />

HARRY POTTER AND THE CURSED<br />

CHILD PARTS I & II<br />

Stage play based on the Harry Potter franchise<br />

written by Jack Thorne, based on an original<br />

story by J.K Rowling.<br />

PALACE THEATRE<br />

Shaftesbury Avenue, W1 (0330 333 4813)<br />

FAULTY TOWERS DINING EXPERIENCE<br />

Inspired by one of Britain's greatest ever<br />

comedy series, this 2 hour interactive<br />

production is set in a restaurant where you the<br />

audience are the diners.<br />

RADISSON BLU EDWARDIAN<br />

Bloomsbury Street, (0845 1544 145)<br />

THE MOUSETRAP<br />

Agatha Christie’s whodunnit is the longest<br />

running play of its kind in the history of<br />

British theatre.<br />

ST MARTIN’S THEATRE<br />

West Street, WC2 (0844 499 1515)<br />

TRUE WEST<br />

Kit Harington and Johnny Flynn star as<br />

warring brothers Austin and Lee in the West<br />

End Premiere of Pulitzer Prize-winner Sam<br />

Shepard’s ferociously funny, modern classic.<br />

VAUDEVILLE THEATRE<br />

Strand, WC2 (020 7400 1257)<br />

MUSICALS<br />

KINKY BOOTS<br />

Inspired by a true story and based on the<br />

Miramax film, the show tells the story of<br />

Charlie Price who has reluctantly inherited his<br />

father's Northampton shoe factory.<br />

ADELPHI THEATRE<br />

Strand, WC2 (020 3725 7060)<br />

TINA<br />

New stage musical reveals the untold story of<br />

Tina Turner, a woman who dared to defy the<br />

bounds of her age, gender and race.<br />

ALDWYCH THEATRE<br />

The Aldwych, WC2 (0845 2007981)<br />

WICKED<br />

Hit Broadway story of how a clever,<br />

misunderstood girl with emerald green skin<br />

and a girl who is beautiful and popular turn<br />

into the Wicked Witch of the West and Glinda<br />

the Good Witch in the Land of Oz.<br />

APOLLO VICTORIA THEATRE<br />

Wilton Road, SW1 (0844 826 8000)<br />

EVERYBODY’S TALKING ABOUT JAMIE<br />

New feel good musical starring Layton<br />

Williams. Supported by his mum and friends,<br />

Jamie overcomes prejudice, beats the bullies,<br />

steps out of the darkness, into the spotlight.<br />

APOLLO THEATRE<br />

Shaftesbury Avenue, W1 (0330 333 4809)<br />

BAT OUT OF HELL<br />

Jay Scheib's stage musical, written by Jim<br />

Steinman, featuring Meat Loaf's greatest hits.<br />

DOMINION THEATRE<br />

Tottenham Court Road, W1 (0845 200 7982)<br />

MATILDA<br />

Critically acclaimed Royal Shakespeare<br />

Company production of Roald Dahl’s book,<br />

directed by Matthew Warchus.<br />

CAMBRIDGE THEATRE<br />

Earlham Street, WC2 (0844 800 1110)<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e


COMPANY<br />

Following critical acclaim across the board,<br />

Marianne Elliott directs Stephen Sondheim and<br />

George Furth’s multi-award winning musical<br />

comedy about life, love and marriage.<br />

GIELGUD THEATRE<br />

Shaftesbury Avenue, W1 (0844 482 5130)<br />

21<br />

THE PHANTOM OF THE OPERA<br />

Long running epic romance by Andrew Lloyd<br />

Webber, set in Paris opera house where a<br />

deformed phantom stalks his prey.<br />

HER MAJESTY’S THEATRE<br />

Haymarket, SW1 (0844 412 2707)<br />

THE LION KING<br />

Disney‘s phenomenally successful animated<br />

film is transformed into a spectacular stage<br />

musical, a superb evening of visual delight.<br />

LYCEUM THEATRE<br />

Wellington Street, WC2 (0844 871 3000)<br />

THRILLER – LIVE<br />

High octane show celebrating the career of the<br />

King of Pop, Michael Jackson. Over two<br />

hours of the non-stop hit songs that marked<br />

his legendary live performances.<br />

LYRIC THEATRE<br />

Shaftesbury Avenue, WC2 (0330 333 4812)<br />

SCHOOL OF ROCK<br />

Andrew Lloyd Webber's new stage musical<br />

with lyrics by Glenn Slater and book by Julian<br />

Fellowes, adapted from the film.<br />

GILLIAN LYNNE THEATRE<br />

Drury Lane, WC2 (020 7492 0810)<br />

MAMMA MIA!<br />

Hit musical based on the songs of ABBA, set<br />

around the story of a mother and daughter on<br />

the eve of the daughter’s wedding.<br />

NOVELLO THEATRE<br />

Aldwych, WC2 (0844 482 5170)<br />

CHICAGO<br />

The award-winning tale of nightclub singer<br />

Roxie Hart, her cell-block rival Velma Kelly<br />

and the smooth-talking lawyer Billy Flynn.<br />

PHOENIX THEATRE<br />

Charing Cross Road, WC2 (0844 871 7627)<br />

CAROLINE, OR CHANGE<br />

Winner of the Olivier Award for Best New<br />

Musical, a playful, funny and moving tale set<br />

to a score that hits new heights of emotion, in<br />

a production that delights with imagination.<br />

PLAYHOUSE THEATRE<br />

Northumberland Ave, WC2 (0844 871 7631)<br />

ALADDIN<br />

The classic hit film has been brought to thrilling<br />

life onstage by Disney, featuring all the songs<br />

from the Academy Award winning score.<br />

PRINCE EDWARD THEATRE<br />

Old Compton Street, W1 (0844 482 5151)<br />

GET INTO LONDON THEATRE 2019<br />

Over 50 of <strong>London</strong>’s top theatre shows are welcoming in 2019 with Official <strong>London</strong><br />

Theatre’s New Year Sale. Tickets are available at £10, £20, £30 or £40 for performances<br />

from 1 January to 15 February, with no booking or postage fees. From comedies and<br />

musicals to dance and drama, audiences can ‘Get Into <strong>London</strong> Theatre’ with discounted<br />

tickets for many of the biggest shows in the West End and beyond, as part of one of<br />

theatre’s longest-running audience development initiatives. www.officiallondontheatre.com<br />

BOOK OF MORMON<br />

Broadway musical takes shots at everything<br />

from organised religion to consumerism, state<br />

of the economy and the musical theatre genre.<br />

PRINCE OF WALES THEATRE<br />

Coventry Street, W1 (0844 482 5115)<br />

LES MISERABLES<br />

A spectacularly staged version of Victor Hugo’s<br />

epic novel about an escaped convict’s<br />

search for redemption in Revolutionary France.<br />

QUEEN’S THEATRE<br />

Shaftesbury Avenue, WC2 (0844 482 5160)<br />

DREAMGIRLS<br />

Set in the USA during the late 1960s and<br />

early 1970s, the story follows a young female<br />

singing trio as they become music superstars.<br />

SAVOY THEATRE<br />

Strand, WC2 (020 7492 0810)<br />

MOTOWN THE MUSICAL<br />

Featuring all the much loved classics from<br />

Diana Ross, Stevie Wonder, and the Jackson 5,<br />

the show tells the story behind the hits.<br />

SHAFTESBURY THEATRE<br />

Shaftesbury Avenue, WC2 (020 7492 0810)<br />

42ND STREET<br />

The song and dance, American dream fable,<br />

where a small town girl, Peggy Sawyer’s rise<br />

from chorus line to Broadway star.<br />

THEATRE ROYAL<br />

Drury Lane, WC2 (020 7492 0810)<br />

HAMILTON<br />

Lin-Manuel Miranda's multi award-winning<br />

musical, based on one of America’s Founding<br />

Father,Alexander Hamilton.<br />

VICTORIA PALACE THEATRE<br />

Victoria Street, SW1 (0844 248 5000)<br />

CHRISTMAS SHOWS<br />

THE NUTCRACKER<br />

English National Ballet’s enchanting<br />

production of the classic Christmas ballet.<br />

Over 100 dancers and musicians bring the<br />

story to life with exquisite dancing, beautiful<br />

sets and Tchaikovsky’s score played live.<br />

LONDON COLISEUM<br />

St Martin’s Lane, WC2 (020 7845 9300)<br />

SNOW WHITE<br />

The beloved classic tale features all the<br />

sparkle, scale and spectacle <strong>London</strong> has come<br />

to expect in a show packed full of laughter,<br />

music, special effects and theatrical magic.<br />

LONDON PALLADIUM<br />

Argyll Street, W1 (020 7087 7747)<br />

THE SNOWMAN<br />

Now in its record-breaking 21st year,<br />

Birmingham Repertory Theatre’s twinkling<br />

production returns as a magical mix of<br />

exquisite dancing and live music.<br />

PEACOCK THEATRE<br />

Portugal Street, WC2A (020 7863 8222)<br />

ALADDIN<br />

Landmark 20th anniversary Christmas<br />

pantomime from writer and director Susie<br />

McKenna.Young Aladdin dreams of finding<br />

love and making his fortune. Can he win the<br />

hand of his Princess?<br />

HACKNEY EMPIRE<br />

Mare Street, E8 (020 8985 2424)<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e


22<br />

Photo: Trevor Leighton<br />

MAGIC MIKE LIVE AT LONDON<br />

HIPPODROME<br />

The truth of the matter is, there’s<br />

nothing about Magic Mike Live which<br />

isn’t what you’d expect. There is very little<br />

plot, very little dialogue, and nothing<br />

which is going to make you ponder on the<br />

meaning of life. Having said that, it’s one<br />

of the best nights out <strong>London</strong> currently<br />

has to offer.<br />

Sophie Linder-Lee has the difficult job<br />

of comparing the show, introducing the<br />

male dancers and having the time of her<br />

life... poor her! She does this very well<br />

though, and adds an injection of humour<br />

to proceedings. It’s worth saying that the<br />

show doesn’t follow the story of the film.<br />

Producer Channing Tatum says that he<br />

has condensed all of the best bits of the<br />

film and put them into the show –<br />

basically, he’s left the stripping in.<br />

The honed and toned bodies of young<br />

men strutting their stuff on stage delighted<br />

the mainly female audience, whipping<br />

them up into a frenzy and ending with a<br />

particularly raunchy dance between the<br />

lead male dancer (Sebastián Melo Taveira<br />

is brilliant here) and an audience stooge<br />

(Hannah Cleeve, also very impressive).<br />

The audience is invited to participate in<br />

the show as much or as little as they wish,<br />

the male dancers regularly interact with<br />

the crowd. If the thought of that makes<br />

you shudder, there is a safe word of<br />

‘unicorn’ which the audience members<br />

and the cast are both able to use to make<br />

the gyration stop – but that’s only if you<br />

want it to stop.<br />

It’s a rollicking good time out, probably<br />

not for the faint hearted, but if you’re<br />

looking for a night with the girls (or guys!)<br />

then this is the one for you. Fantastic fun!<br />

Be quick, tickets are hard to come by,<br />

available at www.magicmikelondon.co.uk<br />

Mima Jonas<br />

LAST NIGHTS OF HAVANA<br />

Last Nights of Havana is a new Cuban<br />

inspired pop-up cocktail bar with food<br />

and music currently operating from<br />

Tobacco Dock in the East End. Guests<br />

enter a stylish palm-filled bar and are<br />

greeted by the barristas ready to serve<br />

delicious Mojitos, Daiquiris and Cuba<br />

Libres. For non-drinkers, non-alcoholic<br />

cocktails and drinks are also served.<br />

For those who are hungry, the venue<br />

offers the finest Cuban street food – a<br />

variety of grilled Cuban sandwiches,<br />

with both meaty and vegetarian options,<br />

accompanied by salad or fried plantain.<br />

Lighter snacks are available, Cuban pork<br />

scratching and fried cassava with Cuban<br />

sauce and smoked paprika sea salt.<br />

As well as DJ sets with Cuban<br />

sounds and top modern tracks, there is<br />

live Cuban music provided by Cuban<br />

Jazz Band ‘Los Habanos’ paying homage<br />

to Buena Vista Social Club, giving an<br />

opportunity for salsa dancing.<br />

The venue is large and yet intimate,<br />

making it suitable for both individuals<br />

and groups. On New Year’s Eve, Last<br />

Nights of Havana will be hosting a NYE<br />

Bash with champagne on arrival.<br />

FORAGE AND FEAST IN NORTH<br />

LONDON<br />

The Foragers are a group of hunters<br />

and gatherers who forage the best fruits,<br />

plants and fungi from the Hertfordshire<br />

countryside and serve it up, along with<br />

the best locally hunted game, at the<br />

wild food pub, The Verulam Arms, in<br />

St Albans.<br />

For visitors to the capital who are<br />

interested in foraging and want to see<br />

some of the UK’s favourite wild plants in<br />

the natural environment and their<br />

spectacular use in culinary dishes, this<br />

is the ideal opportunity to join a foraging<br />

walk and feast in North <strong>London</strong>.<br />

For about an hour and a half, visitors<br />

will enjoy a guided walk, teaching what<br />

to look out for, along with some of the<br />

practical skills of finding and using wild<br />

ingredients.<br />

Afterwards the group heads to<br />

The Verulam Arms for a wild food<br />

banquet and to see the delicious things<br />

chefs can do with some of the wild food<br />

spotted on the walk.<br />

The popular Wild Booze River Walk is<br />

along the beautiful banks of the River Ver<br />

with The Foragers tasting some boozy<br />

hedgerow concoctions. Available every<br />

Friday 16.00-18.00, then back at the pub.<br />

The Foragers offer the perfect<br />

Christmas gift for the foodie, outdoors<br />

person or general adventurer in your life.<br />

www.the-foragers.com<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e


WINDSOR HOUSE<br />

A N T I Q U E S<br />

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W I N D S O R H O U S E A N T I Q U E S<br />

B A R N W E L L M A N O R<br />

The Ultimate Gift delivered anywhere in the world in time for Christmas<br />

The last order date for Christmas in the UK and Northern Ireland is 20th <strong>December</strong><br />

BARNWELL, NR OUNDLE, PETERBOROUGH, NORTHANTS PE8 5PJ<br />

T +44 (0) 1832 274595 www.windsorhouseantiques.co.uk

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