This_Is_London_7 December 2018
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18<br />
Theo Ancient<br />
THE BOX OF DELIGHTS RETURNS<br />
TO WILTON’S MUSIC HALL<br />
The Christmas classic The Box of<br />
Delights by Piers Torday, based on the<br />
novel by John Masefield, returns to<br />
<strong>London</strong>’s most festive venue Wilton’s<br />
Music Hall in a wintery adventure full of<br />
magic, talking animals, and even a flying<br />
car... The action-packed festive tale is<br />
based on the 1935 novel by Poet<br />
Laureate John Masefield and returns to<br />
the East <strong>London</strong> music hall after its<br />
critically-acclaimed and sold out world<br />
premiere last year.<br />
The production welcomes back some<br />
old faces and introduces some brandnew<br />
cast members, including Theo<br />
Ancient, no stranger to magic, fresh<br />
from playing Albus Potter in West End<br />
smash hit Harry Potter and the Cursed<br />
Child.<br />
On the train home for the school<br />
holidays, schoolboy Kay Harker has a<br />
strange encounter with mysterious<br />
magician Cole Hawlings, who entrusts<br />
him with his Box of Delights, an<br />
enchanted object with powers Kay could<br />
only dream of. When Cole suddenly<br />
vanishes, and his arch enemy Abner<br />
Brown will stop at nothing to get his<br />
hands on the Box, Kay and his friends<br />
find themselves in a magical world of<br />
time-travel, bewitchment and baddies as<br />
they fight to save the Box and even<br />
Christmas itself.<br />
THE WIDER EARTH AT THE<br />
NATURAL HISTORY MUSEUM<br />
The Wider Earth – the critically<br />
acclaimed drama about the young<br />
Charles Darwin’s expedition on HMS<br />
Beagle, currently playing at the custombuilt<br />
theatre in the Jerwood Gallery at<br />
<strong>London</strong>’s Natural History Museum, has<br />
extended its run and will now play until<br />
24 February.<br />
Featuring a cast of seven, and 30<br />
extraordinary hand-crafted puppets<br />
representing the exotic wildlife Darwin<br />
encountered, The Wider Earth is an<br />
ingenious coming-of-age story which<br />
celebrates the incredible complexity of<br />
our planet and Darwin’s adventurous<br />
spirit as he faced perilous environments<br />
and unknown dangers on his bold<br />
voyage.<br />
THE KING AND I: FROM THE<br />
LONDON PALLADIUM<br />
The film version of the multiple Tony<br />
award-winning Lincoln Center Theater<br />
production of Rodgers and<br />
Hammerstein’s The King and I: From The<br />
<strong>London</strong> Palladium has become the<br />
biggest theatre event in cinemas of <strong>2018</strong><br />
following last week’s screenings around<br />
the world. The production is expected to<br />
take $2.5m at the box office. In the UK<br />
the film reached the number one spot,<br />
with more than double the box office of<br />
the next film, Fantastic Beasts: The<br />
Crimes of Grindelwald.<br />
More than 135,000 movie goers<br />
packed into cinemas across<br />
the globe to watch the<br />
production filmed on stage at<br />
the iconic <strong>London</strong> Palladium.<br />
Such has been the demand for<br />
tickets, Trafalgar Releasing has<br />
scheduled encore screenings<br />
both in the UK and globally<br />
throughout <strong>December</strong>.<br />
<strong>This</strong> majestic production,<br />
directed by Tony Awardwinner<br />
Bartlett Sher, first<br />
opened on Broadway in 2015<br />
for a critically acclaimed 16<br />
month run at The Lincoln<br />
Center Theater, followed by an<br />
unprecedented record-breaking sold out<br />
USA tour. The show then transferred to the<br />
<strong>London</strong> Palladium in June this year, with<br />
the three original Broadway lead actors<br />
reprising their starring roles – Tony<br />
Award-winner (Best Performance by an<br />
Actress in a Leading Role in a Musical for<br />
The King and I) Kelli O’Hara, Tony and<br />
Oscar nominee Ken Watanabe and Tony<br />
Award-winner (Best Performance by an<br />
Actress in a Featured Role in a Musical for<br />
The King and I) Ruthie Ann Miles.<br />
The <strong>London</strong> production drew huge<br />
critical acclaim, played to packed houses,<br />
received nightly standing ovations and<br />
smashed box office records – including<br />
the biggest grossing week in the <strong>London</strong><br />
Palladium’s history, taking £1,058,317.50<br />
for an eight performance week.<br />
Set in 1860s Bangkok, the musical<br />
tells the story of the unconventional and<br />
tempestuous relationship that develops<br />
between the King of Siam and Anna, a<br />
British schoolteacher whom the modernist<br />
King, in an imperialistic world, brings to<br />
Siam to teach his many wives and<br />
children. With one of the finest scores<br />
ever written including Whistle a Happy<br />
Tune, Getting to Know You and Shall We<br />
Dance, and a company of over 50 worldclass<br />
performers, The King And I: From<br />
The Palladium is a testament to the lavish<br />
heritage of gloriously romantic musical<br />
theatre – it is the greatest musical from<br />
the golden age of musicals.<br />
www.kingandimusicalcinema.com<br />
Ken Watanabe & Kelli O'Hara. Photo: Matthew Murphy.<br />
t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e