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Piano<br />

Testament and myth<br />

Ludwig van Beethoven:<br />

Sonata for Pianoforte<br />

C minor op. 111<br />

BÄRENREITER URTEXT<br />

Edited by Jonathan Del Mar<br />

With an Introduction by Misha Donat<br />

and notes on performance practice<br />

by Jonathan Del Mar and<br />

Misha Donat<br />

☞ BA 11813 · approx. € 9.50<br />

To appear in June <strong>2019</strong><br />

In late 1821 Beethoven began work on his final piano sonata op. 111<br />

which has been considered a towering masterwork ever since its<br />

publication. Thomas Mann gave it a literary monument in his<br />

novel “Doctor Faustus” in whose musical-theoretical digressions<br />

the main motif of the “Arietta” is set to the syllables “Wiesengrund”,<br />

the middle name of Theodor W. Adorno.<br />

Jonathan Del Mar has re-examined the convoluted source material,<br />

including the proof sheets and errata lists that accompanied its<br />

publication. Supplementing the meticulously edited text is a detailed<br />

Critical Commentary, an informative Introduction and valuable notes<br />

on performance practice.<br />

• Scholarly-critical Urtext edition at the cutting edge of scholarship<br />

• Informative Introduction and expert notes on performance<br />

practice (Ger/Eng)<br />

• Detailed Critical Commentary (Eng)<br />

New Issue Title<br />

New Publications I/<strong>2019</strong> · The Programme 10

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