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some of whom I represented in the gallery. They were all legendary<br />
for their wit, unpretentious sophistication, and longstanding<br />
friendships. Now that they are dead, I can see how fortunate I was.<br />
I walked alongside them as they went through old age, and I was<br />
present for their deaths.<br />
Their work was their lifeblood. It was their calling. I learned about<br />
commitment to one’s calling and the sacrifices required. I learned<br />
about deep friendship and loyalty. They lived to work. I think of<br />
Allen Ginsberg’s small walk-up apartment on East Thirteenth<br />
Street. He had a poster of Rimbaud on the back of his kitchen door,<br />
and he had turned a small room off his living room into a bookfilled<br />
library. I remember his tiny bedroom, which contained a<br />
lonely twin bed. I remember visiting him when he was recovering<br />
from a pulmonary embolism, lying in that twin bed with a sheet<br />
over him, looking small and frail. He wrote his final poem just days<br />
before he died.<br />
The two pillars of my life were painter Jane Freilicher and poet John<br />
Ashbery. They were the closest of friends for over sixty years. Both<br />
died in the last four years. John died just over a year ago. Jane and<br />
I once attended a funeral of a painter friend. He lived a fascinating<br />
life. Jane turned to me during the burial and whispered, “I was<br />
just thinking that when a person dies a whole world is buried with<br />
them.” That aside stayed with me. I came to realize that she had succinctly<br />
put into words why I did what I did. I want to keep people<br />
among the living after their death. I want to keep their worlds from<br />
being buried with them.