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Greenmantle - John Buchan

Greenmantle es la segunda de las cinco novelas de John Buchan con el personaje de Richard Hannay , publicado por primera vez en 1916 por Hodder & Stoughton , Londres . Es una de las dos novelas de Hannay ambientadas durante la Primera Guerra Mundial , la otra es el Sr. Standfast (1919); La primera y más conocida aventura de Hannay, The Thirty-Nine Steps (1915), se desarrolla en el período inmediatamente anterior a la guerra.

Greenmantle es la segunda de las cinco novelas de John Buchan con el personaje de Richard Hannay , publicado por primera vez en 1916 por Hodder & Stoughton , Londres . Es una de las dos novelas de Hannay ambientadas durante la Primera Guerra Mundial , la otra es el Sr. Standfast (1919); La primera y más conocida aventura de Hannay, The Thirty-Nine Steps (1915), se desarrolla en el período inmediatamente anterior a la guerra.

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I told him in a hectic sentence, for I was beginning to feel badly rattled<br />

myself.<br />

'You've never been in greater danger in your life,' said the voice. 'Great God,<br />

man, what brought you wandering here today of all days?'<br />

You can imagine that I was pretty scared, for Sandy was the last man to put a<br />

case too high. And the next second I felt worse, for he clutched my arm and<br />

dragged me in a bound to the side of the road. I could see nothing, but I felt that<br />

his head was screwed round, and mine followed suit. And there, a dozen yards<br />

off, were the acetylene lights of a big motor-car.<br />

It came along very slowly, purring like a great cat, while we pressed into the<br />

bushes. The headlights seemed to spread a fan far to either side, showing the full<br />

width of the drive and its borders, and about half the height of the over-arching<br />

trees. There was a figure in uniform sitting beside the chauffeur, whom I saw<br />

dimly in the reflex glow, but the body of the car was dark.<br />

It crept towards us, passed, and my mind was just getting easy again when it<br />

stopped. A switch was snapped within, and the limousine was brightly lit up.<br />

Inside I saw a woman's figure.<br />

The servant had got out and opened the door and a voice came from within—<br />

a clear soft voice speaking in some tongue I didn't understand. Sandy had started<br />

forward at the sound of it, and I followed him. It would never do for me to be<br />

caught skulking in the bushes.<br />

I was so dazzled by the suddenness of the glare that at first I blinked and saw<br />

nothing. Then my eyes cleared and I found myself looking at the inside of a car<br />

upholstered in some soft dove-coloured fabric, and beautifully finished off in<br />

ivory and silver. The woman who sat in it had a mantilla of black lace over her<br />

head and shoulders, and with one slender jewelled hand she kept its fold over the<br />

greater part of her face. I saw only a pair of pale grey-blue eyes—these and the<br />

slim fingers.<br />

I remember that Sandy was standing very upright with his hands on his hips,<br />

by no means like a servant in the presence of his mistress. He was a fine figure<br />

of a man at all times, but in those wild clothes, with his head thrown back and<br />

his dark brows drawn below his skull-cap, he looked like some savage king out<br />

of an older world. He was speaking Turkish, and glancing at me now and then as

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