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Art Dealer

Art dealers often study the history of art before entering on their careers. Related careers that often cross-over include curators of museums and art auction firms are industry-related careers. Gallery owners who do not succeed may seek to work for more successful galleries. Others pursue careers as art critics, academics, curators of museums or auction houses, or practicing artists.

Art dealers often study the history of art before entering on their careers. Related careers that often cross-over include curators of museums and art auction firms are industry-related careers. Gallery owners who do not succeed may seek to work for more successful galleries. Others pursue careers as art critics, academics, curators of museums or auction houses, or practicing artists.

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art dealer typically seeks out various artists to represent, and builds relationships with collectors and museums whose<br />

An<br />

are likely to match the work of the represented artists. Some dealers are able to anticipate market trends, while some<br />

interests<br />

dealers may be able to influence the taste of the market. Many dealers specialize in a particular style, period, or<br />

prominent<br />

They often travel internationally, frequenting exhibitions, auctions, and artists' studios looking for good buys, little-<br />

region.<br />

treasures, and exciting new works. When dealers buy works of art, they resell them either in their galleries or directly to<br />

known<br />

Those who deal in contemporary art usually exhibit artists' works in their galleries, and take a percentage of the<br />

collectors.<br />

dealers often study the history of art before entering on their careers. Related careers that often cross-over<br />

<strong>Art</strong><br />

curatorsof museums and art auction firms are industry-related careers.[1] Gallery owners who do not succeed may seek<br />

include<br />

work for more successful galleries. Others pursue careers as art critics, academics, curators of museums or auction houses,<br />

to<br />

practicing artists.[3]<br />

or<br />

have to understand the business side of the art world. They keep up with trends in the market and are knowledgeable<br />

<strong>Dealer</strong>s<br />

the style of art people want to buy. They figure out how much they should pay for a piece and then estimate the resale<br />

about<br />

They are also often passionate and knowledgeable about art. Those who deal with contemporary art promote new<br />

price.<br />

creating a market for the artists' works and securing financial success for themselves. The art world is subject to<br />

artists,<br />

booms and bust just like any other market. <strong>Art</strong> dealers must be economically conscious in order to maintain their<br />

economic<br />

The mark ups of art work must be carefully monitored. If prices and profits are too large, then investments may be<br />

livelihoods.<br />

determine an artwork's value, dealers inspect the objects or paintings closely, and compare the fine details with similar<br />

To<br />

Some dealers with many years of experience learn to identify unsigned works by examining stylistic features such as<br />

pieces.<br />

strokes, color, form. They recognize the styles of different periods and individual artists. Often art dealers are able to<br />

brush<br />

authentic works from forgeries (although even dealers are sometimes fooled).<br />

distinguish<br />

Forchondt the Elder (1608–1678)<br />

Guillam<br />

17th century Flemish Baroque painter and art dealer based in Antwerp. He established an important art dealing business<br />

A<br />

international connections in Europe maintained by his extended family. He originally trained as a painter and cabinet<br />

with<br />

but built a reputation through his international art business. His children became art dealers who settled in various<br />

maker<br />

in Europe such as Venice, Paris, Vienna, Prague, Linz, Passau and Cadiz where they supplied an elite clientele with a<br />

cities<br />

of art objects. When in the 1670s Flanders suffered a severe economic downturn due mostly to an invasion by the<br />

variety<br />

Guillam Forchondt and his brother Melchior the Younger became art entrepreneurs by hiring lesser painters to create<br />

French,<br />

projects such as large commissioned copies of famous works or large decorative objects. At one point, the Brothers<br />

group<br />

Musson (Antwerp, 1598–3 November 1678)<br />

Matthijs<br />

painter and art dealer based in Antwerp, who helped popularize artists of the 17th century Antwerp school by marketing<br />

A<br />

throughout Europe.[6] Many of his correspondences have been published and studies of his business relationships with<br />

them<br />

dealers across Europe have established ideas about the art trade and its economics<br />

other<br />

RolE<br />

price the works sell for.[2]<br />

Job<br />

reQUirEMenTs<br />

devalued should an overstock or economic downturn occur.[4]<br />

NotABle arT<br />

deALerS<br />

Forchondt had 60 painters in service for export to France, Austria, Spain and Portugal.[5]

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