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Viva Lewes Issue #148 January 2019

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ON THIS MONTH: ILLUSTRATED TALK<br />

Magic Lanterns<br />

Trevor Beattie’s slide collection<br />

One of the most famous magic lantern slides<br />

is the one of a man swallowing rats. The<br />

man is asleep in bed; his beard rises and falls;<br />

he snores. Then you turn a handle and a rat<br />

creeps up the counterpane towards his mouth.<br />

When the man breathes out, the rat goes back.<br />

Eventually the man swallows it, with a huge<br />

gobbling noise. That’s why the Victorians knew<br />

it as a ‘magic’ lantern. In an era when your<br />

brightest lighting was oil lamps or candles and<br />

the only coloured images you’d see were stained<br />

glass windows, here were brightly illuminated,<br />

coloured images – and they moved!<br />

I became interested in magic lanterns as a<br />

student. I’ve always liked the photography of<br />

the Victorian era but photographs on paper<br />

were far too expensive for me. Back then you<br />

could buy magic lantern slides – photographs<br />

from the 1880s / 1890s on glass – in boxes<br />

outside junk shops. I picked some up and that<br />

was it.<br />

I’ve been collecting for around 40 years now.<br />

I’ve got all sorts. The vast majority of these<br />

slides were educational or religious. They were<br />

very popular with the temperance movement.<br />

Then there’s life model slides, which are the<br />

Victorian equivalent of soap operas and feature<br />

posed characters, with a printed reading that<br />

goes with the slide, against a painted backdrop.<br />

I’ve got slides of children playing on The<br />

Level and some of the first Brighton scouts<br />

in 1910 – a rather poignant image of an array<br />

of young boys who would become the war<br />

generation. I have quite a few of Brighton pubs.<br />

There’s one I particularly like of The Tavern on<br />

Boundary Road, and coming out is a lady, head<br />

down, with her ceramic jug of beer.<br />

In the first half hour of my show I focus<br />

on the artistry of early hand-painted slides<br />

dating from the 1820s. Then I move into the<br />

comic ‘slipper slides’. A typical one might be<br />

a John Bull-type man holding a pig’s head on<br />

a plate. You pull the slip and swiftly his head<br />

ends up on the plate and the pig’s head on his<br />

shoulders. I always finish with chromotropes set<br />

to electronic music. A chromotrope is a static<br />

glass slide with a painted pattern on it, and two<br />

other slides that rotate against each other. Don’t<br />

let anyone tell you psychedelia was invented in<br />

the 1960s!<br />

I have one slide of people on Brighton<br />

beach, the chain pier in the background – so<br />

it’s around 1823. There’s a baby with a huge<br />

bonnet that you only see from the back and<br />

next to him is his mother. Just at the point the<br />

shutter is pulled, her attention has obviously<br />

been caught by the photographer and she’s<br />

looked over her shoulder at the camera. You<br />

look her straight in the eyes. That’s what I love<br />

about magic lanterns – it’s the closest I’ll ever<br />

come to time travel.<br />

As told to Nione Meakin<br />

Trevor Beattie’s Magic Lantern Show is at The<br />

Keep on 30th Jan, 5.30pm, £5. thekeep.info<br />

39

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