Viva Lewes Issue #148 January 2019
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
ON THIS MONTH: ILLUSTRATED TALK<br />
Magic Lanterns<br />
Trevor Beattie’s slide collection<br />
One of the most famous magic lantern slides<br />
is the one of a man swallowing rats. The<br />
man is asleep in bed; his beard rises and falls;<br />
he snores. Then you turn a handle and a rat<br />
creeps up the counterpane towards his mouth.<br />
When the man breathes out, the rat goes back.<br />
Eventually the man swallows it, with a huge<br />
gobbling noise. That’s why the Victorians knew<br />
it as a ‘magic’ lantern. In an era when your<br />
brightest lighting was oil lamps or candles and<br />
the only coloured images you’d see were stained<br />
glass windows, here were brightly illuminated,<br />
coloured images – and they moved!<br />
I became interested in magic lanterns as a<br />
student. I’ve always liked the photography of<br />
the Victorian era but photographs on paper<br />
were far too expensive for me. Back then you<br />
could buy magic lantern slides – photographs<br />
from the 1880s / 1890s on glass – in boxes<br />
outside junk shops. I picked some up and that<br />
was it.<br />
I’ve been collecting for around 40 years now.<br />
I’ve got all sorts. The vast majority of these<br />
slides were educational or religious. They were<br />
very popular with the temperance movement.<br />
Then there’s life model slides, which are the<br />
Victorian equivalent of soap operas and feature<br />
posed characters, with a printed reading that<br />
goes with the slide, against a painted backdrop.<br />
I’ve got slides of children playing on The<br />
Level and some of the first Brighton scouts<br />
in 1910 – a rather poignant image of an array<br />
of young boys who would become the war<br />
generation. I have quite a few of Brighton pubs.<br />
There’s one I particularly like of The Tavern on<br />
Boundary Road, and coming out is a lady, head<br />
down, with her ceramic jug of beer.<br />
In the first half hour of my show I focus<br />
on the artistry of early hand-painted slides<br />
dating from the 1820s. Then I move into the<br />
comic ‘slipper slides’. A typical one might be<br />
a John Bull-type man holding a pig’s head on<br />
a plate. You pull the slip and swiftly his head<br />
ends up on the plate and the pig’s head on his<br />
shoulders. I always finish with chromotropes set<br />
to electronic music. A chromotrope is a static<br />
glass slide with a painted pattern on it, and two<br />
other slides that rotate against each other. Don’t<br />
let anyone tell you psychedelia was invented in<br />
the 1960s!<br />
I have one slide of people on Brighton<br />
beach, the chain pier in the background – so<br />
it’s around 1823. There’s a baby with a huge<br />
bonnet that you only see from the back and<br />
next to him is his mother. Just at the point the<br />
shutter is pulled, her attention has obviously<br />
been caught by the photographer and she’s<br />
looked over her shoulder at the camera. You<br />
look her straight in the eyes. That’s what I love<br />
about magic lanterns – it’s the closest I’ll ever<br />
come to time travel.<br />
As told to Nione Meakin<br />
Trevor Beattie’s Magic Lantern Show is at The<br />
Keep on 30th Jan, 5.30pm, £5. thekeep.info<br />
39