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Tania Katan just keeps popping up everywhere these days.<br />

There she is at Giant Coffee near Burton Barr library at 8:30 a.m., getting some work done. Then<br />

there is her bright, squinty smile on a huge poster outside Scottsdale Performing Arts Center,<br />

announcing an upcoming stage performance on Feb. 22. And there’s her name in big letters again<br />

on... What is that? A book cover?<br />

“I’ve published essays and short stories in books. But this is the second, meaty undertaking,”<br />

Katan says of her second full-length work of non-fiction, Creative Trespassing: A Totally<br />

Unauthorized Guide to Sneaking More Imagination Into Your Life and Work, to be released by<br />

Penguin-Random House in February.<br />

The book developed after Katan spent the last several years serving as a tech industry hired gun,<br />

doing a little consulting over here, motivational speaking over there, and generally creatively<br />

disrupting countless traditional workplaces, infusing them with her infectious energy, off-the-wall<br />

extroverted-ness, and keen eye of a quirky outsider.<br />

“People would constantly ask, What do you do? And I remember always answering that question<br />

with a job title.” Katan has held a number of different corporate positions. But at some point she<br />

realized that putting on a label such as “program coordinator” or “curator” did not extend far<br />

enough to explain who she is and everything she does for a company.<br />

“Then I finally realized, that [title] says so little about what I actually do. In fact, I think I’m<br />

more than my job title!” she declares. “When I started speaking as a representative of these<br />

organizations, people began saying, yeah, but you bring so much more to the job – you bring a<br />

sense of humor and lightness!”<br />

“I feel like my entire life has been creative trespassing. I just didn’t have a word for it.”<br />

Katan used her experiences in the corporate world to begin experimenting with her own inventions,<br />

disruptions, and interventions. Many of these exercises in reclaiming space and agency at work<br />

became direct inspiration for what she calls “productive disruptions” in the book. For example,<br />

Katan advises readers to invent their own job titles and then print new business cards and own that<br />

self-proclaimed title.<br />

During her time at Scottsdale Museum of Contemporary Art, she titled herself Curator of<br />

Shenanigans. Some in the office frowned at the silly new title, but Katan took her business cards<br />

to conferences, handed them out, and the title stuck. Potential new clients and professional<br />

connections remembered her and contacted her to help promote and advance SMoCA.<br />

“If you take the initiative to do something that furthers the mission of your company or organization,<br />

and it works, they are not going to be like, ‘Throw away those business cards! They’re too racy.’<br />

They’re going to be like, ‘Thank you for getting us extra business’,” she explains.<br />

The productive disruptions encourage employees to push the rules and seize agency in their places<br />

of employment. These bold moves show the management you’ve got “moxie,” just like Tania<br />

Katan. “As I got an awareness of what I was doing – by bringing in skills that were not on my job<br />

description but were necessary – it actually helped. It helped generate revenue, it helped marketing<br />

efforts, and it helped really traditional boxes get ticked.”<br />

Katan says she has always been a writer, her entire life. She began as a kid, journaling. Developed<br />

her own code in a handwriting that only she could read, just in case she needed to protect her<br />

secret information. Sometimes it was stories, sometimes it was poems. She has never limited<br />

herself to any genre.<br />

Tania<br />

Katan<br />

Creatively<br />

Disrupting<br />

the<br />

Workplace<br />

By Jenna Duncan<br />

12 JAVA<br />

MAGAZINE

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