NZPhotographer Issue 5, March 2018
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
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Behind The Shot with Gail Stent<br />
GAIL, CAN YOU TELL US A LITTLE ABOUT<br />
YOURSELF AND YOUR PHOTOGRAPHY<br />
CAREER?<br />
I have always been interested in photography<br />
and did a little darkroom work when I was in<br />
high school. When digital cameras came out I<br />
became really interested as all I needed was a<br />
camera and a computer. I had small children<br />
(twins) at that stage, so took a lot of photos of<br />
them and the dogs in-between being a mother<br />
with a part-time job. My photography really took<br />
off when I joined the North Shore Photographic<br />
Society. I taught myself Photoshop and that was<br />
really exciting as I was able to create composites<br />
which I love doing. I have developed my<br />
photography to such an extent that I now teach<br />
photography, Adobe Photoshop and Lightroom<br />
at Auckland Zoo, NZPhotography Tours and<br />
Mairangi Arts Centre. I also exhibit and sell my<br />
fine art pieces, as well as doing photo shoots for<br />
families and underwater portraits.<br />
HOW DID YOU GET STARTED WITH YOUR<br />
UNDERWATER SERIES, AND WHY?<br />
In 2009 I went to the PSNZ National Convention<br />
in Whanganui where I listened to an Australian<br />
guest presenter, Narell Autio. She showed us her<br />
underwater photographs and I was captivated.<br />
Having spent my sporting life underwater<br />
as a synchronised swimmer, this felt like my<br />
domain. I immediately went out and bought<br />
a small Canon G10 camera with housing and<br />
started photographing my daughter and her<br />
teammates. However, it was only really in 2014<br />
that I started creating this type of image.<br />
CAN YOU TAKE US THROUGH SHOOTING<br />
THIS PARTICULAR SHOT?<br />
This shot was taken in an indoor pool. I think we<br />
shot for about 30-45 min - The girls get quite cold<br />
after that. I most often work with girls who are<br />
familiar with the underwater environment and<br />
brief them before we go in about what I want<br />
from them, facial features, body positions etc.<br />
When I work with non-swimmers, I usually go<br />
into shallower water. I work with the model - We<br />
discuss how to make a better image e.g., closer<br />
to the surface, arm positions, etc. I use a mask<br />
and snorkel, so come up for air with the model<br />
and we discuss a repeat or the next move.<br />
WHO IS THE MODEL AND HOW DID YOU<br />
START WORKING TOGETHER?<br />
The model in this image is Katie. I used to coach<br />
her synchronised swimming when she was<br />
younger - She is now a coach herself. She is very<br />
comfortable and relaxed underwater and I love<br />
working with her as she is very flexible and looks<br />
amazing in the water. I also use my daughter<br />
(when she’s in town) and my niece, as well.<br />
WHAT EQUIPMENT ARE YOU USING?<br />
I started off with a Canon G10 and then moved<br />
to a Canon G16. I now use a Sony A7R ii with an<br />
Ikelite housing and a Sony FE 16/35 f4 lens. The<br />
difference in quality is amazing - My images are<br />
now on another level. I tend to use natural light,<br />
but also have a small Lume Cube light that is<br />
waterproof and has amazing power.<br />
I wear a short wetsuit as I get cold really easily,<br />
a weight belt to keep me under (I’m super<br />
buoyant!!), fins (so that I can get back to the<br />
surface!!) and a mask and snorkel. I don’t use full<br />
scuba gear as I need to communicate often with<br />
the model, so come up to the surface to breath<br />
and talk.<br />
ANYTHING ELSE WE SHOULD KNOW?<br />
After the shoot, I always have to post process<br />
in Lightroom as well as Photoshop. Underwater,<br />
everything is blue, so I have to get the White<br />
Balance correct. I prefer doing this in postproduction.<br />
These days I often tend to convert<br />
to B&W or use textures as I find this gives another<br />
dimension to the image.<br />
WHERE CAN WE FIND YOU ONLINE?<br />
www.gailstentphotography.com<br />
www.facebook.com/mifotoshows<br />
www.instagram.com/gailstent<br />
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