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NZPhotographer Issue 5, March 2018

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

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Behind The Shot with Gail Stent<br />

GAIL, CAN YOU TELL US A LITTLE ABOUT<br />

YOURSELF AND YOUR PHOTOGRAPHY<br />

CAREER?<br />

I have always been interested in photography<br />

and did a little darkroom work when I was in<br />

high school. When digital cameras came out I<br />

became really interested as all I needed was a<br />

camera and a computer. I had small children<br />

(twins) at that stage, so took a lot of photos of<br />

them and the dogs in-between being a mother<br />

with a part-time job. My photography really took<br />

off when I joined the North Shore Photographic<br />

Society. I taught myself Photoshop and that was<br />

really exciting as I was able to create composites<br />

which I love doing. I have developed my<br />

photography to such an extent that I now teach<br />

photography, Adobe Photoshop and Lightroom<br />

at Auckland Zoo, NZPhotography Tours and<br />

Mairangi Arts Centre. I also exhibit and sell my<br />

fine art pieces, as well as doing photo shoots for<br />

families and underwater portraits.<br />

HOW DID YOU GET STARTED WITH YOUR<br />

UNDERWATER SERIES, AND WHY?<br />

In 2009 I went to the PSNZ National Convention<br />

in Whanganui where I listened to an Australian<br />

guest presenter, Narell Autio. She showed us her<br />

underwater photographs and I was captivated.<br />

Having spent my sporting life underwater<br />

as a synchronised swimmer, this felt like my<br />

domain. I immediately went out and bought<br />

a small Canon G10 camera with housing and<br />

started photographing my daughter and her<br />

teammates. However, it was only really in 2014<br />

that I started creating this type of image.<br />

CAN YOU TAKE US THROUGH SHOOTING<br />

THIS PARTICULAR SHOT?<br />

This shot was taken in an indoor pool. I think we<br />

shot for about 30-45 min - The girls get quite cold<br />

after that. I most often work with girls who are<br />

familiar with the underwater environment and<br />

brief them before we go in about what I want<br />

from them, facial features, body positions etc.<br />

When I work with non-swimmers, I usually go<br />

into shallower water. I work with the model - We<br />

discuss how to make a better image e.g., closer<br />

to the surface, arm positions, etc. I use a mask<br />

and snorkel, so come up for air with the model<br />

and we discuss a repeat or the next move.<br />

WHO IS THE MODEL AND HOW DID YOU<br />

START WORKING TOGETHER?<br />

The model in this image is Katie. I used to coach<br />

her synchronised swimming when she was<br />

younger - She is now a coach herself. She is very<br />

comfortable and relaxed underwater and I love<br />

working with her as she is very flexible and looks<br />

amazing in the water. I also use my daughter<br />

(when she’s in town) and my niece, as well.<br />

WHAT EQUIPMENT ARE YOU USING?<br />

I started off with a Canon G10 and then moved<br />

to a Canon G16. I now use a Sony A7R ii with an<br />

Ikelite housing and a Sony FE 16/35 f4 lens. The<br />

difference in quality is amazing - My images are<br />

now on another level. I tend to use natural light,<br />

but also have a small Lume Cube light that is<br />

waterproof and has amazing power.<br />

I wear a short wetsuit as I get cold really easily,<br />

a weight belt to keep me under (I’m super<br />

buoyant!!), fins (so that I can get back to the<br />

surface!!) and a mask and snorkel. I don’t use full<br />

scuba gear as I need to communicate often with<br />

the model, so come up to the surface to breath<br />

and talk.<br />

ANYTHING ELSE WE SHOULD KNOW?<br />

After the shoot, I always have to post process<br />

in Lightroom as well as Photoshop. Underwater,<br />

everything is blue, so I have to get the White<br />

Balance correct. I prefer doing this in postproduction.<br />

These days I often tend to convert<br />

to B&W or use textures as I find this gives another<br />

dimension to the image.<br />

WHERE CAN WE FIND YOU ONLINE?<br />

www.gailstentphotography.com<br />

www.facebook.com/mifotoshows<br />

www.instagram.com/gailstent<br />

4 <strong>NZPhotographer</strong>

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