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NZPhotographer Issue 11, Sept 2018

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

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For my iconic image shot at Lake Rotoiti, I made a long<br />

exposure of the stars circling the Southern Celestial Pole,<br />

then mimicked these concentric circles by spinning the<br />

wire wool.<br />

4. Camera Settings. Once you have a composition planned,<br />

lock down the camera on a sturdy tripod. Hang a small LED<br />

light from it to make it visible. Focus on where the firespinner<br />

will stand, then switch to manual focus on the lens<br />

barrel. A wide-angle lens is preferable.<br />

Set the camera’s Mode Dial to Manual, with a shutter<br />

speed between 20 and 30 seconds. Apertures can vary<br />

from f/2 to f/<strong>11</strong>. Set the ISO. between 50 and 800. Any<br />

higher and digital noise may become an issue. For colour<br />

temperature, choose a ‘Daylight’ setting, or drop the Kelvin<br />

temperature down to about 3500K.<br />

WIRE WOOL SPINNING TECHNIQUE:<br />

• Pull apart a wire-wool pad length-wise to break up<br />

the density and allow oxygen inside. Unravelling<br />

the wool, then spinning it speeds up the chemical<br />

reaction.<br />

• Insert a wool pad into the whisk, ensuring it won’t<br />

fall out.<br />

• When igniting the wire wool, a BBQ butane lighter<br />

is preferable for a continuous flame, whereas a<br />

cigarette lighter is fiddly and hard to operate with<br />

cold hands.<br />

• The wire wool will not burst into flames, only<br />

simmer. Once the wire wool has caught alight,<br />

spin the whisk in consistent circles. Then get the<br />

photographer to begin the long exposure.<br />

• Keep your arm straight to create a perfect circle.<br />

Consistency is the key. Try not to move your body, or<br />

you will appear as a blur.<br />

Note: If you are the photographer, wait for your assistant<br />

to light the wire wool and begin spinning it in a circle,<br />

then fire the shutter. Both of you should switch off your<br />

headlamps, so they don’t interfere with the photo. To<br />

mitigate light leaking into the viewfinder, hang a baseball<br />

cap over the top of the camera.<br />

Being an experimental art-form, be prepared for<br />

lots of trial and error, especially the latter. As Ansel<br />

Adams remarked, “Landscape Photography is the<br />

supreme test of the photographer, and often the<br />

supreme disappointment.” This is a challenging genre<br />

of photography with many inherent difficulties to<br />

overcome, but the rewards are there for the patient<br />

photographer.<br />

My shots on the following pages are sure to inspire you to<br />

get out there and give it a try. If you need more help, tips,<br />

and inspiration, there are tons of tutorials on Youtube.<br />

There are numerous variations of this technique that you<br />

can try too, from orbs to spheres to halos to a vortex.<br />

RAY SALISBURY is a seasoned landscape<br />

photographer and art teacher based in Nelson. He<br />

sells his photos to magazines, calendars and image<br />

libraries. He also shares his knowledge through his free<br />

e-Books and affordable online courses allowing you to<br />

learn photography at your own pace through a series<br />

of video training modules that have been filmed in NZ.<br />

www.hotpixels.co.nz<br />

SPINNING WOOL<br />

24 <strong>NZPhotographer</strong><br />

Repetition of geometric shapes through use of reflections.<br />

<strong>Sept</strong>ember <strong>2018</strong><br />

25

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