NZPhotographer Issue 11, Sept 2018
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
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For my iconic image shot at Lake Rotoiti, I made a long<br />
exposure of the stars circling the Southern Celestial Pole,<br />
then mimicked these concentric circles by spinning the<br />
wire wool.<br />
4. Camera Settings. Once you have a composition planned,<br />
lock down the camera on a sturdy tripod. Hang a small LED<br />
light from it to make it visible. Focus on where the firespinner<br />
will stand, then switch to manual focus on the lens<br />
barrel. A wide-angle lens is preferable.<br />
Set the camera’s Mode Dial to Manual, with a shutter<br />
speed between 20 and 30 seconds. Apertures can vary<br />
from f/2 to f/<strong>11</strong>. Set the ISO. between 50 and 800. Any<br />
higher and digital noise may become an issue. For colour<br />
temperature, choose a ‘Daylight’ setting, or drop the Kelvin<br />
temperature down to about 3500K.<br />
WIRE WOOL SPINNING TECHNIQUE:<br />
• Pull apart a wire-wool pad length-wise to break up<br />
the density and allow oxygen inside. Unravelling<br />
the wool, then spinning it speeds up the chemical<br />
reaction.<br />
• Insert a wool pad into the whisk, ensuring it won’t<br />
fall out.<br />
• When igniting the wire wool, a BBQ butane lighter<br />
is preferable for a continuous flame, whereas a<br />
cigarette lighter is fiddly and hard to operate with<br />
cold hands.<br />
• The wire wool will not burst into flames, only<br />
simmer. Once the wire wool has caught alight,<br />
spin the whisk in consistent circles. Then get the<br />
photographer to begin the long exposure.<br />
• Keep your arm straight to create a perfect circle.<br />
Consistency is the key. Try not to move your body, or<br />
you will appear as a blur.<br />
Note: If you are the photographer, wait for your assistant<br />
to light the wire wool and begin spinning it in a circle,<br />
then fire the shutter. Both of you should switch off your<br />
headlamps, so they don’t interfere with the photo. To<br />
mitigate light leaking into the viewfinder, hang a baseball<br />
cap over the top of the camera.<br />
Being an experimental art-form, be prepared for<br />
lots of trial and error, especially the latter. As Ansel<br />
Adams remarked, “Landscape Photography is the<br />
supreme test of the photographer, and often the<br />
supreme disappointment.” This is a challenging genre<br />
of photography with many inherent difficulties to<br />
overcome, but the rewards are there for the patient<br />
photographer.<br />
My shots on the following pages are sure to inspire you to<br />
get out there and give it a try. If you need more help, tips,<br />
and inspiration, there are tons of tutorials on Youtube.<br />
There are numerous variations of this technique that you<br />
can try too, from orbs to spheres to halos to a vortex.<br />
RAY SALISBURY is a seasoned landscape<br />
photographer and art teacher based in Nelson. He<br />
sells his photos to magazines, calendars and image<br />
libraries. He also shares his knowledge through his free<br />
e-Books and affordable online courses allowing you to<br />
learn photography at your own pace through a series<br />
of video training modules that have been filmed in NZ.<br />
www.hotpixels.co.nz<br />
SPINNING WOOL<br />
24 <strong>NZPhotographer</strong><br />
Repetition of geometric shapes through use of reflections.<br />
<strong>Sept</strong>ember <strong>2018</strong><br />
25