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NZPhotographer, Issue 14, Dec 2018

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

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Behind The Shot With<br />

Te Rawhitiroa Bosch<br />

TELL US A LITTLE ABOUT YOURSELF AND YOUR<br />

PHOTOGRAPHY…<br />

As a self-taught photographer growing up in beautiful<br />

Whaingaroa, Aotearoa NZ, my love of photography stems<br />

from a passion for capturing moments of connection.<br />

Pūrākau – storytelling is for me one of the most<br />

powerful connecting forces in the world. Through the<br />

lens, I like to harness this force, this power of storytelling<br />

to capture not only the subject but also the deeper<br />

story, the magic, the heart, the emotion behind every<br />

moment caught.<br />

I’m passionate about Te Ao Māori and about<br />

reclaiming our narratives and telling our own stories<br />

so that the beauty, passion, talent, generosity, and<br />

strength of our people is highlighted instead of the<br />

negative and racial stereotypes that are so often<br />

sensationalised and reinforced in the media. This<br />

portrait is a perfect example of the beauty of our<br />

people and of the world we want to carry on into the<br />

future for our descendants.<br />

WHO IS THE LADY IN THE PHOTOGRAPH?<br />

This is my auntie: Kōkā Neria Mataira – Ngāti Porou<br />

and Ngāti Kahungunu.<br />

She is the epitome of beauty – inside and out –<br />

and has dedicated her life to embodying her love<br />

for our people, for our language and our culture<br />

through awakening the gift of Te Reo Māori – the<br />

Māori language within the hearts of many through<br />

Te Ātaarangi, one of the foundational language<br />

revitalisation initiatives that was established to bring<br />

the Māori language back from the brink of extinction.<br />

She proudly wears her moko kauae (traditional Māori<br />

chin tattoo), another cultural treasure in renaissance.<br />

It speaks to her grounding in Te Ao Māori – in our Māori<br />

worldview, to her whakapapa – her genealogy, and<br />

to the way she raises her children and grandchildren<br />

in her loving, gentle and dignified way.<br />

I captured her in the heart of Te Ihorangi, the meeting<br />

house of Aratiatia Marae at Fairfield College in Hamilton<br />

which was carved by Master Carver Kereti Rautangata.<br />

WHY IS THIS PORTRAIT SO SPECIAL TO YOU –<br />

ASIDE FROM IT BEING YOUR AUNTIE.<br />

This portrait holds a special place in my heart because it<br />

not only encapsulates Kōkā, but also the legacy left by<br />

my Nan. Kōkā Neria teaches Māori language through<br />

Te Ātaarangi, a methodology developed by her mother<br />

(my Nan) Dame Kāterina Te Heikōkō Mataira and<br />

Ngoingoi Pēwhairangi in the 70’s. This initiative has been<br />

a part of my life since I was born. My Nan, my mother,<br />

and my aunties were all teachers of Te Ātaarangi and<br />

I’ve seen first-hand the life changing impact it’s had for<br />

thousands of people over the years. This was reflected<br />

in the many comments and messages posted by past<br />

students in response to this photograph on my social<br />

feeds, acknowledging and thanking Kōkā for the<br />

identity affirming contribution she had made in their lives.<br />

WAS THIS A PLANNED PORTRAIT SHOT?<br />

This was literally a spur of the moment shot. We were<br />

filming video resources for Poutiria Te Aroha – a<br />

parenting with non-violence programme informed by<br />

Māori concepts and designed for whanau Māori. The<br />

Te Ātaarangi rākau methodology (the colourful rākau/<br />

Cuisenaire rods in the foreground) is used to teach<br />

core concepts of the programme.<br />

We were about to take a break when I saw the<br />

opportunity to capture her in her element. I lay low<br />

on the ground to get the rākau in the foreground,<br />

framed her in the centre of the designs on the back<br />

wall of the wharenui meeting house and asked her to<br />

look at me briefly, then I took the shot. It all happened<br />

naturally and in a matter of seconds.<br />

It was a real and special moment, not a posed portrait<br />

and I feel that the realness is what people feel when<br />

they see the image.<br />

WHAT CAMERA EQUIPMENT DO YOU USE?<br />

I like a light kit so usually roll with one camera (Canon<br />

5D MkIV) and 2 lenses (Canon EF 24–70mm f/.28 &<br />

Canon EF 70–200mm f/2.8 L II USM), but I’ve recently<br />

picked up the Sigma Art Series 50mm f/1.4 lens which<br />

is a dream for portraits!<br />

I don’t really use flash or tripods, and I like to be free<br />

of bags, straps, and slings. At a shoot I’ll have my<br />

camera on a Spider holster on my right – my lenses on<br />

the TriLens holster on my left – a spare battery and CF<br />

card in my pocket, keeping me free and ready to get<br />

the job done.<br />

WHERE CAN WE FIND YOU ONLINE?<br />

www.facebook.com/RawhitiroaPhotography<br />

www.instagram.com/rawhitiroa<br />

www.rawhitiroa.com<br />

<strong>Dec</strong>ember <strong>2018</strong><br />

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