NZPhotographer, Issue 14, Dec 2018
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As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz
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Behind The Shot With<br />
Te Rawhitiroa Bosch<br />
TELL US A LITTLE ABOUT YOURSELF AND YOUR<br />
PHOTOGRAPHY…<br />
As a self-taught photographer growing up in beautiful<br />
Whaingaroa, Aotearoa NZ, my love of photography stems<br />
from a passion for capturing moments of connection.<br />
Pūrākau – storytelling is for me one of the most<br />
powerful connecting forces in the world. Through the<br />
lens, I like to harness this force, this power of storytelling<br />
to capture not only the subject but also the deeper<br />
story, the magic, the heart, the emotion behind every<br />
moment caught.<br />
I’m passionate about Te Ao Māori and about<br />
reclaiming our narratives and telling our own stories<br />
so that the beauty, passion, talent, generosity, and<br />
strength of our people is highlighted instead of the<br />
negative and racial stereotypes that are so often<br />
sensationalised and reinforced in the media. This<br />
portrait is a perfect example of the beauty of our<br />
people and of the world we want to carry on into the<br />
future for our descendants.<br />
WHO IS THE LADY IN THE PHOTOGRAPH?<br />
This is my auntie: Kōkā Neria Mataira – Ngāti Porou<br />
and Ngāti Kahungunu.<br />
She is the epitome of beauty – inside and out –<br />
and has dedicated her life to embodying her love<br />
for our people, for our language and our culture<br />
through awakening the gift of Te Reo Māori – the<br />
Māori language within the hearts of many through<br />
Te Ātaarangi, one of the foundational language<br />
revitalisation initiatives that was established to bring<br />
the Māori language back from the brink of extinction.<br />
She proudly wears her moko kauae (traditional Māori<br />
chin tattoo), another cultural treasure in renaissance.<br />
It speaks to her grounding in Te Ao Māori – in our Māori<br />
worldview, to her whakapapa – her genealogy, and<br />
to the way she raises her children and grandchildren<br />
in her loving, gentle and dignified way.<br />
I captured her in the heart of Te Ihorangi, the meeting<br />
house of Aratiatia Marae at Fairfield College in Hamilton<br />
which was carved by Master Carver Kereti Rautangata.<br />
WHY IS THIS PORTRAIT SO SPECIAL TO YOU –<br />
ASIDE FROM IT BEING YOUR AUNTIE.<br />
This portrait holds a special place in my heart because it<br />
not only encapsulates Kōkā, but also the legacy left by<br />
my Nan. Kōkā Neria teaches Māori language through<br />
Te Ātaarangi, a methodology developed by her mother<br />
(my Nan) Dame Kāterina Te Heikōkō Mataira and<br />
Ngoingoi Pēwhairangi in the 70’s. This initiative has been<br />
a part of my life since I was born. My Nan, my mother,<br />
and my aunties were all teachers of Te Ātaarangi and<br />
I’ve seen first-hand the life changing impact it’s had for<br />
thousands of people over the years. This was reflected<br />
in the many comments and messages posted by past<br />
students in response to this photograph on my social<br />
feeds, acknowledging and thanking Kōkā for the<br />
identity affirming contribution she had made in their lives.<br />
WAS THIS A PLANNED PORTRAIT SHOT?<br />
This was literally a spur of the moment shot. We were<br />
filming video resources for Poutiria Te Aroha – a<br />
parenting with non-violence programme informed by<br />
Māori concepts and designed for whanau Māori. The<br />
Te Ātaarangi rākau methodology (the colourful rākau/<br />
Cuisenaire rods in the foreground) is used to teach<br />
core concepts of the programme.<br />
We were about to take a break when I saw the<br />
opportunity to capture her in her element. I lay low<br />
on the ground to get the rākau in the foreground,<br />
framed her in the centre of the designs on the back<br />
wall of the wharenui meeting house and asked her to<br />
look at me briefly, then I took the shot. It all happened<br />
naturally and in a matter of seconds.<br />
It was a real and special moment, not a posed portrait<br />
and I feel that the realness is what people feel when<br />
they see the image.<br />
WHAT CAMERA EQUIPMENT DO YOU USE?<br />
I like a light kit so usually roll with one camera (Canon<br />
5D MkIV) and 2 lenses (Canon EF 24–70mm f/.28 &<br />
Canon EF 70–200mm f/2.8 L II USM), but I’ve recently<br />
picked up the Sigma Art Series 50mm f/1.4 lens which<br />
is a dream for portraits!<br />
I don’t really use flash or tripods, and I like to be free<br />
of bags, straps, and slings. At a shoot I’ll have my<br />
camera on a Spider holster on my right – my lenses on<br />
the TriLens holster on my left – a spare battery and CF<br />
card in my pocket, keeping me free and ready to get<br />
the job done.<br />
WHERE CAN WE FIND YOU ONLINE?<br />
www.facebook.com/RawhitiroaPhotography<br />
www.instagram.com/rawhitiroa<br />
www.rawhitiroa.com<br />
<strong>Dec</strong>ember <strong>2018</strong><br />
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