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TreasureCompleteManual

Here is the owner manual for the first hora music plugins series that offers all needed to create and mix drums: "Hora Analog-drums", "Hora Sequencers" and "Hora Mixers".

Here is the owner manual for the first hora music plugins series that offers all needed to create and mix drums: "Hora Analog-drums", "Hora Sequencers" and "Hora Mixers".

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treasure series<br />

owner manual


prerequisites<br />

This manual has been written assuming that you know some basics about<br />

modular synthesizers such as what is a cv signal, a gate, a filter,...<br />

summary<br />

P1.............Drum sequencer<br />

P2.............Bass drum<br />

P3.............Snare drum<br />

P4.............Toms/Congas<br />

P5.............Hand Clap/Maracas<br />

P6.............Softbell/Rimshot/Clave<br />

P7.............Cymbal/Cow bell<br />

P8.............Hi hat<br />

P9.............Mixer<br />

P10..............Drum song arranger


1.Tempo/<br />

clock input<br />

2.Reset<br />

input<br />

3.first/last<br />

step out<br />

DRUM SEQUENCER<br />

5.trig. Ouputs<br />

4.Accent output<br />

6.Fill control<br />

10.CV seq. output<br />

8.TAP 9.Play/Stop<br />

7.A/B mode<br />

FIG 1.<br />

11.CV seq<br />

12.Instrument<br />

selection<br />

13.Pattern<br />

selection<br />

14.Pattern<br />

control<br />

15.Fill<br />

triggering<br />

16.Step<br />

encoders<br />

1. Tempo/clock input: Set the tempo by turning the knob or using an external clock.<br />

17.Sequence<br />

length<br />

2. Reset: Instantly play the first step of the sequence exactly like any reset input of the VCV sequencers.<br />

3. First/last step outputs: send a gate signal when playing the first or the last step.<br />

4. Accent output: send a gate signal when the sequencer play a programmed accent.<br />

5. Trig ouputs: send a gate signal when the sequencer play the corresponding programmed instrument.<br />

6. FIll control: Control the selection of one of the four fills with CV. The control respect 1V/fill.<br />

In other words 0 to 1 volt select fill1, 1 to 2 volts select fill2, 2 to 3 volts select fill3 and<br />

3 to 4 volts select fill4.<br />

7. A/B mode: Select the playing mode (read A, read B or read both A & B)<br />

8. TAP: Play and record a rhythm in realtime with the button or the trigger/gate input.<br />

9. Play/Stop/: Use the play and stop buttons to manualy play and stop (stop also make the sequence<br />

restart from the beginning) or control it with the inputs to synchronise the sequencer as shown in FIG 2.<br />

10.Seq output: CV output of the CV sequence.<br />

11. CV seq: Use the knobs to encode the CV sequence<br />

(usefull to modulate drums cv's controlable parameters).<br />

12. Instrument selection: Select the instrument that you want to program or record in real time.<br />

13. Pattern selection: Select the pattern that you want to program.<br />

14. Pattern control: Control the selection of one the 10 first patterns with CV.<br />

The control respect 1V/pattern. Then, 0 to 1 volt select pattern1, 1 to 2 volts select pattern2,<br />

2 to 3 volts select pattern3 and so on,...<br />

15. Fill triggering: Use the fill button or input to trig a fill instantly (no need to wait the end of<br />

the current sequence like with normal patterns). Use the four colored button to choose wich fill will<br />

be triggered. You can also do it with CV as explain in "6.Fill Control" section.<br />

16. Step encoders: Use the step encoder to program a rhythm in the current instrument/pattern.<br />

17. Length: Set the length of the sequence with knob or CV.<br />

FIG 2.<br />

1.


BASS DRUM<br />

CV input attenuator<br />

(allow to control how much<br />

the CV modulate the picth)<br />

set the pitch/tune of the bass drum<br />

pitch/tune<br />

modulation CV input<br />

Decay (amp) of the bass drum<br />

Decay's modulation CV<br />

input and his attenuator<br />

picth envelope intensity<br />

(allow to control how much<br />

the enveloppe modulate the<br />

pitch)<br />

pitch decay's modulation input<br />

Level (volume) of the bass drum<br />

CV input for level modulation<br />

and his attenuator<br />

Sine wave/pulse mix<br />

Pulse width<br />

Low pass filter<br />

The accent level allow to control how much<br />

the accent increases the volume.<br />

The trigger input is used to trig<br />

the drum sound.<br />

It accepts "Treasure Drum Sequencer"<br />

triggers output or any gate signal.<br />

The accent input is used to play accent<br />

(note that have louder volume).<br />

It accepts "Treasure Drum Sequencer"<br />

accent autput or any gate signal.<br />

Sound output<br />

2.


SNARE DRUM<br />

CV input attenuator<br />

(allow to control how much<br />

the CV modulate the picth)<br />

set the pitch/tune of the snare drum<br />

Decay (amp) of the body<br />

of the snare drum (it doesn't<br />

modify the noise decay.<br />

pitch/tune<br />

modulation CV input<br />

Decay's modulation CV<br />

input and his attenuator<br />

Decay of the picth envelope<br />

picth envelope intensity<br />

(allow to control how much<br />

the enveloppe modulate the<br />

pitch)<br />

pitch decay's modulation input<br />

Level (volume) of the snare drum<br />

CV input for level modulation<br />

and his attenuator<br />

Body/Noise mix<br />

The Noise decay control the decay<br />

of a the noise.<br />

High pass filter<br />

The accent level allow to control how much<br />

the accent increases the volume.<br />

The trigger input is used to trig<br />

the drum sound.<br />

It accept "Treasure Drum Sequencer"<br />

triggers output or any gate signal.<br />

The accent input is used to play accent<br />

(note that have louder volume).<br />

It accept "Treasure Drum Sequencer"<br />

accent autput or any gate signal.<br />

Sound output<br />

3.


Toms/Congas<br />

set the pitch/tune of each tom/conga<br />

Select tom or conga sound<br />

Level (volume) of each tom/conga<br />

The trigger input is used to trig<br />

the toms/congas independently.<br />

These accept "Treasure Drum Sequencer"<br />

triggers output or any gate signal.<br />

Decay of the picth envelope<br />

CV input for pitch modulation<br />

and his attenuator<br />

picth envelope intensity<br />

(allow to control how much<br />

the enveloppe modulate the<br />

pitch)<br />

pitch decay's modulation input<br />

Decay (amp) of the toms/congas<br />

select sine or square wave<br />

Low pass filter<br />

Sound output<br />

Accent input and level<br />

4.


Hand Clap/maracas<br />

Level of the reveb<br />

length of the reverb<br />

Reverb CV output<br />

Decay's modulation CV<br />

input and his attenuator<br />

Decay (amp) of the clap/maracas<br />

This allows to change the interval<br />

between the triggering that create the<br />

"burst envelope" of the clap. In other words,<br />

the interval between the three clap sounds that<br />

form the whole clap sound.<br />

Level (volume) of the clap/maracas<br />

Interval's length modulation CV<br />

input and his attenuator<br />

CV input for level modulation<br />

and his attenuator<br />

Select high or low resonance<br />

for the noise filtering.<br />

select clap or maracas<br />

High pass filter<br />

The accent level allow to control how much<br />

the accent increases the volume.<br />

The trigger input is used to trig<br />

the drum sound.<br />

It accepts "Treasure Drum Sequencer"<br />

triggers output or any gate signal.<br />

The accent input is used to play accent<br />

(note that have louder volume).<br />

It accepts "Treasure Drum Sequencer"<br />

accent autput or any gate signal.<br />

Sound output<br />

5.


softbell/clave<br />

(the version made with VCV DSP<br />

offer classical rimshot instead of soft bell).<br />

CV input attenuator<br />

(allow to control how much<br />

the CV modulate the picth)<br />

set the pitch/tune of the bell/clave<br />

pitch/tune<br />

modulation CV input<br />

Decay (amp) of the bell/clave<br />

Decay's modulation CV<br />

input and his attenuator<br />

Level (volume) of the bell/clave<br />

CV input for level modulation<br />

and his attenuator<br />

The accent level allow to control how much<br />

the accent increases the volume.<br />

select clave or softbell<br />

The trigger input is used to trig<br />

the drum sound.<br />

It accepts "Treasure Drum Sequencer"<br />

triggers output or any gate signal.<br />

The accent input is used to play accent<br />

(note that have louder volume).<br />

It accepts "Treasure Drum Sequencer"<br />

accent autput or any gate signal.<br />

Sound output<br />

6.


CYMbal/cowbell<br />

CV input attenuator<br />

(allow to control how much<br />

the CV modulate the picth)<br />

set the pitch/tune of the bass drum<br />

pitch/tune<br />

modulation CV input<br />

Caracter's modulation CV<br />

input and his attenuator<br />

Modify the harmonic content<br />

of the noise source by changing<br />

the pulse width of the waves used to<br />

form the metalic noise.<br />

High pass filter<br />

Decay (amp) of the cymbal<br />

Decay (amp) of the cowbell<br />

and cv input.<br />

The trigger inputs are used to trig<br />

the drum sounds.<br />

These accept "Treasure Drum Sequencer"<br />

triggers outputs or any gate signal.<br />

Level (volume) of the cowbell and the cymbal<br />

Accent input and level<br />

Sound outputs<br />

7.


hi hat<br />

Decay (amp) of the closed hi hat<br />

Decay (amp) of the opened hi hat<br />

Level (volume) of the closed hi hat<br />

Level (volume) of opened hi hat<br />

Accent input<br />

trig the closed hi hat<br />

trig the opened hi hat<br />

set the pitch/tune of the hi hat<br />

Pitch modulation CV<br />

input and his attenuator<br />

Modify the harmonic content<br />

of the noise source by changing<br />

the pulse width of the waves used to<br />

form the metalic noise.<br />

High pass filter<br />

Caracter's modulation CV<br />

input and his attenuator<br />

Accent level<br />

White and metallic noise mix<br />

Noise output<br />

Hi hat's sound output<br />

Metallic noise output<br />

8.


mixer<br />

Mono input<br />

Active/mute tracks Tracks levels Stereo input<br />

main out<br />

Master level<br />

pans cv inputs<br />

and their attenuators<br />

Aux 1 send levels<br />

and their cv inputs<br />

Active/mute tracks<br />

Effect loop sends<br />

track's level cv inputs<br />

and their attenuators<br />

Aux 2 send levels<br />

and their cv inputs<br />

Tracks panoramics<br />

Tracks levels<br />

Effect loop returns<br />

Tracks panoramics<br />

Effect loop levels<br />

9.


Drum Song arranger<br />

1. Pattern<br />

sequence<br />

2. Pattern<br />

repeating<br />

3.Fill<br />

Sequence<br />

4.Fill<br />

Triggering<br />

5.Reset<br />

6.Sequence<br />

length<br />

11.Pattern<br />

CV output<br />

12.Fill<br />

CV output<br />

7.External<br />

clock in.<br />

8.Last<br />

step in.<br />

9.Start<br />

input<br />

10.Step number<br />

13.Fill triggering<br />

14.Chain in<br />

15.Chain out<br />

16.1st of chain<br />

1. Pattern sequence : Number of the pattern play for each step<br />

2. Pattern repeating : Set how many times the pattern will be repeat before next step.<br />

3. Fill sequence : Number of the fill play (depending on the fill triggering setting) for each step.<br />

4. Fill triggering : Set the triggering fill step. The fill will begin on this step, when the knob is set to the minimum<br />

no fill is trigged.<br />

5. Reset : Reset the sequencer (restart from step 1).<br />

6. Length : Set the length of the arrangement from 1 to 8 steps.<br />

7. External clock input: Sync from the same clock than the drum sequencer (use for fill triggering).<br />

8. Last step input: Sync from the "last step output" of the drum sequencer<br />

(use to know when the arranger have to pass to the next step).<br />

9. Start input: Use to restart the sequencer (has to be connected on both sequencer when they are chained).<br />

10. Step number: Indicate the current step.<br />

11. Pattern output: CV output to connect to the "Pattern CV input" of the drum sequncer.<br />

12. Fill output: CV output to connect to the "Fill CV input" of the drum sequencer.<br />

13. Fill triggering: Gate output to connect to the "Fill trig. input" of the drum sequencer.<br />

14. Chain in: To be connected to the "chain output" of an other drum song arranger.<br />

15. Chain out: To be connected to the "chain in" of an other drum song arranger.<br />

16. Set this to "1st" on the first chained sequencer to play and to nothing on all the others.


Typical setting


Arranger chaining<br />

mix<br />

mix<br />

mix<br />

NOTE: The CV pattern/fill and fill trigerring Gate signals coming from the arrengers have to be mixed before send to the drum sequencer.<br />

The used mixers has to be set to NOT attenuate the signals.

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