EYE-Photo Magazine, Issue #01, January 2019

ISSUE #02 FEBRUARY 2019
Association’s journal of EYE-Photo Club eV
WWW.EYE-PHOTOMAGAZINE.COM

EDITOR’S LETTER
Here it is, our February issue! Once again, we proudly present a wide range of
contemporary photography, up-and-coming photographers and interesting
contributions from aspiring photo artists from all over the world.
Right at the beginning, MARKUS VAN HAUTEN takes us on a journey into his
wonderful world of landscape photography, giving us insights into his work in
his interview. Our columnist THOMAS FÜNGERLINGS discusses the topic of how
to find one’s own style.
Again we have the pleasure to welcome NIKITA STUPIN as our guest columnist.
This time he is dedicated to the subject of analogue photography.
In our section PhotoReview, we present MICO PAVLOVIC, ANDY FELTHAM,
SASHA ASENSIO, MARTIN PEDROS, CÉDERIC BRION, PAULO SOLIPA, PAULINA
SKONIECZNA, BLUENN, DAVID FRUTOS EGEA, JESPER KRIJGSMAN, GERASI-
MOS PLATANAS, ALEX SCHÖNBERG, VALERIE KABIS, and BERND GROSSECK.
Not to forget our EYE-Catching Moments: These are award-winning pictures
selected by our online editors from our Facebook photo group with now over
17,000 active members.
The EYE-Photo Magazine team wishes you a pleasant reading!
Yours,
STEFAN CIMER
Founder and Managing Editor
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Cover photo by MARKUS VAN HAUTEN ©
Because getting your work published DOES matter!
EYE-Photo Magazine is the independent, online magazine of EYE-Photo Club, a registered cultural association,
providing a platform to talented and enthusiastic photographers from all over the world for presenting
their work, regardless of their genre, to an international readership.
All images and text, published in EYE-Photo Magazine are the sole property of the featured authors and artists
and subject to copyright! EYE-Photo Magazine shall not be liable for the content, quality, relevance or accuracy
of any materials used in this issue.
Without written permission of its legal owner, no photo or text can be reproduced, edited, copied or distributed
in any form.
EYE-Photo Magazine © - all rights reserved
Follow us
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office@eye-photomagazine.com
3

CON
MARKUS VAN HAUTEN ©
8
INTERVIEW WITH MARKUS VAN HAUTEN BY MARKUS BRANDSTETTER
26
28
COLUMN “YOUR STYLE” BY THOMAS FÜNGERLINGS
COLUMN “ANALOGUE HEARTS” BY NIKITA STUPIN
38
PHOTOREVIEW WITH MICO PAVLOVIC
46
PHOTOREVIEW WITH ANDY FELTHAM
56
PHOTOREVIEW WITH SASHA ASENSIO
64
PHOTOREVIEW WITH MARTIN PEDROS
72
PHOTOREVIEW WITH CEDRIC BRION
80
PHOTOREVIEW WITH PAULO SOLIPA

TENT
PHOTOREVIEW WITH PAULINA SKONIECZNA
88
PHOTOREVIEW WITH BLUENN
PHOTOREVIEW WITH DAVID FRUTOS EGEA
96
104
PHOTOREVIEW WITH JESPER KRIJGSMAN
112
PHOTOREVIEW WITH GERASIMOS PLATANAS
120
PHOTOREVIEW WITH ALEXANDER SCHÖNBERG
128
PHOTOREVIEW WITH VALERIE KABIS
136
PHOTOREVIEW WITH BERND GROSSECK
144
EYE-CATCHING MOMENTS - SELECTION JANUARY 2019
152

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interview
WITH MARKUS VAN HAUTEN
BY MARKUS BRANDSTETTER
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interview
WITH MARKUS VAN HAUTEN
BY MARKUS BRANDSTETTER
How did you get into photography?
I’ve bought my first camera in 2006. I never got in touch with photography before. I visit Iceland
for the first time in 2006 and started photography. With this trip my interest was awakened, and
I steadily professionalized my hobby.
You have different genres of photography like sports, animals, architecture and landscape.
What is your favourite genre?
Yes, of course, I first started with sports photography and animals and later in 2013, I started
landscape photography. That's now the thing I love to do most.
How did you come to landscape photography?
During some trips into the Alps, I got infected by the virus called “landscape photography”.
Is photography your main income or is it rather a hobby?
Photography is not my main business it is a “professional” hobby for me.
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You really have some beautiful images. What is your favourite landscape motif (like
forest, mountains, rivers or the sea)?
Hard to decide…I think mountains and seascapes, especially in the northern regions.
To take some good landscape images as you do is so much more than to walk to a nice
place and capture something. Can you tell us something about your process and if you
use some technical stuff like apps for preparation?
First of all, thank you. To be prepared is necessary. So, I take a lot of time to prepare for a trip.
Normally I have only a few days for my photographic trips and a plan where to go and when
the best time is to be there. The only thing you cannot plan is the weather and that's a big part
when it comes to landscape photography!
How much time do you spend in photography?
That depends on different things. When I am planning a trip, I spend a lot of time to be prepared.
Checking Google Maps for locations and routes to and back from the spots. After such a
trip it's time to develop and then, I try to send the pictures to Photo competitions.
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interview
WITH MARKUS VAN HAUTEN
BY MARKUS BRANDSTETTER
12

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interview
WITH MARKUS VAN HAUTEN
BY MARKUS BRANDSTETTER
You have some amazing long exposure images in your portfolio. What kind of filters
do you use, and which do you personally prefer most?
Yes, of course, I often use filters for my photographic work. For 1.5 years I use the brand KASE
Filters. These filters are glass made and very sturdy, you can combine them and get no colour
shifting. I often use the ND 3.0 in combination with GND1.2.
What kind of software do you use to edit your work?
I use Adobe Lightroom, Adobe Photoshop and Skylum Luminar.
What do you think about editing and post processing and how much time do you spend
on it?
I think in digital photography it is really important like the darkroom in analogue photography.
I try not to spend too much time editing my images. Usually, I would think 10 minutes on average.
Some people have the opinion that this kind of a photo is not a „true „photo because
of post-processing. How do you think about it?
As I said, in analogue photography, they did the same. I would never exchange the sky or something
other, but I think editing to a certain extent is OK.
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15

interview
WITH MARKUS VAN HAUTEN
BY MARKUS BRANDSTETTER
16

17

interview
WITH MARKUS VAN HAUTEN
BY MARKUS BRANDSTETTER
In many photography groups, for example on Facebook, people very often discuss the
perfect image or the perfect shot. What is the „perfect shot „for you and how do you
think about it?
Honestly, I don’t know. I think I never took “that” perfect picture. There are a lot of good pictures
out there and perfect photo you eventually need: Perfect light, perfect foreground, perfect
background, and a perfect moment.
Do you think it's the most important thing to have the newest high-end full-frame
photo equipment to take a good photo?
No, of course not! To have the newest gear is a good thing and can help a lot but, you need a
good eye for composition to catch the moment. You take the picture and not the camera!
How important is your gear to execute your artistic visions get and what equipment
do you use?
As mentioned already, you need the eye for the moment but having good gear is a good thing. I
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use Canon cameras (5D MKIV and EOS R) and lenses also from Canon. Filters from KASE, Gloves
from “THE HEAT COMPANY” and of course a tripod and a backpack.
Many photographers only talk about the newest gear and not as much about creativity
or image composition. What is your opinion about it?
Creativity is the most characteristic thing you need in photography the second necessary thing
is image composing and the third is the gear.
We very often see the same motives in images over and over again, especially on
Facebook. What do you think about all these high traffic photo spots with sometimes
more than 20 photographers simultaneously out there?
This is a problem but we (photographers) are one of the reasons why the other peoples are
there! People see our pictures and want to go there, too. This is the reason why I do not tag
not well-known spots. Crowds of people will follow, and the natural places might get destroyed.
But I do also travel to well-known places because a lot of them are fantastic. Sometimes it is
hard to take pictures there, but it is possible.
Do you have a favourite place to take pictures but could not manage to get there till
now?
Yes, maybe New Zealand, I guess.
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interview
WITH MARKUS VAN HAUTEN
BY MARKUS BRANDSTETTER
20

21

interview
WITH MARKUS VAN HAUTEN
BY MARKUS BRANDSTETTER
What have been your most impressive experience in landscape photography?
I think my best pictures are from Iceland and I will never forget how I took them. These moments
in primordial nature with amazing conditions will forever stay in my mind.
What advice would you give to young photographers who are starting into landscape
photography?
It takes time to get a landscape photographer. Look at the best photos and watch tutorials on
how they do the work and how they are planning their pictures. Do not give up, have faith and
ask others for their advice.
Thank you very much for taking the time and give me this interview. May the light be
with you! :)
MARKUS VAN HAUTEN
WEB
www.van-hauten.eu
www.facebook.com/markus.vanhauten
www.instagram.com/markusvanhauten
CONTACT
markus@van-hauten.eu
FOR WORKSHOPS
www.van-hauten.eu/workshops
SHOP
www.van-hauten.eu/shop
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interview
WITH MARKUS VAN HAUTEN
BY MARKUS BRANDSTETTER
24

25

COLUMN
“YOU DON’T FIND YOUR STYLE;
YOUR STYLE FINDS YOU”
BY THOMAS FÜNGERLINGS
Someone told me he was looking for his
style of photography. Everyone likes to
hear that when said that I love your style.
I think you can’t find it somehow, but it will
come to you.
The thing is, everyone does in the long run
only what he enjoys. And if you enjoy it,
you do it more often. If you do not like
to take pictures of animals, then you will
never become the "animal photographer”.
If you do something with passion, then you
will do so over a long period.
With such a motivation may be a specialisation
arises and you take pictures again
and again, for example in the street.
If you can identify with street photography,
if you like to look at such photos and if you
want to present yourself with such works,
then we can get closer to it.
To find something new/own, you have to "cultivate" this / your style for a very long time. In
photography, it is not easy to do something fundamentally new.
Be aware; almost every style shows influences of other artists, works or styles. It's overall the
mix and the selection of techniques.
If you want to find your style, if your photos should stand out from the crowd, if the work should
be recognisable as yours, then you have to think about it. It can, e.g. the type of processing
(e.g., high contrast b/w). Or you take photographs from a particular perspective or the point
of view (for example, from the ground). Or you always have some aspects in the picture (for
example signs).
With that foundation in mind, you're going to the streets, again and again, making "your" pictures.
Then you may find your recognisable style. My three photo tips ... not only for your style
26

COLUMN
“YOU DON’T FIND YOUR STYLE;
YOUR STYLE FINDS YOU”
1. Take pictures every day and even take more pictures. Only practice makes perfect. Make
at least one more series of each scene where you are right now.
2. Just take one camera with one lens or smartphone and leave the backpack at home. You
can focus so much easier and get to know "your" camera with the one lens much better.
3. Also take a look at the trivial, just like that and again and again. You will see and understand
that every little thing still has at least one more page.
Example: I took 100 different pictures of the IKEA chair "Stefan". You think, 100 photos of a
chair? That does not work! You always get new ideas coming from different perspectives, light
or compositions. Try it yourself. Here is my short YouTube video of this IKEA challenge
The author Thomas Füngerlings is a photographer,
blogger (weekly), editor and administrator at EYE-Photo Magazine.
https://www.thomas-fuengerlings.de

COLUMN
ANALOGUE HEARTS
BY NIKITA STUPIN

ANALOGUE HEARTS
by Nikita Stupin
I have learned this skill over the years. To be able to forget a hundred times more important
than an ability to memorize, as well as being able to stop in time, is far more important than
skill to start better than others.
How often do we know when to stop? How many of us have this universal sense of tact, so
necessary for photography, where the basic principle of action is “stopping time”? I do not
think that many, but I am sure that some.
The analogous past of photo art was taken away into the darkness of past years by the masters
who acted as part of the “Decisive Moment”, leaving us alone with their silent inheritance.
The great photographers of the past were distinguished from today’s leaders by one extremely
important, I would even say, fundamental feature - they could say “stop” to themselves.
Being limited to a certain, clearly delineated number of frames embedded in the potential of
a film reel, these people knew how to save frames as well as they could wait for their “Decisive
Moment” (please note that when I say “save” I do not mean make fewer photos in total)
The era of consumption dictates new laws and rules to us, one of which is excessiveness in
everything we do, which inevitably reduces the quality and, most importantly, the value of
what we create.
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ANALOGUE HEARTS
30

31

ANALOGUE HEARTS
by Nikita Stupin
16 gigabytes, 32, 128, more megapixels per sensor, a lens worth the whole car, likes, subscribers, customers and
orders - all this makes a modern photographer crazy, makes you unpack a new camera on YouTube in the hope of
gaining popularity or rejoice as crazy to another hundred of endorsements in social networks.
We are crazy and this madness has nothing to do with photography. Today, for self-affirmation, we need the voices
of others to confirm our talent. We are no longer artists who infinitely believe in their creations, we are beggars begging
for money for another dance with a tambourine in the pouring rain before those who will not even remember
our names tomorrow. And this search for something outside is doomed to failure in advance because we left all the
best dust gathering inside.
Street Photography today is not one
brilliantly built frame, its hundreds,
thousands of mediocre shots and the
hope of the shooter to pull something
worthwhile out of this swamp.
Today, not talent has become a guarantee
of quality, but the amount that
promises theoretically possible success.
Street Photography is a hunt, a process
that requires the utmost concentration
of attention and sharpness
of vision; it is one of the most difficult
disciplines in the world of photographic
art. The shutter click is not a
machine-gun line of a boy distraught
with fear. This is an accurate and
precise shot in the head by a sniper
holding its breath, considering everything,
even the Coriolis effect. One
shot - one frame. And nothing less.
Only in this way, saving frames and
calculating each frame, it is possible
to gain an understanding of the very
essence of the photo - its surgical accuracy.
Hundreds of useless courses eagerly
teach people to master the craft of
unnecessary things: photo processing,
working with light, with models,
with technology and a million other
different pearls of wisdom.
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Recently, I stumbled upon a course where people paid money to learn how to properly breed a customer for
money. Lord, they teach that which usually remains secret. They sell what the photographer must study himself,
in the evenings and nights, while sorting out his camera, trying settings, playing with the light, learning science
the same way the Greats from the past did it.
For all the time of my communication with many teachers of photography, not from one person, never I have heard
a decent explanation on the need for saving time and shots, restraint in their impulses and alignment of actions.
I would really like everyone to try to study this magic art on their own. After all, this is the only way we get a
chance not only to touch the greatness but also to become part of it.
It is unlikely that I will be able to guarantee success in understanding this particular, metaphysical part of photographic
art, but I can tell you about four rules that I adhere to myself and maybe, for someone, they will become a
point of reference on the path to understanding this approach, and otherwise, these tips will be faithful assistants
in the Street Photography. So, I want, and with this intention, I present them to you. Be faithful to the traditions
of our art and most importantly - while living in the digital age, STAY ANALOGUE INSIDE.
Rule 1
36 frames.
Divide your entire
street hunt into 36
frames. For convenience,
buy 3 memory
cards of 16 gigabytes
(this will be
more than enough)
and take no more
than 36 pictures for
each one. Change the
card when shot all
the 36 frames. Such
a simulation of working
with a limited
number of frames on
a film will allow you
to cultivate a value
attitude to what you
are doing, to every
frame of yours and
will certainly increase
the level of awareness.
Rule 2
Forget about LCD.
Leica has already realized
this principle
and preparing to release
the first digital
camera without the
possibility of using an
LCD screen.
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ANALOGUE HEARTS
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35

ANALOGUE HEARTS
by Nikita Stupin
You should try to completely exclude viewing of captured frames. During the interaction with the camera, you
are fully focused on what is here and now, at all that is in the past, you should look at home. Learn to trust
yourself, the settings on your camera and your guts. Forget about the screen!
Rule 3
Plan, plan and plan again.
Always put concrete and a clear plan of the shooting day. My main attribute along with the camera has always
been and will be a small black notebook that inextricably follows me wherever I go with my camera. Before going
on the hunt, in the days of preparation for work, I prescribe how many frames and what specifically I want
to shoot. For example: Faces of people, close - 10, details of walls - 10, architecture - 5, etc. You can structure
your plan as you want, make it detailed or general, whatever! The plan will allow you to perform your actions
clearly and consciously, and it will also not allow you to forget about adhering to the rule number one.
Rule 4
Wait.
Haste is the enemy of Street Photography. Wait. Watch and wait for exactly the moment in which you see your
idea, through which the previously written plan will realize your success. Remember - there is no hurry, be patient
and wait for your “Decisive Moment”.
“Your eye must see a composition or an expression that life itself offers you, and you must
know with intuition when to click the camera.”
Henri Cartier-Bresson
Let’s love the art that allowed us to freely express ourselves and treat with respect to every frame that gives our
genius a chance to live forever.
- - -
NIKITA STUPIN - Russian-Canadian photographer. Founder of a creative street photography crew “Moustache
& Glasses”. Adept of the classical Straight Photography style. Behind the back of the photographer are
more than 25 exhibitions, both in Russia, and in North America and the USA. Besides international venues, Nikita
Stupin’s exhibitions have gone over with success on “Red October”, in Fotoloft Gallery at Winery, Artplay gallery
and other art platforms in Moscow.
At the heart of his thin insight and unique approach to work not only his talent, but also his degree in the field
of clinical psychiatry.
Nikita is the member of the Russian Photo Union, an international organization of photographers of Group 7, the
teacher of faculty of the photo of Institute of Arts Education (Moscow), Toronto Film School (Canada) and MOM-
MA (Moscow). Member of the international organization Fujifilm X-Photographers, ambassador of the Fujifilm
company. The author of multiple publications on the Street photo and a phenomenon of Straight Photography,
and also author’s own technique of “contactless shooting”.
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Nikita is the creative director of Dessange Russia and Camille Albane Russia network, and also URT Subaru Russia.
WEB
www.moustacheandglasses.com
www.facebook.com/moustacheisart
www.instagram.com/moustacheisart
twitter.com/NikoMoscow
www.flickr.com/people/moustacheandglasses
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PHOTOREVIEW
MICO PAVLOVIC

PHOTOREVIEW
MICO PAVLOVIC
Biography:
Born in Boka Kotorska, Yugoslavia, Mico grew up in the town of Herceg -
Novi. He had no formal photographic training and was first introduced to
photography by a high school friend as an after-school activity.
Over the last thirty plus years, Mico’s photographs have been featured in
solo and group exhibitions as well as in books, world-leading photographic
magazines and artist catalogues.
Since 1989 Mico has lived and worked in London UK.
Project Balance:
Why Balance?
Because nature’s aim is stability which isn’t necessarily growth which can be
excessive, disturbing and irrational.
Growth or balance?
My Balance project was created having in mind this dilemma and the project
suggests that those who speak about Balance as an alternative should be
listened to more carefully.
WEB:
Flickr: MicoP
Balance at Breaking Point
Dancing Brick
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Precarious Passage

PHOTOREVIEW
MICO PAVLOVIC
Balance Again
42

Balancing at Breaking Pont
In Search of Balance
43

PHOTOREVIEW
MICO PAVLOVIC
Road to
Freedom
44
Flight Risk II

Harmonious
Arrangement
45

PHOTOREVIEW
ANDY FELTHAM

PHOTOREVIEW
ANDY FELTHAM
Andy Feltham is a self-taught photographer who lives in Northampton, UK. He has been
exhibited in the UK and Italy and featured in numerous publications, both online and in
print. In March 2017, he released his first monograph entitled, Incidental View, released by
Portuguese publisher Camera Infinita. He has also been commissioned to work in the commercial
as well as the fine art setting.
Feltham seeks to create a tension within each photograph by using meticulous technique,
framing and exposure to detach the subject from its surroundings. This lends a subtle disquiet
to the underlying themes of beauty, mortality and humour that hallmark his work.
WEB
andyfelthamphotography.com
www.instagram.com/andyfelthamphotography
Book: www.camerainfinita.com/incidental-view-book
Remembrance Way
48

A45
Cliftonville Road
49

PHOTOREVIEW
ANDY FELTHAM
Great Yarmouth
50

Dolus D’Oléron
Cliftonville Road
51

PHOTOREVIEW
ANDY FELTHAM
Stafford Park
52

Take Away
The Agora
53

PHOTOREVIEW
ANDY FELTHAM
from top to bottom and from right to left: Lakes Estate, Milton Keynes, Moiano, Nye Bevan
54

from top to bottom and from right to left: Room, Room A, Rotterdam, Seillans, Vancouver, Weston Favell
55

PHOTOREVIEW
SASHA ASENSIO

PHOTOREVIEW
SASHA ASENSIO
Born and raised in Brazil. Fifteen years ago he moved to Barcelona, to the neighbourhood of
El Raval, so he could daily portrait its people and scenery, being its unique scenery.
His relationship with photography is anthropological and social, breaking with silences and the
opacity of unusual, remote or clandestine existences. Through his images, he seeks tension as
well as giving visibility to people living in the outskirts of the social system. The humanity of
these figures outcomes beauty standards.
His works have been published at:
arte TV | Germay / France
La Massana
betevé | Barcelona TV
El País
El Mundo
Cultura Inquieta
VICE
Biblioteca de Barcelona
Federazione Italiana Associazioni Fotografiche
Photolari
Photographic Mercadillo
Yorokubu
Cadena Ser
Código Nuevo
Lensculture
elPeriódico
Movistar Plus
Liframer
RTVE
iCat
BOOK
Superbrands
WEB
www.sasha.click
IG
instagram.com/sasha.click
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59

PHOTOREVIEW
SASHA ASENSIO
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61

PHOTOREVIEW
SASHA ASENSIO
62

63

PHOTOREVIEW
MARTÍN PEDRÓS
64

PHOTOREVIEW
MARTÍN PEDRÓS
My name is Martín Pedrós, I was born and I live in Buenos Aires. I think that I inherited my passion
for photography from my father. I always remember taking pictures with his Minolta XG9,
a camera that I still have. In my adolescence I learned photography with that camera but I never
did the development.
For those things of the life I lay aside the photography for a while and renew the passion with the
digital cameras. From 2009 until now I have done some workshops but I am I am largely selftaught,
I like to learn seeing photos of my favorite photographers (like Steve Mc Curry, Annie Leibovitz,
Henri Cartier-Bresson, Ansel Adams, José María Mellado and Joe McNally among others) and I
have some interesting books for permanent
consultation.
I really like portrait photography, street photography, landscape photography and travel photography.
On this occasion I am presenting photographs of trips and places, some taken in Europe and
others from Argentina, my country.
WEB
www.martinpedros.com.ar
www.flickr.com/photos/martinpedros
www.facebook.com/MartinPedrosFotografias
www.instagram.com/martinpedrosfotografias
about.me/martinpedros
PROJECT:
www.instantaneas.com.ar
CLOTHESLINE

TRAVERSE CITY, MICHIGAN
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PHOTOREVIEW
MARTÍN PEDRÓS
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69
WINDOW WASHER

PHOTOREVIEW
MARTÍN PEDRÓS
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PHOTOREVIEW
CÉDRIC BRION - CLAVICULE-PICS

PHOTOREVIEW
CÉDRIC BRION - CLAVICULE-PICS
Self-taught photographer born in 1978, my name is Brion Cédric aka Clavicule-Pics, living in
the city of Mons in Belgium.
Passionate about travelling, I first turned to landscape photography that I have been practising
for over 7 years.
Equipped at the beginning of a small compact device, I end up investing in professional equipment
for the rest of my travels: Iceland, Norway, Scotland, United States, Slovenia ...
The discovery of Iceland was for me a real revelation: the immensity of the places, the lights,
the colours... a beauty in the pure state. It is back from this trip that I began to learn the different
image editing software. To discover and photograph countries knowing how to preserve
the magic of the moment, here is the objective that I am in my photographs. I like to feel that
I can, in a split second, immobilize the world in perpetual movement.
4 years ago, my thirst for photos never satisfied took me to portrait photography. Very different
from landscape photography, I learned the different techniques necessary for this style of
photos, light management, flash, ...
Since then, I decided to give a professional turn to my passion for photography by opening my
own studio in Mons. I was also lucky to be in several magazines and classified in several photo
competitions
WEB
www.clavicule-pics.com
www.facebook.com/claviculepics/ (Photography Clavicule Pics)
www.instagram.com/studio.clavicule.pics
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Model Marie
Mua Raven

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PHOTOREVIEW
CÉDRIC BRION - CLAVICULE-PICS
Model Maeliss - Mua Mlle.Déborah
Model Aurore Hach - Mua Cindy Dorchies
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Model Maeliss - Mua Mlle.Déborah
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PHOTOREVIEW
CÉDRIC BRION - CLAVICULE-PICS
Entre terre et mer -France Baie de somme _________
France morillon Snow
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France Alpes _________

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PHOTOREVIEW
PAULO SOLIPA

PHOTOREVIEW
PAULO SOLIPA
Paulo Solipa was born in Lisbon in the year 1971.
He made his first photos with his father’s Zenit E analogue camera.
As his passion grew, he purchased a Canon 50 E in 1999. At the end of
2004 he bought his first digital camera which offered him new possibilities.
Since 2016 he is shooting his photos in RAW. His work is displayed
on several websites and gained worldwide recognition.
Paulo is dedicated to nature and urban landscape photography. He creates
his photos mostly during the dawn or the twilight, to capture the
magical hours with their very own luminosity. The sun and water are
also important elements in his images. In his photography, he seeks to
capture moments that transmit emotions and feelings. Paulo is an autodidact
most of his knowledge he adopted from books and magazines.
WEB:
www.instagram.com/solaslx
www.facebook.com/paulo.solipa.7
500px.com/solaslx
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Aurelie

Aurelie
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PHOTOREVIEW
PAULO SOLIPA

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PHOTOREVIEW
PAULO SOLIPA
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PHOTOREVIEW
PAULINA S KONIECZNA

PHOTOREVIEW
PAULINA S KONIECZNA
was born in 1989 in Koscian, Poland. I graduated from the Faculty of Law at
I Adam Mickiewicz University in Poznan. Since June 2018 I am a co-founder
and photographer at Newbie Studio, based in Warsaw, Poland.
I have photographed since May 2016. My first camera was Canon 100d with
18-55 mm lens. In the beginning, I took shots of flowers, plants, insects and
landscapes. I did not want to be an amateur photographer, so I put emphasis
on self-development. I read books to understand better technical issues and
what is more significant in photography - content of the photo. I also completed
two courses on newborn posing and practical workshop on photography.
Currently, I am an art photographer who mainly takes shots of children. My
portraits, due to applied lighting pattern (i.e. Rembrandt lighting) and postprocessing
techniques, refer to painting. I try to create photos which show
beauty, sensitivity and charm of my young models. What is important for me is
that I want to give them something special, timeless and unique, which makes
them smile and will be reminding them of our meeting.
I have been shortlisted in the 8th edition of “Portret 2018” competition. I plan
to create a series of artistic portraits of children with different disabilities and
diseases. I would like to show that each child is beautiful.
WEB
www.newbiestudio.pl
www.facebook.com/NewbieStudioWarszawa
www.instagram.com/newbie_studio
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PHOTOREVIEW
PAULINA S KONIECZNA
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PAULINA S KONIECZNA

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PHOTOREVIEW
B LUE NN

PHOTOREVIEW
B LUE NN
At the age of 10, BluEnn, born in the Emilia-Romagna region, came to Luxembourg.
Ever since she has a strong attraction to art.
At the age of thirty-two, she uses her camera to capture the emotions of the people
around her. In her own way, she presents the joie de vivre of her characters. BluEnn
is inspired and guided by the phases and moments of her own life.
With a lot of feeling and imagination, she lets her models shine in her compositions.
She likes to open her universe to others and take them on a dizzying journey consisting
of drops, pixels and brushstrokes.
Each of her compositions is meticulously edited down to the smallest detail. Her curiosity
and thirst for knowledge can be felt in many of her works.
This love is always felt in their projects, which they prepare with great care and meticulousness
and bring to perfection.
WEB
www.instagram.com/bluenn_photography
www.facebook.com/Bluenn1985
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PHOTOREVIEW
B LUE NN

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PHOTOREVIEW
B LUE NN

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PHOTOREVIEW
DAVID F RUTOS EGEA

PHOTOREVIEW
DAVID F RUTOS EGEA
David Frutos Egea was born in 1974, in Murcia in the southeast of Spain
and he is so interested in the photography from 2008.
He loves the nature, especially the Mediterranean coast where he lives now.
He graduated in Education from the University of Murcia in 1996 and in 2014
graduated in Image by Ramon y Cajal Institute.
He uses long exposure techniques for the Fine Art work and landscape. His
photographs have been published in print and digital media of recognized
national and international prestige such as Naturaleza Salvaje, La Naturaleza
Habla LNH, Canonikos, El Paisaje Perfecto, Stark-Magazine, eZine by Nathan
Wirh, Andrew S. Gibson, BLACK Magazin, B&W Minimalism Magazine, We-
Photo Magazine, LMF...
Member of http://www.portfolionatural.com
WEB
www.davidfrutos.net
www.facebook.com/profile.php?id=100008842272586
Twitter: @DavidFrutosEgea
www.instagram.com/davidfrutosphoto
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PHOTOREVIEW
DAVID F RUTOS EGEA
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PHOTOREVIEW
DAVID F RUTOS EGEA
EXHIBITIONS
"PICTIO, En Compañía de la Pintura" - 2017 / 2018...
Collective Exhibition of Portfolionatural.com
"International Photography Contest Agriculture & Water of Villena".
2015
Collective exhibition on the occasion of being among the winners photographers.
"II National Photography Contest Ciudad de Orihuela". 2015
Collective exhibition on the occasion of being among the winners photographers.
"IPA International Photography Awards 2013"
Collective exhibition on the occasion of being among the winners photographers.
"PX3 2013 Prix de la Photographie de Paris"
Collective exhibition on the occasion of being among the winners photographers.
"Squares"
Cafetería CACHEMIR
Paseo Siena. Bajo nº17 (paralela a la Av./ Venecia)
Poligono de Santa Ana
Cartagena (Murcia)
From 11 March 2011 to 30 March 2012
"I Premio de fotografía APE"
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Centro Cultural Infanta Elena de Alcantarilla
From 15 June 2011 to 30 June 2011
"VI Concurso de Puertos y Litoral de la Región de Murcia"
Collective exhibition
AWARDS
2018
“MontPhoto 2018” - Honorable Mention in LANDSCAPES.
“Narava 2018” - 3er Prize in LANDSCAPES.
“Siena International Photography Awards 2018” - Finalist.
“Oasis Photo Contest 2018” - Finalist in RAW and OPEN Categories.
“Moscow International Foto Awards 2018” - 1st Prize in NATURE: Seasons.
“Moscow International Foto Awards 2018” - Honorable Mention in NATURE: Trees.
“Tokio International Foto Awards 2017” - 1st Prize in NATURE: LANDSCAPES.
“Tokio International Foto Awards 2017” - 2nd Prize in NATURE: SEASONS.
“Tokio International Foto Awards 2017” - Honorable Mention in NATURE.
“Tokio International Foto Awards 2017” - Honorable Mention in NATURE: Trees.
“X Photo Contest UNED - Cartagena: Romanticism, melancholy, death and ethernal
rest” - 3th Prize.
“11th International Color Awards” - Honorable Mention in NATURE.
“International Photographer of the Year 2017” - Honorable Mention in NATURE: Trees.
2017
“XI Memorial Climent Picornell” - 1st and 2nd Prize in ART IN THE NATURE.
“Gipuzkoa International Trophy 2017” - FIAP Honourable Mention in COLOR: Free
Category.

“ND Awards 2017” - 2 Honorable Mentions in NATURE: Trees.
“ND Awards 2017” - Honorable Mention in LANDSCAPE Category.
“International Photography Awards 2017” - 2nd Prize in NATURE: SEASONS.
“Monovisions International Photography Awards 2017” - Honorable Mention in LAND-
SCAPE Category.
“World Enviromental Day WED 2017” - 2nd Prize.
“FAPA Fine Art International Photography Awards 2017” - Honorable Mention in
LANDSCAPE Category”.
“Photocontest LMF 2017” - 2nd Prize in LANDSCAPE Category.
“Photocontest LMF 2017” - 2nd Prize in PEOPLE Category.
“Photography Contest Portfolio Natural 2016” - 1st and 2nd Prizes.
2016
“IPA International Photography Awards 2016” - 3 Honorable Mentions in NATURE:
LANDSCAPES.
“IPA International Photography Awards 2016” - Honorable Mention in NATURE: SUN-
SETS/SUNRISES.
“MML2016 - XXVI Photocontest Memorial Maria Luisa of Photography, Mountain,
Nature and Adventure” - Finalist - VEGETABLE WORLD.
2015
“I International Contest of Photography Agriculture & Water Villena City” - 5th Prize.
“II National Photography Contest Orihuela City” - Finalist.
2013
“IPA International Photography Awards 2013” - 1st Prize in Catergory NATURE: SUN-
SETS/SUNRISES.
“IPA International Photography Awards 2013” - 2 Honorable Mentions in FINE ART:
LANDSCAPE.
“IPA International Photography Awards 2013” - 2 Honorable Mentions in NATURE:
LANDSCAPE.
“IPA International Photography Awards 2013” - 2 Honorable Mention in NATURE:
TREES.
“IPA International Photography Awards 2013” - Honorable Mention in NATURE:
FLOWERS.
“IPA International Photography Awards 2013” - Honorable Mention in NATURE:
SUNSET/SUNRISES.
“PX3 Prix De La Photographie Paris 2013” - 1st Prize in NATURE: TREES.
“PX3 Prix De La Photographie Paris 2013” - 2nd Prize in NATURE.
2011
“IPA 2011 - International Photography Awards 2011” - Honorable Mention.
“I National Contest of Photography APE” - 1st Prize.
“PX3 Prix De La Photographie Paris 2011” - Finalist.
2010
“VI Contest Ports and Beachs of Murcia” - Honorable Mention.
111

PHOTOREVIEW
JESPER KRIJGSMAN

PHOTOREVIEW
JESPER KRIJGSMAN
WONDROUS WILDERNESS / SUPERNATURAL / DIGITAL DAYDREAMS
The work of Zürich-based Dutch artist and designer Jesper Krijgsman has a classical
sensibility: Lush and colorful compositions of an arcadian world one would
encounter in a dream. The artist invites you to step out of our fast-paced and
modern society and into a land where nature’s diversity is celebrated, and mystical
qualities are amplified.
Although his natural scenes are fictional, a sense of realism is added through a
certain attention to detail. Instead of traditional painting, the artist digitally combines
his hundreds of single photographs taken of plants, animals and textures to
build his paradisiacal collages. By utilizing exclusively elements gathered from our
natural world, the artist hopes to revive a sense of enchantment and appreciation
for our environment.
WEB
www.jesperkrijgsman.com
www.facebook.com/studiojesperkrijgsman
www.instagram.com/jesper.krijgsman
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PHOTOREVIEW
JESPER KRIJGSMAN
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PHOTOREVIEW
JESPER KRIJGSMAN
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PHOTOREVIEW
GERASIMOS PLATANAS

Gerasimos Platanas is a self-taught photographer born in Corfu, Greece (1982). Started
photography in 2007 and he uses a digital camera for his creation. At the 2011-2012 he
participated in semester course for analogue photography in Fondazione Studio Marangoni,
in Florence Italy.
His photography has been featured in several publications, including Eyemazing Susan,
Sarmad Magazine, Adore Noir Magazine, Blur Magazine, Unvael Journal, Woven Tale Press,
B&W Minimalism Magazine.
PHOTOREVIEW
GERASIMOS PLATANAS
Also, he has collaborated with several experimental bands for art covers like Art Zoyd.
PORTRAITS (2012-2017)
These works can especially focus on texture and its inherent emotional qualities, the way a
visual pattern can intrigue, repulse, stimulate. But interestingly, in this series, you will find
a shift in focus from that sharp clarity to a greater ambiguity—with a greater play on shadows
and silhouettes, and most uncharacteristically perhaps, the blurring of an image. And
indeed, you will find here not only that signature darkness but also crisp imagery, especially
in some exquisite “portraits” of the reflected in broken mirrors or glass.
Platanas here achieves a different kind of tension: the subject itself is not so much seen
clearly as merely implied, something grand and phantasmic captured mid-blink. Some of
these images are so obscured, they venture entirely into the abstract.”
- by August Smith
WEB
www.gerasimosplatanas.com
www.instagram.com/gerasimos_platanas
CONTACT
Email : gerasimosplatanas@gmail.com
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Portrait of Valerie Kabis

Self Portait
123

PHOTOREVIEW
GERASIMOS PLATANAS
Self portrait series
124

PHOTOREVIEW
GERASIMOS PLATANAS
Portrait of Valerie Kabis
Portrait of Valerie Kabis
126

Self Portrait with Valerie Kabis
Self Portrait
127

PHOTOREVIEW
ALEXANDER SCHÖNBERG
Am Kaiserkai

PHOTOREVIEW
ALEXANDER SCHÖNBERG
Alexander Schönberg was born in 1979 in Orenburg (Russia), is the second son in a German
family. In 1994, his family moved to Germany, and since 2000, Alexander lives in
Hamburg.
In my childhood I discovered an interest in painting and music. From the youthful age for
fifteen years he was engaged in music and later writing lyrics, until in October 2015 he
came to a photo on the doctor’s recommendation “just to walk more”. After an hour he held
his first camera in his hands.
- Thanks to photography, I had the opportunity to capture my personal point of view on the
scenes and objects of everyday life, so she quickly became the medium of my communication
with the world.
- It became necessary for me to convey my feelings and ideas through my photos to other
people. The very process of photographing, as well as the variety of reviews for individual
works, are for me the most attractive aspect of my work.
- I do not like to work in a certain style and do not limit myself in my work, but think a lot
more in projects, trying to make my pictures as timeless as possible. So it was in the last 2
years, among other things, a project of mine to bring the most beautiful bridges in Hamburg
to an illustrated book, currently there is only one copy of this book “The Bridges of Hamburg”
at whitewall store in Hamburg to win, what then I do not know yet. Another project is
called “smoking [f] aces” and deals with the theme of a portrait with cool, smoking people
on it, and beyond that, I love to portray the children. I enjoy working with people and people
usually play a central role in my work, it is important for me that a model has character
and charisma and does not necessarily look nice. I love to travel and of course, my camera
should not be missing, trying to keep the street scenes of everyday life.
WEB
www.alexander-schoenberg.de
1x.com/member/alexschoenberg
www.instagram.com/alexander_schoenberg
www.instagram.com/alexander_schoenberg_portrait
www.facebook.com/alex.schonberg.14
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Alte Harburger Elbbrücke
Kibbelsteg
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PHOTOREVIEW
ALEXANDER SCHÖNBERG

Series: “Smoking faces”
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PHOTOREVIEW
ALEXANDER SCHÖNBERG
134
the great escape

X
urban melancholy
135

PHOTOREVIEW
VALERIE KABIS

Dripping Eternity

PHOTOREVIEW
VALERIE KABIS
The photograph began with words. There were diaries, notes, attempts to express what
I’ve seen, the images I tried to internalize. The feelings of colourful days and night visions,
some emotion that got stuck in my memory or a face of a stranger passing me by on
the street, a lonely cloud in the sky, a reflection of some ruins in a puddle, everything around
me that one way or another would make its way to my consciousness or would simply stun
me with its beauty required another medium of articulation.
With time, the words would go out of their own context. it became increasingly harder to
pronounce the exact feelings with only letters and to achieve this with an optimal meaning of
the word. That’s how the first images appeared. It was still a diary, but a visual one instead.
I often focus on the details of my subjects; be it an object, dust, raindrops on my window or
a person from a different, still unexplored angle that presents itself to me or perhaps for me.
My photographs are particles of my own essence, of how I see my surroundings, hidden from
sight and immediate recognition. These images are visualizations of how the world reflects
on me and how I reflect in it in return. The ambiance and I are paying each other with the
same coin, It gives me the ability to create and it shapes me instead. This is a network of
2 substances, constantly inspiring one another. Yet another aim at slowing down for just an
instant, fixating the moment.
WEB
www.vkabis.com
www.instagram.com/valeriekabis
www.facebook.com/vkabis
Email – vitrioll@gmail.com
endless tides
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PHOTOREVIEW
VALERIE KABIS
Star Autopsy
140

Space is the Place
Same Deep Water as You

PHOTOREVIEW
VALERIE KABIS
Broken Power Of Word
142

Ra Obscurity

PHOTOREVIEW
BERND GROSSECK

PHOTOREVIEW
BERND GROSSECK
My name is Bernd Grosseck, born in 1967. I have taken photographs since the age of
14. In recent years I found my vision for my photographic journey. Now I express
my idea with “minimal scenery” images. My main photographic interests lie in minimalist
landscape photography, urban still-lifes and street photography.
Our world, our life is highly complex and dynamic. So, I appreciate the photography,
the tranquillity of nature as an antithesis to the at times hectic daily life. Photography
makes me look at things in much closer details. This “intensive” viewing and the pleasure
of taking the results of my motif search home with me, along with spending quality
time outside are essential for me to, also to fulfil my passion for photography and for
my creative mind.
Viewing my images should be an act of looking through a frame with minimal elements,
excluding all the noise. I prefer a simple, clear picture language, radically reducing it to
a minimum.
Many of my photos were taken in my local area. I prefer “slow travelling “with my camera,
sometimes only just for a few hours near the place where I am living. „Slow-travelling
“allows me to get a stronger connection to the places I am visiting or to explore
natural locations in my environment. So often it doesn´t take much, not a far trip to
realise my vision of photography. I find interesting motives to show the „unknown inside
the well-known “, usually by walking in nature or driving slowly on narrow streets.
WEB:
www.bildausschnitte.at or www.minimalscenery.com
www.instagram.com/bildausschnitte.at
www.facebook.com/bildausschnitte
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PHOTOREVIEW
BERND GROSSECK
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BERND GROSSECK

151

eye
C atching - M oments
At EYE-Photo Magazine, we
champion the idea that photos
need space and that they should
speak for themselves.
That's why you will find hardly any
text in our column "EYE-Catching
Moments" but the more pictures!
In our monthly issues, we present
a cross-section, a selection from
the submitted photographs in our
Facebook photo group.
Our online editors, Helena Costa,
Thomas Füngerlings, and
Markus Brandstetter, nominate
the best photos for publication,
regardless of their photographic
genre.
In this issue, we present the selection
of the month December.
On almost 100 pages you can see
pictures of over 40 photographers
from all over the world.
As COVER PHOTO for our column,
our editors chose this time
the photo of MARTA SOTNIK ©
Enjoy browsing!
Visit or join our Facebook photo
group:
www.facebook.com/groups/eyephotomagazineeditorschoice
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MARTA SOTNIK ©

EYE
CATCHING
MOMENTS
JOSE SILVA PINTO ©,
pictures with people inside..._______________
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EYE
CATCHING
MOMENTS
IONUT LUNGU ©, Search of meaning________________________________
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EYE
CATCHING
MOMENTS
YVES SABROU ©, Phénix__________________________________________
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CATCHING
MOMENTS
CHRIS FRAIKIN ©, Houten_XIV_____________
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CATCHING
MOMENTS
DRAGOS IONEANU © ____________________________________________
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CATCHING
MOMENTS
RICHARD KESHEN ©, Sugar Beach in Winter...
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CATCHING
MOMENTS
MARTA LITYŃSKA ©
CREDENTIAL
Photographer: Kreator Piękna - wizaż i fotografia
Model: Katarzyna Markiewicz
MUA: i-makeup.pl____________________________________________________________
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CATCHING
MOMENTS
PAVLINA LUUNA ©
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MOMENTS
VICENTE MUÑOZ ROMERO ©, Lavender fields
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MOMENTS
JOSÉ ANTOINE COSTA ©, Already exists in your mind
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MASSIMILIANO MARCOCCIA ©, Model Serena Bungaro
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MOMENTS
DANIEL CASTONGUAY ©, see you__________________________________
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CATCHING
MOMENTS
TERESA GALLIANO - TERKUS PHOTOGRAPHY ©
Sunset at Walchensee Germany ____________________________________
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CATCHING
MOMENTS
HEIKE SKAMPER ©, The Barber. Hanoi, Vietnam
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CATCHING
MOMENTS
LAURENCE
KLER ©,
Rose
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CATCHING
MOMENTS
PEDRO QUINTELA ©, Future Memories______________________________
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CATCHING
MOMENTS
ALVIS KHONG ©, Hydrant man, Hong Kong__________________
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CATCHING
MOMENTS
MARTA SOTNIK ©
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MOMENTS
ERHAN KALKANDELEN ©_________________________________________
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MOMENTS
ASLAN SARIZEYBEK ©
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MOMENTS
STEPHANE NAVAILLES ©
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MOMENTS
PARISSOUSA PH ©, Volando en el agua
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CATCHING
MOMENTS
PARISSOUSA PH ©, El ensayo de Cuttica
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KARL SCHIFFMAN ©, China Bath group
EYE
CATCHING
MOMENTS
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MOMENTS
LILIAN FRAGA ©
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CATCHING
MOMENTS
BATSCEBA HARDY ©, synchronicity_________________________________
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MOMENTS
MACIEJ KONOPKA ©___________________
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CATCHING
MOMENTS
CHARLOTTE PARENTEAU-DENOEL ©
Refreshment 2.0__________________________
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CATCHING
MOMENTS
UWE MOCHEL ©, neue Sichtweisen - irgendwo in D
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MOMENTS
JIM GRAHAM ©, Cloghan Point study________________________
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MOMENTS
BOGUSŁAW NABOŻNY ©, fingers_______________
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CATCHING
MOMENTS
DOMINIK HAJDER
Real witch in DeHa cave
DeHa Photography
mod: Effy Moon
www.facebook.com/EffyMoonModel/____________________________
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CATCHING
MOMENTS
NUNO ANDRADE ©, walking time
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MOMENTS
NICOLE ILBERTZ ©
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CATCHING
MOMENTS
WIOLA BRONOWSKA ©,
Model: Karina Kubiak_______________

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CATCHING
MOMENTS
OLAVO AZEVEDO ©, Light corner__________________________________
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MOMENTS
MARCO MALJAARS ©, Together____________
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AITOR ARANA ARRUTI ©, Our fears________________________________
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FERNANDO ESCRIVÁ © _________________________________________
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ZARKO KULJANIN ©
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MAGDA FULGER ©
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VICTOR BORST ©, closer
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MOMENTS
KRISTÝNA LEVIN ©, Model: Karolína Trávničková _____________________
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CATCHING
MOMENTS
FRANCESCO BONARDI ®, Winter 2019
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MOMENTS
GORAN BORICIC ©, foggy morning_________________________________
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CATCHING
MOMENTS
LORENZO CHACON DE GUINASU © ________________________________
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CATCHING
MOMENTS
FRANKY BØY ®
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CATCHING
MOMENTS
JÜRGEN LUGER ®
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MOMENTS
GRACE HO PUI WAN ®, rush
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MOMENTS
PATRICIA KERKHOFS ®
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MOMENTS
KMON NGUYEN ©, sai gon
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MOMENTS
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WOLFGANG GANGL ©

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CATCHING
MOMENTS
MARÍA TUDELA BERMÚDEZ ©
almas grises y luna_____________
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INDEX
ARTIST INDEX
ARTIST
The index is sorted chronologically according to the submitted date of the pictures and not in alphabetical order!
• Jose Silva Pinto www.facebook.com/jose.silvapinto.1
• Ionut Lungu www.facebook.com/canonistul
• Yves Sabrou www.facebook.com/yves.sabrou.photograff
• Chris Fraikin www.facebook.com/chris.fraikin
• Dragos Ioneanu www.facebook.com/dioneanu
• Richard Keshen www.facebook.com/richard.keshen
• Marta Lityńska www.facebook.com/martasarablanka
• Pavlina Luuna www.facebook.com/luuna.s
• Vicente Muñoz Romero www.facebook.com/vicente.munoz.167
• José Antoine Costa www.facebook.com/jose.antoine.costa
• Massimiliano Marcoccia www.facebook.com/massimilianomarcoccia
• Daniel Castonguay www.facebook.com/daniel.castonguay.165
• Teresa Galliano, Terkus Photography www.facebook.com/teresa.galliano.11
• Heike Skamper www.facebook.com/heike.skamper
• Laurence Kler www.facebook.com/laurrenc
• Pedro Quintela www.facebook.com/pedro.quintela.3
• Alvis Khong www.facebook.com/iamalviskhong
• Marta Sotnik www.facebook.com/marta.sotnik.96
• Erhan Kalkandelen www.facebook.com/profile.php?id=744970948
• Aslan Sarızeybek www.facebook.com/AslanSARIZEYBEK
• Stephane Navailles www.facebook.com/profile.php?id=100009279390584
• Parissousa Ph www.facebook.com/profile.php?id=100009049475315
• Karl Schiffman www.facebook.com/karl.schiffman
• Lilian Fraga www.facebook.com/fragalilian
• Batsceba Hardy www.facebook.com/batsceba.hardy
• Maciej Konopka www.facebook.com/profile.php?id=100005625317012
• Charlotte Parenteau-Denoel www.facebook.com/charlotte.parenteau
260

INDEX
ARTIST INDEX
ARTIST
• Uwe Mochel www.facebook.com/profile.php?id=100010708637222
• Jim Graham www.facebook.com/jim.graham.3114
• Bogusław Nabożny www.facebook.com/profile.php?id=100000919921201
• Dominik Hajder www.facebook.com/DeHaPhotography/
• Nuno Andrade www.facebook.com/nuno.andrade.779
• Nicole Ilbertz www.facebook.com/nicole.ilbertz
• Wiola Bronowska www.facebook.com/Wiola-Bronowska-photogra
phy-282321035178524
• Olavo Azevedo www.facebook.com/olavo.azevedo.1
• Marco Maljaars www.facebook.com/19marco75
• Aitor Arana Arruti www.facebook.com/aitor.aranaarruti
• Fernando Escrivá www.facebook.com/fernando.escriva.3
• Zarko Kuljanin www.facebook.com/zarko.kuljanin.7
• Magda Fulger www.facebook.com/magda.fulger
• Victor Borst www.facebook.com/victor.borst
• Kristýna Levin www.facebook.com/DarkArt.photo
• Francesco Bonardi www.facebook.com/francesco.bonardi.18
• Goran Boricic www.facebook.com/apartmani.hercegnovi.3
• Lorenzo Chacon de Guinasu www.facebook.com/LorenzoChacondeGinasu
• Frank Meffert Franky Bøy www.facebook.com/houserockr
• Jürgen Luger www.facebook.com/jurgen.luger.5
• Grace Ho Pui Wan www.facebook.com/hopuiwan
• Patricia Kerkhofs www.facebook.com/patricia.kerkhofs
• Kmon Nguyen www.facebook.com/kmonnguyen
• Wolfgang Gangl www.facebook.com/wolfgangganglphotography
• María Tudela Bermúdez www.facebook.com/mariatudelafotos
EYE-Photo Magazine is an independent, online magazine, providing a platform to talented and enthusiastic photographers from all over the world to present
their work, regardless of their genre, to an international readership. All images and text, published in EYE-Photo Magazine are the sole property of
the featured authors and artists and subject to copyright! EYE-Photo Magazine shall not be liable for the content, quality, relevance or accuracy of any
materials used in this issue. Without written permission of its legal owner, no photo or text can be reproduced, edited, copied or distributed in any form.
EYE-Photo Magazine © - all rights reserved
www.eye-photomagazine.com
office@eye-photomagazine.com
261

Francesca Piqueras
movimento
EXHIBITION AT THE GALERIE DE L’EUROPE
55, rue de Seine – Paris 75006 – FRANCE
February 18 - March 31 2019

FRANCESCA PIQUERAS
EXHIBITION AT THE GALERIE DE L’EUROPE
55, rue de Seine – Paris 75006 – FRANCE
February 18 - March 31 2019
« MOVIMENTO »
« My approach is unusual, and my vision deeply personal.
It is true that I do not satisfy myself with a mere record of reality.
I intend to transfigure it and enhance its aesthetical, emotional and artistic dimension.
I use shapes, shadows and light not only to show but to make feel.
I do not judge mankind’s madness.
I look deep into it and glimpse the shadow of my own soul.
I watch the scars, the gashes inscribed in our landscape.
They tell and write our history.
These wounds remind me that every act bears its backlash.
Which can be violent, but soul-stirring too.
And awareness even worst ».
Francesca Piqueras

Francesca Piqueras knows how to grasp the subtle nuances between balance and unbalance,
between order and entropy. In « Movimento », her newest work, she combines her vision of
the marble quarries in Carrara (Tuscany) and the massive release of water of the Chinese
dams over the Yellow River in diptychs and single photographs. The clash of stillness and
motion, of stone and the watery element is consistent with her artistic focus, and she keeps
transcending the wounds made to nature by humanity capable of both creation and chaos into
an almost surreal interpretation, a visual scenography. Her photographs bear a metaphysical
meaning, almost a prophecy. If matter crumbles and dilutes itself, if it bears the traces of the
passing of humankind, it is to better accentuate its possible metamorphosis, in a re-creation
independent from the laws of nature and the hand of man.
In this spontaneous geometry, elements, whether fluid or solid, frame a universe both oneiric
and real, indifferent to our existence, a creative process out of the scope of our understanding
of the order of the world, be it natural or human. In this very parallel existence that Francesca
Piqueras choose to explore, she revisits our times, and reinterprets the concept of Anthropocene
as an anthropo-scene, a metatheater where time itself loses controls and jams, accelerates
the past and compresses the future. A time of relentless progress grinding and choking
blindly rock, water and people. In this brutal transmutation which highlights the fragility of our
human condition, Francesca Piqueras strongly expresses the bizarre, timeless but fundamentally
contemporary aesthetics of archaeology of our present.
Joël Halioua

FRANCESCA PIQUERAS
EXHIBITION AT THE GALERIE DE L’EUROPE
55, rue de Seine – Paris 75006 – FRANCE
February 18 - March 31 2019
« MOVIMENTO »
BIOGRAPHY
Francesca Piqueras is a French fine art photographer born in Milan (Italy). Both her parents were
artists, and she took photography when she was 13. After studying Fine Arts and Cinema, she
worked in the movies industry as an editor, then decided to answer her call. Her journey started
in 2007 and took her to Bangladesh, Mauritania, Scotland, England, Peru, Cape-Verde, France,
Argentina, Siberia, Italy and China, so far. Her work highlights the paradox of an industrial world
gone mad. Her inner exploration of a post-industrial world littered with rusting and decaying
man-made structures reveals the brutal splendour of gigantic steel constructions - offshore
platforms, shipwrecks, warlike forts - soon forgotten in the open sea, or stranded for a trip of
no return on a forlorn beach. Each of her exhibitions, which grace the walls of the prestigious
Galerie de l’Europe in Paris, echoes the constant struggle of man’s mind against the elements,
the never-ending battle.
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EYE-Photo Magazine is an independent, online magazine, providing a platform
to talented and enthusiastic photographers from all over the world to
present their work, regardless of their genre, to an international readership.
All images and text, published in EYE-Photo Magazine are the sole property of
the featured authors and artists and subject to copyright! EYE-Photo Magazine
shall not be liable for the content, quality, relevance or accuracy of any materials
used in this issue.
Without written permission of its legal owner, no photo or text
can be reproduced, edited, copied or distributed in any form.
EYE-Photo Magazine © - all rights reserved

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