EYE-Photo Magazine, Issue #01, January 2019
EYE-Photo Magazine is the Club Magazine of EYE-Photo Club, a registered cultural association. The non-profit organisation providing a platform for talented and enthusiastic photographers to present their work to an international readership since 2013. www.eye-photomagazine.com contact: office(at)eye-photomagazine(dot)com
EYE-Photo Magazine is the Club Magazine of EYE-Photo Club, a registered cultural association. The non-profit organisation providing a platform for talented and enthusiastic photographers to present their work to an international readership since 2013.
www.eye-photomagazine.com
contact: office(at)eye-photomagazine(dot)com
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ANALOGUE HEARTS<br />
by Nikita Stupin<br />
You should try to completely exclude viewing of captured frames. During the interaction with the camera, you<br />
are fully focused on what is here and now, at all that is in the past, you should look at home. Learn to trust<br />
yourself, the settings on your camera and your guts. Forget about the screen!<br />
Rule 3<br />
Plan, plan and plan again.<br />
Always put concrete and a clear plan of the shooting day. My main attribute along with the camera has always<br />
been and will be a small black notebook that inextricably follows me wherever I go with my camera. Before going<br />
on the hunt, in the days of preparation for work, I prescribe how many frames and what specifically I want<br />
to shoot. For example: Faces of people, close - 10, details of walls - 10, architecture - 5, etc. You can structure<br />
your plan as you want, make it detailed or general, whatever! The plan will allow you to perform your actions<br />
clearly and consciously, and it will also not allow you to forget about adhering to the rule number one.<br />
Rule 4<br />
Wait.<br />
Haste is the enemy of Street <strong>Photo</strong>graphy. Wait. Watch and wait for exactly the moment in which you see your<br />
idea, through which the previously written plan will realize your success. Remember - there is no hurry, be patient<br />
and wait for your “Decisive Moment”.<br />
“Your eye must see a composition or an expression that life itself offers you, and you must<br />
know with intuition when to click the camera.”<br />
Henri Cartier-Bresson<br />
Let’s love the art that allowed us to freely express ourselves and treat with respect to every frame that gives our<br />
genius a chance to live forever.<br />
- - -<br />
NIKITA STUPIN - Russian-Canadian photographer. Founder of a creative street photography crew “Moustache<br />
& Glasses”. Adept of the classical Straight <strong>Photo</strong>graphy style. Behind the back of the photographer are<br />
more than 25 exhibitions, both in Russia, and in North America and the USA. Besides international venues, Nikita<br />
Stupin’s exhibitions have gone over with success on “Red October”, in Fotoloft Gallery at Winery, Artplay gallery<br />
and other art platforms in Moscow.<br />
At the heart of his thin insight and unique approach to work not only his talent, but also his degree in the field<br />
of clinical psychiatry.<br />
Nikita is the member of the Russian <strong>Photo</strong> Union, an international organization of photographers of Group 7, the<br />
teacher of faculty of the photo of Institute of Arts Education (Moscow), Toronto Film School (Canada) and MOM-<br />
MA (Moscow). Member of the international organization Fujifilm X-<strong>Photo</strong>graphers, ambassador of the Fujifilm<br />
company. The author of multiple publications on the Street photo and a phenomenon of Straight <strong>Photo</strong>graphy,<br />
and also author’s own technique of “contactless shooting”.<br />
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