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NZPhotographer Issue 19, May 2019

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

As of December 2022, NZPhotographer magazine is only available when you purchase an annual or monthly subscription via the NZP website. Find out more: www.nzphotographer.nz

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My belief is that an image being<br />

‘Instagram-worthy’ takes away the<br />

pure enjoyment of photography as<br />

people follow popular and modern<br />

trends in order to get likes rather<br />

than taking photos to capture<br />

moments, record history, and<br />

express their views.<br />

It is great to be inspired by other<br />

photographers or artists work that<br />

we admire and try to achieve<br />

the same level in our own work,<br />

but there is something wrong with<br />

replicating someone’s work or style<br />

just for the sake of it getting lots of<br />

attention on social media.<br />

Since I’m a huge fan of breaking<br />

the rules (from a creative point<br />

of view obviously!) I always try<br />

to consciously do something<br />

“wrong” when taking a photo<br />

whilst still making it look good.<br />

Subconsciously it is quite hard to<br />

do since (no matter whether you<br />

are a self-taught photographer or<br />

have a degree in photography)<br />

your mind knows you have<br />

some general rules to follow in<br />

photography e.g. the rule of thirds.<br />

Even our team of photo reviewers<br />

at Excio recommend following the<br />

rules in most cases as you can read<br />

on our blog but I decided to look<br />

at suggestions of when and how<br />

it’s ok to break the rules, being the<br />

creative rebel that I am!<br />

THE RULE OF THIRDS<br />

We’re told to have 1/3 sky and<br />

2/3 land or 2/3 sky and 1/3 land<br />

and to position the subject on<br />

the intersection of “invisible lines”<br />

horizontally and vertically not<br />

in the centre. Breaking the rule<br />

means capturing the moment,<br />

capturing emotions, experimenting<br />

with composition, and putting the<br />

subject in the centre of the frame<br />

when it feels right.<br />

THE HISTOGRAM<br />

We’re told to check the histogram<br />

so as to check the light and<br />

exposure before taking the photo.<br />

We’re told to bracket so as to<br />

get all the lights and all the darks<br />

perfectly captured. Breaking the<br />

rule means trying purposefully<br />

to overexpose/underexpose to<br />

create a fine art piece. Experiment<br />

with the light, shoot against the<br />

light, challenge yourself to shoot<br />

at the brightest time of day with<br />

direct sunlight and see how you<br />

can break the rules whilst creating<br />

an image that works.<br />

THE HORIZON LINE<br />

This is the first thing we get told to<br />

fix on an image when our horizon<br />

is tilting to one side but it is possible<br />

to break the rule and create your<br />

own horizons on purpose. I recently<br />

learned about the ‘Dutch Angle’<br />

thanks to our photo reviews on<br />

the blog and is something I’m now<br />

trying to experiment with.<br />

USE A TRIPOD – AVOID<br />

CAMERA SHAKE<br />

Sure, most of the time we want<br />

sharp images, but what about<br />

breaking the rule and jumping up<br />

and down or spinning around with<br />

the shutter open to purposefully<br />

create blurred, out of focus<br />

photos? This is how we create art!<br />

As long as they captured what you<br />

wanted to tell and they tell your<br />

story as you see it, go for it!<br />

FILL THE FRAME – FOCUS ON<br />

THE CENTRE OF INTEREST<br />

Here comes a great piece of<br />

advice from Abraham Maslow on<br />

how to break this rule... “Enlarge<br />

the object. Or, squint at it so you<br />

see only general outlines. Or, gaze<br />

at it from unexpected angles,<br />

such as upside down. Look at the<br />

object reflected in a mirror. Put<br />

it in unexpected backgrounds…<br />

or through unusual colour filters.<br />

Gaze at it for a very long time.<br />

Gaze while free-associating or<br />

daydreaming.” His main theory is<br />

that by framing the object, you<br />

cut it away from its surroundings<br />

and, thereby, from common<br />

“perceptions, expectations and<br />

theories of how it should look.”<br />

So, next time you go out with your<br />

camera with the main goal of<br />

taking that perfect shot to post<br />

on social media for everyone’s<br />

approval, stop!<br />

You put a lot of stress on yourself<br />

by wanting the ‘perfect’ shot and<br />

if (when) something doesn’t go<br />

as planned or as good as you’d<br />

hoped you can quickly lose your<br />

motivation for taking photos.<br />

If you just go out for a walk without<br />

planning or expecting anything,<br />

but have your camera ready to<br />

capture whatever is awaiting<br />

you in the big world, you will see<br />

that the magic starts to happen!<br />

Let your passion and creativity<br />

shine through without following<br />

the crowd of ‘Instagram-worthy’<br />

photographers.<br />

<strong>May</strong> 20<strong>19</strong><br />

53

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