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Transitions Catalogue Digital Edition

Accompanying Catalogue to Transitions: Seen Unseen Exhibition

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Labyrinth<br />

Limited <strong>Edition</strong> Book, Plaistow<br />

26cm x 52cm<br />

2014<br />

In 2013 Mark Wallinger, was commissioned to make a major new artwork for<br />

London Underground to celebrate its 150th anniversary. Wallinger created 270<br />

individual artworks, one for each station on the network, each one bearing its own<br />

unique circular labyrinth, but with the design echoing the Tubes existing and very<br />

familiar Roundel logo. Each Labyrinth is rendered in bold black, white and red<br />

graphics, the artworks are produced in vitreous enamel, a material used for signs<br />

throughout the London Underground network. At the entrance of each Labyrinth a<br />

red X is marked inviting the viewer to start their journey tracing their finger within<br />

the raised walls of the labyrinth through a single path, to the centre and back out<br />

again mirroring the tube traveller’s own journey.<br />

Labyrinth - A Journey Through London’s Underground is a record of Mark Wallinger’s<br />

commission, documenting each labyrinth created in situ. The book also serves as a<br />

celebration of the London Underground and of London itself, recording the diverse<br />

face and fabric of the network and its users, in photographs while informing the<br />

reader of the individual histories of each station.<br />

Mark Wallinger<br />

Mark Wallinger is a British artist widely known for his design for the Fourth Plinth of<br />

Trafalgar Square in London, Ecce Homo (1999), a statue of a bound Christ. Wallinger<br />

trained at the Chelsea School of Art and went on to study at Goldsmith’s College<br />

in London, where her became involve with the Young British Artists movement. In<br />

2007, he was won the Turner Prize for “State Britain”, a pile of banners and toys<br />

placed outside the Houses of Parliament in protest against the war in Iraq. His work<br />

is currently held in the collections of the Tate Gallery in London, the Denver Art<br />

Museum, and the De Pont Museum of Contemporary in Tilburg, the Netherlands,<br />

among others. His work is seen as a social commentary and often focuses on class,<br />

royalty, nationalism and religion.

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