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Issue 69 - The Pilgrim - March 2018 - The newspaper of the Archdiocese of Southwark

The March 2018 issue of "The Pilgrim", the newspaper of the Archdiocese of Southwark

The March 2018 issue of "The Pilgrim", the newspaper of the Archdiocese of Southwark

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Feature<br />

<strong>The</strong> <strong>Pilgrim</strong> <strong>March</strong> <strong>2018</strong><br />

A pop band with a mes<br />

Cherrie and Hal at St Ursula’s<br />

Convent School in Greenwich.<br />

Cherrie Anderson, one half <strong>of</strong> <strong>the</strong> pop band Ooberfuse, from Woolwich, explains how her faith drives her music<br />

Ooberfuse is a musical<br />

collaboration between myself and<br />

Hal St John. Our music is inspired<br />

by our Catholic faith. We combine<br />

Eastern influences with<br />

contemporary Western pop,<br />

Ooberfuse is unafraid to deep-sea<br />

dive into <strong>the</strong> deepest oceans <strong>of</strong><br />

human emotions to colour-up drab<br />

contemporary life.<br />

Our songs are audio footprints left<br />

behind by people impelled towards<br />

invisible things. <strong>The</strong> band is driven<br />

by <strong>the</strong> conviction that music speaks<br />

from a place ordinarily foreclosed.<br />

That place is deeply buried and<br />

overlaid. But once it speaks its<br />

name transformations occur.<br />

Our journey as a band is one that<br />

is driven and marked by faith and<br />

hope. We never really fully know<br />

what lies ahead and so we step out<br />

in faith each time we are given<br />

opportunities to share our music.<br />

Through music we have been able<br />

to visit many places and meet<br />

people we would not ordinarily<br />

meet. As a band, it has been said<br />

that one <strong>of</strong> Ooberfuse’s strengths is<br />

our live performance, having played<br />

hundreds <strong>of</strong> gigs all over <strong>the</strong> world.<br />

In 2011 we played at World Youth<br />

Day in Madrid – in front <strong>of</strong> a live<br />

audience <strong>of</strong> two million, and in Rio<br />

de Janeiro, where we performed<br />

<strong>the</strong> <strong>of</strong>ficial English version <strong>of</strong> <strong>the</strong><br />

WYD an<strong>the</strong>m.<br />

We recently toured <strong>the</strong> UK’s top<br />

universities as part <strong>of</strong> a showcase<br />

curated by BBC Radio 1’s Huw<br />

Stephens. It was great to visit<br />

around 24 universities all over <strong>the</strong><br />

UK sharing our music with <strong>the</strong>m.<br />

One <strong>of</strong> our most memorable trips<br />

was when we travelled to nor<strong>the</strong>rn Iraq<br />

in 2015. We saw transformation most<br />

vividly in a displacement camp on<br />

<strong>the</strong> dusty plains <strong>of</strong> Nineveh. Isis,<br />

where months earlier had chased<br />

Mosul Christians from <strong>the</strong>ir homes.<br />

Hundreds and thousands <strong>of</strong> people<br />

were cowering in improvised tents with<br />

nothing <strong>of</strong> <strong>the</strong>ir former lives surviving.<br />

Ooberfuse took a<br />

message <strong>of</strong> hope<br />

to refugee camps<br />

in nor<strong>the</strong>rn Iraq.<br />

We stood in <strong>the</strong> midst <strong>of</strong> this<br />

human tragedy with a song <strong>of</strong> hope,<br />

a guitar and a battery-operated<br />

amplifier. Children, marked by<br />

terrible traumas, ga<strong>the</strong>red around,<br />

curious at who we were. Some<br />

looked on from a distance unsure;<br />

o<strong>the</strong>rs audaciously touched <strong>the</strong><br />

volume-controls <strong>of</strong> <strong>the</strong> amplifier.<br />

All had seen horrors too<br />

unspeakable to say. Yet <strong>the</strong>se<br />

horrors told <strong>the</strong>ir stories from <strong>the</strong><br />

hollowed eyes and wary glances that<br />

tracked our every move. <strong>The</strong><br />

moment <strong>the</strong> song began to play <strong>the</strong><br />

oppressive mood in <strong>the</strong> camp began<br />

gradually to lift, dispersing like<br />

darkened rain clouds.<br />

Children, curious at first, pulled<br />

<strong>the</strong>ir friends, baby bro<strong>the</strong>rs, older<br />

sisters, in closer. Faces drawn in<br />

suffering started to smile. Light<br />

flickered and <strong>the</strong>n shone out in<br />

overclouded eyes. For a brief<br />

moment hope rose up against <strong>the</strong><br />

odds to streng<strong>the</strong>n frightened hearts.<br />

We performed our song We are<br />

One. We also made a video <strong>of</strong> it at<br />

<strong>the</strong> UN’s Bakhira Camp and Mar Elia<br />

camp. <strong>The</strong> song features Archbishop<br />

Bashar Warda <strong>of</strong> Erbil reciting <strong>the</strong><br />

Lords Prayer in Aramaic.<br />

Our music aims for <strong>the</strong>se precious<br />

moments <strong>of</strong> transformation. When<br />

<strong>the</strong> ordinary is taken up into <strong>the</strong><br />

divine embrace <strong>the</strong>n magic happens.<br />

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