SPA042_Vorschau2-2019_englisch_web_hoch

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“.. but true art has a mind of its own, not allowing itself to be forced into flattering forms.“ (Ludwig van Beethoven, mid-March 1820 in a conversation book) Ludwig van Beethoven String Quartet op. 130 | Große Fuge op. 133 in B-flat major BÄRENREITER FACSIMILE 59 59 III | 11 47 – 51 59 New Issue Title New Publications II/2019 · The Programme 26
Facsimile of the autograph score held in the Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Moravské zemské muzeum, Badische Landesbibliothek, Biblioteka Jagiellońska, Bibliothèque nationale de France, Library of Congress. With a Commentary by Ulrich Konrad Documenta Musicologica II, 55 approx. 288 pages; half-leather binding ☞ BVK 2464 · approx. € 349.00 To appear in November 2019 “Unintelligible, like Chinese”, a contemporary Viennese critic remarked on the premiere of Ludwig van Beethoven’s Große Fuge op. 133 in March 1826. Before Beethoven penned a more concise finale, the Große Fuge concluded his String Quartet in B-flat major op. 130, a remarkable work in every sense of the word and one of the boldest of its time. With its six movements, it defies traditional form and today, it is regarded as a pinnacle among Beethoven’s late string quartets. After the composer’s death, the original manuscript suffered a strange fate. It was separated into movements and distributed to different owners. The parts of the autograph strewn across libraries in Europe and the United States have now been reunited in this facsimile edition for the first time in over 190 years. The facsimile is rendered in high-quality colour printing, reproducing the autograph in such detail that Beethoven’s correction process where he pasted over previous entries becomes evident. Without disturbing the bibliophilic overall impression, movement and measure numbers have been added to each page to facilitate usage. An Introduction by renowned musicologist Ulrich Konrad, winner of the Gottfried Wilhelm Leibniz Prize, elaborates on the work’s distinctive features and its history. • High-quality facsimile of Beethoven’s distinguished late work • All parts of the autograph score reunited for the first time in over 190 years • The fair copy of the final movement is the last great composition New Issue completed Title by Beethoven 27 New Publications II/2019 · The Programme
Page 1 and 2: Bärenreiter The Musicians’ Choic
Page 3 and 4: Contents Pocket Diary The Beethoven
Page 5 and 6: The Beethoven 2020 Diary NEW 2019 T
Page 7 and 8: Setting the New Standard The Beetho
Page 9 and 10: Beethoven: The Piano Sonatas Follow
Page 11 and 12: For Beethoven use Bärenreiter The
Page 13 and 14: Beethoven: Diabelli Variations Ludw
Page 15 and 16: Piano Already published: Franz Schu
Page 17 and 18: Piano Beethoven on tour Jean Kleeb:
Page 19 and 20: Strings from: BA 9014, volume I One
Page 21 and 22: Strings A Violin Sonata “come d
Page 23 and 24: Strings / Chamber Music from: Haas,
Page 25: Strings / Chamber Music Rehearsal n
Page 29 and 30: Strings Merry Christmas for Strings
Page 31 and 32: Orchestra The first Urtext edition
Page 33 and 34: Choir / Vocal Scores Johannes Brahm
Page 35 and 36: Choir We can provide you with every
Page 37 and 38: Choir / Choral Scores from: BA 2500
Page 39 and 40: Choir / Full Scores Further full sc
Page 41 and 42: Choir / Choral Scores New choral wo
Page 43 and 44: Opera / Vocal Scores Important voca
Page 45 and 46: Solo Voice Christoph Willibald Gluc
Page 47 and 48: Current works by Philipp Maintz ava
Page 49 and 50: Complete Editions New publications
Page 51 and 52: Promotional Material and Gifts NEW

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