Drawing Together
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14<br />
when people work with me. But othertimes I guess, people may<br />
not even realise they are having this inner conversation about our<br />
work because they are also busy with their day-to-day lives – but of<br />
course, that can always be brought into our conversation. It is not<br />
like our work (drawing) and everyday life are separate, divided. No<br />
I wouldn’t say that. Quite the opposite sometimes but you asked<br />
about the communication aspect of my work. I am not sure I see<br />
communication as the most important aspect of the divide. Maybe<br />
the divide is kind of like the surface of this work. Does that sound<br />
odd? I am not sure I am putting it very well, maybe I function or<br />
work in that gap between, and I draw people together in a sort of<br />
interaction, or multiple interactions. Communication may just be<br />
a small part of it.<br />
John: Can I ask about you about how you interact with others?<br />
<strong>Drawing</strong>: Do you mean artists and viewers or other drawings?<br />
John: Well, both I guess.<br />
<strong>Drawing</strong>: Well, it is never the same twice, so I would have to<br />
look at some of our drawings to answer that.<br />
John Hammersley<br />
September 2011
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