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malibusurfsidenews.com life & arts<br />
Malibu surfside news | July 11, 2019 | 19<br />
New exhibit pays homage to local landscapes<br />
Artists’ reception<br />
scheduled for this<br />
Saturday, July 13<br />
Barbara Burke, Freelance Reporter<br />
“The inspiration is endless,”<br />
stated artist Sandra Hall, whose oil<br />
on linen work, “Visiting Malibu”<br />
is featured in Santa Monica Mountains<br />
& Malibu Miniatures, a new<br />
show at King Gillette Ranch.<br />
Hall is one of several area artists<br />
featured in the exhibit —<br />
sponsored by California Art Club<br />
members of the Malibu Ventura<br />
County Chapter — which is to remain<br />
on display through Aug. 30.<br />
A free artists’ reception is slated<br />
for 1-3 p.m. Saturday, July 13.<br />
“Painting is the art of seeing<br />
and sharing that insight through<br />
our own unique expression,” Hall<br />
opined.<br />
With hues of azure, Hall’s “Visiting<br />
Malibu” invites viewers to<br />
take note of its delicate details.<br />
Hall captures the fleeting moment<br />
of one gull’s descending flight, its<br />
large wings outstretched as it hovers<br />
over another gull, enjoying a<br />
momentary respite.<br />
“I painted ‘Visiting Malibu’ at<br />
Leo Carrillo State Beach, up on the<br />
rocks by Tower 3, which is one of<br />
my favorite places to paint because<br />
it never disappoints,” Hall said.<br />
“There’s such a variety offered in<br />
every direction — coastal landscapes<br />
south and north, mountains<br />
in the east, and crashing waves and<br />
sea life to the west. Then, add the<br />
ever-changing sunlight and shadows<br />
from sunrise to sunset and the<br />
atmosphere of the seasons, fog,<br />
wind, clouds or a cloudless sky —<br />
birds, animals, people.”<br />
Artist Jane Hilton submitted<br />
works of structures in the Santa<br />
Monicas and on the Malibu coast.<br />
Her works depicting the Adamson<br />
House and a Temescal Canyon<br />
Cabin capture the synergy between<br />
architecture and landscape<br />
in Malibu.<br />
Robert Impellizzeri’s “Crashing Waves, Leo Carrillo” is shown.<br />
“I love the beauty, color, light<br />
and endless inspiration of the Santa<br />
Monica Mountains and Malibu,”<br />
she said.<br />
Ojai artist Dan Schultz considers<br />
Leo Carrillo State Beach an<br />
ideal spot to paint.<br />
His work, “Rugged Shoreline,”<br />
depicts dramatic viewpoints along<br />
the Malibu coastline. Schultz, who<br />
is the recipient of many awards for<br />
his impressionistic paintings, discussed<br />
the impressionist who most<br />
influenced him: William Wendt,<br />
an early California artist whose<br />
subject matter, color palette and<br />
stylization have inspired him.<br />
“I believe that plein air painting<br />
is hugely beneficial to the artist,”<br />
Schultz said. “It helps one achieve<br />
better color recognition, develop a<br />
better understanding of how light<br />
works in different situations, and<br />
simplify his or her approach and<br />
painting style.”<br />
Robert Impellizzeri’s “Crashing<br />
Waves, Leo Carrillo” and “Pacific<br />
Sentinels,” which depicts a scene<br />
at the end of Point Dume Beach,<br />
also limn seascapes that inspire.<br />
“I selected these works because<br />
they are an expression of my great<br />
love for the rocky cliffs of the Pacific<br />
coastline and the deep and<br />
churning blue waters of the Pacific<br />
Ocean,” Impellizzeri said. “Malibu’s<br />
coastline is special to me because<br />
I feel a deep connection to<br />
the Pacific Ocean and I feel compelled<br />
to live close by and visit often<br />
to paint.”<br />
Artist Beverly Lazor’s “Malibu<br />
Pier” captures Malibu’s iconic<br />
symbol from a tranquil perspective.<br />
“I have lived in Southern California<br />
since I was 7, and my parents<br />
always took the family on<br />
drives up and down the coast and<br />
through the Malibu mountains on<br />
weekends,” Lazor said. “It is my<br />
special go-to place when I need<br />
to stop and contemplate on life. It<br />
holds so many memories.”<br />
Like many of the artists exhibiting<br />
in the show, Lazor has been<br />
influenced by impressionists.<br />
“Monet, Van Gogh, Sorolla and<br />
Zorn are a few favorites,” she<br />
said. “I adore the use of beautiful<br />
muted hues, the way the textural<br />
brush strokes show off the hand<br />
and personality of the artist in<br />
their paintings. Painting alla prima,<br />
the way wet paint can sit next<br />
to and mix with other wet paint<br />
on the canvas, is very intriguing<br />
to me. Light seems to just bounce<br />
over an image.”<br />
Lisa Liang’s miniature work,<br />
titled the “Mishe Mokwa Trail,”<br />
intrigues.<br />
“Art, nature and movement are<br />
very important to me,” Liang said.<br />
“In painting it, I wanted to capture<br />
“Visiting Malibu,” an oil on linen by Sandra Hall, was inspired by a<br />
visit to Leo Carrillo State Beach, one of the artist’s favorite places to<br />
paint. images submitted<br />
Artists’ reception<br />
What: Meet the artists featured in “Santa Monica Mountains<br />
& Malibu Miniatures,” a new exhibit running through Aug. 30.<br />
Exhibiting artists are as follows: Jannene Behl, Stacey Best,<br />
Shannon Celia, Patricia Farris, Marian Fortunati, Helane Freeman,<br />
Emily Goldfield, Sandra Hall, Drew Hartel, Jane Hilton, Robert<br />
Impellizzeri, Kyoko Ishigami, Virginia Kamhi, Beverly Lazor, Lisa<br />
Liang, Katherine MacQueen, Debbie Martin, Michele Moen, Vickie<br />
Pellouchoud, Marnie Piuze, Richard Probert, Dan Schultz, Robert<br />
Scopinich, Sylvia Shapiro and Julie Boyd Smith.<br />
When: 1-3 p.m. Saturday, July 13<br />
Where: Santa Monica Mountains National Recreational Area<br />
Visitor Center, 26876 Mulholland Highway, Calabasas<br />
the golden hour. Certainly, this is<br />
when the California sun kisses the<br />
tips of the mountains and basks<br />
in warmth all around before it escapes.<br />
The expansiveness of the<br />
landscape was really a challenge<br />
to squeeze into a miniature, but<br />
I find miniature works to be like<br />
small gems.”<br />
Marian Fortunati also submitted<br />
two miniature works, both striking<br />
for their sense of tranquility.<br />
“I submitted ‘Matador and the<br />
Bull’ because I enjoy trying to capture<br />
the unique rock formations at<br />
El Matador,” Fortunati said. “I’ve<br />
painted the rock several times<br />
from the sand and cliff above, but<br />
I liked this painting because the<br />
people add scale and interest to the<br />
rock forms.”<br />
For more information on the<br />
California Art Club, visit califo<br />
rniaartclub.org.