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The Journal of Writing Culture<br />
AP Limited Editions:<br />
seeing Double-Dragon<br />
Luxury Brands gets it:<br />
Colorverse Inks<br />
and Benu Pens<br />
inspiration from Kanilea:<br />
Aolani Sunset<br />
big winners:<br />
results of the 25th annual<br />
PW Readers’ Choice Awards<br />
AUGUST 2019<br />
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AUGUST<br />
Volume 32, Number 5<br />
ON OUR COVER: AP Limited Editions<br />
Legendary Double Dragon fountain pen.<br />
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60<br />
lacquered luxury<br />
Whether maki-e or Russian lacquer,<br />
bespoke or limited edition, all AP<br />
Limited Editions writing instruments<br />
are infused with passion.<br />
and the “Penny” goes to…<br />
The 2019 Readers’ Choice Awards were<br />
more competitive than ever. Meet the<br />
winning pens.<br />
the Platinum experience<br />
John Mottishaw reminisces on his<br />
experiences at the Platinum Pen Co.<br />
100th anniversary celebrations.<br />
Luxury Brands’ Growing Family<br />
Learn about the U.S. distributor’s<br />
newest acquisitions: South Korea’s<br />
Colorverse Inks and Russia’s Benu Pens.<br />
yes we Kanilea!<br />
The U.S. pen company finds inspiration<br />
in the Hawaiian Islands and wants to<br />
share it with you.<br />
Pilot’s long/short pens<br />
Richard Binder’s history of Japanese<br />
pocket pens continues.<br />
in full Plume<br />
Point Plume of Paris is more than a<br />
shop: it’s also an accessories brand and<br />
a multi-generational passion project.<br />
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14<br />
departments<br />
22<br />
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14<br />
22<br />
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70<br />
72<br />
27<br />
view<br />
rainbow, rainbow, rainbow<br />
date<br />
mark your calendars<br />
now<br />
new pens and accessories<br />
show<br />
St. Louis and Colorado<br />
news<br />
cursive, Intellectus, Ex Libris, roosters<br />
nibs<br />
collectible pens of the ’80s and ’90s<br />
deskology<br />
Kaweco long pens<br />
network<br />
classified advertising<br />
source<br />
brand contact information<br />
how to…<br />
…make an ink swab<br />
32<br />
72
view<br />
Rainbow, Rainbow, Rainbow*<br />
BY NICKY PESSAROFF<br />
Driving on I-10 with my family, we raced along the outer edge of a heavy monsoon. To the west, a scorching bright sun;<br />
to our right, charcoal gray clouds pendulous with rain. As the highway curved around mountainous terrain, we drove in<br />
and out of downpours.<br />
We entered an open valley, verdant greenery and umber soil all around us. To our right, truly suddenly, was a rainbow, and<br />
then another one—two full prismatic arches. They say you can’t get to the end of the rainbow, which is true. You’ll never actually<br />
get that stupid leprechaun’s Lucky Charms®. But I could see where the rainbows ended, just to our east, bleeding into the<br />
grassy field. They stayed with us, those rainbows, until we headed into the next mountainous pass and another deluge.<br />
Creating ink is an attempt at bottling the purity of color.<br />
Perhaps that’s why the names of ink colors are so fanciful. Perhaps you would have called the gray of the clouds I saw “charcoal”<br />
or “smoke.” I call that color “ominous gray dappled with sun-speckled yellow that portends a rainbow,” which works well<br />
enough for my artistic purposes, I suppose. What you call the color isn’t as important as what the color inspires.<br />
If this issue has a thesis, it is that inspiration comes in Technicolor.<br />
AP Limited Editions, Colorverse Inks, Benu Pens, Kanilea Pen Co., Graf von Faber-Castell, Point Plume—nearly every brand<br />
shown in this issue has remarked on the inspiration they find in the colors of the natural world.<br />
In addition, each one of these brands admits just how difficult a task it is to capture a landscape, a scene, a color. The look<br />
of effortless creativity requires years of practice and exceptional discipline. You’re going to get drenched in the rain before you<br />
capture that rainbow.<br />
So as you look through the vibrant accessories on the following pages, consider the amount of effort it took to create those<br />
objects. As you note that Pelikan has won “Pen of the Year” honors in the PW Readers’ Choice Awards for the second year in a<br />
row, consider all the R&D that went into such a feat. As you note that Kanilea just won back-to-back “Best Artisan Pen” awards,<br />
consider that Hugh and Karol Scher work on Kanilea on evenings and weekends, after their day jobs. As you note that, once<br />
again, Retro 51 took top honors in “Best Non-Fountain Pen” and Sailor won in “Best Writing Experience,” consider the decades of<br />
work it took for those companies to get to this pinnacle.<br />
And as you look at the pens of other winners like Laban, Armando Simoni Club, Pilot, Ryan Krusac Studios, Franklin-<br />
Christoph, Graf von Faber-Castell, and Point Plume, remember and appreciate the work that goes into creating such masterpieces.<br />
It’s easy enough to be inspired; it’s a lot harder to do something about it.<br />
*Title inspird by Elizabeth Bishop’s poem, “The Fish.” Send your letters to editor@penworld.com.
Superlatives<br />
BY BARRY GABAY<br />
Appropriate Here<br />
Writing instruments from AP Limited Editions are a blend of influences and<br />
techniques, reflecting our multicultural world.<br />
Top two rows—examples of AP Limited Editions urushi and maki-e writing instruments. Bottom two rows—the company’s work in Russian lacquer art.<br />
>>>>>>>>>>>>>>>>>>>><br />
46
We must reserve the use of adjectives for<br />
them to have any meaning or substance.<br />
We hear “amazing” countless times—so<br />
often, in fact, that it has entirely lost its original<br />
meaning of “being overwhelmed by sudden surprise.”<br />
Today, the word merely signifies “very good.”<br />
I hesitate to make the claim that follows, but from<br />
a long lifetime of usage, I have encountered a fair<br />
number of fountain pens. So here goes: the pens offered<br />
for the eyes of all and the hands of a fortunate few by<br />
AP Limited Editions are among the most beautiful and<br />
functional pens in the world. Period.<br />
Approaching an AP Limited Editions pen is entirely<br />
different from grabbing a favorite daily writer; but these<br />
gallery-quality art pens are meant to be used. Anuj and<br />
Smita Poddar, founders and owners of AP, are serious<br />
pen users and collectors and want to share both those<br />
aspects of writing culture. Why should a luxury model<br />
intended for writing sit unused on a shelf?<br />
The fountain pens and rollerballs produced by AP<br />
Limited Editions are among the greatest in their<br />
category, a realm that merges fine art and utility.<br />
These pens are exquisite but are also meant for writing.<br />
The fountain pens are eyedropper or cartridge/converter<br />
fillers (with new bulk fillers recently released) fitted<br />
with 18 karat gold nibs in a wide range of grades from<br />
Bock, the famed German nib maker.<br />
Left—The Benevolent Chenrezig is a bespoke piece that honors the Avalokitesvara Buddha, the patron Buddha of Tibet.<br />
Top—AP Limited Editions CEO Anuj Poddar.<br />
Right—our cover pen, The Legendary Double Dragon, is a new Connoisseur-series writing instrument with a greenish-gold backdrop<br />
representing the majesty of the cosmos, crafted in the specialized bokashi nuri technique of mixing different urushi pigments with gold.<br />
An elderly golden dragon on the cap and a young blue dragon on the barrel gaze at each other, both composed in taka maki-e. Smita<br />
Poddar says, “This creation speaks to the cycle of life” and echoes circular cultural legends in which the end leads back to the beginning.<br />
47
AP pens are created not only as objects of beauty but as fully-functional<br />
writing instruments. There are not only images designed for all tastes but<br />
also pen shapes suitable for each hand. Some recent design shapes include a<br />
tapered bulb, a traditional balance with tapered ends, or straight and flush.<br />
Presently, the most popular body style is cylindrical with pedestals or<br />
finials. Separating the barrel from the cap seems to form the twin handles<br />
of a scroll, revealing truths each time the pen is opened and put to use.<br />
Floral, faunal, and geometric designs characterize some models, including<br />
hand-carved shell inlays and gold-dust sprinkles. Others contain extremely<br />
intricate paintings from the history and culture of many nations. As one<br />
interprets art and then fashions a personal view, the AP pen becomes a<br />
canvas—a source for inspiration and understanding for the viewer.<br />
AP’s professional philosophy is different from most pen manufacturers,<br />
even from those also producing art pens. Anuj Poddar began his passion for<br />
writing instruments at age eight, using fountain pens at home and school.<br />
Anuj retains his desire to find the “near perfect” pen. He qualifies “near perfect”<br />
by saying he continuously aspires to do better.<br />
“We believe in listening to our customers’ ideas and desires. This helps<br />
us approach perfection in the eyes of our customers and for ourselves as well,”<br />
Anuj says.<br />
Now in its second decade, AP presents two art forms from vastly different<br />
cultures—Japanese maki-e and Russian lacquer art—and several specific<br />
techniques within each category, an example of AP’s willingness to experiment,<br />
to merge different designs and art forms in the constant search for elusive<br />
perfection. Some of AP’s pens incorporate unique techniques of urushi and<br />
maki-e that are closely guarded by artists whose expertise and skills have<br />
been handed down from one generation to another.<br />
Over the years, Anuj and Smita have received letters from writers who<br />
appreciate AP pens but are unable to afford them. Anuj comments, “Given our<br />
inherent desire to create an awareness for the importance of handwriting, our<br />
effort in recent years is to bring forth collections of affordable yet beautiful<br />
writing instruments carefully crafted using heritage art forms. At AP, we<br />
believe that emotion can be more fully expressed through a handwritten note.”<br />
An important feature of AP’s service allows customers to realize a personal<br />
vision through the company’s customized bespoke service.<br />
There are custom pen makers who have a conversation at a pen show or<br />
online, discussing features the customer would like on an individualized,<br />
bespoke pen. With AP, the process is different and considerably more personal.<br />
Extensive conversations occur, including discussions of budgetary concerns;<br />
designs and sketches are exchanged; images are refined, and a final decision is<br />
made. Not only the principals and customer are involved; the artists who<br />
will create the actual art on the pen are a part of the exchange. This highly<br />
customized service is one appreciated by all who have participated.<br />
Left—the bespoke Immortal Dragon is a Writer-bodied fountain pen with a bamboo-style<br />
clip in bright red lacquer. The traditional golden Chinese fire dragon on the barrel is<br />
composed in taka maki-e and features flames on the cap, abalone inlay on the cap and<br />
barrel crowns, and gold flaking at the barrel and cap ends.<br />
Right—the Writer series Majestic Mount Fuji and Dragon, limited to nine editions, features<br />
a maki-e golden dragon on the barrel looking up at Mount Fuji on the cap.<br />
48
Upon receiving the ideas, the design team, headed by Smita,<br />
prepares initial drawings and information on suggested techniques,<br />
as well as recommending a certain form of art or craft to be<br />
applied on the pen.<br />
Smita explains, “It is after a series of discussions that a final<br />
concept is approved, and we then start working on the pen with a<br />
50-percent deposit from the collector. The bespoke pen may take<br />
anywhere from two to four months, sometimes much longer,<br />
depending of the complexity of the artwork and design.”<br />
The bespoke pen is a unique, one-of-a-kind pen that is not<br />
repeated. Anuj reveals his personal delight: “We take immense<br />
pleasure in the entire process and the sheer glee and wonder we<br />
see in the eyes of the collector when receiving a bespoke pen. This<br />
is truly gratifying and satisfying for us. The more involved a client<br />
gets and the more open they are with what they want, the more<br />
beautiful the resultant pen becomes.”<br />
Smita clearly conveys her devotion to her pens and those who<br />
own them: “Our products honor and celebrate the traditional<br />
stories, figures, places, and customs of a multicultural world<br />
through different periods of history. Our products also explore<br />
real and imagined personal stories and experiences. We hope our<br />
fine writing instruments build bridges among cultures and uplift,<br />
question, reflect, educate, and spread a greater concept of respect<br />
and understanding. We also seek to strengthen the spiritual<br />
connection with nature, its fascinating flora and fauna, and the<br />
spatial forms that comprise our cosmos.”<br />
Below—AP Limited Editions logo and the brand’s<br />
standard 18 karat gold nib with engraved logo.<br />
Right—Writer series Mount Fuji and Crane maki-e<br />
fountain pen, limited to nine editions; Great<br />
Generals of the Desert, limited to nine writing<br />
instruments, is a seamless composition of varied<br />
maki-e techniques.<br />
49
Above—Writer series Giant Pacific Octopus and Goldfish writing<br />
instruments (limited to nine editions each) both use taka, togidashi,<br />
and raden maki-e techniques to capture visions of the deep.<br />
Left to right—examples of abstract maki-e compositions: Writer series<br />
No. 7 shows an abstract display of the number “7” in various<br />
languages; The Pearl is a Writer series pen with a meticulous display of<br />
abalone and mother of pearl; The Skull, part of the Writer series, uses<br />
traditional maki-e for a modernist abstraction of human skulls. All<br />
limited to nine editions.<br />
The emphasis in the coming months is to create a seamless online<br />
experience for customers who will be able to purchase pens online as<br />
well as place bespoke orders. There are several types of urushi lacquer<br />
art (produced from sap of the urushi tree) that AP Limited Editions<br />
makes available through its Urushi and Sakura Lacquer Art collections.<br />
The Sakura pen series is dedicated to first-time AP collectors—rollerballs<br />
or fountain pens with 18 karat gold nibs that are meant for everyday<br />
use and simpler design schemes that allow for lower price points. The<br />
Urushi lacquer art series is similarly priced and features urushi lacquer<br />
bodies with different textures and finishes.<br />
A visit to the AP website is an education not just in this company’s<br />
products but also in urushi, maki-e, and Russian miniature art techniques.<br />
Because AP pens are each unique and contain such beautiful art, some<br />
customers want to see and handle the pens prior to purchase, so Anuj<br />
and Smita attend major U.S. pen shows. Because of the new emphasis<br />
on online purchases, the company incorporates special considerations<br />
regarding customer satisfaction and the free flow and exchange of ideas.<br />
The convenience of online shopping and online conversation allows a<br />
new generation of AP customers and collectors to see and order pens<br />
from the website. Feedback has been positive regarding this renewed<br />
online attention.<br />
The opportunity to acquire fine writing instruments online<br />
through the AP website has already logged legions of devoted writers<br />
and collectors. The Writer fountain and rollerball pens belonging to the<br />
Urushi lacquer art and Sakura lacquer art series are available online at<br />
affordable prices (starting around $650). The Writer series includes<br />
fountain pens and rollerballs with or without a clip; these pens come<br />
with either a converter or piston filler designed and produced by Conid.<br />
50
This new partnership with Conid Pens of Belgium is a<br />
major area of excitement for AP. In recent years, the buzz<br />
among fountain pen cognoscenti is that Conid makes the<br />
most high-tech, patented filling mechanism now on the<br />
market. As the manufacturers of their own pens (the famed<br />
Conid Bulk Filler), Conid is pleased to partner with AP in<br />
creating a unique filling system that will complement the<br />
AP aesthetic.<br />
The new filling system for AP Connoisseur and Writer<br />
series fountain pens will house more ink than any converter<br />
and is based upon the bulk filling system invented by<br />
Conid’s industrial engineers for Conid-brand pens. This<br />
partnership’s creation of a brand-new filling system will<br />
allow for the maximum amount of ink to be housed in an<br />
AP fountain pen, insuring a constant flow of ink to enhance<br />
the writing experience. In this partnership, traditional<br />
artistry merges with exceptional technical expertise.<br />
So what does the future hold for this remarkable<br />
company? AP is developing more geometric and abstract<br />
designs for the Middle East, where non-representational<br />
art is preferred. The stunning images of Russian miniature<br />
art and maki-e will continue on many models. The company<br />
recently added Itoya in Tokyo, Japan’s largest fine pen<br />
retailer, to its portfolio of dealers. Other fine pen shops<br />
carrying AP models are found in Singapore, Hong Kong,<br />
Switzerland, France, the Netherlands, and Belgium. In the<br />
United States, Airline International<br />
(airlineintl.com), Dromgoole’s Fine Writing Instruments<br />
and Stationery (dromgooles.com), and Fountain Pen<br />
Hospital (fountainpenhospital.com) represent AP. There<br />
are plans for more dealers in new markets.<br />
AP Limited Editions marries traditional art techniques<br />
from several cultures and explores their application,<br />
experimenting with new themes and creating a unique<br />
form of varied images and blended techniques. Some<br />
remarkable pens, for example, incorporate both maki-e<br />
and Russian lacquer art.<br />
These visual expressions are hand crafted onto writing<br />
instruments by skilled artists devoted to keeping heritage art<br />
forms alive. The pens celebrate multi-culturalism and<br />
reflect a philosophy of unity through both harmony and<br />
contrast. In essence, the writing instruments of AP Limited<br />
Editions celebrate life, capturing moments of timelessness in<br />
a transient world.<br />
Visit aplimitededitions.com.<br />
Barry Gabay is a PW contributing editor.<br />
Left to right—Liberty Enlightening the World<br />
combines maki-e on the cap and Russian<br />
lacquer art on the barrel; Serendipity<br />
captures a lion and his reflection mid-roar<br />
in the Palekh school of Russian lacquer art;<br />
The Mystic Owls shows a “parliament” of<br />
owls on the cap and barrel in Palekh-style<br />
Russian miniature art; Shakyamuni Buddha<br />
uses Russian lacquer art to display the<br />
Buddha and his aura. All limited to nine<br />
editions.<br />
51
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how to<br />
...make an ink swab.<br />
Anderson Pens has a reputation for extensive ink sales and for its collection of organized, standardized ink swabs<br />
(sometimes called “ink swatches”) for every color in the shop’s inventory. Here, Lisa Anderson explains how she and<br />
her team create the perfect ink swab collection.<br />
1 2<br />
3 4<br />
5 6<br />
1. Get your swab cards ready! For the ink books you've seen at pen shows and in our stores, we use specialty cardstock. For social media and<br />
promotional use, we also use Skylab Letterpress Col-o-Ring and Col-o-Dex cards. For a professional-looking ink catalog, we like to create several<br />
copies of each swab and choose the one that turns out best.<br />
2. Gather any additional supplies, including a dip pen or glass-nibbed pen for the writing sample, Q-tips for the ink swab itself, scrap paper to keep<br />
your desk or table clean, a glass of water, and a towel.<br />
3. Dip the Q-tip into the bottle or sample of ink. Be sure to fully saturate the cotton tip!<br />
4. Swab the ink onto the cardstock or Col-o-Ring. Go slowly to make sure that the ink flow is consistent. If you swab too quickly, the color will be<br />
patchy and lighter than it will be in real life usage.<br />
5. Use the dip pen for a writing sample, such as our preferred zig-zags and loops. For our ink books and online ink tool, we prefer to print out the<br />
brand and color name for ease of reading.<br />
6. For your own ink swabs, writing the ink’s information out by hand will give you both a writing sample and a label for your swab. Some people also<br />
prefer to write the same phrase on every swab for comparison. For consistency, use the same nib and stock paper for all your swatches. Be creative,<br />
and make it your own!<br />
Sailor Jentle Kin-Mokusei ink shown on this page. Visit andersonpens.com to shop its line of inks and to try its online “Ink Comparison Tool” of virtual<br />
ink swabs.<br />
72