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Hold The River Banks Up

A boat zine from a writing retreat to Turtle Cove in the Spring of 2018. Designed by Soleil Garneau.

A boat zine from a writing retreat to Turtle Cove in the Spring of 2018. Designed by Soleil Garneau.

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cold spring air, and a flash of color lit down from the quick sky. Jesse<br />

turned an ear: “that’s the redwing blackbird song!” he cheered. “You’ll<br />

never forget it now. Sweetest sound ever made by any little half robot<br />

bird yet.” I’d heard this rough trill a thousand times but never noticed<br />

or placed it. (A week later my neighbor would look up at his mulberry<br />

tree suddenly flocked with red-wing blackbirds in his backyard and<br />

reminisce: at his mother’s request, every spring migration, he would<br />

bring out his bb gun and shoot those redwing blackbirds out of that<br />

mulberry tree for dinner. “How did you prepare them?” I would<br />

ask, picturing blackbird pie. “Why, we’d pan fry them!” He would<br />

exclaim.) But yes, we walked on that levee, heard those blackbirds<br />

trill, and continued on to the muddy end of the world. Here we<br />

descended through that stand of willow trees lime green, twisted,<br />

persistent. <strong>The</strong>y greet the river, whether it rushes high or low, with<br />

a pliant strength. Jesse and I walked through the rustling branches,<br />

the shifting light, continued past all those willows to the dark tunnel<br />

formed by pilings deep underneath the navy wharf.<br />

We walked onward, into the dark caverns underneath the city’s river<br />

edge, into the city’s subconscious. Little specks of light floated down<br />

from holes in the boards high over our heads. An eerie blue glow<br />

shone out from a portal window low along the belly of a navy ship<br />

docked in the depths. <strong>The</strong> mud beneath our feet slowly softened,<br />

suctioned, pulled at our steps like quicksand. An amorphous, melting<br />

earth faced me. Under those piers, I felt my understanding of nature<br />

shift: this earth is dark, and sucking, and unshaped, and rough.<br />

Venomous, tremendous, rotten. This mud held up a place of spiders,<br />

snakes, people, guns, storms, parties – all things I felt afraid of. One<br />

patch of shimmering magma grabbed hold of my ankle with a sticky<br />

grip and swallowed me to my thigh – my underworld baptism. <strong>The</strong><br />

grip of that clay like the grip of those willow roots, unearthly strong,<br />

muscular, and pumped flush with water.<br />

Willows are widely used for erosion control in wetlands as well as<br />

in stream bank restoration and stabilization, short pieces of mature<br />

stems often simply being stuck in the wet ground where they root<br />

over winter (as live stakes). 4<br />

Black willow grows wild along the banks of the Bogue Chitto river, up<br />

two hours drive north of New Orleans. <strong>The</strong>y straggle up from sand<br />

banks along the floodplain, pearl out across islands, shine bright<br />

between magnolias, maples, and elms. <strong>The</strong>y feel different in this<br />

dark-eyed landscape, their colors pale and luminescent, cool to the<br />

touch. Have you ever seen foxfire glow silent from a fractured pine<br />

branch at night? Have you ever touched a sleeping fish? Like leaves<br />

of willow, those memories conjure cold green fire. Drive the highway<br />

down the eastern edge of town in cold early spring and you’ll see<br />

this yellow lime flame thicketing everything in sight. Spring stands<br />

of willow address this world with a needed color. Spring stands of<br />

willow contain vigor enough to remake land and life from pools of<br />

watery dream.<br />

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