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Volume 25 Issue 2 - October 2019

Long promised, Vivian Fellegi takes a look at Relaxed Performance practice and how it is bringing concert-going barriers down across the spectrum; Andrew Timar looks at curatorial changes afoot at the Music Gallery; David Jaeger investigates the trumpets of October; the 30th anniversary of the Velvet Revolution (and the 20th Anniversary of our October Blue Pages Presenter profiles) in our Editor's Opener; the Toronto Mendelssohn Choir at 125; Tapestry at 40 and Against the Grain at 10; ringing in the changing season across our features and columns; all this and more, now available in Flip Through format here, and on the stands commencing this coming Friday September 27, 2019. Enjoy.

Long promised, Vivian Fellegi takes a look at Relaxed Performance practice and how it is bringing concert-going barriers down across the spectrum; Andrew Timar looks at curatorial changes afoot at the Music Gallery; David Jaeger investigates the trumpets of October; the 30th anniversary of the Velvet Revolution (and the 20th Anniversary of our October Blue Pages Presenter profiles) in our Editor's Opener; the Toronto Mendelssohn Choir at 125; Tapestry at 40 and Against the Grain at 10; ringing in the changing season across our features and columns; all this and more, now available in Flip Through format here, and on the stands commencing this coming Friday September 27, 2019. Enjoy.

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BLUE PAGES <strong>2019</strong>/20<br />

SECTION I: PRESENTERS & PERFORMERS<br />

●●Confluence Concerts<br />

Confluence – “an act or process of merging” – is<br />

a company of diverse creative artists dedicated<br />

to intimate, thought-provoking programs with a<br />

focus on: cabarets curated by a wide cross-section<br />

of Toronto’s leading musicians, the work of<br />

Indigenous artists and artists of colour, anniversary<br />

programs celebrating important figures in<br />

music, salons and lectures on a wide variety of<br />

musical topics, and commissions of new works<br />

by Canadian creative artists. Our <strong>2019</strong>/20 season<br />

features “Celebrating Clara Schumann”; “An<br />

Evening with Marion Newman”; “Hugo and Willie:<br />

Songs of the Soul”; “Witch on Thin Ice (by Alice<br />

Ho)”; “Creativity and Aging”; “Baroque Music by<br />

Candlelight”; and “The Mandala.” Artistic producer<br />

Larry Beckwith has been ably assisted in<br />

planning this new mandate by a whole host of<br />

outstanding and diverse figures from Toronto’s<br />

amazing music scene, including Confluence associate<br />

artists Andrew Downing, Kathleen Kajioka,<br />

Marion Newman, Patricia O’Callaghan, Suba<br />

Sankaran and managing director Jennifer Collins.<br />

“...this series has established itself as one of the<br />

most important and consistently interesting in<br />

the city.” - John Gilks, Opera Ramblings.<br />

Larry Beckwith<br />

647-678-4923<br />

info@confluenceconcerts.ca<br />

www.confluenceconcerts.ca<br />

●●Counterpoint Community<br />

Orchestra<br />

Counterpoint Community Orchestra has been<br />

operating as a community orchestra in downtown<br />

Toronto for 34 years. Formed in 1984, it<br />

was the first lesbian/gay/gay-positive orchestra<br />

in Canada and in the world. Counterpoint is a<br />

full symphony orchestra, and the programming<br />

is drawn from Baroque through contemporary<br />

orchestral repertoire. Rehearsals are at the 519<br />

Community Centre on Church Street. The other<br />

pages in the ‘About Us’ section of our website<br />

give a more detailed history and description of<br />

Counterpoint Community Orchestra.<br />

Kevin Uchikata<br />

647-970-8057<br />

www.ccorchestra.org<br />

●●DaCapo Chamber Choir<br />

The 24-voice DaCapo Chamber Choir was<br />

founded in 1998 in Kitchener-Waterloo under<br />

the direction of Leonard Enns. The mission of the<br />

choir is to identify, study, rehearse and present<br />

outstanding choral chamber works of the past<br />

100 years and to champion music of Canadian<br />

and local composers. In <strong>2019</strong>/20, DaCapo will<br />

complete its three-season exploration of themes<br />

related to the global refugee crisis with a focus on<br />

“Renewal”. The season will feature the premiere<br />

of the <strong>2019</strong> NewWorks winning composition by<br />

Kevin Pirker, and appearances by guest artists<br />

Angela Schwarzkopf, harpist; mezzo-soprano<br />

Jennifer Enns Modolo; and pianist Catherine Robertson.<br />

This past year, DaCapo released its 3rd<br />

CD, containing selections received through New-<br />

Works, its national choral composition competition.<br />

(Read the review of this CD in the April <strong>2019</strong><br />

issue of The WholeNote.) Like us on Facebook or<br />

follow us on Twitter @DaCapoChoir!<br />

Sara Martin, manager<br />

519-7<strong>25</strong>-7549<br />

info@dacapochamberchoir.ca<br />

www.dacapochamberchoir.ca<br />

●●Don Wright Faculty of Music<br />

at Western University<br />

The Don Wright Faculty of Music at Western<br />

University in London, Ontario is situated in a<br />

research-intensive university on a campus that<br />

is inviting and striking. It is an environment that<br />

enables students to grow artistically and academically,<br />

with a strong focus on community.<br />

Our students are among 650 of the brightest<br />

and most talented young artist scholars, who<br />

come to study in one of our many undergraduate<br />

and graduate programs. With the faculty and<br />

staff, they are committed to excellence in creative<br />

and scholarly work. In our <strong>2019</strong>/20 season, we<br />

invite you to experience the incredible diversity<br />

of musical styles and genres our students, faculty<br />

and guest artists have to offer. Included<br />

within 350+ performances each year are student<br />

ensemble performances (from choirs and<br />

opera to orchestra, band, jazz, percussion, contemporary<br />

and early music), solo and chamber<br />

recitals, new works by student composers, faculty<br />

concerts, and our signature “Fridays @ 12:30”<br />

concert series.<br />

Rachel Condie<br />

519-661-3767<br />

musicevents@uwo.ca<br />

www.music.uwo.ca<br />

●The ● Edison Singers<br />

We are a newly formed, non-profit organization<br />

guided by internationally-acclaimed conductor<br />

Noel Edison to present choral music at its best.<br />

Our vision is to reach out to communities large<br />

and small with the world’s finest choral music.<br />

This inaugural season, The Edison Singers<br />

will present concerts in three communities:<br />

Toronto, Niagara-on-the-Lake, and<br />

Wellington County. We plan to make these<br />

three centres the hub of our annual choral<br />

calendar, and our aim is to become an integral<br />

part of the musical life of each community.<br />

A resident in each town has agreed to oversee<br />

volunteer activities, such as postering, ushering,<br />

advertising, marketing, hospitality, patron services,<br />

and fundraising. And we hope to create more<br />

musical hubs over the next few years. We also plan<br />

to give back to each community. This season we<br />

will be helping Knox Church in Elora raise funds for<br />

repairs to its landmark steeple. At St. David’s Presbyterian<br />

Church, our rehearsal venue in Campbellville,<br />

Ontario, we will assist them in fundraising.<br />

We welcome suggestions from all our friends and<br />

supporters regarding ways the choir can enhance<br />

the cultural environment in your community.<br />

Esther Farrell<br />

226-384-3100<br />

contact@theedisonsingers.com<br />

www.theedisonsingers.com<br />

●●Eglinton St. George’s<br />

United Church<br />

Our 45-voice choir meets Thursday evenings for<br />

two hours and Sunday mornings for worship, preparing<br />

music ranging from Renaissance to jazz<br />

and from chant to oratorio. Prior experience in<br />

choral singing is a requirement. Outreach and<br />

benefit concerts are regular fare with support<br />

from our wonderful and talented eight section<br />

leads. This year, we offer our <strong>2019</strong>/20 concert<br />

series with: “ESG Remembers,” featuring<br />

our ESG Concert Choir and Chamber Orchestra<br />

paying tribute to the 100th anniversary of<br />

the Peace Treaty with oral masterworks to the<br />

fallen, including the Rutter Requiem and other<br />

works by Mark Sirett, Ruth Watson Henderson<br />

and Eleanor Daley; our annual ESG Christmas<br />

concert “Gloria!”, with ESG Concert Choir, Chamber<br />

Orchestra and organ; and special guests, the<br />

Elmer Iseler Singers and Elora Singers, with stunning<br />

choral classics from Canada and beyond.<br />

Bronwyn Best<br />

416-481-1141<br />

www.esgunited.org<br />

●●Elmer Iseler Singers<br />

Elmer Iseler Singers (EIS) is a 20-voice professional<br />

chamber choir based in Toronto<br />

and founded by the late Dr. Elmer Iseler in<br />

1979. Directed by the acclaimed Lydia Adams,<br />

the Singers are known for tonal beauty and<br />

interpretive range, and valued for their contributions<br />

to masterclasses and workshops<br />

with schools and community choirs.<br />

EIS present a five-concert series in Toronto<br />

each season, and are featured at concerts,<br />

workshops, and festivals throughout Canada,<br />

touring Ontario annually and Eastern and<br />

Western Canada bi-annually. Their unique “Get<br />

Music! Educational Outreach Initiative” mentors<br />

conductors, music educators and students.<br />

The Elmer Iseler Singers have 15 recorded CDs<br />

featuring Canadian music. EIS with Toronto Symphony<br />

Orchestra were <strong>2019</strong> Grammy-nominated<br />

and <strong>2019</strong> JUNO-awarded for the brilliant Ralph<br />

Vaughan Williams’ Chandos CD recording, with<br />

Peter Oundjian conducting. EIS are 2014 National<br />

Choral Award recipients and JUNO nominees<br />

for “Classical Album of the Year: Vocal or Choral<br />

Performance” for Dark Star Requiem with Tapestry<br />

Opera and Gryphon Trio in 2017, and for<br />

David Braid’s Corona Divinae Misericordiae with<br />

B8 | theWholeNote <strong>2019</strong>/20 PRESENTER PROFILES

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