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Viva Brighton Issue #80 October 2019

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CURATOR’S CITY<br />

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An 1820s view of the Music Room, showing the pagodas, uplighters and mantelpiece garniture that will return to the Pavilion.<br />

Royal Pavilion & Museums, <strong>Brighton</strong> & Hove<br />

YOU WERE ALWAYS ON MY MIND<br />

A PRINCE’S TREASURE: FROM BUCKINGHAM PALACE TO THE ROYAL PAVILION<br />

By the time this issue of <strong>Viva</strong> <strong>Brighton</strong> goes<br />

to print six of the state rooms of the Royal<br />

Pavilion and the King’s Library will be filled<br />

with more than 120 spectacular objects, including<br />

clocks, cabinets, candleholders, oriental<br />

porcelain, Chinese nodding figures and 16-feet<br />

tall porcelain pagodas, most of which were<br />

originally made or purchased for the Pavilion<br />

during George IV’s lifetime. They are coming<br />

to us from Her Majesty the Queen’s Royal<br />

Collection on a two-year loan basis, directly<br />

from Buckingham Palace. They were removed<br />

by Queen Victoria in 1847-48 following her<br />

decision to cease using the Pavilion as a royal<br />

residence. In the new east wing, or ‘Blore<br />

Wing’ (after the architect Edward Blore) of<br />

Buckingham Palace, Victoria and Albert reused<br />

and reinterpreted the exotic interiors of the<br />

Royal Pavilion, creating several rooms in the<br />

Chinoiserie style they had admired in <strong>Brighton</strong><br />

(despite not liking the place in general). It<br />

could be argued that many of the Pavilion’s<br />

interiors only survive because they liked the<br />

style so much.<br />

Many original objects were returned over the<br />

years by Victoria and other monarchs, such as<br />

the spectacular chandeliers in the Banqueting<br />

Room and the paintings on the Music Room<br />

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