Viva Brighton Issue #80 October 2019
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CURATOR’S CITY<br />
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An 1820s view of the Music Room, showing the pagodas, uplighters and mantelpiece garniture that will return to the Pavilion.<br />
Royal Pavilion & Museums, <strong>Brighton</strong> & Hove<br />
YOU WERE ALWAYS ON MY MIND<br />
A PRINCE’S TREASURE: FROM BUCKINGHAM PALACE TO THE ROYAL PAVILION<br />
By the time this issue of <strong>Viva</strong> <strong>Brighton</strong> goes<br />
to print six of the state rooms of the Royal<br />
Pavilion and the King’s Library will be filled<br />
with more than 120 spectacular objects, including<br />
clocks, cabinets, candleholders, oriental<br />
porcelain, Chinese nodding figures and 16-feet<br />
tall porcelain pagodas, most of which were<br />
originally made or purchased for the Pavilion<br />
during George IV’s lifetime. They are coming<br />
to us from Her Majesty the Queen’s Royal<br />
Collection on a two-year loan basis, directly<br />
from Buckingham Palace. They were removed<br />
by Queen Victoria in 1847-48 following her<br />
decision to cease using the Pavilion as a royal<br />
residence. In the new east wing, or ‘Blore<br />
Wing’ (after the architect Edward Blore) of<br />
Buckingham Palace, Victoria and Albert reused<br />
and reinterpreted the exotic interiors of the<br />
Royal Pavilion, creating several rooms in the<br />
Chinoiserie style they had admired in <strong>Brighton</strong><br />
(despite not liking the place in general). It<br />
could be argued that many of the Pavilion’s<br />
interiors only survive because they liked the<br />
style so much.<br />
Many original objects were returned over the<br />
years by Victoria and other monarchs, such as<br />
the spectacular chandeliers in the Banqueting<br />
Room and the paintings on the Music Room<br />
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