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Viva Brighton Issue #81 November 2019

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WE TRY...<br />

.............................<br />

<strong>Brighton</strong> People’s Theatre<br />

Theatre workshop<br />

I haven’t performed<br />

in front of people<br />

since I was at school<br />

and the very thought<br />

of it fills me with<br />

dread. But I keep<br />

hearing that it’s<br />

good to do things<br />

that scare you, so<br />

I’ve signed up for<br />

a workshop with<br />

<strong>Brighton</strong> People’s Theatre.<br />

Now I’m stood in a circle with 20 perfect<br />

strangers, at the Brighthelm Centre. I’d say<br />

the youngest of us is around 20 and the oldest<br />

somewhere close to 70. We all shift a little<br />

nervously.<br />

Facilitators Luan and Tanushka set out the<br />

rules of engagement: Be kind, be brave and<br />

be yourself. This is a safe space to play. Yikes.<br />

Holding eye contact with strangers and<br />

pretending to be chewing gum are outside<br />

of my normal comfort zone but we’re all in it<br />

together and the fun soon outweighs the fear.<br />

We play Grandma’s Footsteps, pass imaginary<br />

objects and cackle like witches. We weave<br />

around the room, responding to unspoken<br />

cues, sometimes moving in unison, sometimes<br />

not, falling into line, gathering together and<br />

splitting apart, moving in silent co-operation.<br />

I’m aware this all sounds pretty peculiar, but I<br />

recommend that you experience it for yourself.<br />

“We’re moving like starlings” someone<br />

observes, reminded of the seafront<br />

murmurations. I know what they mean. I think<br />

of my awkward morning ritual on the busy<br />

station concourse, eyes down, jostling and<br />

sidestepping the crowds. Watching this group,<br />

I’m struck by how beautiful the random flow<br />

of movement looks and how quickly it seems<br />

to tell a story. This<br />

group of strangers is<br />

starting to look like an<br />

ensemble.<br />

The workshops are part<br />

of a new programme<br />

for <strong>Brighton</strong> People’s<br />

Theatre: the brainchild<br />

of Naomi Alexander<br />

who started BPT in<br />

2015 with the intention<br />

of creating an inclusive and representative<br />

theatre company for the city. The programme<br />

– which includes play reading and writing<br />

sessions and a show-going theatre club – is<br />

open to anyone aged 18+ living in the BN<br />

postcode area who’s not a professional artist.<br />

And with a ‘pay as you can afford’ price scale<br />

and assistance with travel expenses on offer, it’s<br />

accessible to anyone with an interest in theatre.<br />

For the final exercise of the evening, we break<br />

into smaller groups and share stories from<br />

our lives. Then, together, we tell one of the<br />

stories to the wider group, taking it in turns<br />

to speak in the first person with the intention<br />

of carrying it off as our own. We’re not telling<br />

my story, so I find I’m far less nervous than<br />

I expected to be. In fact, I’m really enjoying<br />

telling someone else’s tale, feeling that I need<br />

to do it justice, to recall the detail and add<br />

nuance to make it more believable. There’s an<br />

exhilarating freedom in being someone else<br />

for a while but it also feels a little deceitful –<br />

trying really hard to pass for someone I’ve only<br />

just met. Then I realise that’s the whole point.<br />

Doing my best to be convincing is part of the<br />

gig. I’m acting. And it’s really good fun.<br />

Lizzie Lower<br />

Visit brightonpeoplestheatre.org for the full<br />

programme of events.<br />

....87....

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