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WE TRY...<br />
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<strong>Brighton</strong> People’s Theatre<br />
Theatre workshop<br />
I haven’t performed<br />
in front of people<br />
since I was at school<br />
and the very thought<br />
of it fills me with<br />
dread. But I keep<br />
hearing that it’s<br />
good to do things<br />
that scare you, so<br />
I’ve signed up for<br />
a workshop with<br />
<strong>Brighton</strong> People’s Theatre.<br />
Now I’m stood in a circle with 20 perfect<br />
strangers, at the Brighthelm Centre. I’d say<br />
the youngest of us is around 20 and the oldest<br />
somewhere close to 70. We all shift a little<br />
nervously.<br />
Facilitators Luan and Tanushka set out the<br />
rules of engagement: Be kind, be brave and<br />
be yourself. This is a safe space to play. Yikes.<br />
Holding eye contact with strangers and<br />
pretending to be chewing gum are outside<br />
of my normal comfort zone but we’re all in it<br />
together and the fun soon outweighs the fear.<br />
We play Grandma’s Footsteps, pass imaginary<br />
objects and cackle like witches. We weave<br />
around the room, responding to unspoken<br />
cues, sometimes moving in unison, sometimes<br />
not, falling into line, gathering together and<br />
splitting apart, moving in silent co-operation.<br />
I’m aware this all sounds pretty peculiar, but I<br />
recommend that you experience it for yourself.<br />
“We’re moving like starlings” someone<br />
observes, reminded of the seafront<br />
murmurations. I know what they mean. I think<br />
of my awkward morning ritual on the busy<br />
station concourse, eyes down, jostling and<br />
sidestepping the crowds. Watching this group,<br />
I’m struck by how beautiful the random flow<br />
of movement looks and how quickly it seems<br />
to tell a story. This<br />
group of strangers is<br />
starting to look like an<br />
ensemble.<br />
The workshops are part<br />
of a new programme<br />
for <strong>Brighton</strong> People’s<br />
Theatre: the brainchild<br />
of Naomi Alexander<br />
who started BPT in<br />
2015 with the intention<br />
of creating an inclusive and representative<br />
theatre company for the city. The programme<br />
– which includes play reading and writing<br />
sessions and a show-going theatre club – is<br />
open to anyone aged 18+ living in the BN<br />
postcode area who’s not a professional artist.<br />
And with a ‘pay as you can afford’ price scale<br />
and assistance with travel expenses on offer, it’s<br />
accessible to anyone with an interest in theatre.<br />
For the final exercise of the evening, we break<br />
into smaller groups and share stories from<br />
our lives. Then, together, we tell one of the<br />
stories to the wider group, taking it in turns<br />
to speak in the first person with the intention<br />
of carrying it off as our own. We’re not telling<br />
my story, so I find I’m far less nervous than<br />
I expected to be. In fact, I’m really enjoying<br />
telling someone else’s tale, feeling that I need<br />
to do it justice, to recall the detail and add<br />
nuance to make it more believable. There’s an<br />
exhilarating freedom in being someone else<br />
for a while but it also feels a little deceitful –<br />
trying really hard to pass for someone I’ve only<br />
just met. Then I realise that’s the whole point.<br />
Doing my best to be convincing is part of the<br />
gig. I’m acting. And it’s really good fun.<br />
Lizzie Lower<br />
Visit brightonpeoplestheatre.org for the full<br />
programme of events.<br />
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