THOM 13 | Fall / Winter 2019
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Volume 7 | issue 2<br />
<strong>Fall</strong>/<strong>Winter</strong> <strong>2019</strong>
Volume 7 | Issue 2<br />
<strong>Fall</strong>/<strong>Winter</strong> <strong>2019</strong><br />
Publisher<br />
Thomasville Center for the Arts<br />
Executive Editor<br />
Michele Arwood<br />
Creative Director<br />
Haile McCollum<br />
Managing Editor<br />
Chay Hughes<br />
Publication Designer<br />
Jennifer Ekrut<br />
82<br />
Partner Page Designer<br />
Christie Clark<br />
Partner Development<br />
Joanne Thomas<br />
Copy Editor<br />
Emmy Táncsics<br />
Photographers<br />
Carolyn Allen<br />
Justin Allen<br />
Rinne Allen<br />
Mali Azima<br />
Drew Balfour<br />
Gabe Hanway<br />
Eddie Sanchez<br />
Michael SeRine<br />
Daniel Shippey<br />
Jon-Michael Sullivan<br />
Writers<br />
Rosanne Dunkelberger<br />
Andrea Goto<br />
Chay Hughes<br />
Rochelle Koff<br />
Rebecca Padgett<br />
Audrey Post<br />
Megan Young<br />
76<br />
thomasvillearts.org<br />
600 E. Washington St., Thomasville, GA<br />
229.226.0588<br />
70
contents<br />
<strong>Fall</strong>/<strong>Winter</strong> <strong>2019</strong><br />
10 ARTIST<br />
4 The Power of Paper<br />
Artists create a sense of wonder through<br />
the Paper-Cut-Project.<br />
Trailblazer<br />
10 A Sporting Cause<br />
Millennial gun-dog trainer Durrell Smith<br />
embraces a diverse, complex history<br />
with an open, and curious, mind.<br />
Foodie<br />
16 Changing Tides<br />
Aquaculturist Cainnon Gregg of Pelican<br />
Oyster Co. is healing the ecosystem one<br />
sustainable oyster at a time.<br />
Creator<br />
22 The Sweetest Journey<br />
What do you get when you mix a gypsy’s<br />
soul with strong Southern roots? Something<br />
truly delicious.<br />
27 <strong>THOM</strong>’s Guide<br />
22<br />
Catalyst<br />
70 Secrets of a Second Story<br />
What happens to historic preservation when<br />
the only place left to go is up?<br />
Connector<br />
76 Who’s Hungry?<br />
Eddie Sanchez, founder of Hungry in LA,<br />
toasts to good food and great people.<br />
Explorer<br />
82 Art Basel Is Muy Caliente<br />
Miami’s favorite modern-and-contemporaryart<br />
show sizzles in an already spicy city.<br />
88 Featured Artists<br />
Cover photo by Rinne Allen
Letter From<br />
the Editor<br />
My favorite time of day in Thomasville is just before<br />
dawn. It’s oddly comforting walking through town<br />
alone when the streets are dark—not a soul in sight<br />
save for the few runners, who impress with their<br />
early drive and focus. It’s the time when I attempt<br />
to leave my “drive” at home and set out to clear my<br />
head. Invariably there is no clearing.<br />
Today, as I pass the shops and restaurants owned<br />
by the people who have become my people, random<br />
thoughts roll through: “Who’s nourishing Rhonda<br />
after she and Chef Tyler have nourished us?” “What<br />
new creative venture is Spencer brewing up now?”<br />
“And for goodness’ sake, what is Kevin’s plan for that<br />
beautiful building I covet?”<br />
I make it to the corner of Madison and Jackson<br />
and realize I’m smiling. I love our town and our<br />
people, and the beautiful new streetscape that lies<br />
ahead. With its new sidewalks and budding trees, it<br />
seems to wave and say, “Hey, look at me. Look what<br />
I’ve become.” I’m proud of our city for committing<br />
to a vision for the creative district and grateful<br />
for the people who are shaping this significant,<br />
once-forgotten part of town. It’s been an honest-togoodness<br />
chance of a lifetime to see our city honor<br />
its past and work together to create a place where<br />
creativity and innovation can thrive.<br />
the work we do, actually the work is shaping us. I get<br />
that now. Much like the changes to the facades of<br />
the newly inhabited buildings along Jackson and the<br />
modern infrastructure that lies below the brick streets,<br />
the experience of working with smart, generous people<br />
has certainly changed me, and consequently the<br />
Center for the Arts, in ways we never imagined.<br />
A day later I’m typing this letter and excited for you<br />
to meet the creatives in this issue. Their perspectives<br />
on the people and places that have shaped their lives<br />
are powerful. You’ll have a chance to get to know<br />
them better through a series of <strong>THOM</strong> events, and<br />
I suggest you don’t miss any of them if you want to<br />
hang out with the coolest creatives in town.<br />
And as always, thank you to the partners who<br />
make it possible for us to wax on about what<br />
makes Thomasville great. It’s their commitment to<br />
<strong>THOM</strong> that fuels the development of our curious,<br />
creative community.<br />
Underneath an orange sail shade stretched across a<br />
vacant lot is the best thinking spot this morning. The<br />
lot sits between John and Anna Carol’s bustling bagel<br />
shop and a storefront that’s been closed for decades.<br />
It’s the juxtaposition of the two that reminds me:<br />
While so much has happened in the district and our<br />
city, there will always be more we can do together to<br />
make it better for everyone.<br />
A colleague once told me I would one day realize<br />
that while we think we are shaping things through<br />
Michele Arwood<br />
Executive Director, Thomasville Center for the Arts<br />
marwood@thomasvillearts.org
THE POWER OF<br />
PAPER<br />
Artists create a sense of wonder<br />
through the Paper-Cut-Project<br />
AN ARTIST SOAKS UP INSPIRATION<br />
wherever she can.<br />
Growing up in Americus, Georgia,<br />
Amy Flurry found hers in glossy<br />
fashion magazines. Every turn<br />
of the page transported her to a<br />
fantastic and whimsical world. She<br />
felt wonder, she says, as she saw<br />
life through another’s lens.<br />
Ever since, her own life has<br />
revolved around the canvas that<br />
paper presents.<br />
Her love for fashion magazines<br />
and stories eventually resulted in<br />
two decades of journalistic and<br />
editorial experience contributing<br />
to publications such as Condé Nast<br />
Traveler, Country Living, Lucky, Better<br />
Homes & Gardens, House Beautiful<br />
and InStyle.<br />
4
Written by<br />
Rebecca Padgett<br />
Photographed by<br />
Mali Azima + Rinne Allen,<br />
Courtesy of Paper-Cut-Project<br />
5
“I hope that when<br />
the Paper-Cut-Project<br />
pieces are viewed,<br />
they invoke a sense<br />
of wonder.”<br />
6
artist<br />
Once influenced and inspired by<br />
the publishing industry, today<br />
Amy operates an independent<br />
communications studio that<br />
assists companies in strengthening<br />
their house style, or brand identity.<br />
She has also written two books,<br />
Recipe for Press and Recipe for Press:<br />
Designer Edition.<br />
But as every artist knows, nothing<br />
stays the same. The muse can<br />
often show up in different guises.<br />
“The more I told, wrote and<br />
sought stories, the more I realized<br />
I wanted to do more than write,”<br />
Amy says. “I want to come up<br />
with the concept for an entire<br />
project and to create something<br />
with my hands, much like the<br />
‘creatives’ and designers I had<br />
always been entranced by.”<br />
Amy’s opportunity to create in<br />
a new way arrived when she<br />
interviewed a Buckhead, Georgia,<br />
boutique owner and paper artist,<br />
Nikki Nye, for a story she was<br />
writing.<br />
A graduate of Illinois Institute<br />
of Art in interior design, Nikki<br />
overlooked no detail of her space<br />
—a quality Amy could appreciate<br />
in her fellow creative.<br />
“I was beyond impressed,” recalls<br />
Amy. “She had these incredibly<br />
detailed paper sculptures on<br />
the wall that really captured my<br />
attention.”<br />
Friendship between the two<br />
was inevitable. But it wasn’t<br />
until 2009 that the friends were<br />
finally able to combine their<br />
backgrounds in fashion and their<br />
fascination with paper to form<br />
the Paper-Cut-Project.<br />
“I love the element of fantasy<br />
that is always present in fashion,”<br />
says Amy, “and this collection<br />
allows us to play in that world by<br />
creating something unexpected.”<br />
Paper-Cut-Project transforms<br />
simple sheets of paper into<br />
dramatic sculptures centered<br />
on fashion, including wigs and<br />
masks. These intricate paper<br />
accessories are devised to elevate<br />
a designer’s entire concept.<br />
7
so savvy in ways I could never be,”<br />
says Nikki, who acts as the project’s<br />
lead designer. “We think right along<br />
the same lines yet complement<br />
each other in our differences.”<br />
It has been a wild ride, Amy<br />
says, but one that began slow<br />
and steady and with a healthy<br />
dose of uncertainty. In the years<br />
since, their brand has gradually<br />
expanded and their process<br />
has refined.<br />
“Our aesthetic has always had<br />
a strong uniqueness, making it<br />
easily identifiable as us, so that<br />
much has stayed constant,” Amy<br />
says. “But in our techniques, in<br />
the level of detail we are now<br />
able to achieve, in the strength<br />
and fit of the underlying<br />
structure—that is where we have<br />
been able to learn and grow and<br />
improve each time.”<br />
Amy calls the process “slow<br />
fashion.” The detail work on one<br />
sculpture can take 40 hours.<br />
Premier fashion houses and<br />
influential galleries, including<br />
Hermès, Cartier, Kate Spade,<br />
Valentino, the Victoria and Albert<br />
Museum, and Lincoln Center,<br />
have hired the duo’s fusion of<br />
fashion and fine art.<br />
“I think we are often<br />
commissioned because brands<br />
know that what we do can’t be<br />
re-created,” Amy says.<br />
At the start of Paper-Cut-Project,<br />
the pair dove in headfirst, as<br />
business partners, artists and<br />
friends. With just a few sketches<br />
done by Nikki and Amy’s honed<br />
pitching skills, they earned their<br />
first showing, in the windows of<br />
Jeffrey boutique in Atlanta.<br />
“Amy is such a wonderful person<br />
to begin with, so smart, so kind<br />
and then, on the business front,<br />
Their code is simple: They never<br />
repeat designs, and they prefer<br />
to work on only a few pieces at<br />
a time. Following the client’s<br />
guidelines, Nikki sketches the<br />
pieces; then each of them sets<br />
out to work individually, using<br />
hundreds of sharp blades,<br />
heavyweight archival Bristol<br />
paper and glue. Before the<br />
stunning pieces are shipped,<br />
they are cured with a finishing<br />
coat that stiffens and seals,<br />
preventing damage, staining<br />
and yellowing.<br />
8
artist<br />
“The world around us moves so fast, and we are always<br />
brimming with ideas and inspirations. It’s rewarding to<br />
simply sit and create new expressions.”<br />
“The process is very meditative,”<br />
Amy says. “The world around<br />
us moves so fast, and we are<br />
always brimming with ideas<br />
and inspirations. It’s rewarding<br />
to simply sit and create new<br />
expressions.”<br />
As a lifelong resident of Georgia<br />
and a lover of the art-inclined<br />
culture that Thomasville<br />
cultivates, Amy was eager to<br />
collaborate when Thomasville<br />
Center for the Arts approached<br />
Paper-Cut-Project about<br />
partnering with them for an<br />
exhibition at the Center’s<br />
downtown gallery.<br />
The exhibition will include wigs<br />
and masks depicting animals and<br />
birds indigenous to the region. The<br />
art is intended to merge intricate<br />
craftsmanship and the exceptional<br />
natural beauty of Thomasville and<br />
surrounds. Prints of earlier works<br />
will be on sale alongside some<br />
promised surprises.<br />
“I hope that when the Paper-Cut-<br />
Project pieces are viewed, they<br />
invoke a sense of wonder,” Amy<br />
says. “Our pieces are made of<br />
simple, tangible mediums—paper<br />
and glue. I think it often surprises<br />
people that extraordinary<br />
expression can come from such<br />
everyday materials. Wonder is all<br />
around us; we just have to have<br />
the imagination to create it.”<br />
Paper-Cut-Project<br />
paper-cut-project.com<br />
9
Millennial gun-dog trainer Durrell Smith<br />
embraces a diverse, complex history<br />
with an open, and curious, mind<br />
EVERY YEAR SINCE 1981, THE THREE DOZEN MEMBERS OF<br />
the Georgia-Florida Shooting Dog Handlers Club gather in late<br />
winter on a plantation in the Red Hills region of South Georgia<br />
to participate in a quail-hunting field trial. Consistent with<br />
hunting culture, the competition is steeped in tradition. Skills<br />
have been passed down over generations, bird dogs are bred<br />
from the finest lines, and most guns even have provenance.<br />
With a small gallery following on all-terrain vehicles, men<br />
on horseback depart early, trailing their dogs across the<br />
landscape, awaiting the point, which signals the precise<br />
location of quail hidden in the cover.<br />
Home to about 150 private quail plantations spread across<br />
300,000 acres, the Red Hills region is a hot spot for field trials<br />
that judge the skills of wingshooters and their highly trained<br />
bird dogs. And the field trial organized by the Georgia-Florida<br />
Shooting Dog Handlers Club looks different than many other<br />
clubs in only one way: Its members are African-American.<br />
10
Written by<br />
Andrea Goto<br />
Photographed by<br />
Jon-Michael<br />
Sullivan<br />
11
Trailblazer<br />
That time came in 2015 after he’d finished<br />
graduate school and secured a teaching position<br />
at a private school.<br />
Remembering how it had inspired him, Durrell<br />
tore out the original Georgia-Florida Shooting Dog<br />
Handlers Club article and pasted it into a Moleskin<br />
notebook he called the Gun Dog Notebook. In<br />
it he’d write down anything and everything he<br />
learned about hunting and gun-dog training from<br />
articles, books, his own experience and, most<br />
important, veterans of the sport.<br />
“The point was for me to document everything I<br />
was doing training my first hunting dog so I’d know<br />
what I was doing the next go-around,” he says.<br />
Durrell Smith, a visual arts teacher in Atlanta<br />
and a Georgia native, remembers the surprise he<br />
felt on reading an article about the club, which is<br />
commonly referred to as the Black Dog Handlers<br />
Association, three years ago.<br />
“I thought, ‘Huh, those guys look like me,’” he says,<br />
laughing. “And they looked really cool.”<br />
Durrell, 29, had just acquired and begun training a<br />
Labrador, named Ruger, for hunting. The pair had<br />
one season under their belts when he came across<br />
the article.<br />
Durrell decided he wanted to be like the veteran<br />
hunters he read about; but he wasn’t proficient in<br />
hunting or dog handling. He grew up hunting squirrel<br />
with his grandfather, and he had some experience<br />
training dogs, but he had worked primarily with pit<br />
bulls, not specially bred sporting dogs, which require<br />
more intense and intricate training.<br />
Nonetheless, Durrell was intrigued by his more<br />
experienced friends’ stories of hunting with their<br />
families and decided that once his teaching career<br />
took off, he’d turn his attention to the sport.<br />
With his wife’s encouragement, in 2017 Durrell<br />
began a podcast to augment his notebook—a<br />
platform for collecting and orally documenting<br />
information on hunting and training bird dogs.<br />
“At the time, I didn’t know anything about<br />
podcasts,” he recalls. “I just got on my phone and<br />
hit the voice memo recorder and started talking.”<br />
Over the past two years, Durrell has recorded<br />
roughly 70 episodes of his podcast, which he called<br />
The Gun Dog Notebook Podcast because it served<br />
a purpose similar to that of the pages he was<br />
filling: to document the sport. The podcast quickly<br />
gained momentum. Durrell realized that bird-dog<br />
handlers, many of whom now participate in the<br />
podcast, were an exceptionally welcoming bunch.<br />
“As long as you’re willing to learn from people<br />
who know more than you, you’re good,” he says.<br />
“I was basically putting myself on an accelerated<br />
learning curve and I didn’t even realize it.”<br />
Durrell wants to use the podcast as a platform for<br />
exploring the often-untold history of trainers and<br />
handlers in the South.<br />
“I want to start doing more live podcasts on a<br />
video platform—get more into bird-dog history<br />
and what I call the truth about bird dogs.”<br />
12
“As long as you’re willing to learn from people<br />
who know more than you, you’re good. I was<br />
basically putting myself on an accelerated learning<br />
curve and I didn’t even realize it.”<br />
<strong>13</strong>
“The story is never really told accurately, because<br />
there are a lot of details that, I feel, are left<br />
out,” Durrell says about the history of African-<br />
American bird-dog handlers.<br />
In the late 1880s, Northern businessmen looking<br />
for a sporting, snowbird life, began purchasing large<br />
parcels of land surrounding Thomasville. By 1930,<br />
their leisurely investments completely encircled the<br />
winter retreats of Thomasville's downtown, totaling<br />
more than 80,000 acres of hunting plantations.<br />
In many cases these sporting Meccas were looked<br />
after by African-Americans and their families<br />
who were deeply rooted in the region.<br />
“African-Americans were the ones who were<br />
training bird dogs and horses to run these field<br />
trials for the plantation owners. We were the<br />
scouts during field trials who knew the land and<br />
cover,” he says. “So much of African-American<br />
history and work has contributed a lot of<br />
foundational bird-dog work.”<br />
Which is why it has been essential for Durrell<br />
to align himself with the Black Dog Handlers.<br />
“These old-school guys have already figured out<br />
the dog-training thing,” he says. “They worked on<br />
a plantation their entire life, managing game and<br />
training dogs. And when that’s your job, you’ll<br />
start to figure out the equations. They were out<br />
there making mistakes, then turning around and<br />
making champion hunting dogs.”<br />
Durrell is an affable guy, with seemingly endless<br />
energy and a contagious passion for wingshooting<br />
and training bird dogs that makes clear why the<br />
“old-school guys” want to share their experiences<br />
with him. In addition to teaching and working as<br />
Durrell is taking his podcast on the road to lead Lay of the Land during Plantation Wildlife Arts Festival on Sunday,<br />
November 17. Free with admission to the Fine Art Show, Durrell’s reboot of this annual experience will include a<br />
demonstration with his trusty four-legged companion.<br />
14
Trailblazer<br />
“When you have someone who’s legitimately interested<br />
in learning, no one in the gun-dog community is going<br />
to turn that away, because a lot of these older guys are<br />
starting to realize ‘Look, we need to pass this on.’”<br />
an artist, Durrell can spend up to eight hours a day training his<br />
now trusty Lab, Ruger, and the newest addition, Vegas, a spirited<br />
English pointer.<br />
Plantation Wildlife<br />
Arts Festival<br />
He’s filled two Gun Dog Notebooks (the second of which he<br />
published) and continues<br />
to expand his podcast. In a<br />
partnership with Project Upland<br />
magazine, Durrell released a<br />
short documentary film about<br />
the Black Dog Handlers this past<br />
summer. He also has set his sights<br />
on acquiring acreage on which to<br />
open his own bird-dog kennel.<br />
In little more than three years,<br />
Durrell has thrown himself<br />
headfirst into a lifestyle that from<br />
the outside may seem uninviting to<br />
African-American game hunters.<br />
But as he works his way in—<br />
asking questions of his mentors,<br />
listening for answers and in<br />
turn sharing that knowledge<br />
with others—he is delighted to<br />
find that diversity is not only<br />
encouraged; it’s necessary.<br />
November 9<br />
Red Hills Rover Rally<br />
Margo’s Table<br />
November 10<br />
Afternoon in the Field:<br />
Concert<br />
Presented by First Commerce<br />
Credit Union<br />
November 14<br />
Women of Wildlife: Paint<br />
Workshop<br />
Presented by Ashley HomeStore<br />
November 15<br />
Fine Art Show Preview Party<br />
Presented by Synovus<br />
November 16 & 17<br />
Fine Art Show<br />
Presented by Synovus<br />
Wildlife Encounters<br />
“When you have someone who’s<br />
legitimately interested in learning,<br />
no one in the gun-dog community<br />
is going to turn that away, because<br />
a lot of these older guys are<br />
starting to realize ‘Look, we need<br />
to pass this on,’” Durrell says.<br />
It’s both a gift he’s been given and<br />
one he intends to pay forward.<br />
The Gun Dog<br />
Notebook<br />
thegundognotebook.com<br />
Beguiled by the Wild<br />
Lay of the Land<br />
Presented by <strong>THOM</strong><br />
Creative Covey<br />
Presented by<br />
Ashley HomeStore<br />
Bird Dog Bash<br />
Presented by<br />
Wellington Shields<br />
15
Changing<br />
Tides<br />
Aquaculturist Cainnon Gregg of<br />
Pelican Oyster Co. is healing the ecosystem<br />
one sustainable oyster at a time<br />
16
Written by<br />
Audrey Post<br />
Photographed by<br />
Drew Balfour<br />
17
Foodie<br />
“It’s not enough that it’s good<br />
for the environment and sustainable.<br />
It’s got to be better than wild oysters<br />
to justify the higher cost.”<br />
18
Foodie<br />
IF YOUR IDEA OF THE PERFECT ONE-BITE<br />
morsel is an oyster on the half shell, cold as ice<br />
with the perfect briny balance, meet Cainnon<br />
Gregg of Pelican Oyster Co. His Salty Birds have<br />
developed a loyal, and growing, fan base since<br />
he began farming them in north Florida’s Oyster<br />
Bay in 2017.<br />
Hurricane Michael in 2018 dealt him a severe<br />
blow, but his crop, like the ecosystem it<br />
enhances, is showing signs of recovery.<br />
“Ninety-five percent of the natural native<br />
oyster beds have been destroyed,” Cainnon says.<br />
“We’re putting the filtration system back in.”<br />
Improvements in oyster-farming methods, such<br />
as the floating-bag system, in which the bags<br />
the oysters grow in ride the waves instead of<br />
resting on the ocean floor, have helped create<br />
a sustainable source of oysters. In addition,<br />
the bags are restoring a critical link in the food<br />
chain of marine life, creating a domino effect as<br />
shrimp and crabs move in.<br />
“It’s not enough that it’s good for the<br />
environment and sustainable,” Cainnon says.<br />
“It’s got to be better than wild oysters to justify<br />
the higher cost.”<br />
According to customer reviews, Salty Birds<br />
meet that standard.<br />
Going with the Flow<br />
Cainnon always loved the outdoors, but his<br />
artistic side led him to his first career, with<br />
Urban Outfitters. There he used his expertise<br />
in faux finishing and sculpting to design retail<br />
displays around the country.<br />
He moved to Tallahassee from Jacksonville to<br />
help open the flagship store there.<br />
Cainnon was intrigued by the idea of oyster<br />
farming and the instructional course offered<br />
by the Wakulla Environmental Institute, in<br />
Crawfordville, Florida. When he was laid off<br />
from his design job, he saw it as a sign.<br />
By late 2015, Cainnon was ready to dive into<br />
oyster farming and asked an established oyster<br />
farmer if he could intern there. In 2017 he got<br />
the first of his three farms, each a 1.5-acre tract<br />
of submerged land in the St. Marks Wildlife<br />
Refuge, just south of Spring Creek. His first<br />
harvest was in February 2018.<br />
“It was really cool,” he recalls. “I had developed<br />
a big demand for my oysters because I know<br />
how social media works, and a lot of customers<br />
thought I was a big company.”<br />
19
“The consistency in size and flavor is<br />
probably the most important. They’re clean,<br />
with just the right brininess.”<br />
He sold his oysters to chefs in Atlanta,<br />
Nashville and Birmingham. Thankfully,<br />
demand was always greater than supply, as<br />
chefs from all over the world asked for them.<br />
Then came October and Hurricane Michael, a<br />
Category 5 storm whose devastation along the<br />
Gulf stretched far beyond its landfall, in the<br />
middle of the Florida Panhandle. Of the three<br />
aquaculture zones in Apalachee Bay—Oyster<br />
Bay, Skipper Bay and Alligator Harbor—Oyster<br />
Bay was hit the hardest.<br />
“Some people lost everything, others only a<br />
little. I was in the middle,” Cainnon says. “I had<br />
planted 300,000 seeds several weeks earlier.<br />
The water temperature changed 20 degrees,<br />
and the salinity changed. Either one will kill an<br />
oyster. I lost 75 to 80 percent of the oysters.”<br />
New Way of Thinking<br />
After his losses, Cainnon decided to focus on local<br />
restaurants as he rebuilt his business. With what<br />
turned out to be excellent timing, he dropped in on<br />
Matt Hagel, chef and co-owner, with wife Kimberly,<br />
of Chop House on the Bricks in downtown<br />
Thomasville, in early <strong>2019</strong>. The oyster farmer Hagel<br />
had been using had sustained devastating losses<br />
in the hurricane, and he was looking for a new<br />
supplier. Now he tries to use Salty Birds exclusively<br />
for all his oyster dishes except fried oysters.<br />
“The consistency in size and flavor is probably<br />
the most important,” Chef Matt says. “They’re<br />
clean, with just the right brininess.”<br />
The customers love them, he says, and he<br />
also feels good knowing he’s supporting<br />
a sustainable product. The farm-to-table<br />
restaurant has long had a reputation for<br />
supporting area farms, including Sweet Grass<br />
Dairy, Bumpy Road Farm and Full Earth Farm.<br />
In no small coincidence, Cainnon credits Katie<br />
Harris of Full Earth Farm, a certified naturally<br />
grown farm in Quincy, Florida, with offering him<br />
advice and encouragement as he was building<br />
his oyster business. It’s a mutual admiration.<br />
Shhh... Enjoy a selection of Pelican Oyster Co.’s Salty Birds Saturday, November 9, at<br />
Margo’s Table during Plantation Wildlife Arts Festival. Seating is limited. Location disclosed to<br />
attendees only. Reserve your seat at ThomasvilleArts.org.<br />
20
Foodie<br />
Get a Taste for<br />
Pelican Oyster Co.’s<br />
Salty Birds:<br />
Chop House<br />
on the Bricks<br />
123 N. Broad Street<br />
Thomasville<br />
Cypress Restaurant<br />
320 E. Tennessee Street<br />
Tallahassee<br />
The Hawthorn<br />
Bistro & Bakery<br />
<strong>13</strong>07 N. Monroe Street<br />
Tallahassee<br />
Il Lusso<br />
201 E. Park Avenue<br />
Tallahassee<br />
Sage Restaurant<br />
3534 Maclay Blvd. South<br />
Tallahassee<br />
R Is for ‘Refrigerator’<br />
As of this writing, Cainnon planned to plant<br />
400,000 seed oysters this past summer. Some will<br />
be ready to harvest in six months; others can<br />
take up to 14 months. He’s keeping his fingers<br />
crossed that no tropical storms come along.<br />
In the meantime he’s getting the names Salty<br />
Birds and Pelican Oyster Co. out into the foodie<br />
universe, shucking oysters at a variety of<br />
events from book signings to store receptions.<br />
Over the summer he participated in a series<br />
of high-end dinners in Apalachicola called<br />
Sundown Socials.<br />
“It was cool to get to take my oysters<br />
to Apalachicola, my Mecca of oysters,”<br />
Cainnon says.<br />
Oh, and he has a message for people<br />
who still adhere to the adage that oysters<br />
shouldn’t be eaten in months without<br />
an r: May, June, July and August.<br />
“There is an r,” he says. “It’s refrigeration.”<br />
Pelican Oyster Co.<br />
pelicanoyster.com<br />
21
Written by<br />
Rosanne Dunkelberger<br />
Photographed by<br />
Gabe Hanway<br />
Photos Courtesy of<br />
Dena White<br />
Written by<br />
Rosanne Dunkelberger<br />
Photographed by<br />
Gabe Hanway<br />
22
THE<br />
Sweetest<br />
JOURNEY<br />
What do you get when you mix a<br />
gypsy’s soul with strong Southern roots?<br />
Something truly delicious<br />
WHEN SHE WAS A LITTLE GIRL IN THE HAMLET<br />
of Boston, Georgia, Dena White would get away<br />
from her busy household, which was full of<br />
siblings and foster children, by climbing a pecan<br />
tree overlooking the then two-lane U.S. Route 84.<br />
She’d watch cars passing by and wonder, “Where<br />
are all these people going? One day I’m going to<br />
go somewhere. One day I’m going to know what<br />
it’s like to get in the car and go somewhere.”<br />
“That’s just always been in the back of my mind,”<br />
she says now.<br />
It wasn’t until her 50th birthday, but Dena did<br />
go somewhere—to France and Italy, on a nearly<br />
eight-week adventure that changed her life. The<br />
first stop was Paris, which she declares is “my<br />
favorite place on Earth.”<br />
While she had always loved to cook and bake,<br />
seeing the Parisian food shops filled with<br />
chocolates and baked goods inspired her to<br />
think about re-creating the experience back in<br />
23
CREATOR<br />
shiny truffles that look like little pieces of art,<br />
to perfectly constructed macarons, to generous<br />
slices of cheesecake. That Italian classic treat<br />
gelato is also on the menu.<br />
And Dena has transported an indulgence<br />
from the cafés of Paris to Sweet CaCao:<br />
European sipping chocolate. It’s thick, the<br />
consistency of pudding, and so rich that only<br />
a small cup will satisfy and give a caffeine<br />
boost that lasts all day.<br />
While she did feel like something of an<br />
outsider—“different” is how she puts it—<br />
during her first international trip, she found<br />
that immersing herself in the local culture<br />
went a long way toward helping her enjoy<br />
the experience.<br />
“I hear all the time people say ‘Well, the<br />
French hate Americans.’ And I’m like, ‘No,<br />
the French are like everybody else; they hate<br />
rude people,’” she says. “When I travel, I try<br />
to be part of the community. I don’t stay<br />
in fancy hotels and eat at McDonald’s. I’m<br />
going to try to fit in with the locals.”<br />
the States. It would take a few years and<br />
some decision-making about where to plant<br />
roots, but the call of the grandchildren led<br />
her back home, first to Boston and then to<br />
downtown Thomasville, where she is now<br />
proprietress of Sweet CaCao Chocolates.<br />
It’s a petite shop on East Jackson Street filled<br />
with sweet things to delight the senses—from<br />
Dena and her husband, Rick, embarked on a<br />
grander journey in 20<strong>13</strong>, when they rented<br />
out their residence, got rid of many of their<br />
possessions and “ran away from home.”<br />
This time they started out in Ireland and<br />
backpacked, often camping, across Great<br />
Britain and the Czech Republic.<br />
“I’ve touched doors that are 2,000 years old,”<br />
Dena says. “It’s true. It changes your life.”<br />
They would be gone nearly four months,<br />
and even though there was no itinerary, they<br />
always visited the sweet shop in whatever<br />
“I’ve touched doors that are 2,000 years old.<br />
It’s true. It changes your life.”<br />
24
Classic Chocolate<br />
Mousse<br />
Ingredients<br />
¾ cup chilled heavy cream,<br />
divided into ½ cup and ¼ cup<br />
4 large egg yolks<br />
¼ cup brewed espresso or strong coffee,<br />
room temperature<br />
¹⁄8 teaspoon salt<br />
3 tablespoons sugar,<br />
divided into 2 tbsp and 1 tbsp<br />
6 ounces dark chocolate (60–72 percent<br />
cacao), chopped<br />
2 large egg whites<br />
Directions<br />
Beat ½ cup cream in a small bowl to stiff<br />
peaks; cover and chill.<br />
Combine egg yolks, espresso, salt and<br />
2 tablespoons sugar in a heatproof bowl. Set<br />
over a saucepan of gently simmering water<br />
(do not let the bowl touch the water). Cook,<br />
whisking constantly, until mixture is lighter in<br />
color and almost doubled in volume and an<br />
instant thermometer inserted into it registers<br />
160 degrees, about one minute.<br />
Remove bowl from heat. Add chocolate and<br />
whisk until chocolate is melted and mixture is<br />
smooth. Let sit, whisking occasionally, until it<br />
reaches room temperature.<br />
Using an electric mixer, beat egg whites in a<br />
medium bowl on medium speed until foamy.<br />
While the mixer is running, gradually beat in<br />
remaining 1 tablespoon sugar. Increase speed<br />
to high and beat until stiff peaks form.<br />
Fold egg whites into chocolate mixture in<br />
two additions; fold reserved whipped cream<br />
into mixture just to blend. Divide mousse<br />
among six teacups or 4-ounce ramekins. Chill<br />
until firm, at least two hours.<br />
25
CREATOR<br />
“If you go into travel with the mind that you’re<br />
going to learn something from the people,<br />
it’s a lot different than just running around.”<br />
town they came across. And no matter their<br />
destination, historic or happening, their first stop<br />
was always the information center.<br />
“They’d post bed-and-breakfasts, and you’d just go<br />
and check the list, and normally if they didn’t have<br />
room, they’d find you a place to stay,” Dena says. “It<br />
was a lot of fun to meet the different people.”<br />
When it comes to travel, slow is the way to go,<br />
Dena advises.<br />
“If you go into travel with the mind that you’re<br />
going to learn something from the people, it’s a<br />
lot different than just running around,” she says.<br />
“I saw so many people that would just run from<br />
one museum to another; they’d spend, like, two<br />
minutes. Like going to the Louvre: Yeah, I enjoyed it,<br />
but I’d rather go to a smaller museum or something<br />
not quite so touristy. We did a lot of the free sights<br />
and museums and cathedrals. You can travel on a<br />
budget if you try. Most people don’t want to put in<br />
the effort.”<br />
The busyness of relocating Sweet CaCao to<br />
Thomasville has put travel plans on hold for now,<br />
but Dena knows where her next big trip will take<br />
her: South America.<br />
There, business will mix with pleasure as she<br />
expands her operation to include the actual<br />
making of the chocolate from cacao beans, a craft<br />
she learned during two years spent managing a<br />
chocolate shop in Athens, Georgia. Cacao, actually<br />
a fruit, can grow only within 10 degrees of the<br />
Equator, and the business is notorious for using<br />
child and slave labor to harvest the crop. She wants<br />
to source the beans personally to ensure that they<br />
are farmed ethically.<br />
Thankfully, Dena’s passion for different cultures<br />
and cuisines didn’t skip a generation.<br />
When shopping for the perfect gift for her mother,<br />
Dena’s daughter, Amy Mitchell, ended up having<br />
a quotation from Mark Twain engraved on the<br />
back of an iPad. The quotation, “Travel is fatal to<br />
prejudice, bigotry and narrow-mindedness,” pays<br />
homage to the delicious, curious world her family<br />
is dedicated to exploring.<br />
Sweet CaCao<br />
sweetcacaochocolates.com<br />
26
There are far, far better<br />
things ahead than any we leave<br />
- C.S. Lewis<br />
27
<strong>THOM</strong>ASVILLE | ALBANY | TALLAHASSEE
411 GORDON AVENUE, <strong>THOM</strong>ASVILLE, GEORGIA<br />
229.226.2565 | ALEXANDERVANN.COM
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BY MALAVA, LLC<br />
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<strong>THOM</strong>ASVILLE OFFICE: 229.236.2220<br />
VALDOSTA OFFICE: 229.244.2000<br />
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676 INDUSTRIAL DRIVE | TALLAHASSEE, FL 32310 | 850-509-7512
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dine in<br />
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Our legacy is a better future for our community.<br />
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TRUSTED TO HANDLE THE DETAILS SO YOU CAN FOCUS ON THE NEXT STEP<br />
337 E. JACKSON STREET | <strong>THOM</strong>ASVILLE, GA | 229.226.2921 | SGEORGIALAW.COM
Bugging Out<br />
Over Art Since 1969<br />
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FIND YOUR home<br />
ON THE EMERALD COAST!<br />
850.687.9988<br />
will@coastfla.com<br />
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Facing the Storm by Michelle Decker
The Gift Shop<br />
103 SOUTH BROAD STREET | DOWNTOWN <strong>THOM</strong>ASVILLE<br />
229.226.5232
| DOWNTOWN<strong>THOM</strong>ASVILLE.COM | 229-228-7977
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YOU ENSURE THE<br />
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507 WEST JACKSON STREET, <strong>THOM</strong>ASVILLE • (229) 228-0114 • JSMITHLANIER.COM
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<strong>THOM</strong>ASVILLE | (229) 228-4333<br />
MOULTRIE | (229) 985-1590
nothing left but crumbs.<br />
107 VASHTI AVENUE, <strong>THOM</strong>ASVILLE, GA | 229.224.2468 | WWW.JBCRUMBS.COM
The Biscuit Company<br />
A WEDDING AND EVENT VENUE<br />
219 OAK STREET<br />
229.977.4661<br />
THEBISCUITGA.COM
It takes a collective to make a great beer! We are a collective of<br />
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120 PINE AVE | ALBANY, GA 31701<br />
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COMMERCIAL | RESIDENTIAL | INDUSTRIAL<br />
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EVENTS<br />
Holiday Calico Arts & Crafts Show<br />
November 9 & 10, <strong>2019</strong><br />
Lights! Lights! Thanksgiving Night<br />
November 28, <strong>2019</strong><br />
Small Business Saturday<br />
November 30, <strong>2019</strong><br />
Moultrie Service League Santa Stroll & Roll<br />
December 7, <strong>2019</strong><br />
Christmas Parade<br />
December 12, <strong>2019</strong><br />
COMING SPRING 2020<br />
Moultrie Automotive Swap Meet<br />
Moultrie Federated Guild Antique Show & Sale<br />
Spring Calico Arts & Crafts Show<br />
Spring Fling & Backyard BBQ Festival
118 S. BROAD STREET<br />
<strong>THOM</strong>ASVILLE, GA 31792<br />
(229) 226-3388
BRAND DESIGN<br />
fontainemaury.com
423 COVINGTON AVE<br />
<strong>THOM</strong>ASVILLE, GA<br />
229.226.6074
THE NUTCRACKER<br />
Saturday, November 30 at 7:30 p.m.<br />
Sunday, December 1 at 2:30 p.m.<br />
FUSE: COME TOGETHER<br />
BEATLES AND BALLET<br />
Saturday, January 25, 2020
A CULTURAL LEGACY:<br />
Selected Works from<br />
THE PARKER B. POE COLLECTION<br />
NOVEMBER 22, <strong>2019</strong> – APRIL 30, 2020<br />
<strong>THOM</strong>ASVILLE, GA<br />
(229) 226-2344<br />
PEBBLEHILL.COM<br />
Collection on loan from<br />
Thomasville Center for the Arts.
Thomasville, Georgia • St. Simons Island, Georgia • Charleston, South Carolina<br />
AMBWEALTH.COM<br />
Securities offered through Allen Mooney Barnes Brokerage Services, LLC (Member FINRA/SIPC).<br />
Money Management Services offered through Allen Mooney Barnes Investment Advisors, LLC.
You take the road<br />
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and we’ll take care of<br />
the print.<br />
COMMERCIAL PRINTING • ART REPRODUCTIONS • FLEXOGRAPHIC LABEL PRINTING<br />
www.colsonprint.com • 800-323-7280 • VALDOSTA<br />
Original art, “Quail Crossing” David Lanier, www.dlanier.com
Financial solutions designed to fit your lifestyle, from checking,<br />
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MAGNOLIAPLACESENIORLIVING.COM | 229-377-6811
229-234-1492 | WWW.ROSECITYOUTDOOR.COM
YOUNG<br />
creators<br />
CLUB<br />
thomasvillearts.org
SECRETS OF A<br />
SECOND<br />
STORY<br />
What happens to historic<br />
preservation when the only<br />
place left to go is up?<br />
SCARS ON THE WALL BESIDE YOU,<br />
divots in the wooden planks beneath<br />
your feet, ornate designs in the tiles<br />
above your head.<br />
Have you ever stepped into a building<br />
and immediately felt the weight of its<br />
history? I have.<br />
In 20<strong>13</strong> Spencer Young, co-owner of<br />
Grassroots Coffee Company—and,<br />
admittedly, my husband—started<br />
mentioning buying a building in<br />
downtown Thomasville to house our<br />
coffee shop, which had been open<br />
four years. I told him: No way. Not<br />
happening. Look away.<br />
Luckily for the people of Thomasville,<br />
he’s the visionary, not me. And it<br />
wasn’t long before buying a building<br />
downtown is exactly what we did.<br />
A beautiful, grand 12,000-square-foot,<br />
three-story building.<br />
70
Written by<br />
Megan Young<br />
Photographed by<br />
Michael SeRine<br />
71
catalyst<br />
When old buildings are kept<br />
alive by dutiful, creative and<br />
diligent owners, the experience<br />
one has there can be pure<br />
magic. Spencer, as it turned<br />
out, had big dreams for every<br />
single inch of our new project<br />
on South Broad Street.<br />
Spencer didn’t know right<br />
away that he wanted to build<br />
apartments in the space<br />
upstairs. But he knew he would<br />
do something. “I can’t just let<br />
it sit there, collecting dust,”<br />
he would say to me across<br />
the dinner table, dreaming<br />
about the building’s future.<br />
Eventually, our conversations<br />
turned to downtown living.<br />
Spencer had some background<br />
knowledge going into this<br />
adventure.<br />
A born entrepreneur, he’d spent<br />
countless hours researching<br />
city planning, sense-ofplace<br />
initiatives and historic<br />
preservation. So he already<br />
knew the facts: Utilizing unused<br />
upper floors ultimately betters<br />
the community, drives dollars<br />
to the downtown and turns<br />
the area into an 18-hour street<br />
instead of an eight-hour street.<br />
For every dollar that is spent on<br />
historic preservation, five are<br />
returned to the local economy.<br />
It’s not much of a leap to see<br />
why city planners get behind<br />
entrepreneurs who are willing to<br />
make these sorts of investments.<br />
By creating downtown housing,<br />
our community is helping build<br />
a downtown where people can<br />
live, work and play.<br />
“Investing in upper-story<br />
development of our historic<br />
downtown buildings and<br />
increasing downtown living<br />
provides opportunity for<br />
our community to grow and<br />
encourages a more walkable<br />
and bikeable city,” says<br />
Thomasville’s Main Street<br />
and business-development<br />
director, April Norton. “Our<br />
footprint is surrounded by<br />
beautiful plantations, so for<br />
Thomasville to grow, it is vital<br />
that we continue to encourage<br />
72
“Investing in upper-story development of our historic<br />
downtown buildings and increasing downtown living<br />
provides opportunity for our community to grow and<br />
encourages a more walkable and bikeable city.”<br />
upper-level preservation<br />
and development in our<br />
downtown.”<br />
Revitalization, visionaries, old<br />
buildings: a match made in<br />
historic-downtown heaven.<br />
Keira Moritz, owner and<br />
chef of Steel Magnolias in<br />
downtown Valdosta, has been<br />
part of a similar second-story<br />
renaissance.<br />
Nearly a decade ago, Keira was<br />
living in Atlanta. While visiting<br />
family in Valdosta, she made<br />
a discovery on a post-holiday<br />
stroll around town.<br />
“I peeked in the windows of<br />
a building downtown, and it<br />
was a mess,” Keira says. “It was<br />
New Year’s Day, and the inside<br />
of the building looked as if<br />
the staff had cooked for New<br />
Year’s Eve the night before<br />
and had just put down their<br />
knives, turned the flame off<br />
and walked out.”<br />
A short time later, Keira made<br />
an offer on the distressed<br />
building on North Patterson<br />
Street in Valdosta’s downtown.<br />
If you believe that buildings<br />
are like living, breathing things,<br />
then Keira quite literally<br />
brought the space on Patterson<br />
73
“I didn’t know<br />
right away I<br />
wanted to build<br />
apartments.<br />
But I always<br />
knew we’d want<br />
to do something<br />
with the space<br />
upstairs. I<br />
couldn’t just<br />
let it sit there<br />
collecting dust.”<br />
Street, which was in preforeclosure,<br />
back to life.<br />
Her vision was holistic,<br />
though, not just cosmetic.<br />
She wanted to utilize every<br />
historic bit of this building.<br />
“I was working in Atlanta<br />
at a restaurant called Pacci,<br />
and it had a rooftop bar.<br />
I thought this building<br />
in Valdosta had so much<br />
potential, because it was<br />
sandwiched in between two<br />
buildings. I knew we had to<br />
put a rooftop bar in.”<br />
Today the second story of<br />
her building is a banquet<br />
space with—you guessed<br />
it—a rooftop bar.<br />
Spencer and I have dined on<br />
the roof at Steel Magnolias,<br />
where the views, service and<br />
culinary experience were in<br />
perfect alignment with our<br />
expectations. Each step we<br />
climbed brought with it a<br />
new part of the experience<br />
to love: craft cocktails, an<br />
incredible menu of unique<br />
food options, live music and,<br />
of course, views of the rest<br />
of downtown.<br />
As I said before: The<br />
experience from up there<br />
was magic.<br />
When we returned home to<br />
Thomasville, I felt inspired.<br />
I could all but see Spencer’s<br />
vision for our newly acquired<br />
74
catalyst<br />
space in our own historic<br />
downtown.<br />
But, of course, renovations,<br />
especially those that preserve<br />
and protect the integrity of<br />
historic buildings, can be costly.<br />
The State of Georgia, however,<br />
offers low-interest loans to<br />
those willing to put their heart<br />
and soul (and their pocket book)<br />
into downtown buildings.<br />
“It is quite an application<br />
process,” says Spencer, “but<br />
it’s worth it for hundreds of<br />
thousands of dollars of your<br />
project to be locked in at a<br />
two percent interest rate.<br />
I’ve looked at what Kiera<br />
has done in Valdosta as an<br />
example, but also at the many<br />
who have invested in upper<br />
stories before me right here in<br />
Thomasville.”<br />
Downtown Thomasville has<br />
approximately forty units of<br />
downtown living space on<br />
second and third floors—and<br />
occupation is at 100 percent.<br />
Spencer plans to add to that<br />
number with seven additional<br />
units that will break ground by<br />
the end of <strong>2019</strong>.<br />
There is secret strength in these<br />
second and third stories, where<br />
people can eat in restaurants or<br />
around their own dining-room<br />
tables, tucked in a hideaway<br />
above a bustling street below.<br />
Renovating historic buildings<br />
can be a risky business, but<br />
from what I’ve seen, the risk is<br />
totally worth the reward of the<br />
story that unfolds.<br />
Next time you step into an old<br />
building, pause for a minute<br />
and let its weight settle around<br />
you. Take a minute to feel<br />
the footsteps that have gone<br />
before yours, the thousands of<br />
people who have crossed that<br />
threshold before you. And take<br />
a minute to give some thanks<br />
to all the people who have<br />
succeeded there, and even all<br />
the ones who failed.<br />
Megan Young<br />
@megfyoung | meganfyoung.com<br />
75
WHO’S HUNGRY?<br />
Eddie Sanchez, founder of Hungry in LA, toasts to good food<br />
and great people<br />
THERE’S SOMETHING BRAVE ABOUT EDDIE SANCHEZ.<br />
As the founder of Hungry in LA,<br />
Eddie left his stable career in finance<br />
to leverage his love for food into an<br />
insanely successful Instagram feed and<br />
blog by the same name. He highlights<br />
only the most delicious of culinary<br />
experiences, taking his audience on<br />
a comfortable but unpredictable<br />
adventure.<br />
Eddie’s tastes are bold. His words and<br />
photographs are powerful. Through<br />
his lens, a plate of spaghetti turns into<br />
the visual equivalent of a 30-piece<br />
orchestra—with highs and lows<br />
and swells that could captivate any<br />
connoisseur or mindless scroller, from<br />
classically trained chefs to the just<br />
plain hungry.<br />
But the bravest, most sensational thing<br />
this artist turned entrepreneur did<br />
was to move his entire family (four<br />
generations, which include a little one<br />
and the boy’s great-grandparents) from<br />
their home in Los Angeles to historic<br />
Thomasville, Georgia, in the hopes of<br />
finding a new adventure.<br />
Now Eddie resides among a population<br />
of fewer than 20,000, and his skills<br />
as a food writer, photographer and<br />
restaurant social media manager are<br />
sharper than ever.<br />
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Introduction by<br />
Chay Hughes<br />
Photographed by<br />
Broad Street Media +<br />
Eddie Sanchez /<br />
Hungry in LA<br />
77
Connector<br />
“What excites me is when you discover the<br />
unassuming place that is creating something special<br />
from the heart. That food is the chef’s interpretation of<br />
home, culture and family, and all those flavors come<br />
together to interpret their story on the plate.”<br />
ALL ABOUT<br />
THE FOOD<br />
<strong>THOM</strong>: How did you get<br />
started with Hungry in LA?<br />
Eddie Sanchez, founder of<br />
Hungry in LA: Food has always<br />
been a big part of my life. I grew<br />
up in a family that cooked every<br />
night and had dinner around the<br />
table together.<br />
Later on my wife and I would<br />
always look forward to trying<br />
out a new restaurant on “date<br />
night,” and afterward I was<br />
excited to tell people about my<br />
experiences, eventually becoming<br />
a restaurant-recommendation<br />
source to my friends.<br />
I started the blog Hungry in LA in<br />
2008, documenting all my favorite<br />
places to eat in the city. As I<br />
started to get more involved with<br />
restaurants and contributed to<br />
different publications, I wanted<br />
to learn more about the culinary<br />
arts so I could have a deeper<br />
understanding of what I was<br />
experiencing.<br />
Kind of like a method actor, I<br />
took it upon myself to enroll in<br />
a cooking school and help out in<br />
kitchens, learning all I could, not<br />
with the intention of becoming a<br />
chef by any means, but to have a<br />
point of reference when talking to<br />
chefs and writing about food.<br />
T: Before Hungry in LA was<br />
launched, where was your<br />
career headed?<br />
E: Most of my career was spent<br />
in the treasury department of<br />
a beach city in the Los Angeles<br />
area, so my career was actually in<br />
government finance. I’m thankful<br />
for what I learned from it, but<br />
it was never my passion—even<br />
though I’m a total nerd at home,<br />
with several spreadsheets and pie<br />
charts for just personal projects.<br />
T: In your opinion, what<br />
makes for a captivating<br />
culinary photo?<br />
E: I’m always drawn to a unique<br />
perspective and composition.<br />
Seeing the common in an<br />
uncommon way is something you<br />
can’t manipulate with filters and<br />
photo apps.<br />
T: Do you ever find yourself<br />
surprised by the foods<br />
you’re drawn to?<br />
E: I’m usually drawn to humble<br />
and simple comfort foods from<br />
all cultures and cuisines. It’s not<br />
so much fine dining that excites<br />
me—you know, where the chefs<br />
pull out tweezers to plate your<br />
food with edible flowers and<br />
charcoal powder—by the way, I’m<br />
describing an actual experience I<br />
had with my wife last year.<br />
No, what excites me is when you<br />
discover the unassuming place<br />
that is creating something special<br />
from the heart. That food is the<br />
chef’s interpretation of home,<br />
culture and family, and all those<br />
flavors come together to interpret<br />
their story on the plate.<br />
A TRUE<br />
PEOPLE PERSON<br />
T: Who’s your target<br />
audience?<br />
E: When I started blogging, a<br />
friend gave me a great piece of<br />
advice and told me to write for<br />
myself; that way I can find my<br />
own voice.<br />
I don’t take myself too seriously,<br />
and my audience has become<br />
young millennials who appreciate<br />
78
good food. But my hope is that<br />
anyone who loves food would come<br />
along with me on this journey.<br />
T: What was the hardest<br />
part of breaking into this<br />
industry?<br />
E: Trying to build an audience for<br />
a blog 10 years ago was one of the<br />
hardest things, because back then<br />
there wasn’t a big social media<br />
presence to build a community<br />
with; Instagram wasn’t even<br />
around yet.<br />
T: Price doesn’t seem to<br />
be a factor in the foods<br />
you highlight on your<br />
website and Instagram<br />
feed. Where does your<br />
taste usually lead you?<br />
E: I go where the food is good!<br />
No matter if it’s a taco truck<br />
parked in a gas station with no<br />
health code rating, or a Michelinrated<br />
restaurant where the food<br />
is meticulously plated, or just<br />
someone’s home—I want to<br />
experience it!<br />
79
“Anthony Bourdain was<br />
right when he said ‘You can<br />
learn a lot about someone<br />
when you share a meal<br />
together.’ I would add, You<br />
can also come away inspired<br />
and changed when you do.”<br />
T: What is the most<br />
delicious experience<br />
you’ve had while following<br />
this unique career path?<br />
E: It’s been a blessing getting<br />
to meet people from all walks<br />
of life and to experience a<br />
meal together. One of the most<br />
memorable experiences for me<br />
was having the opportunity to<br />
be in the kitchen with Wolfgang<br />
Puck and preview all the delicious<br />
food his team was making for the<br />
Oscars Governors Ball.<br />
80
Connector<br />
right when he said “You can learn a<br />
lot about someone when you share<br />
a meal together.” I would add, You<br />
can also come away inspired and<br />
changed when you do. Just sitting<br />
down and sharing the experience of<br />
food with a chef, or walking through<br />
the process of craft beer with a<br />
brewmaster, ignites my passion and<br />
keeps me inspired.<br />
Aside from all the tasty bites that<br />
day, getting to cook a black-truffle<br />
chicken pot pie alongside Wolfgang<br />
Puck was one of the most delicious<br />
and amazing experiences.<br />
AT HOME<br />
IN THE KITCHEN<br />
T: At home, who’s the chef?<br />
E: She likes to bake and I like to<br />
cook, so together my wife, Tisha,<br />
and I make the perfect team.<br />
T: What’s one recipe that<br />
always goes over well with<br />
your family?<br />
E: Bucatini all’Amatriciana<br />
or, as my family likes to call<br />
it, Eddie’s Spaghetti. I make a<br />
simple tomato-based sauce<br />
using pancetta, onions, garlic and<br />
Parmesan cheese and then top it<br />
with fresh basil. It’s quick, easy<br />
and so comforting.<br />
T: How do you stay<br />
inspired?<br />
E: People. Anthony Bourdain was<br />
T: How do you feel about<br />
the phrase ‘social media<br />
influencer’?<br />
E: It was meant to describe<br />
someone on social media that has<br />
credibility in a specific industry<br />
to influence, and I believe there’s<br />
nothing wrong with that.<br />
But I think over time, that phrase<br />
has developed a stigma because<br />
of the oversaturation of people<br />
in this space, some with the<br />
intention of just exploiting brands<br />
and using their influence for<br />
selfish gain. I don’t call myself an<br />
influencer; instead, I aspire to be a<br />
storyteller.<br />
Hungry in LA<br />
hungryinla.com | @hungryinla<br />
81
THE AIR IS THICKER IN MIAMI. STEAMIER.<br />
The palpable atmospheric change has nothing to do with the heat index. Here,<br />
half-squeezed limes and the remnants of hand-rolled cigars pepper the sidewalks<br />
underneath street artists who are honing their craft at a pace they’ve set for themselves.<br />
To say that these artists and artisans are on island time would be a diss. They’ve just<br />
discovered something the rest of us have been secretly yearning for: time to be creative in.<br />
You could spend years winding your way through the artistic districts and eclectic<br />
neighborhoods that have sprung up under the canopies of banyan trees in Miami.<br />
Luckily, my time as a restaurant critic for the Miami Herald took me to many of them.<br />
For those lucky enough to feel this city’s warm, salty breezes in December,<br />
Art Basel features Miami’s creativity at its zenith.<br />
82
“Art Basel is unlike anything<br />
else in the art world.”<br />
Written by<br />
Rochelle Koff<br />
Photographs<br />
courtesy of<br />
Art Basel<br />
83
explorer<br />
Art: Polished<br />
and Perfected<br />
Art Basel has been called the biggest collection of<br />
contemporary art on the planet, and the Miami<br />
edition of this multi-city experience has even more<br />
zest than its international counterparts.<br />
“Art Basel Miami is unlike anything else in the art<br />
world,” says Matt Kenny, director of tourism and<br />
culture for the city of Miami Beach.<br />
The art extravaganza, which takes place from<br />
December 5 through December 8 at the Miami<br />
Beach Convention Center, focuses on modern and<br />
contemporary art, showcasing about 4,000 artists<br />
who are represented by more than 250 international<br />
galleries selected through a juried process.<br />
Whether you’re a collector or just here to soak up<br />
the scene, Art Basel displays a dizzying selection of<br />
paintings, photographs, installations, film, video and<br />
digital works that will dazzle or disappoint, depending<br />
on the viewer’s taste.<br />
84
The price tag for one of these<br />
pieces ranges from $30,000<br />
to millions.<br />
When I first attended Art Basel,<br />
nearly a decade ago, I was<br />
awed by the works of masters,<br />
such as Pablo Picasso, Henri<br />
Matisse and Andy Warhol,<br />
and admittedly perplexed by<br />
some exhibits, which left me<br />
scratching my head.<br />
I just couldn’t comprehend the<br />
meaning behind a collection<br />
of mostly nude female<br />
mannequins stringing yarn in<br />
a bathroom or an installation<br />
displaying only spray paint,<br />
a plastic bucket and a bag of<br />
cement against a blank wall.<br />
Yet even if I didn’t “get” a piece,<br />
there would be something<br />
amazing on the next aisle. I could<br />
have spent days taking it all in.<br />
This year there’s even more<br />
buzz for the show because Art<br />
Basel is adding a major new<br />
space called Meridians, located<br />
in the massive ballroom on the<br />
convention center’s top floor<br />
and holding about 30 works too<br />
big for traditional show booths.<br />
It’s the biggest update since the<br />
event launched in Miami Beach<br />
in 2002. Art Basel originated in<br />
Switzerland in 1970 and added<br />
Hong Kong in 20<strong>13</strong>.<br />
Of course, this is Miami—where<br />
extra spice is added to everything.<br />
“We’re a fun, people place,”<br />
Kenny says. “Having come<br />
from the Basel art show in<br />
Switzerland this year, you<br />
don’t see the same kind of city<br />
shutdown. Our city becomes<br />
consumed with art. We are the<br />
loudest and most active.”<br />
Art Basel draws more than<br />
70,000 visitors each year,<br />
generating an “incredible<br />
economic impact,” he says.<br />
The show has spawned more<br />
than 20 satellite fairs (where the<br />
art is more affordable), glittering<br />
parties and special gallery and<br />
museum exhibits during Miami<br />
Art Week, which runs longer<br />
than Art Basel.<br />
“Our city becomes consumed with art.”<br />
85
More Art, Please<br />
WYNWOOD: The former warehouse district has<br />
become South Florida’s art hub; it’s anchored<br />
by Wynwood Walls and the adjacent Wynwood<br />
Doors, tributes to street art featuring dozens<br />
of murals. Join the crowd posing in front of<br />
edgy works, then peruse an eclectic bunch of<br />
galleries, stores, restaurants and bars. Sure, this<br />
bohemian enclave is attracting more tourists, yet<br />
you can still feel its funky vibe. Wynwood Walls<br />
is at 2520 NW 2nd Avenue; admission is free.<br />
thewynwoodwalls.com<br />
established contemporary art galleries from<br />
December 4 through December 8 in Indian Beach<br />
Park, 4601 Collins Avenue. pulseartfair.com<br />
SCOPE MIAMI BEACH: This event is “experiential,<br />
with music and film and fashion” combined with<br />
contemporary art, says artist Alexis Hubshman,<br />
founder and president of Scope Art Show. Scope,<br />
which predates Art Basel, is held in a pavilion built<br />
on a platform seven feet above the sand. The show<br />
features 140 exhibitors from 60 cities in 25 countries<br />
DESIGN MIAMI: The fair celebrates the world’s<br />
leading contemporary design galleries, drawing<br />
its share of famous and influential attendees.<br />
It’s held in a tent at Meridian Avenue and 19th<br />
Street, adjacent to Art Basel, December 4 through<br />
December 8. basel<strong>2019</strong>.designmiami.com<br />
PULSE: The ocean is a backdrop for this vibrant<br />
art fair, which displays work from emerging and<br />
Attention<br />
to Detail<br />
WHEN: December 5 – December 8 // WHERE: Miami Beach Convention<br />
Center, 1901 Convention Center Drive // TICKETS: Purchase tickets online<br />
at ArtBasel.com/miami-beach or at the convention-center box office.<br />
86
explorer<br />
a curated experience<br />
Where to eat<br />
1-800 LUCKY:<br />
This hip Asian food hall<br />
in Wynwood features<br />
fare ranging from poké<br />
bowls to ice cream<br />
served in a fish-shaped<br />
cone, plus two bars and<br />
a karaoke lounge.<br />
143 NW 23rd St., Miami<br />
and runs from December 3 through<br />
December 8 at 801 Ocean Drive. scope-art.com<br />
UNTITLED, MIAMI BEACH: The curated art<br />
show is held December 4 through December 8<br />
in a large, colorful tent on the beach at<br />
Ocean Drive and 12th Street and showcases<br />
more than <strong>13</strong>0 exhibitors from 55 cities in<br />
29 countries. untitledartfairs.com/miami-beach<br />
BASS MUSEUM: Miami Beach’s<br />
contemporary art museum will hold several<br />
special events during Miami Art Week,<br />
including the exhibitions In the Cone of<br />
Uncertainty by Haegue Yang, Lara Favaretto’s<br />
Blind Spot and Mickalene Thomas’ Better<br />
Nights. 2100 Collins Ave. thebass.org<br />
PÉREZ ART MUSEUM MIAMI: The modern<br />
and contemporary art museum has a<br />
stunning view of Biscayne Bay and features<br />
exhibitions highlighting Miami’s diverse<br />
community. pamm.org<br />
Art Basel<br />
artbasel.com/miami-beach<br />
MICHAEL’S GENUINE FOOD & DRINK: James Beard<br />
award–winning chef Michael Schwartz is at the helm<br />
of this creative restaurant in the Design District. It’s<br />
one of Miami’s best. <strong>13</strong>0 NE 40th St., Miami<br />
27 RESTAURANT/BROKEN SHAKER AT THE<br />
FREEHAND MIAMI: This high-end hostel touts the<br />
trendy 27 Restaurant as well as the hot courtyard bar<br />
the Broken Shaker, which has hand-crafted cocktails.<br />
2727 Indian Creek Dr., Miami Beach<br />
Where to sleep<br />
FAENA HOTEL: The oceanfront hotel melds art and<br />
glamour in an opulent Art Deco setting. Check out<br />
Gone but Not Forgotten by Damien Hirst, a woolly<br />
mammoth skeleton dipped in gold and displayed in<br />
the garden. 3201 Collins Ave., Miami Beach<br />
THE BETSY HOTEL: Every room has its own library<br />
at this chic South Beach hotel, where visiting<br />
writers and artists can apply for a free stay. The<br />
hotel features art installations, a rooftop pool and<br />
the restaurants LT Steak & Seafood and the Alley.<br />
1440 Ocean Dr., Miami Beach<br />
SETAI: Fine Asian art and artifacts decorate this<br />
restored 1930s building, which houses the high-end<br />
restaurant Jaya and poolside Ocean Grill.<br />
2001 Collins Ave., Miami Beach<br />
87
FEATURED Artists<br />
Rosanne Dunkelberger is an award-winning journalist and editor.<br />
A graduate of the University of Florida, Rosanne has worked for newspapers and a<br />
public relations firm and spent 10 years as the editor of Tallahassee Magazine. She and<br />
her journalist husband, Lloyd, have lived in the Red Hills region for 36 years. They<br />
have two grown children and an eagerly anticipated grandbaby due in January.<br />
Rochelle Koff worked as a writer, editor and restaurant critic for the Miami<br />
Herald for nearly three decades, writing features and covering arts and entertainment,<br />
dining and business. She was a legislative reporter before becoming a freelance<br />
journalist in Tallahassee. One of her passions now is writing about chefs and dining<br />
on her blog and website, Tallahassee Table. For Rochelle, a region’s food, like its art, is<br />
key to knowing the place and its people.<br />
Audrey Post had 30 years’ experience in newspapers as a writer and editor<br />
at The Palm Beach Post, the Miami Herald, The Tampa Tribune, the Macon Telegraph and<br />
the Tallahassee Democrat before shifting to magazines. Her work has appeared in<br />
Tallahassee Magazine, Emerald Coast and Influence, as well as the business journal 850.<br />
She lives and gardens in Tallahassee.<br />
Jon-Michael Sullivan is an editorial and commercial photographer in<br />
Atlanta, Georgia. As the owner and lead photographer at JM Sullivan Creative, Jon-<br />
Michael works with brands like Coca-Cola and ESPN. You’ll find his photojournalism<br />
work in publications including the New York Times, USA Today and, of course, <strong>THOM</strong>.<br />
Emmy Táncsics fell into the job of copy editing magazines while living in New<br />
York City. She has worked for American Machinist, GQ, House & Garden, Lingua Franca,<br />
Publishers Weekly and Town & Country Travel, among others. On moving to Thomasville,<br />
Emmy immersed herself in the local theater scene, specializing in playing elderly<br />
butlers. She also racewalks competitively and stablehands recreationally.<br />
Megan Young is passionate about travel, good coffee, caramel M&Ms and<br />
her hometown of Thomasville, Georgia. When she’s not running after her two kids<br />
(Ford, 7, and Mabry, 3), teaching group fitness at the YMCA or dreaming with her<br />
husband, Spencer, about what adventure is next, you will find her curled up in her<br />
favorite chair with a good book.<br />
TO BECOME A FEATURED ARTIST<br />
Illustrators, Photographers, Writers and Graphic Designers<br />
Please contact Thomasville Center for the Arts | (229) 226-0588<br />
88
THEIR STORIES DON’T END HERE.<br />
MEET <strong>THOM</strong>.<br />
JOIN US FOR A FULL SEASON<br />
OF <strong>THOM</strong> EVENTS.<br />
ThomasvilleArts.org/<strong>THOM</strong><br />
89
The Bank of Here<br />
Here. It’s where we all want to be, where the food tastes better and the air breathes like home.<br />
Here at Synovus, we’re proud to be the presenting sponsor for the 24th Plantation Wildlife<br />
Arts Festival Fine Art Show & Preview Party.<br />
©<strong>2019</strong> Synovus Bank Member FDIC 1-888-Synovus • synovus.com