Globe 2019 SUMMER

Years have passed, and I have been through different phases of photography:
from travel to portable outdoor lighting, back to travel, and now
entering the studio. Whereas travel and on-location photography was
about isolating the subject from the environment, studio photography is
more about building the feeling of the world around the subject, starting
with a blank canvas. It’s a challenge that I have only scratched the
surface of.
I am at crossroads now, deciding which path to follow next. Having just
left my job of eighteen years, I look forward to spending the first part
of 2019 scanning half a lifetime of pictures in the club’s digital suite. I
have deliberately reduced my travelling so I can experience London as a
Londoner, and reflect on what comes next.
This article first appeared in the The Camera Club’s members’ magazine
earlier this year.
To see more of Dan’s work, visit danbachmann.com
Photo captions:
Title image: Smiles in the Rain,
Mestia, Georgia, (2013)
Previous page: Satsuki,
Kyoto, Japan (2015)
Right: In Search of the Dervish,
Cappadocia, Turkey (2007)
14 Globe