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Participatory Documentary and the City_Final Report

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The productions chosen for <strong>the</strong> research.<br />

Hollow<br />

Elaine McMillion, US<br />

<strong>Participatory</strong> Projects<br />

Spectacle, London<br />

The recent emergence <strong>and</strong> accessibility of new media<br />

technologies brings with it new opportunities for professions<br />

not traditionally associated with media production. The<br />

potentials for <strong>the</strong> use of documentary practice in urban<br />

research <strong>and</strong> design projects goes much fur<strong>the</strong>r than <strong>the</strong><br />

traditionally formatted video production.<br />

HighRise<br />

NFB, Canada<br />

In-Situ<br />

ARTE, France<br />

Les Communes des Paris<br />

Simon Buisson, France<br />

This research project examines this potential, from both an<br />

aes<strong>the</strong>tic <strong>and</strong> working process viewpoints. The work looks<br />

at five participatory <strong>and</strong> interactive films that focus on urban<br />

issues. From this analysis it establishes working methods for<br />

how documentary practice could be integrated into urban<br />

research <strong>and</strong> design projects.<br />

We will see how interactive <strong>and</strong> participatory documentaries<br />

are not only about <strong>the</strong> final finished product. They are as much<br />

about designing a storytelling process that engages with <strong>the</strong><br />

voices of people, <strong>the</strong>ir communities <strong>and</strong> <strong>the</strong> places <strong>the</strong>y live in.<br />

This process can often become a catalyst that empowers <strong>and</strong><br />

engages <strong>the</strong> communities involved. While online interactive<br />

documentaries can encourage this participation by combining<br />

a range of media; photography, maps, soundscapes <strong>and</strong> data<br />

visualisations into one compelling experience for <strong>the</strong> viewer.

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