Participatory Documentary and the City_Final Report
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The productions chosen for <strong>the</strong> research.<br />
Hollow<br />
Elaine McMillion, US<br />
<strong>Participatory</strong> Projects<br />
Spectacle, London<br />
The recent emergence <strong>and</strong> accessibility of new media<br />
technologies brings with it new opportunities for professions<br />
not traditionally associated with media production. The<br />
potentials for <strong>the</strong> use of documentary practice in urban<br />
research <strong>and</strong> design projects goes much fur<strong>the</strong>r than <strong>the</strong><br />
traditionally formatted video production.<br />
HighRise<br />
NFB, Canada<br />
In-Situ<br />
ARTE, France<br />
Les Communes des Paris<br />
Simon Buisson, France<br />
This research project examines this potential, from both an<br />
aes<strong>the</strong>tic <strong>and</strong> working process viewpoints. The work looks<br />
at five participatory <strong>and</strong> interactive films that focus on urban<br />
issues. From this analysis it establishes working methods for<br />
how documentary practice could be integrated into urban<br />
research <strong>and</strong> design projects.<br />
We will see how interactive <strong>and</strong> participatory documentaries<br />
are not only about <strong>the</strong> final finished product. They are as much<br />
about designing a storytelling process that engages with <strong>the</strong><br />
voices of people, <strong>the</strong>ir communities <strong>and</strong> <strong>the</strong> places <strong>the</strong>y live in.<br />
This process can often become a catalyst that empowers <strong>and</strong><br />
engages <strong>the</strong> communities involved. While online interactive<br />
documentaries can encourage this participation by combining<br />
a range of media; photography, maps, soundscapes <strong>and</strong> data<br />
visualisations into one compelling experience for <strong>the</strong> viewer.