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It's Always Been There

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WHAT’S CHANGED MOST SINCE YOU WERE

A TEENAGER?

PABLO I’m trying to work out what’s

worse, this new generation or our

generation. Or whether it was just

as bad then but I don’t see it as

much now, now that I’m older.

ONEMAN It was harder to get

what you wanted back then.

PABLO Now I look at these kids. They all

go to the gym, they’ve all got Gucci.

I’m thinking, when I was your age I

was smoking weed down the park in my

Nike tracksuit I’d had for four years

[Laughter]. Or an XXL Akademiks tracksuit

with bare hot rocks in it. Ticking three

Zs a week to buy a new pair of trainers.

Now they’re all decked out. It’s crazy.

ONEMAN I remember in 2002 going to

Soho for the first time as a teenager

to shops like Hideout and Bond. Bond

was on the corner of Carnaby Street

near Deal Real records. Bond was

stocking Supreme in 2001, 2002, and

no one really gave a shit about it.

I still go to record shops. The only one

I go to for new music is Sounds of the

Universe, the soul jazz shop. I love the

soul jazz compilations. I just got the

second Vogue compilation. Other than

that I’ll go to Tape Exchange in Notting

Hill and DnR records in Croydon which

is run by a guy called Dan and his mate.

They’ve been running this UK garage record

shop since ninety-eight or ninety-nine

I think. He’s still running it and it’s

all garage and I’m not joking when I say

he’s got around 50,000 records in that

shop, things you’ve never heard of. Other

DJ’s dubplates, he’s bought them. I’ve

spent a lot of time and money in there.

There was so much that came out. I don’t

think people realise how big the garage

scene was. Sometimes I look at some

of my white labels and they’ll have a

distribution company but it’ll be like,

GNZ distribution. I’ll try and look them

up and they don’t exist. No one was

distributing these records. They’d make

them, pressing them up, putting them in

the boot of their cars and driving round

all the record shops, sticking them in

there with a sticker on it with a mobile

number, usually, so if you wanted to book

them you’d ring them up. That’s how it was.

It was like wheeling and dealing. I never

realised until recently that a lot of the

records I was buying from A&D Sounds in

Mitcham produced Sovereign, Brasstooth,

El-B, Horsepower. All these producers are

from South London, all from the areas I’m

from. I never knew that then. Looking

back all these guys are from my area

and they must’ve just gone around to all

the record shops locally and put their

records in there. It’s fucking brilliant.

There’s so much garage out there. If I

play at a club or anywhere in the UK,

to be honest, and there’s eighteen- to

twenty-year-olds I see a lot of wavey

38 / DEEP CUTS

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