B - Hobby Blues Band

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ASSOCIATE EDITOR Daphne Duval Harrison University of Maryland, Baltimore County CONSULTING EDITOR Greg Johnson J.D. Williams Library, University of Mississippi BOARD OF ADVISERS Scott Barretta University of Mississippi Billy Branch Chicago, Illinois Samuel Floyd Center for Black Music Research Columbia College, Chicago, Illinois Bruce Iglauer Alligator Records Chicago, Illinois Yves Laberge Institut Québécois des Hautes Études Internationales Roger Misiewicz Pickering, Ontario, Canada Jim O’Neal <strong>Blues</strong>oterica Kansas City, Missouri Ann Rabson Hartwood, Virginia Richard Shurman Warrenville, Illinois Lorenzo Thomas University of Houston Billy Vera Los Angeles, California v
Page 4 and 5: ENCYCLOPEDIA OF THE BLUES VOLUME 1
Page 8: TABLE OF CONTENTS List of Entries A
Page 11 and 12: LIST OF ENTRIES A-Z Austin, Claire
Page 13 and 14: LIST OF ENTRIES A-Z Brown, James Br
Page 15 and 16: LIST OF ENTRIES A-Z Darnell, Larry
Page 17 and 18: LIST OF ENTRIES A-Z G Gaddy, Bob Ga
Page 19 and 20: LIST OF ENTRIES A-Z Hopkins, Sam
Page 21 and 22: LIST OF ENTRIES A-Z Kolax, King Kor
Page 23 and 24: LIST OF ENTRIES A-Z Millet, McKinle
Page 25 and 26: LIST OF ENTRIES A-Z P-Vine Special
Page 27 and 28: LIST OF ENTRIES A-Z Smith, Lucius S
Page 29 and 30: LIST OF ENTRIES A-Z U United Kingdo
Page 32 and 33: Biographical Entries THEMATIC LIST
Page 34 and 35: Bradford, Perry Bradshaw, Evans Bra
Page 36 and 37: Davis, ‘‘Little’’ Sammy Dav
Page 38 and 39: Hairston, ‘‘Brother’’ Will
Page 40 and 41: Jordan, Luke Kane, Candye Kansas Ci
Page 42 and 43: Milton, Roy Minner, D. C. Miss Rhap
Page 44 and 45: Rogers, Jimmy Rogers, Roy Roland, W
Page 46 and 47: Townsend, Henry Townsend, Vernell P
Page 48 and 49: Memphis Mississippi Nashville Oakla
Page 50 and 51: HighTone Home Cooking House of Blue
Page 52: One Time Blues/Kokomo Blues (Sweet
Page 55 and 56: LIST OF CONTRIBUTORS Steven Galbrai
Page 57 and 58:
LIST OF CONTRIBUTORS Lawrence N. Re
Page 60 and 61:
The Encyclopedia of the Blues provi
Page 62:
were invaluable. I would like to th
Page 66 and 67:
ABC-PARAMOUNT/BLUESWAY Formed in Ho
Page 68 and 69:
Townsend all played accordion. Two
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ACE (UNITED KINGDOM) London-based B
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Acklin moved to Capitol Records in
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ADAMS, WOODROW WILSON b. 9 April 19
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customs, generational beliefs and c
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that we have as much research in ge
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which was in use as far back as the
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ALERT Label founded in Brooklyn, Ne
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ALLEN, LEE b. 2 July 1927; Pittsbur
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Chicago club scene of the 1950s and
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Bibliography ‘‘Obituaries.’
Page 90 and 91:
Little Pink typically opens shows a
Page 92 and 93:
The label suffered a setback in 200
Page 94 and 95:
ARDOIN, ALPHONSE ‘‘BOIS SEC’
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supplies. Memphis record producer S
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Stay Out All Night,’’ ‘‘Pri
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iracial division in Atlanta that re
Page 102:
R&B singer. August originally perfo
Page 105 and 106:
BABY PLEASE DON’T GO/DON’T YOU
Page 107 and 108:
BAKER, LAVERN briefly performed as
Page 109 and 110:
BALLARD, HANK their most successful
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BANDS would take different roles, u
Page 113 and 114:
BANDS band styles most familiar tod
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BANDS covered, more or less faithfu
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BANDS VMD 79216 [Vol. 1], VMD 79217
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BANJO of the fodet reveals similari
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BANJO Seeger, P. How to Play the 5-
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BARKER, BLUE LU BARKER, BLUE LU b.
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BARTHOLOMEW, DAVE Bibliography AMG
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BASS The washtub bass seems to be a
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BASS Smith’s recordings included
Page 131 and 132:
BASSETT, JOHNNIE as a teen and stud
Page 133 and 134:
BEAMAN, LOTTIE BEAMAN, LOTTIE b. Lo
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BELL, BRENDA 1980s, continued to pe
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BELOW, FRED in the army and played
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BENNETT, WAYNE T. Orleans with Cham
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BERNHARDT, CLYDE (EDRIC BARRON) joi
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BIG BAD SMITTY Smith’s haunting H
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BIG MACEO phrases and riffs. He rec
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BIG TWIST Nolan doubling on drums,
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BLACK & BLUE/ISABEL/RIVERBOAT Bibli
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BLACK NEWSPAPER PRESS BLACK NEWSPAP
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BLACK NEWSPAPER PRESS upstaged by r
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BLACK SACRED MUSIC The Churches The
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BLACK SACRED MUSIC Other leading gr
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BLACK SACRED MUSIC Mahalia Jackson,
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BLACK SWAN RECORDS (ca. August 1921
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BLAKE, CICERO (who late became the
Page 165 and 166:
BLAYLOCK, TRAVIS ‘‘HARMONICA SL
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BLOOMFIELD, MICHAEL He participated
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BLUE SUIT Bibliography Blue Suit we
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BLUES 106 You Gone Need Somebody [w
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BLUES through music notation), and
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BLUES three-phrase blues progressio
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BLUES ports in the Gulf Coast and E
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BLUES Styles of music important to
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BLUES young jazz musicians, includi
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BLUES pianist Jay McShann, with alt
Page 185 and 186:
BLUES Wolf, a longtime mid-South fa
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BLUES The Civil Rights Movement was
Page 189 and 190:
BLUES more of an 8/8 meter feel. By
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BLUES appearances and thereby encou
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BLUES fathers, uncles, and neighbor
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BLUES BOY’S KINGDOM MS). Memphis,
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BLUES FOLKLORE Other researchers ha
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BO, EDDIE Bibliography AMG; Larkin;
Page 201 and 202:
BOHEE BROTHERS Bibliography Green,
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BOOGIE CHILLEN’ The song embodies
Page 205 and 206:
BOOKER, JAMES Discography: AMG; LSF
Page 207 and 208:
BOYACK, PAT Bibliography AMG Discog
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BRACKEN, JAMES C. BRACKEN, JAMES C.
Page 211 and 212:
BRANCH, WILLIAM EARL ‘‘BILLY’
Page 213 and 214:
BRIM, JOHN Merriweather, and perfec
Page 215 and 216:
BROOKS, HADDA She studied classical
Page 217 and 218:
BROONZY, BIG BILL instrument was a
Page 219 and 220:
BROWN, ADA Bibliography Harris Disc
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BROWN, CHARLES being both a tremend
Page 223 and 224:
BROWN, GABRIEL Discography: DGR; LS
Page 225 and 226:
BROWN, NAPPY Bibliography AMG (Bill
Page 227 and 228:
BROWN, RUTH Johnny Adams, and Duke
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BRUYNOGHE, YANNICK He befriended ma
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BUCKWHEAT ZYDECO in the popular mov
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BURLEY, DAN Vocalist and pianist wh
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BURROW, CASSELL Bibliography O’Ne
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BUTLER TWINS Bibliography ‘‘Cla
Page 240 and 241:
CADET (Chess/Aristocrat/Checker/Arg
Page 242 and 243:
Basin Street Brass (1973, Legend 10
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to New York City in 1985 and it was
Page 246 and 247:
Bibliography Warner, Jay. The DaCap
Page 248 and 249:
it as hip as that of Brown’s lege
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Bibliography Harris Discography: LS
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Bibliography Larkin Darwen, Norman.
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Vocalion 1155). Individual phrases
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World War II service in a segregate
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Singer and pianist. Charles grew up
Page 260 and 261:
Blues Faces: A Portrait of the Blue
Page 262 and 263:
considered to be the first to strap
Page 264 and 265:
Foolish Heart.’’ It was Chess 1
Page 266 and 267:
and guitar, although it wasn’t lo
Page 268 and 269:
ands in the years that followed). I
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groups and a rock ’n’ roll arti
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sessions, but his death prevented t
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Clapton’s career has taken many d
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CLARK, DEE b. Delecta Clark, 7 Nove
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Discography: AMG Muddy Waters Live
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and singing have had a large influe
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COLE, ANN b. Cynthia Coleman, 24 Ja
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to a huge company whose current ros
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COLLINS, LITTLE MAC b. McKinley C.
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likes of Duane Altman, Ry Cooder, J
Page 290 and 291:
Samuel Cook was born in Clarksdale,
Page 292 and 293:
awaiting a heart transplant. Copela
Page 294 and 295:
with Sonny Boy Williamson II (Aleck
Page 296 and 297:
By 1927, southern black blues perfo
Page 298 and 299:
and Jimmie Dale Gilmore in the next
Page 300 and 301:
Bibliography Davenport, Cow Cow.
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hythm and blues vocalists produced
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CRAZY CAJUN RECORDS The Crazy Cajun
Page 306 and 307:
Crothers moved with his band to Los
Page 308 and 309:
Withdrawal and Return By the mid-19
Page 310 and 311:
DALE, LARRY b. Ennis Lowery, 7 Janu
Page 312 and 313:
DANCE: AUDIENCE PARTICIPATION The c
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ecorded ‘‘It’s a Man Down The
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DAVIES, CYRIL b. 1932; Denham, Buck
Page 318 and 319:
DAVIS, GEATER b. Vernon Davis, 29 J
Page 320 and 321:
like T-Bone Walker, Jimmy Witherspo
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showing his brother Buddy how to pl
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DAWKINS, JAMES HENRY ‘‘JIMMY’
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Garrod, Charles. Decca 8500, 11000,
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‘‘Brown Sugar’’ with deLay
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Ellington, T-Bone Walker, and Billi
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In his early teens, he formed his f
Page 334 and 335:
also mention the popularity of the
Page 336 and 337:
Noble, George. ‘‘Dozing Blues
Page 338 and 339:
them the Dixie Hummingbirds. Jimmy
Page 340 and 341:
who eventually persuaded Dixon to t
Page 342 and 343:
He was featured on many of Jordan
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their careers began with recordings
Page 346 and 347:
and festival circuit. He participat
Page 348 and 349:
Mandel, H. ‘‘Blindfold Test.’
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parties. This double duty led event
Page 352 and 353:
the late 1960s, these two drumset o
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Wolfe, Karl Michael. Notes accompan
Page 356:
DURHAM, EDDIE b. 19 August 1906; Sa
Page 359 and 360:
EARL, RONNIE EARL, RONNIE b. Ronald
Page 361 and 362:
ECKSTINE, BILLY ECKSTINE, BILLY b.
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EDWARDS, CHUCK the Edwards Generati
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EDWARDS, WILLIE England since 1965.
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11-29 Leroy Carr sings of the fate
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ERBY, JACK Spivey as well. He staye
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EVANS, DAVID HUHNE, JR. bluesman. B
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EXCELLO/NASHBORO by the Diamonds).
Page 376 and 377:
FABULOUS THUNDERBIRDS Electric blue
Page 378 and 379:
FANTASY/PRESTIGE/BLUESVILLE/ GALAXY
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was eighteen, he played professiona
Page 382 and 383:
Lonnie (Alonzo) Johnson (1889-1970)
Page 384 and 385:
an influence—over a driving rhyth
Page 386 and 387:
As in many early country blues, eac
Page 388 and 389:
Sid Hemphill Folklorist Alan Lomax
Page 390 and 391:
FILMS When moving film first appear
Page 392 and 393:
festival, a number of white folk ar
Page 394 and 395:
Buddy Guy in Chicago Blues. Using t
Page 396 and 397:
to their appearance on two original
Page 398 and 399:
and jazz music scenes between 1959
Page 400 and 401:
eturned to Ottawa, where she had pe
Page 402 and 403:
an A, its repeat also with an A, a
Page 404 and 405:
eight-measure, and sixteen-measure
Page 406 and 407:
lack dance music that spread to the
Page 408 and 409:
of Alabama, whose members were stud
Page 410 and 411:
Missouri (1930). Further, he stated
Page 412 and 413:
Bibliography Broven, John. ‘‘Th
Page 414 and 415:
only time he ever accompanied anyon
Page 416 and 417:
personalize its repertoire as well
Page 418:
Stone emerged from the Bay Area wit
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GAILLARD, BULEE ‘‘SLIM’’ Bi
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GALLAGHER, RORY be heard clearly on
Page 425 and 426:
GARLAND, TERRY Edge of the Valley (
Page 427 and 428:
GARY, INDIANA of their record shop
Page 429 and 430:
GENNETT Viola McCoy, Josie Miles, a
Page 431 and 432:
GIANT/GAMMA/GLOBE Scott, and blues
Page 433 and 434:
GLENN, LLOYD Bibliography AMG (Bill
Page 435 and 436:
GOLDWAX by fans of deep soul music.
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GORDON, SAX Bullseye label, he has
Page 439 and 440:
GREAT DEPRESSION by the public work
Page 441 and 442:
GREEN, AL a sensual sound that was
Page 443 and 444:
GREEN, GRANT Talkin’ About! (1964
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GREY GHOST efforts of Texas ethnomu
Page 447 and 448:
GRIMES, LLOYD ‘‘TINY’’ Savo
Page 449 and 450:
GUITAR stick up through the top of
Page 451 and 452:
GUITAR to explore the potential of
Page 453 and 454:
GUITAR Hoodoo Man Blues in 1965 is
Page 455 and 456:
GUITAR Guitar Styles Since 1990 The
Page 457 and 458:
GUITAR JR. Discography: AMG Luther
Page 459 and 460:
GURALNICK, PETER Dream of Freedom (
Page 461 and 462:
GUY, GEORGE ‘‘BUDDY’’ music
Page 463 and 464:
HALL, VERA HALL, VERA b. 1906; Livi
Page 465 and 466:
HAMMOND, JOHN PAUL twenty, then hit
Page 467 and 468:
HANDY, WILLIAM CHRISTOPHER ‘‘W.
Page 469 and 470:
HARMOGRAPH Bibliography Sutton Rust
Page 471 and 472:
HARMONICA Figure 1: Ten-hole diaton
Page 473 and 474:
HARMONICA work with Big Joe William
Page 475 and 476:
HARPER, JOE HARPER, JOE b. Joe Mart
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HARRIS, HI TIDE Bibliography Harris
Page 479 and 480:
HARRISON, WILBERT HARRISON, WILBERT
Page 481 and 482:
HAWKINS, SCREAMIN’ JAY People (19
Page 483 and 484:
HEGAMIN, LUCILLE 1914, and after th
Page 485 and 486:
HENDERSON, DUKE ‘‘BIG’’ a m
Page 487 and 488:
HENDRIX, JIMI A lifetime pioneer in
Page 489 and 490:
HESITATION BLUES Louisville firm of
Page 491 and 492:
HIDE AWAY composer Henry Mancini, w
Page 493 and 494:
HIGHWAYS initially prohibited convi
Page 495 and 496:
HILL, BERTHA ‘‘CHIPPIE’’ HI
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HILL, Z. Z. take his fame and music
Page 499 and 500:
HISPANIC INFLUENCES ON THE BLUES an
Page 501 and 502:
HISPANIC INFLUENCES ON THE BLUES Sh
Page 503 and 504:
HISPANIC INFLUENCES ON THE BLUES
Page 505 and 506:
HISTORIOGRAPHY Harold Courlander’
Page 507 and 508:
HISTORIOGRAPHY Welding who had begu
Page 509 and 510:
HISTORIOGRAPHY A single entry repre
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HISTORIOGRAPHY groundbreaking strok
Page 513 and 514:
HOGG, SMOKEY HOGG, SMOKEY b. Andrew
Page 515 and 516:
HOLIDAY, BILLIE Bibliography AMG (J
Page 517 and 518:
HOLMES BROTHERS Wendell and Popsy D
Page 519 and 520:
HOOCHIE COOCHIE MAN their next set
Page 521 and 522:
HOODOO provide a source of personal
Page 523 and 524:
HOODOO Jackson, Bruce. ‘‘The Ot
Page 525 and 526:
HOOKER, JOHN LEE sharecroppers. His
Page 527 and 528:
HOPKINS, LINDA HOPKINS, LINDA b. He
Page 529 and 530:
HORNBUCKLE, LINDA HORNBUCKLE, LINDA
Page 531 and 532:
HOUSE, EDDIE ‘‘SON’’ joints
Page 533 and 534:
HOUSE-RENT PARTIES the whole neighb
Page 535 and 536:
HOVINGTON, FRANKLIN ‘‘FRANK’
Page 537 and 538:
HOWLIN’ WOLF his intensity, growl
Page 539 and 540:
HUFF, LUTHER AND PERCY Jackson, Lut
Page 541 and 542:
HUMMEL, MARK Recorded for the Dutch
Page 543 and 544:
HUMOR woman has left him due to his
Page 545 and 546:
HUNT, DANIEL AUGUSTA ‘‘D. A.’
Page 547 and 548:
HUNTER, LONG JOHN Duke Records. Hun
Page 549 and 550:
HURT, JOHN SMITH ‘‘MISSISSIPPI
Page 552 and 553:
I BELIEVE I’LL MAKE A CHANGE (DUS
Page 554 and 555:
on electric guitar, followed by a t
Page 556:
Discography: McGrath ‘‘Minit/In
Page 559 and 560:
JACKSON, BILL JACKSON, BILL b. 22 F
Page 561 and 562:
JACKSON, CHARLES ‘‘PAPA CHARLIE
Page 563 and 564:
JACKSON, LIL’ SON idiosyncratic t
Page 565 and 566:
JAMES, CLIFTON Records releases fro
Page 567 and 568:
JAMES, ETTA on Me’’—all in th
Page 569 and 570:
JAMES, NEHEMIAH ‘‘SKIP’’ Sk
Page 571 and 572:
JAMES, STEVE album Art and Grit fea
Page 573 and 574:
JAXON, FRANKIE ‘‘HALF PINT’
Page 575 and 576:
JAZZ contrapuntal style of piano ra
Page 577 and 578:
JAZZ era bandleaders, including Duk
Page 579 and 580:
JAZZ 52nd street. Jazz solos became
Page 581 and 582:
JAZZ scales slows down the harmonie
Page 583 and 584:
JAZZ Joshua Redman, pianist Geri Al
Page 585 and 586:
JEFFERSON, BLIND LEMON the two surv
Page 587 and 588:
JENKINS, BOBO Like most other Detro
Page 589 and 590:
JOE DAVIS/DAVIS/BEACON JOE DAVIS/DA
Page 591 and 592:
JOHNNY NOCTURNE BAND JOHNNY NOCTURN
Page 593 and 594:
JOHNSON, BLIND WILLIE Music and Inf
Page 595 and 596:
JOHNSON, HERMAN E. JOHNSON, HERMAN
Page 597 and 598:
JOHNSON, LEMUEL CHARLES ‘‘LEM
Page 599 and 600:
JOHNSON, LOUISE Johnson, urged on b
Page 601 and 602:
JOHNSON, PLAS band. In California,
Page 603 and 604:
JOHNSON, ROBERT LEROY Johnson exert
Page 605 and 606:
JOHNSON, SYL local radio. His first
Page 607 and 608:
JOHNSON, TOMMY Bibliography AMG (Cu
Page 609 and 610:
JONES, CASEY JONES, CASEY b. 26 Jul
Page 611 and 612:
JONES, JOE JONES, JOE b. 12 August
Page 613 and 614:
JONES, WILLIE JONES, WILLIE b. Will
Page 615 and 616:
JORDAN, LOUIS unchallenged supremac
Page 617 and 618:
JUG playing of Earl McDonald. Their
Page 619 and 620:
JUKE JOINTS disrupts the social and
Page 622 and 623:
KANE, CANDYE b. 13 November 1966; V
Page 624 and 625:
earliest venture, a ‘‘drugstore
Page 626 and 627:
enowned kazoo player in the blues i
Page 628 and 629:
for Aladdin in 1950 and one for Rho
Page 630 and 631:
to have been active in the honky-to
Page 632 and 633:
Discography: LSFP See also Combo; D
Page 634 and 635:
Point, Michael. Liner notes to reis
Page 636 and 637:
New Orleans peers, including ‘‘
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at major rock venues and festivals.
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tonic called Pepticon. The white uk
Page 642 and 643:
KINSEY, LESTER ‘‘BIG DADDY’
Page 644 and 645:
Musician and writer. Koda’s early
Page 646 and 647:
L þ R Record label of Horst Lippma
Page 648 and 649:
LANG, EDDIE b. Eddie Langlois, 15 J
Page 650 and 651:
LAWHORN, SAMUEL ‘‘SAMMY’’ b
Page 652 and 653:
Huddie ‘‘Leadbelly’’ Ledbet
Page 654 and 655:
during the 1940s when they joined t
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est of the 1960s, ultimately leavin
Page 658 and 659:
Bird in 1964). They achieved fame,
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Blues Festival package and remained
Page 662 and 663:
LEVY, LOUIS ‘‘LOU’’ b. 29 N
Page 664 and 665:
Bibliography AMG (Bruce Eder); DGR;
Page 666 and 667:
Lewis advanced two explanations for
Page 668 and 669:
The Europas Blues Senter [sic] Libr
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Frederick, MD 21705-3432 E-mail: jo
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and related music comprise perhaps
Page 674 and 675:
and popular music dating from befor
Page 676 and 677:
Copyright deposits offer the only p
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LIGHTNIN’ SLIM b. Otis Hicks, 13
Page 680 and 681:
LISTON, VIRGINIA b. 1890 d. June 19
Page 682 and 683:
Eva’s Man (1976), which draws on
Page 684 and 685:
Straight Up! (1995, Alligator 4829)
Page 686 and 687:
and white pop music can be sensed i
Page 688 and 689:
Where John Lee Williamson had taken
Page 690 and 691:
LITTLEJOHN, JOHN b. John Wesley Fun
Page 692 and 693:
popularizer, folk song collector, p
Page 694 and 695:
contributor to pivotal sessions as
Page 696 and 697:
During the 1920s, the dynamic polit
Page 698 and 699:
A central element to New Orleans mu
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culture. Not until World War II did
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LOVE, CLAYTON b. 15 November 1927;
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Minneapolis in 1964 where he contin
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Discography ‘‘He’s a Real Gon
Page 708 and 709:
M & O BLUES ‘‘M & O Blues’’
Page 710 and 711:
Mack playing with flashpoint intens
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Cobra, however, folded in 1960. Aro
Page 714 and 715:
Elman and retitled ‘‘Atlanta Bl
Page 716 and 717:
MAMA TALK TO YOUR DAUGHTER Original
Page 718 and 719:
Church of God in Christ on 130th St
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A 1926 advertisement for the OKeh
Page 722 and 723:
emphasis on technical expertise, pa
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MARTIN, CARL b. 1 April 1906; Big S
Page 726 and 727:
Raitt, James Cotton, and Otis Rush.
Page 728 and 729:
MAYFIELD, PERCY b. 12 August 1920;
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Classic-era gospel and blues singer
Page 732 and 733:
including a job as corrections offi
Page 734 and 735:
with ‘‘Just Got to Know’’ a
Page 736 and 737:
Brownie McGhee was an East Coast ac
Page 738 and 739:
MCNEELY, CECIL JAMES ‘‘BIG JAY
Page 740 and 741:
Blind Willie McTell. (Photo courtes
Page 742 and 743:
Willie’s gravestone offered us on
Page 744 and 745:
‘‘Farther Up the Road.’’ Me
Page 746 and 747:
y black businessmen. But when the w
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The educated young musicians found
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the only benefit he gained from his
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Memphis Minnie in 1940. (Photo cour
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Loves Me.’’ This song—later r
Page 756 and 757:
Bibliography AMG (Cub Koda); Harris
Page 758 and 759:
Miller launched his first label, Fa
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Shaw, Arnold. Honkers and Shouters:
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songs as vocalist, including the st
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where they recorded Will Shade of t
Page 766 and 767:
MONTGOMERY, EURREAL ‘‘LITTLE BR
Page 768 and 769:
Roy Milton, Lloyd Price, Clarence
Page 770 and 771:
sneaking off to local juke joints t
Page 772 and 773:
Virginia audiences would have also
Page 774 and 775:
As Unaccompanied Soloist ‘‘New
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star’s waning popularity. Earl Ki
Page 778 and 779:
was introduced to blues in the earl
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MYERS, BOB b. 2 May 1925; Byhalia,
Page 782 and 783:
NAFTALIN, MARK b. 2 August 1944; Mi
Page 784 and 785:
shows in the off season and when th
Page 786 and 787:
NELSON, JIMMY ‘‘T-99’’ b. 7
Page 788 and 789:
included terms with his brother, Ea
Page 790 and 791:
The year 1948 found Nighthawk, now
Page 792 and 793:
NIXON, HAMMIE b. Hammie Nickerson,
Page 794:
Street, where he was held in some r
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OAKLAND especially those who were a
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OH PRETTY WOMAN (CAN’T MAKE YOU L
Page 801 and 802:
OLIVER, PAUL Born on May 25, 1927,
Page 803 and 804:
O’NEAL, WINSTON JAMES ‘‘JIM
Page 805 and 806:
OTIS, JOHNNY vibes. Otis recorded f
Page 807 and 808:
OWENS, JAY OWENS, JAY b. Isaac Jero
Page 809 and 810:
PALMER, EARL blues comes from his u
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PARKER, CHARLIE Woideck, Carl. Char
Page 813 and 814:
PATTERSON, BOBBY Bibliography Larki
Page 815 and 816:
PATTON, CHARLEY Hollerin’ the Blu
Page 817 and 818:
PEG LEG SAM ‘‘Reuben,’’ and
Page 819 and 820:
PERIODICALS collected after 1950 an
Page 821 and 822:
PERIODICALS Les Amitiés Louisianai
Page 823 and 824:
PERIODICALS Texas Music History, Th
Page 825 and 826:
PERIODICALS Roundup (Rounder Record
Page 827 and 828:
PERKINS, JOE WILLIE ‘‘PINETOP
Page 829 and 830:
PETWAY, ROBERT talk between lines,
Page 831 and 832:
PHILLIPS, LITTLE ESTHER Lenox 227);
Page 833 and 834:
PIANO the turn of the twentieth cen
Page 835 and 836:
PIANO Wesley Wallace, and Aaron ‘
Page 837 and 838:
PIANO C. RED PIANO C. RED b. James
Page 839 and 840:
PIEDMONT (REGION) Jersey to Alabama
Page 841 and 842:
PIEDMONT (REGION) than an originato
Page 843 and 844:
PING Grove). Its tiny catalog of ei
Page 845 and 846:
POMUS, JEROME ‘‘DOC’’ Blues
Page 847 and 848:
PRATER, DAVE PRATER, DAVE b. 9 May
Page 849 and 850:
PRICE, LLOYD returned to the United
Page 851 and 852:
PROFESSOR LONGHAIR inscrutable perf
Page 853 and 854:
PRYSOCK, WILBERT ‘‘RED’’ ba
Page 856 and 857:
QRS A manufacturer of piano rolls f
Page 858 and 859:
R AND B (1) Operated in Hollywood,
Page 860 and 861:
during the slave years. Consequentl
Page 862 and 863:
exchange ideas, conduct interviews
Page 864 and 865:
Memphis: WDIA Radio John Pepper and
Page 866 and 867:
the Illinois Central. Those living
Page 868 and 869:
Ma Rainey. (Photo courtesy Frank Dr
Page 870 and 871:
RAINEY, WILLIE GUY b. 17 April 1901
Page 872 and 873:
Miami, and so on. Even the feuds, w
Page 874 and 875:
RAY, HARMON b. 1914; Indianapolis,
Page 876 and 877:
Electric and 78-rpm Era, 1925-1948
Page 878 and 879:
artist. The Unique Quartette record
Page 880 and 881:
oth companies gradually lost ground
Page 882 and 883:
efforts were presented by producer/
Page 884 and 885:
Jonas Bernholm, issued many importa
Page 886 and 887:
y Marlon Riggs that depicted racial
Page 888 and 889:
Rooster Blues. His follow-up releas
Page 890 and 891:
a rack-mounted harmonica on most of
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REYNOLDS, BIG JACK b. 1921; Dayton
Page 894 and 895:
played the Rhumboogie on and off fr
Page 896 and 897:
Bibliography Harris Darwen, Norman.
Page 898 and 899:
through 1963, then he turned exclus
Page 900 and 901:
lues on local jukeboxes. Inspired b
Page 902 and 903:
testified to his versatility, but i
Page 904 and 905:
fantasies could be projected, but t
Page 906 and 907:
Blues remained one of the bedrocks
Page 908 and 909:
Bibliography Harris; Larkin; Santel
Page 910 and 911:
You’’ on Ramblin’ Mind. Two o
Page 912 and 913:
Discography: AMG Selected Recording
Page 914 and 915:
ROTHCHILD, PAUL A. b. 18 April 1935
Page 916 and 917:
By Selmerphone labels, the last-nam
Page 918 and 919:
Otis Rush performing at the Chicago
Page 920 and 921:
SADLER, HASKELL ROBERT ‘‘COOL P
Page 922 and 923:
down-home blues artists could be fo
Page 924 and 925:
for the Club DeLisa (1937-1945, 194
Page 926 and 927:
these women. The instrumentation on
Page 928 and 929:
For the initiated listener blues me
Page 930 and 931:
(1960) he will choose to combine th
Page 932 and 933:
Junior Parker and their label-mates
Page 934 and 935:
joints for his X-rated songs such a
Page 936 and 937:
SENEGAL, PAUL ‘‘LIL’ BUCK’
Page 938 and 939:
1955), and Big Joe Williams’s ‘
Page 940 and 941:
and humor into his personalized blu
Page 942 and 943:
———. ‘‘Prince of Wails.
Page 944 and 945:
ensemble, captured the New Orleans
Page 946 and 947:
he was never able to recapture the
Page 948 and 949:
Black & Blue 33019), Eddie ‘‘Cl
Page 950 and 951:
she showed a hearty, rich contralto
Page 952 and 953:
interpolated whoops and hollers bet
Page 954 and 955:
successful with white British and A
Page 956 and 957:
predecessors of the 1920s and 1930s
Page 958 and 959:
SMALL, DRINK b. 28 January 1933; Bi
Page 960 and 961:
But the next day she cut two songs
Page 962 and 963:
SMITH, CLARA b. 1894; Spartanburg,
Page 964 and 965:
SMITH, HUEY ‘‘PIANO’’ b. 26
Page 966 and 967:
The musical accompaniment to Smith
Page 968 and 969:
SMITH, WILLIE MAE FORD ‘‘MOTHER
Page 970 and 971:
andleader. In 1996 Smothers followe
Page 972 and 973:
eventually Epic also became a site
Page 974 and 975:
pitch inflection, melismas, and hig
Page 976 and 977:
qualities necessary to facilitate t
Page 978 and 979:
older black people listened to the
Page 980 and 981:
Paramount sessions. He seems to hav
Page 982 and 983:
Bibliography AMG (Bill Dahl); Harri
Page 984 and 985:
urlesque material. In addition to t
Page 986 and 987:
SPIRE Fresno label, operated by Che
Page 988 and 989:
under her own name, with the Henry
Page 990 and 991:
SPRUELL, FREDDIE b. 1893; Lake Prov
Page 992 and 993:
such as record shop owner Jesse Joh
Page 994 and 995:
played with and influenced many blu
Page 996 and 997:
Sun, Bobbin, and the Chess subsidia
Page 998 and 999:
STONE, HENRY (See Chart) STONE, JES
Page 1000 and 1001:
The ‘‘State Street’’ referr
Page 1002 and 1003:
addiction that would afflict him we
Page 1004 and 1005:
combined musically like gasoline an
Page 1006 and 1007:
A New Chicago Scene Chicago became
Page 1008 and 1009:
quirky songwriting, and wry sense o
Page 1010 and 1011:
in Down Beat in 1964. Clarence Gree
Page 1012 and 1013:
lacks an experimental freshness. Bu
Page 1014:
Little Son Joe. He continued to be
Page 1017 and 1018:
TAJ MAHAL Broadway production of Mu
Page 1019 and 1020:
TAMPA RED Tampa Red (l) welcomes Le
Page 1021 and 1022:
TARRANT, RABON Singer and drummer a
Page 1023 and 1024:
TAYLOR, EDDIE become one of the mos
Page 1025 and 1026:
TAYLOR, JOHNNIE HARRISON dismaying
Page 1027 and 1028:
TAYLOR, MONTANA TAYLOR, MONTANA b.
Page 1029 and 1030:
TELEVISION Marx, to his credit, rec
Page 1031 and 1032:
TELEVISION and the others’ clear
Page 1033 and 1034:
TELEVISION Burnett on blues and sin
Page 1035 and 1036:
TERRY, DOC Pirates were local favor
Page 1037 and 1038:
TEXAS twenty-first-century Texas ec
Page 1039 and 1040:
TEXAS limber swing that is often as
Page 1041 and 1042:
TEXAS and, later, its record label,
Page 1043 and 1044:
THARPE, SISTER ROSETTA whites-only)
Page 1045 and 1046:
THEATER, BLUES IN theater. DuBois p
Page 1047 and 1048:
THIERRY, HUEY PETER ‘‘COOKIE’
Page 1049 and 1050:
THOMAS, GEORGE ‘‘walking’’
Page 1051 and 1052:
THOMAS, JAMES ‘‘SON’’ ‘
Page 1053 and 1054:
THOMAS, RUFUS of Memphis as importa
Page 1055 and 1056:
THOMPSON, ODELL Banjo player in dan
Page 1057 and 1058:
TIBBS, ANDREW Bibliography Larkin O
Page 1059 and 1060:
TOBA dancing and singing in vaudevi
Page 1061 and 1062:
TOPICAL BLUES: DISASTERS A mere fou
Page 1063 and 1064:
TOPICAL BLUES: DISASTERS internatio
Page 1065 and 1066:
TOPICAL BLUES: DISASTERS Storm’
Page 1067 and 1068:
TOPICAL BLUES: DISASTERS Bibliograp
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TOPICAL BLUES: URBAN RENEWAL the Pu
Page 1071 and 1072:
TOUSSAINT, ALLEN By the late 1950s,
Page 1073 and 1074:
TRANSCRIPTION be of use: Harold Wen
Page 1075 and 1076:
TRANSCRIPTION 1990s. Digital device
Page 1077 and 1078:
TRIX Pernell Charity, and Guitar Sh
Page 1079 and 1080:
TUCKER, TOMMY the name Tee Tucker,
Page 1081 and 1082:
TURNER, JOSEPH VERNON ‘‘BIG JOE
Page 1084 and 1085:
UNITED KINGDOM AND IRELAND Before t
Page 1086 and 1087:
Boy stayed for extended visits, and
Page 1088 and 1089:
Revolutionary War (1775-1783). Afte
Page 1090 and 1091:
According to Sandra Tooze this cut
Page 1092 and 1093:
Titon, Jeff Todd. Early Downhome Bl
Page 1094 and 1095:
VALENTINE, CAL b. 28 May 1937; Dall
Page 1096 and 1097:
Oliver et al., Yonder Come the Blue
Page 1098 and 1099:
Best Contemporary Blues Recording.
Page 1100 and 1101:
Discography: McGrath Callahan, Mike
Page 1102 and 1103:
Alto saxophonist and blues singer,
Page 1104:
used both with and without the pref
Page 1107 and 1108:
WALKER, DENNIS Bromberg. Significan
Page 1109 and 1110:
WALKER, PHILLIP several of her brot
Page 1111 and 1112:
WALKER, T-BONE T-Bone Walker in 194
Page 1113 and 1114:
WALTON, MERCY DEE WALTON, MERCY DEE
Page 1115 and 1116:
WASHBOARD DOC Percussionist who use
Page 1117 and 1118:
WASHINGTON, ALBERT Bibliography AMG
Page 1119 and 1120:
WASHINGTON, TONI LYNN Bibliography
Page 1121 and 1122:
WATERS, MUDDY Stovall Plantation ou
Page 1123 and 1124:
WATERS, MUDDY world. The whole band
Page 1125 and 1126:
WATSON, JOHNNY ‘‘GUITAR’’ c
Page 1127 and 1128:
WEAVER, SYLVESTER husband’s recor
Page 1129 and 1130:
WELDON, CASEY BILL WELDON, CASEY BI
Page 1131 and 1132:
WELLS, JUNIOR Bibliography AMG (Bil
Page 1133 and 1134:
WHEATSTRAW, PEETIE hundred sides. W
Page 1135 and 1136:
WHITE, BUKKA WHITE, BUKKA b. Booker
Page 1137 and 1138:
WHITE, GEORGIA Bibliography AMG (Jo
Page 1139 and 1140:
WILEY, GEECHIE Ishman Bracey relate
Page 1141 and 1142:
WILLIAMS, ARBESS WILLIAMS, ARBESS b
Page 1143 and 1144:
WILLIAMS, BILL WILLIAMS, BILL b. 28
Page 1145 and 1146:
WILLIAMS, J. MAYO operate the new D
Page 1147 and 1148:
WILLIAMS, JOSEPH LEON ‘‘JODY’
Page 1149 and 1150:
WILLIAMS, ROBERT PETE WILLIAMS, ROB
Page 1151 and 1152:
WILLIAMS, WALTER WILLIAMS, WALTER (
Page 1153 and 1154:
WILLIAMSON, SONNY BOY II (ALECK MIL
Page 1155 and 1156:
WILLIS, RALPH Bibliography Herzhaft
Page 1157 and 1158:
WILSON, HARDING ‘‘HOP’’ chi
Page 1159 and 1160:
WINSLOW, VERNON WINSLOW, VERNON (Se
Page 1161 and 1162:
WOLFMAN JACK U.S. disc jockey who c
Page 1163 and 1164:
WOODS, MITCH Woods and His Rocket 8
Page 1165 and 1166:
WRENCHER, ‘‘BIG’’ JOHN THOM
Page 1168 and 1169:
YANCEY, JAMES EDWARD(S) ‘‘JIMMY
Page 1170 and 1171:
Well known in the mid-1940s on Maxw
Page 1172 and 1173:
ZIEGLER, JOHN LEE b. 12 April 1929;
Page 1174 and 1175:
A A la Bridges, 595 A.F.O., 10 AACM
Page 1176 and 1177:
Alexander, Willard, with Johnson, P
Page 1178 and 1179:
Archia, Tom, 7, 28, 198, 991 Archiv
Page 1180 and 1181:
Ball & Chain, 548 Ball and Chain, 1
Page 1182 and 1183:
Best Contemporary Female Artist, W.
Page 1184 and 1185:
with Hill, Z.Z., 431-432 with Holli
Page 1186 and 1187:
Blues shouters, 103, 512, 604, 887
Page 1188 and 1189:
Brother George and His Sanctified S
Page 1190 and 1191:
Cannonball Records, 20, 180, 597 Ad
Page 1192 and 1193:
Blues Brothers, 130 Blue Smitty, 10
Page 1194 and 1195:
‘‘Cleanhead.’’ See James, E
Page 1196 and 1197:
drums and, 285 early recorded blues
Page 1198 and 1199:
Davis, Joe, (Joseph Morton), 66-67,
Page 1200 and 1201:
with Fleetwood Mac, 332 with Fulson
Page 1202 and 1203:
Dunbar, Scott, 288 Duncan and Brady
Page 1204 and 1205:
Eva’s Man, 617 Evans, Bill, 516 E
Page 1206 and 1207:
Flight, 222 Flip, Flop and Fly, 355
Page 1208 and 1209:
Gallagher, Rory, 357-358 Galloway,
Page 1210 and 1211:
choirs, 92 early composers of gospe
Page 1212 and 1213:
with Johnson, Pete, 535 with Johnso
Page 1214 and 1215:
Herald/Ember, 423 Allen, Lee, 19 Gr
Page 1216 and 1217:
Hopkins, Sam ‘‘Lightnin,’’
Page 1218 and 1219:
I Just Want to Make Love to You, 27
Page 1220 and 1221:
Is You Is or Is You Ain’t My Baby
Page 1222 and 1223:
JEMF (John Edwards Memorial Foundat
Page 1224 and 1225:
Juicy Fruit, 379 Juke, 407, 408, 84
Page 1226 and 1227:
‘‘Kings of Jazz’’ series, S
Page 1228 and 1229:
Lewis, Furry, 598 guitar, 2, 3, 22,
Page 1230 and 1231:
Lonesome Day Today, A, 869 Lonesome
Page 1232 and 1233:
Mambo Baby, 668 Mamie, 775 Mamie’
Page 1234 and 1235:
Melody, 84 elements of Melody, comp
Page 1236 and 1237:
with Green, Al, 375 with Johnson, S
Page 1238 and 1239:
Myers, Bob, 715 Myers, Dave ‘‘T
Page 1240 and 1241:
Nixon, Hammie, 122, 137, 794 influe
Page 1242 and 1243:
Padlock on the Blues, 661 Page, Jim
Page 1244 and 1245:
New Orleans, 767, 785 in pre-World
Page 1246 and 1247:
Pryor, James Edward ‘‘Snooky,
Page 1248 and 1249:
Record, Eugene, with Acklin, Barbar
Page 1250 and 1251:
Roadmasters, 458, 1054 RoadRunner,
Page 1252 and 1253:
S 10th Street Rag, 648 S. K. Blues,
Page 1254 and 1255:
She Walks Right In, 752 She Wants t
Page 1256 and 1257:
Smokin’ in Bed, 583 Smoking Gun,
Page 1258 and 1259:
Stark, John, 767 Starr Piano Compan
Page 1260 and 1261:
Take Your Time, 1072 Taking It Home
Page 1262 and 1263:
This Magic Moment, 779 This Tavern
Page 1264 and 1265:
Trumpet Records/Globe Music/ Diamon
Page 1266 and 1267:
Viagra, 664 Vibe magazine, 754 Vici
Page 1268 and 1269:
‘‘Going Down Slow’’ (‘‘
Page 1270 and 1271:
White, Josh, White, Joshua, 91, 337
Page 1272 and 1273:
Women, as artists, 654, 668, 669, 6
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B - Hobby Blues Band

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