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ON THIS MONTH: TALKSathnam SangheraMulti-form writer“I’m not a writer,” saysSathnam Sanghera,novelist, author of thebest-selling memoir TheBoy with the Top Knot, andweekly Times columnist.“I’m a rewriter. I thinkit was Hemingway whosaid that the first draft isalways shit. With me, the80th draft is always shit, too. I rewrote my firstbook 120 times. All I do is write nonsense andkeep rewriting till it gets good. It’s an idiotic wayof writing.”Sathnam was born in Wolverhampton in 1976,the fourth child of a couple who had emigratedfrom the Punjab – separately – in the 60s. Thefirst book he’s referring to, The Boy with theTopknot, is a look at his (largely) traditional Sikhchildhood in the Black Country; the narrativeis framed by a visit home (from a Western-styleexistence in London) in his 20s, during which heaccidentally discovered his father was long-termschizophrenic, and that his elder sister, too, hadsuffered from the condition.“It was very, very, very, very, very painful,” he says,of the experience of researching and writing thebook. “My memory isn’t actually very good, so injournalistic fashion I interviewed a lot of peoplewho were there at the time.” This included hisparents, siblings and 54 first cousins. “If you patcha lot of other people’s memories together, you canactually paint quite a detailed picture.”A lot of what he wrote was then edited out. “Iwas really worried about losing my family, andmade the decision not to publish anything theyweren’t happy with. They all read a draft. Therewas one particular chapterI had to get rid of. At thetime it killed me, but nowI’m really grateful [to hiselder sister] because we’vegot something in our familywhich is still private.”The book was made intoa film, for BBC2, in 2017.“That was agony,” saysSathnam. “You have a stranger reinterpretingthe worst things that ever happened to you, forTV.” But he’s happy it reached a wider audience.“Schizophrenia is never, ever on TV. It’s ledto people having conversations they wouldn’tnormally have. That’s a very rewarding thing, asa writer.”Sathnam doesn’t do things by halves. His 2013novel A Material Marriage was an adaptation ofArnold Bennett’s 1908 novel The Old Wives’ Tale,set in a contemporary (2011) corner shop; toresearch it he worked ‘for a few months’ behindthe counter of a number of Black Countryconvenience stores. “There,” he says, “you see amicrocosm of the world.”He gave up his day job at the Times while hewas researching his last two books. During thepreparation of his soon-to-be-finished third, ‘apopular history about the British Empire’, hehas continued to work for the newspaper, whichhe finds difficult. “Moving between journalismand writing books is knackering; it’s like flickingbetween the 100 metres and the long jump.Journalism is about answering questions, andliterature is about asking them.” Alex LeithThe Lewes Lit, 11th February, All Saints Centre,7.30pm. lewesliterarysociety.co.uk35