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Viva Brighton Issue #84 February 2020

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TRADE SECRETS

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Elsie Lovelock

Voice actor

Elsie Lovelock has lent her versatile vocals to

numerous video games and animations. She

tells Viva what it takes to make a living voicing

demons, witches and Pokémon.

In a typical day I’ll provide the voices for multiple

characters. You really have to inhabit each

one to make it convincing. If a character is falling

off a cliff I have to scream like I’m falling off a

cliff – even though I’m actually at my house in

Patcham in a closet I’ve converted into a soundproof

recording studio.

Sometimes games developers will send me

a lot of information about a character and

occasionally visual references too. Other times

they just give me a short description and I have to

decide what the character is like for myself.

I’m a gamer so I appreciate the importance of

good voiceovers. You can have a game that’s brilliant

in almost every way but if the voice acting is

off it really affects the experience of playing it.

Dubbing from another language is one of

the hardest things to do. You get a timedin

beat and have to match your vocals to the

mouth movements of the character on screen.

The dream jobs are pre-lays, where you do the

voice first and the animators work around your

vocals. It’s how most of the Disney films are

made. You have far more creative freedom and

fewer time restrictions.

The indie games market is booming so it’s

an exciting place to work. Wargroove, one of

the games I voiced, was recently nominated for a

Game award – which is the Oscars of the games

world. I also worked on a musical animation

called Hazbin Hotel, which was released at the end

of November and has had 20m views already.

I originally wanted to go into animation,

because I love to draw, but when I was 17 I sung

in a youth opera at Glyndebourne called Knight

Crew and decided I wanted to be a performer instead.

I did a lot of am-dram and had a band. I set

up my own YouTube channel to share my singing

and voice work. Then I started auditioning for

specific projects.

It takes a lot of mental energy to bring a

character to life with your voice alone. It can

be draining when I’m working on a horror, for

example, and I’ll have spent the whole day voicing

a character that has had her throat slit and is

gurgling blood! I have to look after my voice –

and my health generally – because I can’t work if I

don’t sound like I should.

But there’s so much variety, especially compared

with live action performance where

you’re limited by the way you look. As a voice

actor you can play almost anyone – or anything. It

never gets boring. As told to Nione Meakin

Hear Elsie Lovelock as Jennifer in the forthcoming

survival horror game Remothered: Broken Porcelain

out later this year.

elsielovelock.com

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