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JAVA Feb 2020

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Photography: Jeff Chabot

Styling: Weezy’s Playhouse

Hair and Makeup: Nataliya Kovchan

But the McGarrys have taken a different approach than many galleries in terms

of choosing the type of work to show. Instead of sticking to one “genre” or a

selected group of artists, they’ve simply chosen to exhibit art that, in their words,

is of “extraordinary quality” that will “hold up over time.” At {9} The Gallery, you

might find realism, pop art, period landscapes, watercolors, abstract painting, and

sculpture, among other classifications.

The art they show is also defined by what they have access to, which typically

means work created by unrepresented local artists. Sean wants to democratize

the art scene here in Phoenix by not excluding anyone by age, style, or medium.

They’ve even shown costume designs by artist Irene Marie aka Weezy’s Playhouse,

and the gallery showcases more practical art, like clothing, furniture, and jewelry,

in its back space. For now, at least, they just want to “show great work,” Sean

says. “Greatness can come from anywhere,” he says.

Carrie Beth and Sean aim to support artists in ways beyond getting their work

sold, though. One way they have embraced the idea of contributing to artists’

growth is by hosting artist-run critiques. These are supportive events in which

artists present work that has inspired them, along with what they produced as a

result. The atmosphere is friendly and constructive, much like art school, except

without the harsh critiques. So far, there have been about a half dozen of the

events; they’ve included local artists such as Jillian Bennett, Henry Bosak, and

Antoinette Cauley, to name a few.

Sean points out that support for artists can also mean providing supplies, offering

studio space, or buying advertising for artists to keep them thinking forward.

Both curators embrace the idea of helping artists with the business aspect of

their careers. For many artists, it’s a struggle to be creative, entrepreneurial, and

business savvy all at the same time.

Carrie Beth wants artists to focus on making great work and to let her do all the

marketing. Parallel to her role, Sean hopes to be the middleman between artist

and art collector, therefore lessening the burden on the artist. His suggestion to

artists, or anyone for that matter, is to not negotiate for yourself, as there’s too

much of an emotional attachment. With these skillsets, the pair make a great art

management team.

As far as their business partnership and how they complement one another, Sean

is more engaged with the artists and focused on the art shown at the gallery,

while Carrie Beth takes care of the bookkeeping, management, and marketing. She

says her favorite time of the month is when she can pay the artists they represent.

32 JAVA

MAGAZINE

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